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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0BA77D it is the complementary color #F45882. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0BA77D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0BA77D shade: #10A778, #21B98B, #32CB9E, #43DDB1 and #54EFC4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0BA77D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0BA77D shade: #0BA77D, #00956A, #008357, #007144 and #005F31

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0BA77D shade: #0BA87E, #0BA853, #0BA829, #17A80B and #41A80B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0BA77D shade: #0BA87E, #0BA8A8, #0B7DA8, #0B53A8 and #0B29A8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0BA77D shade matches the following richer shades: #0BA87E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0BA77D shade: #0BA87E, #199977, #288B70, #367C6A and #446E63

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0BA77D shade: #0BA828, #0BA851, #0BA87B, #0BA8A5 and #0B81A8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0BA77D shade: #065A43, #088160, #0BA87E, #0DCF9B and #15F0B5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0BA77D shade: #0BA77D, #0B18A8 and #A83C0B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0BA77D shade: #0BA77D, #7B0BA8 and #A87B0B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0BA77D shade: #0BA77D, #0B18A8, #A80B37 and #A89B0B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0BA77D shade: #0BA77D, #2D0BA8, #A80B37 and #86A80B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 93 / 0 / 25 / 35

HEX #0BA77D

RGB 11 167 125

HSL 163.85, 0.88%, 0.35%

LAB 60.95, -46.37, 11.68

 

Complementary color

CMYK 0 / 64 / 47 / 4

HEX #F45882

RGB 244 88 130

HSL 343.85, 0.88%, 0.65%

LAB 59.73, 62.78, 9.54

 

CMYK 90 / 0 / 28 / 35

HEX #10A778

RGB 16 167 120

HSL 161.32, 0.83%, 0.36%

LAB 60.87, -47.32, 14.35

 

CMYK 82 / 0 / 25 / 27

HEX #21B98B

RGB 33 185 139

HSL 161.84, 0.7%, 0.43%

LAB 67.19, -48.65, 12.78

 

CMYK 75 / 0 / 22 / 20

HEX #32CB9E

RGB 50 203 158

HSL 162.35, 0.6%, 0.5%

LAB 73.45, -49.58, 11.37

 

CMYK 70 / 0 / 20 / 13

HEX #43DDB1

RGB 67 221 177

HSL 162.86, 0.69%, 0.56%

LAB 79.66, -50.2, 10.1

 

CMYK 65 / 0 / 18 / 6

HEX #54EFC4

RGB 84 239 196

HSL 163.35, 0.83%, 0.63%

LAB 85.81, -50.62, 8.94

 

CMYK 93 / 0 / 25 / 35

HEX #0BA77D

RGB 11 167 125

HSL 163.85, 0.88%, 0.35%

LAB 60.95, -46.37, 11.68

 

CMYK 100 / 0 / 29 / 42

HEX #00956A

RGB 0 149 106

HSL 162.68, 1%, 0.29%

LAB 54.59, -44.37, 13.42

 

CMYK 100 / 0 / 34 / 49

HEX #008357

RGB 0 131 87

HSL 159.85, 1%, 0.26%

LAB 48.16, -41.8, 15.36

 

CMYK 100 / 0 / 40 / 56

HEX #007144

RGB 0 113 68

HSL 156.11, 1%, 0.22%

LAB 41.58, -39.1, 17.42

 

CMYK 100 / 0 / 48 / 63

HEX #005F31

RGB 0 95 49

HSL 150.95, 1%, 0.19%

LAB 34.81, -36.2, 19.59

 

CMYK 93 / 0 / 25 / 34

HEX #0BA87E

RGB 11 168 126

HSL 163.95, 0.88%, 0.35%

LAB 61.29, -46.52, 11.61

 

CMYK 93 / 0 / 51 / 34

HEX #0BA853

RGB 11 168 83

HSL 147.52, 0.88%, 0.35%

LAB 60.52, -55.46, 33.71

 

CMYK 93 / 0 / 76 / 34

HEX #0BA829

RGB 11 168 41

HSL 131.46, 0.88%, 0.35%

LAB 60.1, -60.61, 51.93

 

CMYK 86 / 0 / 93 / 34

HEX #17A80B

RGB 23 168 11

HSL 115.41, 0.88%, 0.35%

LAB 60.08, -61.28, 59.54

 

CMYK 61 / 0 / 93 / 34

HEX #41A80B

RGB 65 168 11

HSL 99.36, 0.88%, 0.35%

LAB 60.92, -54.07, 60.58

 

CMYK 93 / 0 / 25 / 34

HEX #0BA87E

RGB 11 168 126

HSL 163.95, 0.88%, 0.35%

LAB 61.29, -46.52, 11.61

 

CMYK 93 / 0 / 0 / 34

HEX #0BA8A8

RGB 11 168 168

HSL 180, 0.88%, 0.35%

LAB 62.43, -34.78, -10.25

 

CMYK 93 / 26 / 0 / 34

HEX #0B7DA8

RGB 11 125 168

HSL 196.43, 0.88%, 0.35%

LAB 48.96, -12.61, -30.84

 

CMYK 93 / 51 / 0 / 34

HEX #0B53A8

RGB 11 83 168

HSL 212.48, 0.88%, 0.35%

LAB 36.15, 13.6, -51.22

 

CMYK 93 / 76 / 0 / 34

HEX #0B29A8

RGB 11 41 168

HSL 228.54, 0.88%, 0.35%

LAB 25.21, 41.48, -69.12

 

CMYK 93 / 0 / 25 / 34

HEX #0BA87E

RGB 11 168 126

HSL 163.95, 0.88%, 0.35%

LAB 61.29, -46.52, 11.61

 

CMYK 93 / 0 / 25 / 34

HEX #0BA87E

RGB 11 168 126

HSL 163.95, 0.88%, 0.35%

LAB 61.29, -46.52, 11.61

 

CMYK 84 / 0 / 22 / 40

HEX #199977

RGB 25 153 119

HSL 164.06, 0.72%, 0.35%

LAB 56.41, -41.17, 8.65

 

CMYK 71 / 0 / 19 / 45

HEX #288B70

RGB 40 139 112

HSL 163.64, 0.55%, 0.35%

LAB 51.93, -34.99, 6.32

 

CMYK 56 / 0 / 15 / 51

HEX #367C6A

RGB 54 124 106

HSL 164.57, 0.39%, 0.35%

LAB 47.29, -26.71, 3.2

 

CMYK 38 / 0 / 10 / 57

HEX #446E63

RGB 68 110 99

HSL 164.29, 0.24%, 0.35%

LAB 43.18, -17.41, 1.51

 

CMYK 93 / 0 / 76 / 34

HEX #0BA828

RGB 11 168 40

HSL 131.08, 0.88%, 0.35%

LAB 60.1, -60.69, 52.28

 

CMYK 93 / 0 / 52 / 34

HEX #0BA851

RGB 11 168 81

HSL 146.75, 0.88%, 0.35%

LAB 60.49, -55.79, 34.69

 

CMYK 93 / 0 / 27 / 34

HEX #0BA87B

RGB 11 168 123

HSL 162.8, 0.88%, 0.35%

LAB 61.23, -47.26, 13.18

 

CMYK 93 / 0 / 2 / 34

HEX #0BA8A5

RGB 11 168 165

HSL 178.85, 0.88%, 0.35%

LAB 62.33, -35.69, -8.7

 

CMYK 93 / 23 / 0 / 34

HEX #0B81A8

RGB 11 129 168

HSL 194.9, 0.88%, 0.35%

LAB 50.21, -14.87, -28.89

 

CMYK 93 / 0 / 26 / 65

HEX #065A43

RGB 6 90 67

HSL 163.57, 0.88%, 0.19%

LAB 33.47, -29.13, 6.9

 

CMYK 94 / 0 / 26 / 49

HEX #088160

RGB 8 129 96

HSL 163.64, 0.88%, 0.27%

LAB 47.75, -38.25, 9.59

 

CMYK 93 / 0 / 25 / 34

HEX #0BA87E

RGB 11 168 126

HSL 163.95, 0.88%, 0.35%

LAB 61.29, -46.52, 11.61

 

CMYK 94 / 0 / 25 / 19

HEX #0DCF9B

RGB 13 207 155

HSL 163.92, 0.88%, 0.43%

LAB 74.24, -54.71, 14.04

 

CMYK 91 / 0 / 25 / 6

HEX #15F0B5

RGB 21 240 181

HSL 163.84, 0.88%, 0.51%

LAB 84.9, -60.82, 15.35

 

CMYK 93 / 0 / 25 / 35

HEX #0BA77D

RGB 11 167 125

HSL 163.85, 0.88%, 0.35%

LAB 60.95, -46.37, 11.68

 

CMYK 93 / 86 / 0 / 34

HEX #0B18A8

RGB 11 24 168

HSL 235.03, 0.88%, 0.35%

LAB 22.13, 50.42, -74.24

 

CMYK 0 / 64 / 93 / 34

HEX #A83C0B

RGB 168 60 11

HSL 18.73, 0.88%, 0.35%

LAB 40.54, 42.48, 48.37

 

CMYK 93 / 0 / 25 / 35

HEX #0BA77D

RGB 11 167 125

HSL 163.85, 0.88%, 0.35%

LAB 60.95, -46.37, 11.68

 

CMYK 27 / 93 / 0 / 34

HEX #7B0BA8

RGB 123 11 168

HSL 282.8, 0.88%, 0.35%

LAB 32.43, 63.57, -56.87

 

CMYK 0 / 27 / 93 / 34

HEX #A87B0B

RGB 168 123 11

HSL 42.8, 0.88%, 0.35%

LAB 54.57, 8.71, 58.48

 

CMYK 93 / 0 / 25 / 35

HEX #0BA77D

RGB 11 167 125

HSL 163.85, 0.88%, 0.35%

LAB 60.95, -46.37, 11.68

 

CMYK 93 / 86 / 0 / 34

HEX #0B18A8

RGB 11 24 168

HSL 235.03, 0.88%, 0.35%

LAB 22.13, 50.42, -74.24

 

CMYK 0 / 93 / 67 / 34

HEX #A80B37

RGB 168 11 55

HSL 343.18, 0.88%, 0.35%

LAB 35.67, 58.74, 20.32

 

CMYK 0 / 8 / 93 / 34

HEX #A89B0B

RGB 168 155 11

HSL 55.03, 0.88%, 0.35%

LAB 63.17, -8.84, 64.97

 

CMYK 93 / 0 / 25 / 35

HEX #0BA77D

RGB 11 167 125

HSL 163.85, 0.88%, 0.35%

LAB 60.95, -46.37, 11.68

 

CMYK 73 / 93 / 0 / 34

HEX #2D0BA8

RGB 45 11 168

HSL 252.99, 0.88%, 0.35%

LAB 22.39, 56.09, -73.77

 

CMYK 0 / 93 / 67 / 34

HEX #A80B37

RGB 168 11 55

HSL 343.18, 0.88%, 0.35%

LAB 35.67, 58.74, 20.32

 

CMYK 20 / 0 / 93 / 34

HEX #86A80B

RGB 134 168 11

HSL 72.99, 0.88%, 0.35%

LAB 64.24, -30.3, 64.66

 

Description

Color code: HEX #0BA77D | qconv.com Color code: HEX #0BA77D | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 11 red, 167 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
11 167 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 93 cyan, none magenta, 25 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
93% 0% 25% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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