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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0B5E89 it is the complementary color #F4A176. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0B5E89. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0B5E89 shade: #105E84, #217097, #3282AA, #4394BD and #54A6D0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0B5E89. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0B5E89 shade: #0B5E89, #004C76, #003A63, #002850 and #00163D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0B5E89 shade: #0B5E89, #0B3C89, #0B1A89, #1E0B89 and #400B89

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0B5E89 shade: #0B5E89, #0B3C89, #0B1A89 and #0B0B89

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0B5E89 shade matches the following richer shades: #0B5E89

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0B5E89 shade: #0B5E89, #175A7D, #235671, #2F5365 and #3B4F59

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0B5E89 shade: #0B8970, #0B8089, #0B5F89, #0B3D89 and #0B1C89

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0B5E89 shade: #052A3C, #084463, #0B5E89, #0E78AF and #1192D5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0B5E89 shade: #0B5E89, #4E0B89 and #89800B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0B5E89 shade: #0B5E89, #890B5F and #5F890B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0B5E89 shade: #0B5E89, #4E0B89, #89350B and #46890B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0B5E89 shade: #0B5E89, #740B89, #89350B and #20890B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 92 / 31 / 0 / 46

HEX #0B5E89

RGB 11 94 137

HSL 200.48, 0.85%, 0.29%

LAB 37.63, -6.21, -30.19

 

Complementary color

CMYK 0 / 34 / 52 / 4

HEX #F4A176

RGB 244 161 118

HSL 20.48, 0.85%, 0.71%

LAB 73.57, 26.32, 34.94

 

CMYK 88 / 29 / 0 / 48

HEX #105E84

RGB 16 94 132

HSL 199.66, 0.78%, 0.29%

LAB 37.45, -7.83, -27.44

 

CMYK 78 / 26 / 0 / 41

HEX #217097

RGB 33 112 151

HSL 199.83, 0.64%, 0.36%

LAB 44.44, -9.64, -27.89

 

CMYK 71 / 24 / 0 / 33

HEX #3282AA

RGB 50 130 170

HSL 200, 0.55%, 0.43%

LAB 51.32, -10.94, -28.27

 

CMYK 65 / 22 / 0 / 26

HEX #4394BD

RGB 67 148 189

HSL 200.16, 0.48%, 0.5%

LAB 58.08, -11.91, -28.61

 

CMYK 60 / 20 / 0 / 18

HEX #54A6D0

RGB 84 166 208

HSL 200.32, 0.57%, 0.57%

LAB 64.73, -12.63, -28.92

 

CMYK 92 / 31 / 0 / 46

HEX #0B5E89

RGB 11 94 137

HSL 200.48, 0.85%, 0.29%

LAB 37.63, -6.21, -30.19

 

CMYK 100 / 36 / 0 / 54

HEX #004C76

RGB 0 76 118

HSL 201.36, 1%, 0.23%

LAB 30.59, -3.33, -29.61

 

CMYK 100 / 41 / 0 / 61

HEX #003A63

RGB 0 58 99

HSL 204.85, 1%, 0.19%

LAB 23.43, 0.5, -28.87

 

CMYK 100 / 50 / 0 / 69

HEX #002850

RGB 0 40 80

HSL 210, 1%, 0.16%

LAB 15.99, 4.76, -28.19

 

CMYK 100 / 64 / 0 / 76

HEX #00163D

RGB 0 22 61

HSL 218.36, 1%, 0.12%

LAB 8.22, 9.67, -27.54

 

CMYK 92 / 31 / 0 / 46

HEX #0B5E89

RGB 11 94 137

HSL 200.48, 0.85%, 0.29%

LAB 37.63, -6.21, -30.19

 

CMYK 92 / 56 / 0 / 46

HEX #0B3C89

RGB 11 60 137

HSL 216.67, 0.85%, 0.29%

LAB 27.04, 16.49, -47.14

 

CMYK 92 / 81 / 0 / 46

HEX #0B1A89

RGB 11 26 137

HSL 232.86, 0.85%, 0.29%

LAB 18.44, 39.2, -61.29

 

CMYK 78 / 92 / 0 / 46

HEX #1E0B89

RGB 30 11 137

HSL 249.05, 0.85%, 0.29%

LAB 17.09, 46.82, -63.49

 

CMYK 53 / 92 / 0 / 46

HEX #400B89

RGB 64 11 137

HSL 265.24, 0.85%, 0.29%

LAB 20.58, 49.39, -57.61

 

CMYK 92 / 31 / 0 / 46

HEX #0B5E89

RGB 11 94 137

HSL 200.48, 0.85%, 0.29%

LAB 37.63, -6.21, -30.19

 

CMYK 92 / 56 / 0 / 46

HEX #0B3C89

RGB 11 60 137

HSL 216.67, 0.85%, 0.29%

LAB 27.04, 16.49, -47.14

 

CMYK 92 / 81 / 0 / 46

HEX #0B1A89

RGB 11 26 137

HSL 232.86, 0.85%, 0.29%

LAB 18.44, 39.2, -61.29

 

CMYK 92 / 92 / 0 / 46

HEX #0B0B89

RGB 11 11 137

HSL 240, 0.85%, 0.29%

LAB 16.09, 46.16, -65.19

 

CMYK 92 / 31 / 0 / 46

HEX #0B5E89

RGB 11 94 137

HSL 200.48, 0.85%, 0.29%

LAB 37.63, -6.21, -30.19

 

CMYK 92 / 31 / 0 / 46

HEX #0B5E89

RGB 11 94 137

HSL 200.48, 0.85%, 0.29%

LAB 37.63, -6.21, -30.19

 

CMYK 82 / 28 / 0 / 51

HEX #175A7D

RGB 23 90 125

HSL 200.59, 0.69%, 0.29%

LAB 35.94, -7.41, -25.51

 

CMYK 69 / 24 / 0 / 56

HEX #235671

RGB 35 86 113

HSL 200.77, 0.53%, 0.29%

LAB 34.41, -7.67, -20.44

 

CMYK 53 / 18 / 0 / 60

HEX #2F5365

RGB 47 83 101

HSL 200, 0.36%, 0.29%

LAB 33.42, -7.33, -14.42

 

CMYK 34 / 11 / 0 / 65

HEX #3B4F59

RGB 59 79 89

HSL 200, 0.2%, 0.29%

LAB 32.35, -4.98, -8.38

 

CMYK 92 / 0 / 18 / 46

HEX #0B8970

RGB 11 137 112

HSL 168.1, 0.85%, 0.29%

LAB 50.84, -37.22, 4.69

 

CMYK 92 / 7 / 0 / 46

HEX #0B8089

RGB 11 128 137

HSL 184.29, 0.85%, 0.29%

LAB 48.66, -25.28, -13.17

 

CMYK 92 / 31 / 0 / 46

HEX #0B5F89

RGB 11 95 137

HSL 200, 0.85%, 0.29%

LAB 37.95, -6.83, -29.69

 

CMYK 92 / 55 / 0 / 46

HEX #0B3D89

RGB 11 61 137

HSL 216.19, 0.85%, 0.29%

LAB 27.34, 15.78, -46.66

 

CMYK 92 / 80 / 0 / 46

HEX #0B1C89

RGB 11 28 137

HSL 231.9, 0.85%, 0.29%

LAB 18.83, 38.06, -60.62

 

CMYK 92 / 30 / 0 / 76

HEX #052A3C

RGB 5 42 60

HSL 199.64, 0.85%, 0.13%

LAB 15.56, -5.13, -15.11

 

CMYK 92 / 31 / 0 / 61

HEX #084463

RGB 8 68 99

HSL 200.44, 0.85%, 0.21%

LAB 26.98, -5.47, -23.24

 

CMYK 92 / 31 / 0 / 46

HEX #0B5E89

RGB 11 94 137

HSL 200.48, 0.85%, 0.29%

LAB 37.63, -6.21, -30.19

 

CMYK 92 / 31 / 0 / 31

HEX #0E78AF

RGB 14 120 175

HSL 200.5, 0.85%, 0.37%

LAB 47.78, -6.92, -36.76

 

CMYK 92 / 31 / 0 / 16

HEX #1192D5

RGB 17 146 213

HSL 200.51, 0.85%, 0.45%

LAB 57.54, -7.59, -43.05

 

CMYK 92 / 31 / 0 / 46

HEX #0B5E89

RGB 11 94 137

HSL 200.48, 0.85%, 0.29%

LAB 37.63, -6.21, -30.19

 

CMYK 43 / 92 / 0 / 46

HEX #4E0B89

RGB 78 11 137

HSL 271.9, 0.85%, 0.29%

LAB 22.53, 50.98, -54.32

 

CMYK 0 / 7 / 92 / 46

HEX #89800B

RGB 137 128 11

HSL 55.71, 0.85%, 0.29%

LAB 52.71, -8.52, 55.64

 

CMYK 92 / 31 / 0 / 46

HEX #0B5E89

RGB 11 94 137

HSL 200.48, 0.85%, 0.29%

LAB 37.63, -6.21, -30.19

 

CMYK 0 / 92 / 31 / 46

HEX #890B5F

RGB 137 11 95

HSL 320, 0.85%, 0.29%

LAB 30.36, 54.45, -14.33

 

CMYK 31 / 0 / 92 / 46

HEX #5F890B

RGB 95 137 11

HSL 80, 0.85%, 0.29%

LAB 52.23, -31.77, 53.92

 

CMYK 92 / 31 / 0 / 46

HEX #0B5E89

RGB 11 94 137

HSL 200.48, 0.85%, 0.29%

LAB 37.63, -6.21, -30.19

 

CMYK 43 / 92 / 0 / 46

HEX #4E0B89

RGB 78 11 137

HSL 271.9, 0.85%, 0.29%

LAB 22.53, 50.98, -54.32

 

CMYK 0 / 61 / 92 / 46

HEX #89350B

RGB 137 53 11

HSL 20, 0.85%, 0.29%

LAB 33.75, 33.93, 40.96

 

CMYK 49 / 0 / 92 / 46

HEX #46890B

RGB 70 137 11

HSL 91.9, 0.85%, 0.29%

LAB 50.94, -41.01, 52.32

 

CMYK 92 / 31 / 0 / 46

HEX #0B5E89

RGB 11 94 137

HSL 200.48, 0.85%, 0.29%

LAB 37.63, -6.21, -30.19

 

CMYK 15 / 92 / 0 / 46

HEX #740B89

RGB 116 11 137

HSL 290, 0.85%, 0.29%

LAB 28.79, 56.61, -43.84

 

CMYK 0 / 61 / 92 / 46

HEX #89350B

RGB 137 53 11

HSL 20, 0.85%, 0.29%

LAB 33.75, 33.93, 40.96

 

CMYK 77 / 0 / 92 / 46

HEX #20890B

RGB 32 137 11

HSL 110, 0.85%, 0.29%

LAB 49.76, -50.6, 50.86

 

Description

Color code: HEX #0B5E89 | qconv.com Color code: HEX #0B5E89 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 11 red, 94 green and 137 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
11 94 137 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 92 cyan, 31 magenta, none yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
92% 31% 0% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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