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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0B5E3A it is the complementary color #F4A1C5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0B5E3A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0B5E3A shade: #105E35, #217048, #32825B, #43946E and #54A681

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0B5E3A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0B5E3A shade: #0B5E3A, #004C27, #003A14, #002801 and #001600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0B5E3A shade: #0B5F3B, #0B5F24, #0B5F0D, #1F5F0B and #365F0B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0B5E3A shade: #0B5F3B, #0B5F51, #0B565F, #0B405F and #0B295F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0B5E3A shade matches the following richer shades: #0B5F3B and #02683C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0B5E3A shade: #0B5F3B, #13573A, #1C4E38, #254537 and #2D3D36

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0B5E3A shade: #0B5F0C, #0B5F23, #0B5F39, #0B5F50 and #0B585F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0B5E3A shade: #02160D, #063A24, #0B5F3B, #0F8451 and #13A968

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0B5E3A shade: #0B5E3A, #0B205F and #5F170B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0B5E3A shade: #0B5E3A, #390B5F and #5F390B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0B5E3A shade: #0B5E3A, #0B205F, #5F0B31 and #5F4A0B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0B5E3A shade: #0B5E3A, #0F0B5F, #5F0B31 and #5B5F0B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 0 / 38 / 63

HEX #0B5E3A

RGB 11 94 58

HSL 153.98, 0.79%, 0.21%

LAB 34.77, -32.67, 14.22

 

Complementary color

CMYK 0 / 34 / 19 / 4

HEX #F4A1C5

RGB 244 161 197

HSL 333.98, 0.79%, 0.79%

LAB 75.3, 35.7, -5.7

 

CMYK 83 / 0 / 44 / 63

HEX #105E35

RGB 16 94 53

HSL 148.46, 0.71%, 0.22%

LAB 34.75, -33.17, 17.2

 

CMYK 71 / 0 / 36 / 56

HEX #217048

RGB 33 112 72

HSL 149.62, 0.54%, 0.28%

LAB 41.81, -33.87, 15.49

 

CMYK 62 / 0 / 30 / 49

HEX #32825B

RGB 50 130 91

HSL 150.75, 0.44%, 0.35%

LAB 48.76, -34.1, 14.02

 

CMYK 55 / 0 / 26 / 42

HEX #43946E

RGB 67 148 110

HSL 151.85, 0.38%, 0.42%

LAB 55.58, -34.09, 12.73

 

CMYK 49 / 0 / 22 / 35

HEX #54A681

RGB 84 166 129

HSL 152.93, 0.33%, 0.49%

LAB 62.29, -33.97, 11.57

 

CMYK 88 / 0 / 38 / 63

HEX #0B5E3A

RGB 11 94 58

HSL 153.98, 0.79%, 0.21%

LAB 34.77, -32.67, 14.22

 

CMYK 100 / 0 / 49 / 70

HEX #004C27

RGB 0 76 39

HSL 150.79, 1%, 0.15%

LAB 27.61, -30.85, 16.24

 

CMYK 100 / 0 / 66 / 77

HEX #003A14

RGB 0 58 20

HSL 140.69, 1%, 0.11%

LAB 20.35, -27.49, 18.54

 

CMYK 100 / 0 / 98 / 84

HEX #002801

RGB 0 40 1

HSL 121.5, 1%, 0.08%

LAB 12.73, -23.58, 17.92

 

CMYK 100 / 0 / 100 / 91

HEX #001600

RGB 0 22 0

HSL 120, 1%, 0.04%

LAB 5.18, -10.59, 7.57

 

CMYK 88 / 0 / 38 / 63

HEX #0B5F3B

RGB 11 95 59

HSL 154.29, 0.79%, 0.21%

LAB 35.15, -32.86, 14.13

 

CMYK 88 / 0 / 62 / 63

HEX #0B5F24

RGB 11 95 36

HSL 137.86, 0.79%, 0.21%

LAB 34.77, -37.3, 26.81

 

CMYK 88 / 0 / 86 / 63

HEX #0B5F0D

RGB 11 95 13

HSL 121.43, 0.79%, 0.21%

LAB 34.57, -39.77, 36.69

 

CMYK 67 / 0 / 88 / 63

HEX #1F5F0B

RGB 31 95 11

HSL 105.71, 0.79%, 0.21%

LAB 35, -36.09, 37.86

 

CMYK 43 / 0 / 88 / 63

HEX #365F0B

RGB 54 95 11

HSL 89.29, 0.79%, 0.21%

LAB 35.97, -28.6, 39.1

 

CMYK 88 / 0 / 38 / 63

HEX #0B5F3B

RGB 11 95 59

HSL 154.29, 0.79%, 0.21%

LAB 35.15, -32.86, 14.13

 

CMYK 88 / 0 / 15 / 63

HEX #0B5F51

RGB 11 95 81

HSL 170, 0.79%, 0.21%

LAB 35.69, -26.93, 1.39

 

CMYK 88 / 9 / 0 / 63

HEX #0B565F

RGB 11 86 95

HSL 186.43, 0.79%, 0.21%

LAB 33.03, -17.59, -11.33

 

CMYK 88 / 33 / 0 / 63

HEX #0B405F

RGB 11 64 95

HSL 202.14, 0.79%, 0.21%

LAB 25.46, -4.23, -23.05

 

CMYK 88 / 57 / 0 / 63

HEX #0B295F

RGB 11 41 95

HSL 218.57, 0.79%, 0.21%

LAB 17.84, 12.08, -35.21

 

CMYK 88 / 0 / 38 / 63

HEX #0B5F3B

RGB 11 95 59

HSL 154.29, 0.79%, 0.21%

LAB 35.15, -32.86, 14.13

 

CMYK 98 / 0 / 42 / 59

HEX #02683C

RGB 2 104 60

HSL 154.12, 0.96%, 0.21%

LAB 38.27, -37.17, 17.69

 

CMYK 88 / 0 / 38 / 63

HEX #0B5F3B

RGB 11 95 59

HSL 154.29, 0.79%, 0.21%

LAB 35.15, -32.86, 14.13

 

CMYK 78 / 0 / 33 / 66

HEX #13573A

RGB 19 87 58

HSL 154.41, 0.64%, 0.21%

LAB 32.39, -28.51, 11.01

 

CMYK 64 / 0 / 28 / 69

HEX #1C4E38

RGB 28 78 56

HSL 153.6, 0.47%, 0.21%

LAB 29.36, -22.83, 8.11

 

CMYK 46 / 0 / 20 / 73

HEX #254537

RGB 37 69 55

HSL 153.75, 0.3%, 0.21%

LAB 26.52, -15.67, 4.8

 

CMYK 26 / 0 / 11 / 76

HEX #2D3D36

RGB 45 61 54

HSL 153.75, 0.15%, 0.21%

LAB 24.2, -8.25, 2.2

 

CMYK 88 / 0 / 87 / 63

HEX #0B5F0C

RGB 11 95 12

HSL 120.71, 0.79%, 0.21%

LAB 34.56, -39.83, 37

 

CMYK 88 / 0 / 63 / 63

HEX #0B5F23

RGB 11 95 35

HSL 137.14, 0.79%, 0.21%

LAB 34.76, -37.44, 27.32

 

CMYK 88 / 0 / 40 / 63

HEX #0B5F39

RGB 11 95 57

HSL 152.86, 0.79%, 0.21%

LAB 35.1, -33.32, 15.27

 

CMYK 88 / 0 / 16 / 63

HEX #0B5F50

RGB 11 95 80

HSL 169.29, 0.79%, 0.21%

LAB 35.66, -27.23, 1.97

 

CMYK 88 / 7 / 0 / 63

HEX #0B585F

RGB 11 88 95

HSL 185, 0.79%, 0.21%

LAB 33.73, -18.7, -10.28

 

CMYK 91 / 0 / 41 / 91

HEX #02160D

RGB 2 22 13

HSL 153, 0.83%, 0.05%

LAB 5.56, -8.22, 2.73

 

CMYK 90 / 0 / 38 / 77

HEX #063A24

RGB 6 58 36

HSL 154.62, 0.81%, 0.13%

LAB 20.8, -22.76, 9.1

 

CMYK 88 / 0 / 38 / 63

HEX #0B5F3B

RGB 11 95 59

HSL 154.29, 0.79%, 0.21%

LAB 35.15, -32.86, 14.13

 

CMYK 89 / 0 / 39 / 48

HEX #0F8451

RGB 15 132 81

HSL 153.85, 0.8%, 0.29%

LAB 48.51, -42.54, 19.27

 

CMYK 89 / 0 / 38 / 34

HEX #13A968

RGB 19 169 104

HSL 154, 0.8%, 0.37%

LAB 61.23, -51.43, 23.6

 

CMYK 88 / 0 / 38 / 63

HEX #0B5E3A

RGB 11 94 58

HSL 153.98, 0.79%, 0.21%

LAB 34.77, -32.67, 14.22

 

CMYK 88 / 66 / 0 / 63

HEX #0B205F

RGB 11 32 95

HSL 225, 0.79%, 0.21%

LAB 15.12, 18.81, -39.65

 

CMYK 0 / 76 / 88 / 63

HEX #5F170B

RGB 95 23 11

HSL 8.57, 0.79%, 0.21%

LAB 20.32, 31.86, 25.87

 

CMYK 88 / 0 / 38 / 63

HEX #0B5E3A

RGB 11 94 58

HSL 153.98, 0.79%, 0.21%

LAB 34.77, -32.67, 14.22

 

CMYK 40 / 88 / 0 / 63

HEX #390B5F

RGB 57 11 95

HSL 272.86, 0.79%, 0.21%

LAB 15.14, 37.81, -39.44

 

CMYK 0 / 40 / 88 / 63

HEX #5F390B

RGB 95 57 11

HSL 32.86, 0.79%, 0.21%

LAB 27.8, 12.94, 33.26

 

CMYK 88 / 0 / 38 / 63

HEX #0B5E3A

RGB 11 94 58

HSL 153.98, 0.79%, 0.21%

LAB 34.77, -32.67, 14.22

 

CMYK 88 / 66 / 0 / 63

HEX #0B205F

RGB 11 32 95

HSL 225, 0.79%, 0.21%

LAB 15.12, 18.81, -39.65

 

CMYK 0 / 88 / 48 / 63

HEX #5F0B31

RGB 95 11 49

HSL 332.86, 0.79%, 0.21%

LAB 19.61, 38.63, -0.19

 

CMYK 0 / 22 / 88 / 63

HEX #5F4A0B

RGB 95 74 11

HSL 45, 0.79%, 0.21%

LAB 32.6, 2.35, 37.45

 

CMYK 88 / 0 / 38 / 63

HEX #0B5E3A

RGB 11 94 58

HSL 153.98, 0.79%, 0.21%

LAB 34.77, -32.67, 14.22

 

CMYK 84 / 88 / 0 / 63

HEX #0F0B5F

RGB 15 11 95

HSL 242.86, 0.79%, 0.21%

LAB 10.31, 32.91, -47.57

 

CMYK 0 / 88 / 48 / 63

HEX #5F0B31

RGB 95 11 49

HSL 332.86, 0.79%, 0.21%

LAB 19.61, 38.63, -0.19

 

CMYK 4 / 0 / 88 / 63

HEX #5B5F0B

RGB 91 95 11

HSL 62.86, 0.79%, 0.21%

LAB 38.61, -12.07, 42.42

 

Description

Color code: HEX #0B5E3A | qconv.com Color code: HEX #0B5E3A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 11 red, 94 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
11 94 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, none magenta, 38 yellow and 63 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 0% 38% 63% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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