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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0B274ACE it is the complementary color #F4D8B5CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0B274ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0B274ACE shade: #102745CE, #213958CE, #324B6BCE, #435D7ECE and #546F91CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0B274ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0B274ACE shade: #0B274ACE, #001537CE, #000324CE, #000011CE and #000000CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0B274ACE shade: #0B284B, #0B164B, #110B4B, #230B4B and #340B4B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0B274ACE shade: #0B284B, #0B164B and #0B0B4B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0B274ACE shade matches the following richer shades: #0B284B and #042752

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0B274ACE shade: #0B284B, #122944, #19293D, #202A36 and #272B2F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0B274ACE shade: #0B4A4B, #0B394B, #0B284B, #0B174B and #110B4B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0B274ACE shade: #010204, #061528, #0B284B, #113B6F and #164E93

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0B274ACE shade: #0B274A, #3B0B4B and #424B0B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0B274ACE shade: #0B274A, #4B0B28 and #284B0B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0B274ACE shade: #0B274A, #3B0B4B, #4B2F0B and #1B4B0B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0B274ACE shade: #0B274A, #4B0B48, #4B2F0B and #0B4B0E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 38 / 0 / 57

HEX #0B274ACE

RGBA 11 39 74 0.81

HSLA 213.33, 0.74%, 0.17%, 0.81

LABA 15.57, 4.2, -24.74, 0.81

 

Complementary color

CMYK 0 / 9 / 21 / 3

HEX #F4D8B5CE

RGBA 244 216 181 0.81

HSLA 33.33, 0.74%, 0.83%, 0.81

LABA 87.81, 4.5, 20.83, 0.81

 

CMYK 62 / 35 / 0 / 59

HEX #102745CE

RGBA 16 39 69 0.81

HSLA 213.96, 0.62%, 0.17%, 0.81

LABA 15.44, 2.83, -21.51, 0.81

 

CMYK 51 / 29 / 0 / 53

HEX #213958CE

RGBA 33 57 88 0.81

HSLA 213.82, 0.45%, 0.24%, 0.81

LABA 23.52, 1.4, -21.47, 0.81

 

CMYK 43 / 24 / 0 / 47

HEX #324B6BCE

RGBA 50 75 107 0.81

HSLA 213.68, 0.36%, 0.31%, 0.81

LABA 31.28, 0.52, -21.49, 0.81

 

CMYK 38 / 21 / 0 / 41

HEX #435D7ECE

RGBA 67 93 126 0.81

HSLA 213.56, 0.31%, 0.38%, 0.81

LABA 38.77, -0.09, -21.56, 0.81

 

CMYK 34 / 19 / 0 / 35

HEX #546F91CE

RGBA 84 111 145 0.81

HSLA 213.44, 0.27%, 0.45%, 0.81

LABA 46.04, -0.55, -21.68, 0.81

 

CMYK 69 / 38 / 0 / 57

HEX #0B274ACE

RGBA 11 39 74 0.81

HSLA 213.33, 0.74%, 0.17%, 0.81

LABA 15.57, 4.2, -24.74, 0.81

 

CMYK 81 / 50 / 0 / 64

HEX #001537CE

RGBA 0 21 55 0.81

HSLA 217.09, 1%, 0.11%, 0.81

LABA 7.34, 7.41, -24.67, 0.81

 

CMYK 81 / 74 / 0 / 70

HEX #000324CE

RGBA 0 3 36 0.81

HSLA 235, 1%, 0.07%, 0.81

LABA 1.74, 6.88, -19.28, 0.81

 

CMYK 81 / 81 / 0 / 76

HEX #000011CE

RGBA 0 0 17 0.81

HSLA 240, 1%, 0.03%, 0.81

LABA 0.37, 2.57, -6.99, 0.81

 

CMYK 0 / 0 / 0 / 100

HEX #000000CE

RGBA 0 0 0 0.81

HSLA 0, 0%, 0%, 0.81

LABA 0, 0, 0, 0.81

 

CMYK 85 / 47 / 0 / 71

HEX #0B284B

RGB 11 40 75

HSL 212.81, 0.74%, 0.17%

LAB 15.99, 3.9, -24.77

 

CMYK 85 / 71 / 0 / 71

HEX #0B164B

RGB 11 22 75

HSL 229.69, 0.74%, 0.17%

LAB 10.21, 17.67, -34.13

 

CMYK 77 / 85 / 0 / 71

HEX #110B4B

RGB 17 11 75

HSL 245.63, 0.74%, 0.17%

LAB 7.83, 25.99, -38.03

 

CMYK 53 / 85 / 0 / 71

HEX #230B4B

RGB 35 11 75

HSL 262.5, 0.74%, 0.17%

LAB 9.83, 28.56, -34.65

 

CMYK 31 / 85 / 0 / 71

HEX #340B4B

RGB 52 11 75

HSL 278.44, 0.74%, 0.17%

LAB 12.46, 31.84, -30.25

 

CMYK 85 / 47 / 0 / 71

HEX #0B284B

RGB 11 40 75

HSL 212.81, 0.74%, 0.17%

LAB 15.99, 3.9, -24.77

 

CMYK 85 / 71 / 0 / 71

HEX #0B164B

RGB 11 22 75

HSL 229.69, 0.74%, 0.17%

LAB 10.21, 17.67, -34.13

 

CMYK 85 / 85 / 0 / 71

HEX #0B0B4B

RGB 11 11 75

HSL 240, 0.74%, 0.17%

LAB 7.39, 25.35, -38.76

 

CMYK 85 / 47 / 0 / 71

HEX #0B284B

RGB 11 40 75

HSL 212.81, 0.74%, 0.17%

LAB 15.99, 3.9, -24.77

 

CMYK 95 / 52 / 0 / 68

HEX #042752

RGB 4 39 82

HSL 213.08, 0.91%, 0.17%

LAB 15.93, 6.95, -29.62

 

CMYK 85 / 47 / 0 / 71

HEX #0B284B

RGB 11 40 75

HSL 212.81, 0.74%, 0.17%

LAB 15.99, 3.9, -24.77

 

CMYK 74 / 40 / 0 / 73

HEX #122944

RGB 18 41 68

HSL 212.4, 0.58%, 0.17%

LAB 16.16, 1.34, -19.67

 

CMYK 59 / 33 / 0 / 76

HEX #19293D

RGB 25 41 61

HSL 213.33, 0.42%, 0.17%

LAB 16.15, 0.28, -14.81

 

CMYK 41 / 22 / 0 / 79

HEX #202A36

RGB 32 42 54

HSL 212.73, 0.26%, 0.17%

LAB 16.65, -0.65, -9.13

 

CMYK 17 / 9 / 0 / 82

HEX #272B2F

RGB 39 43 47

HSL 210, 0.09%, 0.17%

LAB 17.29, -0.72, -3.2

 

CMYK 85 / 1 / 0 / 71

HEX #0B4A4B

RGB 11 74 75

HSL 180.94, 0.74%, 0.17%

LAB 28.05, -18.06, -6.07

 

CMYK 85 / 24 / 0 / 71

HEX #0B394B

RGB 11 57 75

HSL 196.88, 0.74%, 0.17%

LAB 21.96, -7.92, -15.35

 

CMYK 85 / 47 / 0 / 71

HEX #0B284B

RGB 11 40 75

HSL 212.81, 0.74%, 0.17%

LAB 15.99, 3.9, -24.77

 

CMYK 85 / 69 / 0 / 71

HEX #0B174B

RGB 11 23 75

HSL 228.75, 0.74%, 0.17%

LAB 10.5, 16.91, -33.65

 

CMYK 77 / 85 / 0 / 71

HEX #110B4B

RGB 17 11 75

HSL 245.63, 0.74%, 0.17%

LAB 7.83, 25.99, -38.03

 

CMYK 75 / 50 / 0 / 98

HEX #010204

RGB 1 2 4

HSL 220, 0.6%, 0.01%

LAB 0.53, 0.02, -0.85

 

CMYK 85 / 48 / 0 / 84

HEX #061528

RGB 6 21 40

HSL 213.53, 0.74%, 0.09%

LAB 6.58, 1.4, -14.79

 

CMYK 85 / 47 / 0 / 71

HEX #0B284B

RGB 11 40 75

HSL 212.81, 0.74%, 0.17%

LAB 15.99, 3.9, -24.77

 

CMYK 85 / 47 / 0 / 56

HEX #113B6F

RGB 17 59 111

HSL 213.19, 0.73%, 0.25%

LAB 24.94, 6.61, -34.17

 

CMYK 85 / 47 / 0 / 42

HEX #164E93

RGB 22 78 147

HSL 213.12, 0.74%, 0.33%

LAB 33.41, 9.07, -42.99

 

CMYK 85 / 47 / 0 / 71

HEX #0B274A

RGB 11 39 74

HSL 213.33, 0.74%, 0.17%

LAB 15.57, 4.2, -24.74

 

CMYK 21 / 85 / 0 / 71

HEX #3B0B4B

RGB 59 11 75

HSL 285, 0.74%, 0.17%

LAB 13.69, 33.35, -28.2

 

CMYK 12 / 0 / 85 / 71

HEX #424B0B

RGB 66 75 11

HSL 68.44, 0.74%, 0.17%

LAB 29.95, -12.94, 33.96

 

CMYK 85 / 47 / 0 / 71

HEX #0B274A

RGB 11 39 74

HSL 213.33, 0.74%, 0.17%

LAB 15.57, 4.2, -24.74

 

CMYK 0 / 85 / 47 / 71

HEX #4B0B28

RGB 75 11 40

HSL 332.81, 0.74%, 0.17%

LAB 14.89, 31.67, -1.15

 

CMYK 47 / 0 / 85 / 71

HEX #284B0B

RGB 40 75 11

HSL 92.81, 0.74%, 0.17%

LAB 28.13, -24.66, 31.61

 

CMYK 85 / 47 / 0 / 71

HEX #0B274A

RGB 11 39 74

HSL 213.33, 0.74%, 0.17%

LAB 15.57, 4.2, -24.74

 

CMYK 21 / 85 / 0 / 71

HEX #3B0B4B

RGB 59 11 75

HSL 285, 0.74%, 0.17%

LAB 13.69, 33.35, -28.2

 

CMYK 0 / 37 / 85 / 71

HEX #4B2F0B

RGB 75 47 11

HSL 33.75, 0.74%, 0.17%

LAB 22.14, 9.23, 26.83

 

CMYK 64 / 0 / 85 / 71

HEX #1B4B0B

RGB 27 75 11

HSL 105, 0.74%, 0.17%

LAB 27.54, -29.18, 30.84

 

CMYK 85 / 47 / 0 / 71

HEX #0B274A

RGB 11 39 74

HSL 213.33, 0.74%, 0.17%

LAB 15.57, 4.2, -24.74

 

CMYK 0 / 85 / 4 / 71

HEX #4B0B48

RGB 75 11 72

HSL 302.81, 0.74%, 0.17%

LAB 16.52, 36.48, -21.43

 

CMYK 0 / 37 / 85 / 71

HEX #4B2F0B

RGB 75 47 11

HSL 33.75, 0.74%, 0.17%

LAB 22.14, 9.23, 26.83

 

CMYK 85 / 0 / 81 / 71

HEX #0B4B0E

RGB 11 75 14

HSL 122.81, 0.74%, 0.17%

LAB 27.12, -32.66, 29.07

 

Description

Color code: HEX #0B274ACE | qconv.com Color code: HEX #0B274ACE | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 11 red, 39 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
11 39 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, 38 magenta, none yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 38% 0% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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