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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0BAC2E it is the complementary color #F453D1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0BAC2E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0BAC2E shade: #10AC29, #21BE3C, #32D04F, #43E262 and #54F475

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0BAC2E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0BAC2E shade: #0BAC2E, #009A1B, #008808, #007600 and #006400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0BAC2E shade: #0BAD2E, #13AD0B, #3FAD0B, #6BAD0B and #96AD0B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0BAC2E shade: #0BAD2E, #0BAD5A, #0BAD85, #0BA8AD and #0B7DAD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0BAC2E shade matches the following richer shades: #0BAD2E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0BAC2E shade: #0BAD2E, #1A9E37, #298F3F, #388047 and #467150

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0BAC2E shade: #3EAD0B, #13AD0B, #0BAD2E, #0BAD59 and #0BAD84

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0BAC2E shade: #065F19, #098624, #0BAD2E, #0DD338 and #1AF048

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0BAC2E shade: #0BAC2E, #0B69AD and #AD0B29

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0BAC2E shade: #0BAC2E, #2E0BAD and #AD2E0B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0BAC2E shade: #0BAC2E, #0B69AD, #AD0B8A and #AD4E0B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0BAC2E shade: #0BAC2E, #0B39AD, #AD0B8A and #AD7F0B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 94 / 0 / 73 / 33

HEX #0BAC2E

RGB 11 172 46

HSL 133.04, 0.88%, 0.36%

LAB 61.46, -61.39, 51.49

 

Complementary color

CMYK 0 / 66 / 14 / 4

HEX #F453D1

RGB 244 83 209

HSL 313.04, 0.88%, 0.64%

LAB 61.67, 73.9, -33.07

 

CMYK 91 / 0 / 76 / 33

HEX #10AC29

RGB 16 172 41

HSL 129.62, 0.83%, 0.37%

LAB 61.46, -61.49, 53.3

 

CMYK 83 / 0 / 68 / 25

HEX #21BE3C

RGB 33 190 60

HSL 130.32, 0.7%, 0.44%

LAB 67.63, -63.81, 52.59

 

CMYK 76 / 0 / 62 / 18

HEX #32D04F

RGB 50 208 79

HSL 131.01, 0.63%, 0.51%

LAB 73.77, -65.4, 51.46

 

CMYK 70 / 0 / 57 / 11

HEX #43E262

RGB 67 226 98

HSL 131.7, 0.73%, 0.57%

LAB 79.88, -66.47, 50.15

 

CMYK 66 / 0 / 52 / 4

HEX #54F475

RGB 84 244 117

HSL 132.38, 0.88%, 0.64%

LAB 85.94, -67.17, 48.79

 

CMYK 94 / 0 / 73 / 33

HEX #0BAC2E

RGB 11 172 46

HSL 133.04, 0.88%, 0.36%

LAB 61.46, -61.39, 51.49

 

CMYK 100 / 0 / 82 / 40

HEX #009A1B

RGB 0 154 27

HSL 130.52, 1%, 0.3%

LAB 55.27, -58.09, 51.77

 

CMYK 100 / 0 / 94 / 47

HEX #008808

RGB 0 136 8

HSL 123.53, 1%, 0.27%

LAB 49.04, -53.73, 50.64

 

CMYK 100 / 0 / 100 / 54

HEX #007600

RGB 0 118 0

HSL 120, 1%, 0.23%

LAB 42.7, -48.77, 47.07

 

CMYK 100 / 0 / 100 / 61

HEX #006400

RGB 0 100 0

HSL 120, 1%, 0.2%

LAB 36.2, -43.37, 41.86

 

CMYK 94 / 0 / 73 / 32

HEX #0BAD2E

RGB 11 173 46

HSL 132.96, 0.88%, 0.36%

LAB 61.79, -61.68, 51.83

 

CMYK 89 / 0 / 94 / 32

HEX #13AD0B

RGB 19 173 11

HSL 117.04, 0.88%, 0.36%

LAB 61.7, -63.07, 60.88

 

CMYK 64 / 0 / 94 / 32

HEX #3FAD0B

RGB 63 173 11

HSL 100.74, 0.88%, 0.36%

LAB 62.48, -56.27, 61.85

 

CMYK 38 / 0 / 94 / 32

HEX #6BAD0B

RGB 107 173 11

HSL 84.44, 0.88%, 0.36%

LAB 64.19, -43.06, 63.96

 

CMYK 13 / 0 / 94 / 32

HEX #96AD0B

RGB 150 173 11

HSL 68.52, 0.88%, 0.36%

LAB 66.82, -25.96, 67.16

 

CMYK 94 / 0 / 73 / 32

HEX #0BAD2E

RGB 11 173 46

HSL 132.96, 0.88%, 0.36%

LAB 61.79, -61.68, 51.83

 

CMYK 94 / 0 / 48 / 32

HEX #0BAD5A

RGB 11 173 90

HSL 149.26, 0.88%, 0.36%

LAB 62.25, -55.98, 32.3

 

CMYK 94 / 0 / 23 / 32

HEX #0BAD85

RGB 11 173 133

HSL 165.19, 0.88%, 0.36%

LAB 63.05, -46.79, 10.21

 

CMYK 94 / 3 / 0 / 32

HEX #0BA8AD

RGB 11 168 173

HSL 181.85, 0.88%, 0.36%

LAB 62.59, -33.22, -12.81

 

CMYK 94 / 28 / 0 / 32

HEX #0B7DAD

RGB 11 125 173

HSL 197.78, 0.88%, 0.36%

LAB 49.2, -10.74, -33.37

 

CMYK 94 / 0 / 73 / 32

HEX #0BAD2E

RGB 11 173 46

HSL 132.96, 0.88%, 0.36%

LAB 61.79, -61.68, 51.83

 

CMYK 94 / 0 / 73 / 32

HEX #0BAD2E

RGB 11 173 46

HSL 132.96, 0.88%, 0.36%

LAB 61.79, -61.68, 51.83

 

CMYK 84 / 0 / 65 / 38

HEX #1A9E37

RGB 26 158 55

HSL 133.18, 0.72%, 0.36%

LAB 57.03, -54.91, 43.1

 

CMYK 71 / 0 / 56 / 44

HEX #298F3F

RGB 41 143 63

HSL 132.94, 0.55%, 0.36%

LAB 52.37, -46.44, 33.97

 

CMYK 56 / 0 / 45 / 50

HEX #388047

RGB 56 128 71

HSL 132.5, 0.39%, 0.36%

LAB 47.92, -35.71, 24.27

 

CMYK 38 / 0 / 29 / 56

HEX #467150

RGB 70 113 80

HSL 133.95, 0.23%, 0.36%

LAB 43.79, -22.62, 13.72

 

CMYK 64 / 0 / 94 / 32

HEX #3EAD0B

RGB 62 173 11

HSL 101.11, 0.88%, 0.36%

LAB 62.45, -56.5, 61.82

 

CMYK 89 / 0 / 94 / 32

HEX #13AD0B

RGB 19 173 11

HSL 117.04, 0.88%, 0.36%

LAB 61.7, -63.07, 60.88

 

CMYK 94 / 0 / 73 / 32

HEX #0BAD2E

RGB 11 173 46

HSL 132.96, 0.88%, 0.36%

LAB 61.79, -61.68, 51.83

 

CMYK 94 / 0 / 49 / 32

HEX #0BAD59

RGB 11 173 89

HSL 148.89, 0.88%, 0.36%

LAB 62.24, -56.15, 32.8

 

CMYK 94 / 0 / 24 / 32

HEX #0BAD84

RGB 11 173 132

HSL 164.81, 0.88%, 0.36%

LAB 63.03, -47.04, 10.73

 

CMYK 94 / 0 / 74 / 63

HEX #065F19

RGB 6 95 25

HSL 132.81, 0.88%, 0.2%

LAB 34.59, -39.29, 32

 

CMYK 93 / 0 / 73 / 47

HEX #098624

RGB 9 134 36

HSL 132.96, 0.87%, 0.28%

LAB 48.56, -50.73, 42.03

 

CMYK 94 / 0 / 73 / 32

HEX #0BAD2E

RGB 11 173 46

HSL 132.96, 0.88%, 0.36%

LAB 61.79, -61.68, 51.83

 

CMYK 94 / 0 / 73 / 17

HEX #0DD338

RGB 13 211 56

HSL 133.03, 0.88%, 0.44%

LAB 74.16, -71.85, 60.83

 

CMYK 89 / 0 / 70 / 6

HEX #1AF048

RGB 26 240 72

HSL 132.9, 0.88%, 0.52%

LAB 83.45, -78.1, 64.69

 

CMYK 94 / 0 / 73 / 33

HEX #0BAC2E

RGB 11 172 46

HSL 133.04, 0.88%, 0.36%

LAB 61.46, -61.39, 51.49

 

CMYK 94 / 39 / 0 / 32

HEX #0B69AD

RGB 11 105 173

HSL 205.19, 0.88%, 0.36%

LAB 43.05, 1.31, -43.09

 

CMYK 0 / 94 / 76 / 32

HEX #AD0B29

RGB 173 11 41

HSL 348.89, 0.88%, 0.36%

LAB 36.52, 59.41, 30.46

 

CMYK 94 / 0 / 73 / 33

HEX #0BAC2E

RGB 11 172 46

HSL 133.04, 0.88%, 0.36%

LAB 61.46, -61.39, 51.49

 

CMYK 73 / 94 / 0 / 32

HEX #2E0BAD

RGB 46 11 173

HSL 252.96, 0.88%, 0.36%

LAB 23.13, 57.46, -75.56

 

CMYK 0 / 73 / 94 / 32

HEX #AD2E0B

RGB 173 46 11

HSL 12.96, 0.88%, 0.36%

LAB 39.35, 50, 48.02

 

CMYK 94 / 0 / 73 / 33

HEX #0BAC2E

RGB 11 172 46

HSL 133.04, 0.88%, 0.36%

LAB 61.46, -61.39, 51.49

 

CMYK 94 / 39 / 0 / 32

HEX #0B69AD

RGB 11 105 173

HSL 205.19, 0.88%, 0.36%

LAB 43.05, 1.31, -43.09

 

CMYK 0 / 94 / 20 / 32

HEX #AD0B8A

RGB 173 11 138

HSL 312.96, 0.88%, 0.36%

LAB 39.51, 67.45, -26.77

 

CMYK 0 / 55 / 94 / 32

HEX #AD4E0B

RGB 173 78 11

HSL 24.81, 0.88%, 0.36%

LAB 44.74, 35.67, 51.67

 

CMYK 94 / 0 / 73 / 33

HEX #0BAC2E

RGB 11 172 46

HSL 133.04, 0.88%, 0.36%

LAB 61.46, -61.39, 51.49

 

CMYK 94 / 67 / 0 / 32

HEX #0B39AD

RGB 11 57 173

HSL 222.96, 0.88%, 0.36%

LAB 29.45, 33.2, -65.13

 

CMYK 0 / 94 / 20 / 32

HEX #AD0B8A

RGB 173 11 138

HSL 312.96, 0.88%, 0.36%

LAB 39.51, 67.45, -26.77

 

CMYK 0 / 27 / 94 / 32

HEX #AD7F0B

RGB 173 127 11

HSL 42.96, 0.88%, 0.36%

LAB 56.17, 8.76, 59.93

 

Description

Color code: HEX #0BAC2E | qconv.com Color code: HEX #0BAC2E | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 11 red, 172 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
11 172 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 94 cyan, none magenta, 73 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
94% 0% 73% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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