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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0B341B it is the complementary color #F4CBE4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0B341B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0B341B shade: #103416, #214629, #32583C, #436A4F and #547C62

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0B341B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0B341B shade: #0B341B, #002208, #001000 and #000000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0B341B shade: #0B321A, #0B3210, #11320B, #1B320B and #26320B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0B341B shade: #0B321A, #0B3225, #0B3230, #0B2B32 and #0B2032

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0B341B shade matches the following richer shades: #0B321A, #063719 and #013C18

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0B341B shade: #0B321A, #102E1B, #15291C, #1A241D and #1F1F1F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0B341B shade: #11320B, #0B320F, #0B321A, #0B3225 and #0B322F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0B341B shade: #000000, #031009, #0B321A, #12552C and #19773E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0B341B shade: #0B341B, #0B1B32 and #320B0B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0B341B shade: #0B341B, #1A0B32 and #321A0B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0B341B shade: #0B341B, #0B1B32, #320B23 and #32220B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0B341B shade: #0B341B, #0B0F32, #320B23 and #322E0B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 0 / 48 / 80

HEX #0B341B

RGB 11 52 27

HSL 143.41, 0.65%, 0.12%

LAB 18.39, -21.07, 11.81

 

Complementary color

CMYK 0 / 17 / 7 / 4

HEX #F4CBE4

RGB 244 203 228

HSL 323.41, 0.65%, 0.88%

LAB 85.78, 18.49, -6.93

 

CMYK 69 / 0 / 58 / 80

HEX #103416

RGB 16 52 22

HSL 130, 0.53%, 0.13%

LAB 18.47, -20.8, 15.15

 

CMYK 53 / 0 / 41 / 73

HEX #214629

RGB 33 70 41

HSL 132.97, 0.36%, 0.2%

LAB 26.34, -20.77, 13.5

 

CMYK 43 / 0 / 32 / 65

HEX #32583C

RGB 50 88 60

HSL 135.79, 0.28%, 0.27%

LAB 33.95, -20.5, 12.1

 

CMYK 37 / 0 / 25 / 58

HEX #436A4F

RGB 67 106 79

HSL 138.46, 0.23%, 0.34%

LAB 41.32, -20.19, 10.88

 

CMYK 32 / 0 / 21 / 51

HEX #547C62

RGB 84 124 98

HSL 141, 0.19%, 0.41%

LAB 48.49, -19.9, 9.8

 

CMYK 79 / 0 / 48 / 80

HEX #0B341B

RGB 11 52 27

HSL 143.41, 0.65%, 0.12%

LAB 18.39, -21.07, 11.81

 

CMYK 100 / 0 / 76 / 87

HEX #002208

RGB 0 34 8

HSL 134.12, 1%, 0.07%

LAB 10.27, -19.04, 11.68

 

CMYK 100 / 0 / 100 / 94

HEX #001000

RGB 0 16 0

HSL 120, 1%, 0.03%

LAB 3.35, -6.84, 4.89

 

CMYK 78 / 0 / 48 / 80

HEX #0B321A

RGB 11 50 26

HSL 143.08, 0.64%, 0.12%

LAB 17.58, -20.33, 11.4

 

CMYK 78 / 0 / 68 / 80

HEX #0B3210

RGB 11 50 16

HSL 127.69, 0.64%, 0.12%

LAB 17.41, -22.27, 17.45

 

CMYK 66 / 0 / 78 / 80

HEX #11320B

RGB 17 50 11

HSL 110.77, 0.64%, 0.12%

LAB 17.57, -21.22, 20.16

 

CMYK 46 / 0 / 78 / 80

HEX #1B320B

RGB 27 50 11

HSL 95.38, 0.64%, 0.12%

LAB 18.09, -17.4, 20.9

 

CMYK 24 / 0 / 78 / 80

HEX #26320B

RGB 38 50 11

HSL 78.46, 0.64%, 0.12%

LAB 18.87, -12.28, 22.02

 

CMYK 78 / 0 / 48 / 80

HEX #0B321A

RGB 11 50 26

HSL 143.08, 0.64%, 0.12%

LAB 17.58, -20.33, 11.4

 

CMYK 78 / 0 / 26 / 80

HEX #0B3225

RGB 11 50 37

HSL 160, 0.64%, 0.12%

LAB 17.85, -17.45, 4.35

 

CMYK 78 / 0 / 4 / 80

HEX #0B3230

RGB 11 50 48

HSL 176.92, 0.64%, 0.12%

LAB 18.21, -13.9, -2.71

 

CMYK 78 / 14 / 0 / 80

HEX #0B2B32

RGB 11 43 50

HSL 190.77, 0.64%, 0.12%

LAB 15.64, -8.83, -7.97

 

CMYK 78 / 36 / 0 / 80

HEX #0B2032

RGB 11 32 50

HSL 207.69, 0.64%, 0.12%

LAB 11.51, -1.2, -14.35

 

CMYK 78 / 0 / 48 / 80

HEX #0B321A

RGB 11 50 26

HSL 143.08, 0.64%, 0.12%

LAB 17.58, -20.33, 11.4

 

CMYK 89 / 0 / 55 / 78

HEX #063719

RGB 6 55 25

HSL 143.27, 0.8%, 0.12%

LAB 19.4, -23.98, 14.37

 

CMYK 98 / 0 / 60 / 76

HEX #013C18

RGB 1 60 24

HSL 143.39, 0.97%, 0.12%

LAB 21.22, -27.34, 17.24

 

CMYK 78 / 0 / 48 / 80

HEX #0B321A

RGB 11 50 26

HSL 143.08, 0.64%, 0.12%

LAB 17.58, -20.33, 11.4

 

CMYK 65 / 0 / 41 / 82

HEX #102E1B

RGB 16 46 27

HSL 142, 0.48%, 0.12%

LAB 16.22, -16.66, 8.95

 

CMYK 49 / 0 / 32 / 84

HEX #15291C

RGB 21 41 28

HSL 141, 0.32%, 0.12%

LAB 14.56, -11.81, 6.04

 

CMYK 28 / 0 / 19 / 86

HEX #1A241D

RGB 26 36 29

HSL 138, 0.16%, 0.12%

LAB 13.05, -6.29, 3.25

 

CMYK 0 / 0 / 0 / 88

HEX #1F1F1F

RGB 31 31 31

HSL 0, 0%, 0.12%

LAB 11.76, 0, -0

 

CMYK 66 / 0 / 78 / 80

HEX #11320B

RGB 17 50 11

HSL 110.77, 0.64%, 0.12%

LAB 17.57, -21.22, 20.16

 

CMYK 78 / 0 / 70 / 80

HEX #0B320F

RGB 11 50 15

HSL 126.15, 0.64%, 0.12%

LAB 17.4, -22.43, 17.97

 

CMYK 78 / 0 / 48 / 80

HEX #0B321A

RGB 11 50 26

HSL 143.08, 0.64%, 0.12%

LAB 17.58, -20.33, 11.4

 

CMYK 78 / 0 / 26 / 80

HEX #0B3225

RGB 11 50 37

HSL 160, 0.64%, 0.12%

LAB 17.85, -17.45, 4.35

 

CMYK 78 / 0 / 6 / 80

HEX #0B322F

RGB 11 50 47

HSL 175.38, 0.64%, 0.12%

LAB 18.18, -14.25, -2.07

 

CMYK 81 / 0 / 44 / 94

HEX #031009

RGB 3 16 9

HSL 147.69, 0.68%, 0.04%

LAB 3.7, -4.8, 1.76

 

CMYK 78 / 0 / 48 / 80

HEX #0B321A

RGB 11 50 26

HSL 143.08, 0.64%, 0.12%

LAB 17.58, -20.33, 11.4

 

CMYK 79 / 0 / 48 / 67

HEX #12552C

RGB 18 85 44

HSL 143.28, 0.65%, 0.2%

LAB 31.36, -30.93, 18.14

 

CMYK 79 / 0 / 48 / 53

HEX #19773E

RGB 25 119 62

HSL 143.62, 0.65%, 0.28%

LAB 43.87, -40.15, 23.89

 

CMYK 79 / 0 / 48 / 80

HEX #0B341B

RGB 11 52 27

HSL 143.41, 0.65%, 0.12%

LAB 18.39, -21.07, 11.81

 

CMYK 78 / 46 / 0 / 80

HEX #0B1B32

RGB 11 27 50

HSL 215.38, 0.64%, 0.12%

LAB 9.68, 2.59, -17.24

 

CMYK 0 / 78 / 78 / 80

HEX #320B0B

RGB 50 11 11

HSL 0, 0.64%, 0.12%

LAB 8.5, 19.71, 8.65

 

CMYK 79 / 0 / 48 / 80

HEX #0B341B

RGB 11 52 27

HSL 143.41, 0.65%, 0.12%

LAB 18.39, -21.07, 11.81

 

CMYK 48 / 78 / 0 / 80

HEX #1A0B32

RGB 26 11 50

HSL 263.08, 0.64%, 0.12%

LAB 6.23, 18.03, -22.69

 

CMYK 0 / 48 / 78 / 80

HEX #321A0B

RGB 50 26 11

HSL 23.08, 0.64%, 0.12%

LAB 12.23, 10.23, 13.89

 

CMYK 79 / 0 / 48 / 80

HEX #0B341B

RGB 11 52 27

HSL 143.41, 0.65%, 0.12%

LAB 18.39, -21.07, 11.81

 

CMYK 78 / 46 / 0 / 80

HEX #0B1B32

RGB 11 27 50

HSL 215.38, 0.64%, 0.12%

LAB 9.68, 2.59, -17.24

 

CMYK 0 / 78 / 30 / 80

HEX #320B23

RGB 50 11 35

HSL 323.08, 0.64%, 0.12%

LAB 9.31, 22.64, -6.34

 

CMYK 0 / 32 / 78 / 80

HEX #32220B

RGB 50 34 11

HSL 35.38, 0.64%, 0.12%

LAB 14.66, 4.68, 17.12

 

CMYK 79 / 0 / 48 / 80

HEX #0B341B

RGB 11 52 27

HSL 143.41, 0.65%, 0.12%

LAB 18.39, -21.07, 11.81

 

CMYK 78 / 70 / 0 / 80

HEX #0B0F32

RGB 11 15 50

HSL 233.85, 0.64%, 0.12%

LAB 5.81, 11.17, -23.44

 

CMYK 0 / 78 / 30 / 80

HEX #320B23

RGB 50 11 35

HSL 323.08, 0.64%, 0.12%

LAB 9.31, 22.64, -6.34

 

CMYK 0 / 8 / 78 / 80

HEX #322E0B

RGB 50 46 11

HSL 53.85, 0.64%, 0.12%

LAB 18.61, -3.47, 22

 

Description

Color code: HEX #0B341B | qconv.com Color code: HEX #0B341B | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 11 red, 52 green and 27 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
11 52 27 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, none magenta, 48 yellow and 80 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 0% 48% 80% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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