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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0B4AE1 it is the complementary color #F4B51E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0B4AE1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0B4AE1 shade: #104ADC, #215CEF, #326EFF, #4380FF and #5492FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0B4AE1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0B4AE1 shade: #0B4AE1, #0038CE, #0026BB, #0014A8 and #000295

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0B4AE1 shade: #0B49E0, #0B10E0, #3F0BE0, #780BE0 and #B20BE0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0B4AE1 shade: #0B49E0, #0B10E0 and #0B0BE0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0B4AE1 shade matches the following richer shades: #0B49E0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0B4AE1 shade: #0B49E0, #1E51CD, #3159BA, #4361A7 and #566994

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0B4AE1 shade: #0BBCE0, #0B84E0, #0B4BE0, #0B12E0 and #3C0BE0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0B4AE1 shade: #073091, #093CB9, #0B49E0, #1F5EF4 and #477AF6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0B4AE1 shade: #0B4AE1, #CB0BE0 and #A0E00B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0B4AE1 shade: #0B4AE1, #E00B4B and #4BE00B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0B4AE1 shade: #0B4AE1, #CB0BE0, #E0A00B and #20E00B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0B4AE1 shade: #0B4AE1, #E00BB5, #E0A00B and #0BE035

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 95 / 67 / 0 / 12

HEX #0B4AE1

RGB 11 74 225

HSL 222.34, 0.91%, 0.46%

LAB 38.56, 41.92, -80.49

 

Complementary color

CMYK 0 / 26 / 88 / 4

HEX #F4B51E

RGB 244 181 30

HSL 42.34, 0.91%, 0.54%

LAB 77.5, 11.25, 75.78

 

CMYK 93 / 66 / 0 / 14

HEX #104ADC

RGB 16 74 220

HSL 222.94, 0.86%, 0.46%

LAB 38.15, 40.22, -78.3

 

CMYK 86 / 62 / 0 / 6

HEX #215CEF

RGB 33 92 239

HSL 222.82, 0.87%, 0.53%

LAB 44.53, 36.65, -78.59

 

CMYK 80 / 57 / 0 / 0

HEX #326EFF

RGB 50 110 255

HSL 222.44, 1%, 0.6%

LAB 50.75, 32.41, -77.34

 

CMYK 74 / 50 / 0 / 0

HEX #4380FF

RGB 67 128 255

HSL 220.53, 1%, 0.63%

LAB 55.94, 22.94, -68.89

 

CMYK 67 / 43 / 0 / 0

HEX #5492FF

RGB 84 146 255

HSL 218.25, 1%, 0.66%

LAB 61.36, 14.32, -60.14

 

CMYK 95 / 67 / 0 / 12

HEX #0B4AE1

RGB 11 74 225

HSL 222.34, 0.91%, 0.46%

LAB 38.56, 41.92, -80.49

 

CMYK 100 / 73 / 0 / 19

HEX #0038CE

RGB 0 56 206

HSL 223.69, 1%, 0.4%

LAB 32.45, 45.82, -79.65

 

CMYK 100 / 80 / 0 / 27

HEX #0026BB

RGB 0 38 187

HSL 227.81, 1%, 0.37%

LAB 26.66, 49.48, -78.09

 

CMYK 100 / 88 / 0 / 34

HEX #0014A8

RGB 0 20 168

HSL 232.86, 1%, 0.33%

LAB 21.31, 51.89, -75.62

 

CMYK 100 / 99 / 0 / 42

HEX #000295

RGB 0 2 149

HSL 239.19, 1%, 0.29%

LAB 16.57, 52.38, -71.89

 

CMYK 95 / 67 / 0 / 12

HEX #0B49E0

RGB 11 73 224

HSL 222.54, 0.91%, 0.46%

LAB 38.23, 42.18, -80.46

 

CMYK 95 / 93 / 0 / 12

HEX #0B10E0

RGB 11 16 224

HSL 238.59, 0.91%, 0.46%

LAB 28.96, 68.85, -95.84

 

CMYK 72 / 95 / 0 / 12

HEX #3F0BE0

RGB 63 11 224

HSL 254.65, 0.91%, 0.46%

LAB 31.06, 71.04, -92.28

 

CMYK 46 / 95 / 0 / 12

HEX #780BE0

RGB 120 11 224

HSL 270.7, 0.91%, 0.46%

LAB 37.14, 74.74, -82.02

 

CMYK 21 / 95 / 0 / 12

HEX #B20BE0

RGB 178 11 224

HSL 287.04, 0.91%, 0.46%

LAB 45.75, 81.43, -67.57

 

CMYK 95 / 67 / 0 / 12

HEX #0B49E0

RGB 11 73 224

HSL 222.54, 0.91%, 0.46%

LAB 38.23, 42.18, -80.46

 

CMYK 95 / 93 / 0 / 12

HEX #0B10E0

RGB 11 16 224

HSL 238.59, 0.91%, 0.46%

LAB 28.96, 68.85, -95.84

 

CMYK 95 / 95 / 0 / 12

HEX #0B0BE0

RGB 11 11 224

HSL 240, 0.91%, 0.46%

LAB 28.62, 69.9, -96.41

 

CMYK 95 / 67 / 0 / 12

HEX #0B49E0

RGB 11 73 224

HSL 222.54, 0.91%, 0.46%

LAB 38.23, 42.18, -80.46

 

CMYK 95 / 67 / 0 / 12

HEX #0B49E0

RGB 11 73 224

HSL 222.54, 0.91%, 0.46%

LAB 38.23, 42.18, -80.46

 

CMYK 85 / 60 / 0 / 20

HEX #1E51CD

RGB 30 81 205

HSL 222.51, 0.74%, 0.46%

LAB 38.84, 30.75, -68.52

 

CMYK 74 / 52 / 0 / 27

HEX #3159BA

RGB 49 89 186

HSL 222.48, 0.58%, 0.46%

LAB 40.15, 20.14, -55.32

 

CMYK 60 / 42 / 0 / 35

HEX #4361A7

RGB 67 97 167

HSL 222, 0.43%, 0.46%

LAB 42.05, 11.07, -41.05

 

CMYK 42 / 29 / 0 / 42

HEX #566994

RGB 86 105 148

HSL 221.61, 0.26%, 0.46%

LAB 44.55, 4.55, -25.77

 

CMYK 95 / 16 / 0 / 12

HEX #0BBCE0

RGB 11 188 224

HSL 190.14, 0.91%, 0.46%

LAB 70.47, -26.42, -28.99

 

CMYK 95 / 41 / 0 / 12

HEX #0B84E0

RGB 11 132 224

HSL 205.92, 0.91%, 0.46%

LAB 53.98, 4.63, -54.88

 

CMYK 95 / 67 / 0 / 12

HEX #0B4BE0

RGB 11 75 224

HSL 221.97, 0.91%, 0.46%

LAB 38.7, 40.93, -79.69

 

CMYK 95 / 92 / 0 / 12

HEX #0B12E0

RGB 11 18 224

HSL 238.03, 0.91%, 0.46%

LAB 29.12, 68.36, -95.58

 

CMYK 73 / 95 / 0 / 12

HEX #3C0BE0

RGB 60 11 224

HSL 253.8, 0.91%, 0.46%

LAB 30.84, 70.93, -92.66

 

CMYK 95 / 67 / 0 / 43

HEX #073091

RGB 7 48 145

HSL 222.17, 0.91%, 0.3%

LAB 24.33, 28.02, -56.53

 

CMYK 95 / 68 / 0 / 27

HEX #093CB9

RGB 9 60 185

HSL 222.61, 0.91%, 0.38%

LAB 31.33, 35.79, -69.18

 

CMYK 95 / 67 / 0 / 12

HEX #0B49E0

RGB 11 73 224

HSL 222.54, 0.91%, 0.46%

LAB 38.23, 42.18, -80.46

 

CMYK 87 / 61 / 0 / 4

HEX #1F5EF4

RGB 31 94 244

HSL 222.25, 0.91%, 0.54%

LAB 45.4, 37.13, -79.98

 

CMYK 71 / 50 / 0 / 4

HEX #477AF6

RGB 71 122 246

HSL 222.51, 0.91%, 0.62%

LAB 53.93, 23.93, -67.15

 

CMYK 95 / 67 / 0 / 12

HEX #0B4AE1

RGB 11 74 225

HSL 222.34, 0.91%, 0.46%

LAB 38.56, 41.92, -80.49

 

CMYK 9 / 95 / 0 / 12

HEX #CB0BE0

RGB 203 11 224

HSL 294.08, 0.91%, 0.46%

LAB 49.88, 85.03, -60.69

 

CMYK 29 / 0 / 95 / 12

HEX #A0E00B

RGB 160 224 11

HSL 78.03, 0.91%, 0.46%

LAB 82.28, -45.16, 79.56

 

CMYK 95 / 67 / 0 / 12

HEX #0B4AE1

RGB 11 74 225

HSL 222.34, 0.91%, 0.46%

LAB 38.56, 41.92, -80.49

 

CMYK 0 / 95 / 67 / 12

HEX #E00B4B

RGB 224 11 75

HSL 341.97, 0.91%, 0.46%

LAB 47.75, 73.54, 25.56

 

CMYK 67 / 0 / 95 / 12

HEX #4BE00B

RGB 75 224 11

HSL 101.97, 0.91%, 0.46%

LAB 78.94, -70.26, 75.49

 

CMYK 95 / 67 / 0 / 12

HEX #0B4AE1

RGB 11 74 225

HSL 222.34, 0.91%, 0.46%

LAB 38.56, 41.92, -80.49

 

CMYK 9 / 95 / 0 / 12

HEX #CB0BE0

RGB 203 11 224

HSL 294.08, 0.91%, 0.46%

LAB 49.88, 85.03, -60.69

 

CMYK 0 / 29 / 95 / 12

HEX #E0A00B

RGB 224 160 11

HSL 41.97, 0.91%, 0.46%

LAB 70.19, 13.45, 72.71

 

CMYK 86 / 0 / 95 / 12

HEX #20E00B

RGB 32 224 11

HSL 114.08, 0.91%, 0.46%

LAB 78.25, -76.32, 74.64

 

CMYK 95 / 67 / 0 / 12

HEX #0B4AE1

RGB 11 74 225

HSL 222.34, 0.91%, 0.46%

LAB 38.56, 41.92, -80.49

 

CMYK 0 / 95 / 19 / 12

HEX #E00BB5

RGB 224 11 181

HSL 312.11, 0.91%, 0.46%

LAB 51.18, 82.62, -33.59

 

CMYK 0 / 29 / 95 / 12

HEX #E0A00B

RGB 224 160 11

HSL 41.97, 0.91%, 0.46%

LAB 70.19, 13.45, 72.71

 

CMYK 95 / 0 / 76 / 12

HEX #0BE035

RGB 11 224 53

HSL 131.83, 0.91%, 0.46%

LAB 78.25, -75.81, 65.88

 

Description

Color code: HEX #0B4AE1 | qconv.com Color code: HEX #0B4AE1 | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 11 red, 74 green and 225 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
11 74 225 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 95 cyan, 67 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
95% 67% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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