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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0BABF2 it is the complementary color #F4540D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0BABF2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0BABF2 shade: #10ABED, #21BDFF, #32CFFF, #43E1FF and #54F3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0BABF2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0BABF2 shade: #0BABF2, #0099DF, #0087CC, #0075B9 and #0063A6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0BABF2 shade: #0BACF4, #0B6EF4, #0B2FF4, #260BF4 and #650BF4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0BABF2 shade: #0BACF4, #0B6EF4, #0B2FF4 and #0B0BF4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0BABF2 shade matches the following richer shades: #0BACF4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0BABF2 shade: #0BACF4, #20A4DF, #359CCA, #4994B6 and #5E8CA1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0BABF2 shade: #0BF4BD, #0BECF4, #0BAEF4, #0B70F4 and #0B32F4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0BABF2 shade: #0874A5, #0A90CC, #0BACF4, #33BAF5 and #5AC7F7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0BABF2 shade: #0BABF2, #800BF4 and #F4DC0B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0BABF2 shade: #0BABF2, #F40BAE and #AEF40B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0BABF2 shade: #0BABF2, #800BF4, #F4510B and #80F40B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0BABF2 shade: #0BABF2, #C50BF4, #F4510B and #3AF40B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 95 / 29 / 0 / 5

HEX #0BABF2

RGB 11 171 242

HSL 198.44, 0.91%, 0.5%

LAB 66.22, -11.23, -45.42

 

Complementary color

CMYK 0 / 66 / 95 / 4

HEX #F4540D

RGB 244 84 13

HSL 18.44, 0.91%, 0.5%

LAB 57.66, 58.92, 65.37

 

CMYK 93 / 28 / 0 / 7

HEX #10ABED

RGB 16 171 237

HSL 197.92, 0.87%, 0.5%

LAB 66.02, -12.87, -43

 

CMYK 87 / 26 / 0 / 0

HEX #21BDFF

RGB 33 189 255

HSL 197.84, 1%, 0.56%

LAB 72.19, -15.45, -43.1

 

CMYK 80 / 19 / 0 / 0

HEX #32CFFF

RGB 50 207 255

HSL 194.05, 1%, 0.6%

LAB 77.59, -23.56, -34.68

 

CMYK 74 / 12 / 0 / 0

HEX #43E1FF

RGB 67 225 255

HSL 189.57, 1%, 0.63%

LAB 83.05, -30.76, -26.27

 

CMYK 67 / 5 / 0 / 0

HEX #54F3FF

RGB 84 243 255

HSL 184.21, 1%, 0.66%

LAB 88.55, -37.14, -17.91

 

CMYK 95 / 29 / 0 / 5

HEX #0BABF2

RGB 11 171 242

HSL 198.44, 0.91%, 0.5%

LAB 66.22, -11.23, -45.42

 

CMYK 100 / 31 / 0 / 13

HEX #0099DF

RGB 0 153 223

HSL 198.83, 1%, 0.44%

LAB 59.99, -8.42, -44.78

 

CMYK 100 / 34 / 0 / 20

HEX #0087CC

RGB 0 135 204

HSL 200.29, 1%, 0.4%

LAB 53.69, -5.19, -44.06

 

CMYK 100 / 37 / 0 / 27

HEX #0075B9

RGB 0 117 185

HSL 202.05, 1%, 0.36%

LAB 47.27, -1.8, -43.38

 

CMYK 100 / 40 / 0 / 35

HEX #0063A6

RGB 0 99 166

HSL 204.22, 1%, 0.33%

LAB 40.7, 1.79, -42.73

 

CMYK 95 / 30 / 0 / 4

HEX #0BACF4

RGB 11 172 244

HSL 198.54, 0.91%, 0.5%

LAB 66.6, -11.06, -45.91

 

CMYK 95 / 55 / 0 / 4

HEX #0B6EF4

RGB 11 110 244

HSL 214.51, 0.91%, 0.5%

LAB 49.2, 26.17, -73.78

 

CMYK 95 / 81 / 0 / 4

HEX #0B2FF4

RGB 11 47 244

HSL 230.73, 0.91%, 0.5%

LAB 35.27, 63.35, -96.71

 

CMYK 84 / 95 / 0 / 4

HEX #260BF4

RGB 38 11 244

HSL 246.95, 0.91%, 0.5%

LAB 32.22, 75.23, -101.78

 

CMYK 59 / 95 / 0 / 4

HEX #650BF4

RGB 101 11 244

HSL 263.18, 0.91%, 0.5%

LAB 37, 77.69, -93.7

 

CMYK 95 / 30 / 0 / 4

HEX #0BACF4

RGB 11 172 244

HSL 198.54, 0.91%, 0.5%

LAB 66.6, -11.06, -45.91

 

CMYK 95 / 55 / 0 / 4

HEX #0B6EF4

RGB 11 110 244

HSL 214.51, 0.91%, 0.5%

LAB 49.2, 26.17, -73.78

 

CMYK 95 / 81 / 0 / 4

HEX #0B2FF4

RGB 11 47 244

HSL 230.73, 0.91%, 0.5%

LAB 35.27, 63.35, -96.71

 

CMYK 95 / 95 / 0 / 4

HEX #0B0BF4

RGB 11 11 244

HSL 240, 0.91%, 0.5%

LAB 31.44, 74.91, -103.1

 

CMYK 95 / 30 / 0 / 4

HEX #0BACF4

RGB 11 172 244

HSL 198.54, 0.91%, 0.5%

LAB 66.6, -11.06, -45.91

 

CMYK 95 / 30 / 0 / 4

HEX #0BACF4

RGB 11 172 244

HSL 198.54, 0.91%, 0.5%

LAB 66.6, -11.06, -45.91

 

CMYK 86 / 26 / 0 / 13

HEX #20A4DF

RGB 32 164 223

HSL 198.53, 0.75%, 0.5%

LAB 63.5, -13.2, -39.25

 

CMYK 74 / 23 / 0 / 21

HEX #359CCA

RGB 53 156 202

HSL 198.52, 0.58%, 0.5%

LAB 60.6, -14.08, -32.05

 

CMYK 60 / 19 / 0 / 29

HEX #4994B6

RGB 73 148 182

HSL 198.72, 0.43%, 0.5%

LAB 58.01, -13.04, -24.74

 

CMYK 42 / 13 / 0 / 37

HEX #5E8CA1

RGB 94 140 161

HSL 198.81, 0.26%, 0.5%

LAB 55.8, -9.96, -16.05

 

CMYK 95 / 0 / 23 / 4

HEX #0BF4BD

RGB 11 244 189

HSL 165.84, 0.91%, 0.5%

LAB 86.23, -60.79, 13.06

 

CMYK 95 / 3 / 0 / 4

HEX #0BECF4

RGB 11 236 244

HSL 182.06, 0.91%, 0.5%

LAB 85.3, -42.76, -17.12

 

CMYK 95 / 29 / 0 / 4

HEX #0BAEF4

RGB 11 174 244

HSL 198.03, 0.91%, 0.5%

LAB 67.18, -12.16, -45

 

CMYK 95 / 54 / 0 / 4

HEX #0B70F4

RGB 11 112 244

HSL 213.99, 0.91%, 0.5%

LAB 49.73, 24.9, -72.92

 

CMYK 95 / 80 / 0 / 4

HEX #0B32F4

RGB 11 50 244

HSL 229.96, 0.91%, 0.5%

LAB 35.76, 61.93, -95.9

 

CMYK 95 / 30 / 0 / 35

HEX #0874A5

RGB 8 116 165

HSL 198.73, 0.91%, 0.34%

LAB 45.99, -8.67, -33.75

 

CMYK 95 / 29 / 0 / 20

HEX #0A90CC

RGB 10 144 204

HSL 198.56, 0.91%, 0.42%

LAB 56.46, -10.06, -39.7

 

CMYK 95 / 30 / 0 / 4

HEX #0BACF4

RGB 11 172 244

HSL 198.54, 0.91%, 0.5%

LAB 66.6, -11.06, -45.91

 

CMYK 79 / 24 / 0 / 4

HEX #33BAF5

RGB 51 186 245

HSL 198.25, 0.91%, 0.58%

LAB 71.16, -15.91, -39.29

 

CMYK 64 / 19 / 0 / 3

HEX #5AC7F7

RGB 90 199 247

HSL 198.34, 0.91%, 0.66%

LAB 75.91, -17.05, -32.93

 

CMYK 95 / 29 / 0 / 5

HEX #0BABF2

RGB 11 171 242

HSL 198.44, 0.91%, 0.5%

LAB 66.22, -11.23, -45.42

 

CMYK 48 / 95 / 0 / 4

HEX #800BF4

RGB 128 11 244

HSL 270.13, 0.91%, 0.5%

LAB 40.18, 79.69, -88.33

 

CMYK 0 / 10 / 95 / 4

HEX #F4DC0B

RGB 244 220 11

HSL 53.82, 0.91%, 0.5%

LAB 87.21, -9.03, 85.96

 

CMYK 95 / 29 / 0 / 5

HEX #0BABF2

RGB 11 171 242

HSL 198.44, 0.91%, 0.5%

LAB 66.22, -11.23, -45.42

 

CMYK 0 / 95 / 29 / 4

HEX #F40BAE

RGB 244 11 174

HSL 318.03, 0.91%, 0.5%

LAB 54.58, 85.66, -23.91

 

CMYK 29 / 0 / 95 / 4

HEX #AEF40B

RGB 174 244 11

HSL 78.03, 0.91%, 0.5%

LAB 88.79, -48.42, 85

 

CMYK 95 / 29 / 0 / 5

HEX #0BABF2

RGB 11 171 242

HSL 198.44, 0.91%, 0.5%

LAB 66.22, -11.23, -45.42

 

CMYK 48 / 95 / 0 / 4

HEX #800BF4

RGB 128 11 244

HSL 270.13, 0.91%, 0.5%

LAB 40.18, 79.69, -88.33

 

CMYK 0 / 67 / 95 / 4

HEX #F4510B

RGB 244 81 11

HSL 18.03, 0.91%, 0.5%

LAB 57.21, 60.09, 65.52

 

CMYK 48 / 0 / 95 / 4

HEX #80F40B

RGB 128 244 11

HSL 89.87, 0.91%, 0.5%

LAB 86.66, -63.75, 82.41

 

CMYK 95 / 29 / 0 / 5

HEX #0BABF2

RGB 11 171 242

HSL 198.44, 0.91%, 0.5%

LAB 66.22, -11.23, -45.42

 

CMYK 19 / 95 / 0 / 4

HEX #C50BF4

RGB 197 11 244

HSL 287.9, 0.91%, 0.5%

LAB 50.26, 87.42, -71.41

 

CMYK 0 / 67 / 95 / 4

HEX #F4510B

RGB 244 81 11

HSL 18.03, 0.91%, 0.5%

LAB 57.21, 60.09, 65.52

 

CMYK 76 / 0 / 95 / 4

HEX #3AF40B

RGB 58 244 11

HSL 107.9, 0.91%, 0.5%

LAB 84.8, -79.03, 80.14

 

Description

Color code: HEX #0BABF2 | qconv.com Color code: HEX #0BABF2 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 11 red, 171 green and 242 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
11 171 242 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 95 cyan, 29 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
95% 29% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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