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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0BBCD7 it is the complementary color #F44328. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0BBCD7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0BBCD7 shade: #10BCD2, #21CEE5, #32E0F8, #43F2FF and #54FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0BBCD7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0BBCD7 shade: #0BBCD7, #00AAC4, #0098B1, #00869E and #00748B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0BBCD7 shade: #0BBAD5, #0B84D5, #0B4ED5, #0B17D5 and #360BD5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0BBCD7 shade: #0BBAD5, #0B84D5, #0B4ED5, #0B17D5 and #0B0BD5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0BBCD7 shade matches the following richer shades: #0BBAD5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0BBCD7 shade: #0BBAD5, #1DADC3, #30A0B1, #42929F and #54858D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0BBCD7 shade: #0BD581, #0BD5B7, #0BBED5, #0B88D5 and #0B52D5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0BBCD7 shade: #077687, #0998AE, #0BBAD5, #17D6F3 and #3EDDF5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0BBCD7 shade: #0BBCD7, #4B0BD5 and #D59C0B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0BBCD7 shade: #0BBCD7, #D50BBE and #BED50B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0BBCD7 shade: #0BBCD7, #4B0BD5, #D5230B and #95D50B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0BBCD7 shade: #0BBCD7, #880BD5, #D5230B and #59D50B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 95 / 13 / 0 / 16

HEX #0BBCD7

RGB 11 188 215

HSL 187.94, 0.9%, 0.44%

LAB 70.14, -29.39, -24.59

 

Complementary color

CMYK 0 / 73 / 84 / 4

HEX #F44328

RGB 244 67 40

HSL 7.94, 0.9%, 0.56%

LAB 55.48, 65.64, 54.45

 

CMYK 92 / 10 / 0 / 18

HEX #10BCD2

RGB 16 188 210

HSL 186.8, 0.86%, 0.44%

LAB 69.99, -30.84, -22.08

 

CMYK 86 / 10 / 0 / 10

HEX #21CEE5

RGB 33 206 229

HSL 187.04, 0.79%, 0.51%

LAB 76.14, -32.62, -22.99

 

CMYK 80 / 10 / 0 / 3

HEX #32E0F8

RGB 50 224 248

HSL 187.27, 0.93%, 0.58%

LAB 82.25, -34.05, -23.81

 

CMYK 74 / 5 / 0 / 0

HEX #43F2FF

RGB 67 242 255

HSL 184.15, 1%, 0.63%

LAB 87.93, -38.72, -18.87

 

CMYK 67 / 0 / 0 / 0

HEX #54FFFF

RGB 84 255 255

HSL 180, 1%, 0.66%

LAB 91.96, -42.57, -12.78

 

CMYK 95 / 13 / 0 / 16

HEX #0BBCD7

RGB 11 188 215

HSL 187.94, 0.9%, 0.44%

LAB 70.14, -29.39, -24.59

 

CMYK 100 / 13 / 0 / 23

HEX #00AAC4

RGB 0 170 196

HSL 187.96, 1%, 0.38%

LAB 63.95, -27.09, -23.6

 

CMYK 100 / 14 / 0 / 31

HEX #0098B1

RGB 0 152 177

HSL 188.47, 1%, 0.35%

LAB 57.68, -24.41, -22.52

 

CMYK 100 / 15 / 0 / 38

HEX #00869E

RGB 0 134 158

HSL 189.11, 1%, 0.31%

LAB 51.29, -21.67, -21.43

 

CMYK 100 / 17 / 0 / 45

HEX #00748B

RGB 0 116 139

HSL 189.93, 1%, 0.27%

LAB 44.74, -18.84, -20.34

 

CMYK 95 / 13 / 0 / 16

HEX #0BBAD5

RGB 11 186 213

HSL 188.02, 0.9%, 0.44%

LAB 69.46, -29.06, -24.52

 

CMYK 95 / 38 / 0 / 16

HEX #0B84D5

RGB 11 132 213

HSL 204.06, 0.9%, 0.44%

LAB 53.36, 0.39, -49.68

 

CMYK 95 / 63 / 0 / 16

HEX #0B4ED5

RGB 11 78 213

HSL 220.1, 0.9%, 0.44%

LAB 38.42, 34.88, -73.85

 

CMYK 95 / 89 / 0 / 16

HEX #0B17D5

RGB 11 23 213

HSL 236.44, 0.9%, 0.44%

LAB 28.08, 63.95, -90.96

 

CMYK 75 / 95 / 0 / 16

HEX #360BD5

RGB 54 11 213

HSL 252.77, 0.9%, 0.44%

LAB 28.97, 68, -89.43

 

CMYK 95 / 13 / 0 / 16

HEX #0BBAD5

RGB 11 186 213

HSL 188.02, 0.9%, 0.44%

LAB 69.46, -29.06, -24.52

 

CMYK 95 / 38 / 0 / 16

HEX #0B84D5

RGB 11 132 213

HSL 204.06, 0.9%, 0.44%

LAB 53.36, 0.39, -49.68

 

CMYK 95 / 63 / 0 / 16

HEX #0B4ED5

RGB 11 78 213

HSL 220.1, 0.9%, 0.44%

LAB 38.42, 34.88, -73.85

 

CMYK 95 / 89 / 0 / 16

HEX #0B17D5

RGB 11 23 213

HSL 236.44, 0.9%, 0.44%

LAB 28.08, 63.95, -90.96

 

CMYK 95 / 95 / 0 / 16

HEX #0B0BD5

RGB 11 11 213

HSL 240, 0.9%, 0.44%

LAB 27.06, 67.09, -92.67

 

CMYK 95 / 13 / 0 / 16

HEX #0BBAD5

RGB 11 186 213

HSL 188.02, 0.9%, 0.44%

LAB 69.46, -29.06, -24.52

 

CMYK 95 / 13 / 0 / 16

HEX #0BBAD5

RGB 11 186 213

HSL 188.02, 0.9%, 0.44%

LAB 69.46, -29.06, -24.52

 

CMYK 85 / 11 / 0 / 24

HEX #1DADC3

RGB 29 173 195

HSL 187.95, 0.74%, 0.44%

LAB 65.03, -27.64, -21.36

 

CMYK 73 / 10 / 0 / 31

HEX #30A0B1

RGB 48 160 177

HSL 187.91, 0.57%, 0.44%

LAB 60.73, -25.03, -17.81

 

CMYK 58 / 8 / 0 / 38

HEX #42929F

RGB 66 146 159

HSL 188.39, 0.41%, 0.44%

LAB 56.31, -20.43, -14.25

 

CMYK 40 / 6 / 0 / 45

HEX #54858D

RGB 84 133 141

HSL 188.42, 0.25%, 0.44%

LAB 52.49, -14.33, -9.53

 

CMYK 95 / 0 / 39 / 16

HEX #0BD581

RGB 11 213 129

HSL 155.05, 0.9%, 0.44%

LAB 75.6, -62.57, 29.55

 

CMYK 95 / 0 / 14 / 16

HEX #0BD5B7

RGB 11 213 183

HSL 171.09, 0.9%, 0.44%

LAB 76.73, -50.12, 2.6

 

CMYK 95 / 11 / 0 / 16

HEX #0BBED5

RGB 11 190 213

HSL 186.83, 0.9%, 0.44%

LAB 70.67, -31.01, -22.69

 

CMYK 95 / 36 / 0 / 16

HEX #0B88D5

RGB 11 136 213

HSL 202.87, 0.9%, 0.44%

LAB 54.54, -1.99, -47.81

 

CMYK 95 / 62 / 0 / 16

HEX #0B52D5

RGB 11 82 213

HSL 218.91, 0.9%, 0.44%

LAB 39.43, 32.28, -72.19

 

CMYK 95 / 13 / 0 / 47

HEX #077687

RGB 7 118 135

HSL 187.97, 0.9%, 0.28%

LAB 45.29, -20.98, -17.11

 

CMYK 95 / 13 / 0 / 32

HEX #0998AE

RGB 9 152 174

HSL 188, 0.9%, 0.36%

LAB 57.63, -25.1, -20.9

 

CMYK 95 / 13 / 0 / 16

HEX #0BBAD5

RGB 11 186 213

HSL 188.02, 0.9%, 0.44%

LAB 69.46, -29.06, -24.52

 

CMYK 91 / 12 / 0 / 5

HEX #17D6F3

RGB 23 214 243

HSL 187.91, 0.9%, 0.52%

LAB 78.89, -32.54, -26.3

 

CMYK 75 / 10 / 0 / 4

HEX #3EDDF5

RGB 62 221 245

HSL 187.87, 0.9%, 0.6%

LAB 81.47, -32.4, -23.39

 

CMYK 95 / 13 / 0 / 16

HEX #0BBCD7

RGB 11 188 215

HSL 187.94, 0.9%, 0.44%

LAB 70.14, -29.39, -24.59

 

CMYK 65 / 95 / 0 / 16

HEX #4B0BD5

RGB 75 11 213

HSL 259.01, 0.9%, 0.44%

LAB 30.73, 68.95, -86.45

 

CMYK 0 / 27 / 95 / 16

HEX #D59C0B

RGB 213 156 11

HSL 43.07, 0.9%, 0.44%

LAB 67.98, 10.79, 70.57

 

CMYK 95 / 13 / 0 / 16

HEX #0BBCD7

RGB 11 188 215

HSL 187.94, 0.9%, 0.44%

LAB 70.14, -29.39, -24.59

 

CMYK 0 / 95 / 11 / 16

HEX #D50BBE

RGB 213 11 190

HSL 306.83, 0.9%, 0.44%

LAB 49.62, 81.75, -41.43

 

CMYK 11 / 0 / 95 / 16

HEX #BED50B

RGB 190 213 11

HSL 66.83, 0.9%, 0.44%

LAB 81.05, -28.36, 79.43

 

CMYK 95 / 13 / 0 / 16

HEX #0BBCD7

RGB 11 188 215

HSL 187.94, 0.9%, 0.44%

LAB 70.14, -29.39, -24.59

 

CMYK 65 / 95 / 0 / 16

HEX #4B0BD5

RGB 75 11 213

HSL 259.01, 0.9%, 0.44%

LAB 30.73, 68.95, -86.45

 

CMYK 0 / 84 / 95 / 16

HEX #D5230B

RGB 213 35 11

HSL 7.13, 0.9%, 0.44%

LAB 46.14, 65.25, 56.16

 

CMYK 30 / 0 / 95 / 16

HEX #95D50B

RGB 149 213 11

HSL 79.01, 0.9%, 0.44%

LAB 78.46, -44.57, 76.3

 

CMYK 95 / 13 / 0 / 16

HEX #0BBCD7

RGB 11 188 215

HSL 187.94, 0.9%, 0.44%

LAB 70.14, -29.39, -24.59

 

CMYK 36 / 95 / 0 / 16

HEX #880BD5

RGB 136 11 213

HSL 277.13, 0.9%, 0.44%

LAB 38.34, 74.1, -73.64

 

CMYK 0 / 84 / 95 / 16

HEX #D5230B

RGB 213 35 11

HSL 7.13, 0.9%, 0.44%

LAB 46.14, 65.25, 56.16

 

CMYK 58 / 0 / 95 / 16

HEX #59D50B

RGB 89 213 11

HSL 96.83, 0.9%, 0.44%

LAB 75.91, -63.56, 73.18

 

Description

Color code: HEX #0BBCD7 | qconv.com Color code: HEX #0BBCD7 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 11 red, 188 green and 215 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
11 188 215 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 95 cyan, 13 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
95% 13% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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