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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0BB5E5 it is the complementary color #F44A1A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0BB5E5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0BB5E5 shade: #10B5E0, #21C7F3, #32D9FF, #43EBFF and #54FDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0BB5E5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0BB5E5 shade: #0BB5E5, #00A3D2, #0091BF, #007FAC and #006D99

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0BB5E5 shade: #0AB4E4, #0A7AE4, #0A3FE4, #110AE4 and #4B0AE4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0BB5E5 shade: #0AB4E4, #0A7AE4, #0A3FE4 and #0A0AE4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0BB5E5 shade matches the following richer shades: #0AB4E4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0BB5E5 shade: #0AB4E4, #1EAAD1, #319FBE, #4494AA and #588997

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0BB5E5 shade: #0AE49F, #0AE4DA, #0AB5E4, #0A7BE4 and #0A41E4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0BB5E5 shade: #077696, #0895BD, #0AB4E4, #24C6F4 and #4BD0F6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0BB5E5 shade: #0BB5E5, #650AE4 and #E4BC0A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0BB5E5 shade: #0BB5E5, #E40AB5 and #B5E40A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0BB5E5 shade: #0BB5E5, #650AE4, #E43A0A and #8AE40A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0BB5E5 shade: #0BB5E5, #A70AE4, #E43A0A and #48E40A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 95 / 21 / 0 / 10

HEX #0BB5E5

RGB 11 181 229

HSL 193.21, 0.91%, 0.47%

LAB 68.59, -21.16, -34.62

 

Complementary color

CMYK 0 / 70 / 89 / 4

HEX #F44A1A

RGB 244 74 26

HSL 13.21, 0.91%, 0.53%

LAB 56.29, 62.91, 60.79

 

CMYK 93 / 19 / 0 / 12

HEX #10B5E0

RGB 16 181 224

HSL 192.4, 0.87%, 0.47%

LAB 68.42, -22.71, -32.15

 

CMYK 86 / 18 / 0 / 5

HEX #21C7F3

RGB 33 199 243

HSL 192.57, 0.9%, 0.54%

LAB 74.6, -24.68, -32.89

 

CMYK 80 / 15 / 0 / 0

HEX #32D9FF

RGB 50 217 255

HSL 191.12, 1%, 0.6%

LAB 80.47, -28.52, -30.24

 

CMYK 74 / 8 / 0 / 0

HEX #43EBFF

RGB 67 235 255

HSL 186.38, 1%, 0.63%

LAB 85.92, -35.49, -21.91

 

CMYK 67 / 1 / 0 / 0

HEX #54FDFF

RGB 84 253 255

HSL 180.7, 1%, 0.66%

LAB 91.39, -41.68, -13.63

 

CMYK 95 / 21 / 0 / 10

HEX #0BB5E5

RGB 11 181 229

HSL 193.21, 0.91%, 0.47%

LAB 68.59, -21.16, -34.62

 

CMYK 100 / 22 / 0 / 18

HEX #00A3D2

RGB 0 163 210

HSL 193.43, 1%, 0.41%

LAB 62.38, -18.64, -33.8

 

CMYK 100 / 24 / 0 / 25

HEX #0091BF

RGB 0 145 191

HSL 194.45, 1%, 0.37%

LAB 56.1, -15.73, -32.91

 

CMYK 100 / 26 / 0 / 33

HEX #007FAC

RGB 0 127 172

HSL 195.7, 1%, 0.34%

LAB 49.69, -12.71, -32.04

 

CMYK 100 / 29 / 0 / 40

HEX #006D99

RGB 0 109 153

HSL 197.25, 1%, 0.3%

LAB 43.12, -9.56, -31.18

 

CMYK 96 / 21 / 0 / 11

HEX #0AB4E4

RGB 10 180 228

HSL 193.21, 0.92%, 0.47%

LAB 68.25, -21.01, -34.6

 

CMYK 96 / 46 / 0 / 11

HEX #0A7AE4

RGB 10 122 228

HSL 209.17, 0.92%, 0.47%

LAB 51.36, 12.33, -61.32

 

CMYK 96 / 72 / 0 / 11

HEX #0A3FE4

RGB 10 63 228

HSL 225.41, 0.92%, 0.47%

LAB 36.41, 49.65, -85.75

 

CMYK 93 / 96 / 0 / 11

HEX #110AE4

RGB 17 10 228

HSL 241.93, 0.92%, 0.47%

LAB 29.25, 71.14, -97.65

 

CMYK 67 / 96 / 0 / 11

HEX #4B0AE4

RGB 75 10 228

HSL 257.89, 0.92%, 0.47%

LAB 32.51, 72.69, -92.13

 

CMYK 96 / 21 / 0 / 11

HEX #0AB4E4

RGB 10 180 228

HSL 193.21, 0.92%, 0.47%

LAB 68.25, -21.01, -34.6

 

CMYK 96 / 46 / 0 / 11

HEX #0A7AE4

RGB 10 122 228

HSL 209.17, 0.92%, 0.47%

LAB 51.36, 12.33, -61.32

 

CMYK 96 / 72 / 0 / 11

HEX #0A3FE4

RGB 10 63 228

HSL 225.41, 0.92%, 0.47%

LAB 36.41, 49.65, -85.75

 

CMYK 96 / 96 / 0 / 11

HEX #0A0AE4

RGB 10 10 228

HSL 240, 0.92%, 0.47%

LAB 29.12, 71.08, -97.88

 

CMYK 96 / 21 / 0 / 11

HEX #0AB4E4

RGB 10 180 228

HSL 193.21, 0.92%, 0.47%

LAB 68.25, -21.01, -34.6

 

CMYK 96 / 21 / 0 / 11

HEX #0AB4E4

RGB 10 180 228

HSL 193.21, 0.92%, 0.47%

LAB 68.25, -21.01, -34.6

 

CMYK 86 / 19 / 0 / 18

HEX #1EAAD1

RGB 30 170 209

HSL 193.07, 0.75%, 0.47%

LAB 64.67, -21.39, -29.68

 

CMYK 74 / 16 / 0 / 25

HEX #319FBE

RGB 49 159 190

HSL 193.19, 0.59%, 0.47%

LAB 60.93, -20.2, -24.82

 

CMYK 60 / 13 / 0 / 33

HEX #4494AA

RGB 68 148 170

HSL 192.94, 0.43%, 0.47%

LAB 57.38, -17.75, -18.9

 

CMYK 42 / 9 / 0 / 41

HEX #588997

RGB 88 137 151

HSL 193.33, 0.26%, 0.47%

LAB 54.24, -12.7, -12.68

 

CMYK 96 / 0 / 30 / 11

HEX #0AE49F

RGB 10 228 159

HSL 161.01, 0.92%, 0.47%

LAB 80.77, -61.73, 21.02

 

CMYK 96 / 0 / 4 / 11

HEX #0AE4DA

RGB 10 228 218

HSL 177.25, 0.92%, 0.47%

LAB 82.17, -46.83, -8.07

 

CMYK 96 / 21 / 0 / 11

HEX #0AB5E4

RGB 10 181 228

HSL 192.94, 0.92%, 0.47%

LAB 68.54, -21.53, -34.14

 

CMYK 96 / 46 / 0 / 11

HEX #0A7BE4

RGB 10 123 228

HSL 208.9, 0.92%, 0.47%

LAB 51.65, 11.7, -60.86

 

CMYK 96 / 71 / 0 / 11

HEX #0A41E4

RGB 10 65 228

HSL 224.86, 0.92%, 0.47%

LAB 36.83, 48.47, -85.05

 

CMYK 95 / 21 / 0 / 41

HEX #077696

RGB 7 118 150

HSL 193.43, 0.91%, 0.31%

LAB 45.91, -15.54, -25.04

 

CMYK 96 / 21 / 0 / 26

HEX #0895BD

RGB 8 149 189

HSL 193.26, 0.92%, 0.39%

LAB 57.29, -18.35, -29.93

 

CMYK 96 / 21 / 0 / 11

HEX #0AB4E4

RGB 10 180 228

HSL 193.21, 0.92%, 0.47%

LAB 68.25, -21.01, -34.6

 

CMYK 85 / 19 / 0 / 4

HEX #24C6F4

RGB 36 198 244

HSL 193.27, 0.9%, 0.55%

LAB 74.38, -23.65, -33.77

 

CMYK 70 / 15 / 0 / 4

HEX #4BD0F6

RGB 75 208 246

HSL 193.33, 0.9%, 0.63%

LAB 78.03, -24.18, -29.16

 

CMYK 95 / 21 / 0 / 10

HEX #0BB5E5

RGB 11 181 229

HSL 193.21, 0.91%, 0.47%

LAB 68.59, -21.16, -34.62

 

CMYK 56 / 96 / 0 / 11

HEX #650AE4

RGB 101 10 228

HSL 265.05, 0.92%, 0.47%

LAB 35.17, 74.22, -87.63

 

CMYK 0 / 18 / 96 / 11

HEX #E4BC0A

RGB 228 188 10

HSL 48.99, 0.92%, 0.47%

LAB 77.57, 0.4, 78.33

 

CMYK 95 / 21 / 0 / 10

HEX #0BB5E5

RGB 11 181 229

HSL 193.21, 0.91%, 0.47%

LAB 68.59, -21.16, -34.62

 

CMYK 0 / 96 / 21 / 11

HEX #E40AB5

RGB 228 10 181

HSL 312.94, 0.92%, 0.47%

LAB 51.89, 83.44, -32.42

 

CMYK 21 / 0 / 96 / 11

HEX #B5E40A

RGB 181 228 10

HSL 72.94, 0.92%, 0.47%

LAB 84.65, -38.88, 82.04

 

CMYK 95 / 21 / 0 / 10

HEX #0BB5E5

RGB 11 181 229

HSL 193.21, 0.91%, 0.47%

LAB 68.59, -21.16, -34.62

 

CMYK 56 / 96 / 0 / 11

HEX #650AE4

RGB 101 10 228

HSL 265.05, 0.92%, 0.47%

LAB 35.17, 74.22, -87.63

 

CMYK 0 / 75 / 96 / 11

HEX #E43A0A

RGB 228 58 10

HSL 13.21, 0.92%, 0.47%

LAB 51.32, 63.26, 60.85

 

CMYK 39 / 0 / 96 / 11

HEX #8AE40A

RGB 138 228 10

HSL 84.77, 0.92%, 0.47%

LAB 82.33, -54.6, 79.22

 

CMYK 95 / 21 / 0 / 10

HEX #0BB5E5

RGB 11 181 229

HSL 193.21, 0.91%, 0.47%

LAB 68.59, -21.16, -34.62

 

CMYK 27 / 96 / 0 / 11

HEX #A70AE4

RGB 167 10 228

HSL 283.21, 0.92%, 0.47%

LAB 44.28, 80.78, -72.32

 

CMYK 0 / 75 / 96 / 11

HEX #E43A0A

RGB 228 58 10

HSL 13.21, 0.92%, 0.47%

LAB 51.32, 63.26, 60.85

 

CMYK 68 / 0 / 96 / 11

HEX #48E40A

RGB 72 228 10

HSL 102.94, 0.92%, 0.47%

LAB 80.12, -72.09, 76.51

 

Description

Color code: HEX #0BB5E5 | qconv.com Color code: HEX #0BB5E5 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 11 red, 181 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
11 181 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 95 cyan, 21 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
95% 21% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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