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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0BC6A9 it is the complementary color #F43956. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0BC6A9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #0BC6A9: #10C6A4, #21D8B7, #32EACA, #43FCDD and #54FFF0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0BC6A9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #0BC6A9: #0BC6A9, #00B496, #00A283, #009070 and #007E5D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 94 / 0 / 15 / 22

HEX #0BC6A9

RGB 11 198 169

HSL 170.7, 0.89%, 0.41%

LAB 71.77, -47.66, 2.97

 

Complementary color

CMYK 0 / 77 / 65 / 4

HEX #F43956

RGB 244 57 86

HSL 350.7, 0.89%, 0.59%

LAB 54.9, 70.5, 28.87

 

CMYK 92 / 0 / 17 / 22

HEX #10C6A4

RGB 16 198 164

HSL 168.79, 0.85%, 0.42%

LAB 71.68, -48.79, 5.55

 

CMYK 85 / 0 / 15 / 15

HEX #21D8B7

RGB 33 216 183

HSL 169.18, 0.73%, 0.49%

LAB 77.79, -50.27, 4.16

 

CMYK 79 / 0 / 14 / 8

HEX #32EACA

RGB 50 234 202

HSL 169.57, 0.81%, 0.56%

LAB 83.86, -51.4, 2.9

 

CMYK 73 / 0 / 12 / 1

HEX #43FCDD

RGB 67 252 221

HSL 169.95, 0.97%, 0.63%

LAB 89.88, -52.26, 1.74

 

CMYK 67 / 0 / 6 / 0

HEX #54FFF0

RGB 84 255 240

HSL 174.74, 1%, 0.66%

LAB 91.55, -46.55, -5.63

 

CMYK 94 / 0 / 15 / 22

HEX #0BC6A9

RGB 11 198 169

HSL 170.7, 0.89%, 0.41%

LAB 71.77, -47.66, 2.97

 

CMYK 100 / 0 / 17 / 29

HEX #00B496

RGB 0 180 150

HSL 170, 1%, 0.35%

LAB 65.63, -45.66, 4.48

 

CMYK 100 / 0 / 19 / 36

HEX #00A283

RGB 0 162 131

HSL 168.52, 1%, 0.32%

LAB 59.42, -43.26, 6.14

 

CMYK 100 / 0 / 22 / 44

HEX #009070

RGB 0 144 112

HSL 166.67, 1%, 0.28%

LAB 53.08, -40.81, 7.88

 

CMYK 100 / 0 / 26 / 51

HEX #007E5D

RGB 0 126 93

HSL 164.29, 1%, 0.25%

LAB 46.59, -38.28, 9.71

 

CMYK 94 / 0 / 15 / 22

HEX #0BC6A9

RGB 11 198 169

HSL 170.7, 0.89%, 0.41%

LAB 71.77, -47.66, 2.97

 

CMYK 94 / 0 / 0 / 23

HEX #0BC5C5

RGB 11 197 197

HSL 180, 0.89%, 0.41%

LAB 72.25, -39.28, -11.57

 

CMYK 94 / 16 / 0 / 23

HEX #0BA6C5

RGB 11 166 197

HSL 190, 0.89%, 0.41%

LAB 62.82, -24.37, -25.87

 

CMYK 94 / 31 / 0 / 23

HEX #0B87C5

RGB 11 135 197

HSL 200, 0.89%, 0.41%

LAB 53.42, -7.48, -40.52

 

CMYK 94 / 47 / 0 / 23

HEX #0B68C5

RGB 11 104 197

HSL 210, 0.89%, 0.41%

LAB 44.24, 11.55, -55.16

 

CMYK 94 / 0 / 15 / 22

HEX #0BC6A9

RGB 11 198 169

HSL 170.7, 0.89%, 0.41%

LAB 71.77, -47.66, 2.97

 

CMYK 94 / 0 / 14 / 2

HEX #0EF9D5

RGB 14 249 213

HSL 170.81, 0.95%, 0.52%

LAB 88.28, -56.73, 3.52

 

CMYK 93 / 0 / 16 / 82

HEX #032D26

RGB 3 45 38

HSL 170, 0.88%, 0.09%

LAB 15.68, -16.17, 0.5

 

CMYK 95 / 0 / 15 / 62

HEX #056052

RGB 5 96 82

HSL 170.77, 0.9%, 0.2%

LAB 36, -27.64, 1.2

 

CMYK 95 / 0 / 15 / 42

HEX #08937D

RGB 8 147 125

HSL 170.5, 0.9%, 0.3%

LAB 54.45, -38.13, 2.39

 

CMYK 94 / 0 / 15 / 22

HEX #0BC6A9

RGB 11 198 169

HSL 170.7, 0.89%, 0.41%

LAB 71.77, -47.66, 2.97

 

CMYK 91 / 94 / 0 / 23

HEX #110BC5

RGB 17 11 197

HSL 241.94, 0.89%, 0.41%

LAB 24.92, 62.99, -86.89

 

CMYK 0 / 53 / 94 / 23

HEX #C55C0B

RGB 197 92 11

HSL 26.13, 0.89%, 0.41%

LAB 51.32, 38.15, 57.96

 

CMYK 94 / 0 / 15 / 22

HEX #0BC6A9

RGB 11 198 169

HSL 170.7, 0.89%, 0.41%

LAB 71.77, -47.66, 2.97

 

CMYK 16 / 94 / 0 / 23

HEX #A60BC5

RGB 166 11 197

HSL 290, 0.89%, 0.41%

LAB 41.81, 75.08, -58.49

 

CMYK 0 / 16 / 94 / 23

HEX #C5A60B

RGB 197 166 11

HSL 50, 0.89%, 0.41%

LAB 68.87, -1.66, 70.47

 

CMYK 94 / 0 / 15 / 22

HEX #0BC6A9

RGB 11 198 169

HSL 170.7, 0.89%, 0.41%

LAB 71.77, -47.66, 2.97

 

CMYK 91 / 94 / 0 / 23

HEX #110BC5

RGB 17 11 197

HSL 241.94, 0.89%, 0.41%

LAB 24.92, 62.99, -86.89

 

CMYK 0 / 94 / 79 / 23

HEX #C50B2A

RGB 197 11 42

HSL 350, 0.89%, 0.41%

LAB 41.65, 65.6, 36.93

 

CMYK 3 / 0 / 94 / 23

HEX #BFC50B

RGB 191 197 11

HSL 61.94, 0.89%, 0.41%

LAB 76.7, -20.21, 76.13

 

CMYK 94 / 0 / 15 / 22

HEX #0BC6A9

RGB 11 198 169

HSL 170.7, 0.89%, 0.41%

LAB 71.77, -47.66, 2.97

 

CMYK 63 / 94 / 0 / 23

HEX #490BC5

RGB 73 11 197

HSL 260, 0.89%, 0.41%

LAB 28.61, 64.97, -80.65

 

CMYK 0 / 94 / 79 / 23

HEX #C50B2A

RGB 197 11 42

HSL 350, 0.89%, 0.41%

LAB 41.65, 65.6, 36.93

 

CMYK 31 / 0 / 94 / 23

HEX #87C50B

RGB 135 197 11

HSL 80, 0.89%, 0.41%

LAB 72.96, -42.96, 71.61

 

Description

Color code: HEX #0BC6A9 | qconv.com Color code: HEX #0BC6A9 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 11 red, 198 green and 169 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
11 198 169 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 94 cyan, none magenta, 15 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
94% 0% 15% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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