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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0AFEB1 it is the complementary color #F5014E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0AFEB1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0AFEB1 shade: #0FFEAC, #20FFBF, #31FFD2, #42FFE5 and #53FFF8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0AFEB1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0AFEB1 shade: #0AFEB1, #00EC9E, #00DA8B, #00C878 and #00B665

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0AFEB1 shade: #0BFEB1, #0BFE70, #0BFE2F, #2AFE0B and #6BFE0B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0AFEB1 shade: #0BFEB1, #0BFEF3, #0BC8FE, #0B86FE and #0B45FE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0AFEB1 shade matches the following richer shades: #0BFEB1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0AFEB1 shade: #0BFEB1, #1FEAAA, #33D6A3, #47C29B and #5BAF94

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0AFEB1 shade: #0BFE30, #0BFE70, #0BFEB1, #0BFEF2 and #0BC9FE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0AFEB1 shade: #01B67D, #01DF99, #0BFEB1, #34FEBE and #5EFECC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0AFEB1 shade: #0AFEB1, #0B28FE and #FE500B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0AFEB1 shade: #0AFEB1, #B10BFE and #FEB10B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0AFEB1 shade: #0AFEB1, #0B28FE, #FE0B58 and #FEE20B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0AFEB1 shade: #0AFEB1, #380BFE, #FE0B58 and #D1FE0B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 96 / 0 / 30 / 0

HEX #0AFEB1

RGB 10 254 177

HSL 161.07, 0.99%, 0.52%

LAB 88.98, -67.17, 23.07

 

Complementary color

CMYK 0 / 100 / 68 / 4

HEX #F5014E

RGB 245 1 78

HSL 341.07, 0.99%, 0.48%

LAB 51.82, 79.35, 29.79

 

CMYK 94 / 0 / 32 / 0

HEX #0FFEAC

RGB 15 254 172

HSL 159.41, 0.99%, 0.53%

LAB 88.91, -68.09, 25.51

 

CMYK 87 / 0 / 25 / 0

HEX #20FFBF

RGB 32 255 191

HSL 162.78, 1%, 0.56%

LAB 89.67, -63.59, 16.89

 

CMYK 81 / 0 / 18 / 0

HEX #31FFD2

RGB 49 255 210

HSL 166.89, 1%, 0.6%

LAB 90.24, -57.95, 7.94

 

CMYK 74 / 0 / 10 / 0

HEX #42FFE5

RGB 66 255 229

HSL 171.75, 1%, 0.63%

LAB 90.93, -51.59, -0.87

 

CMYK 67 / 0 / 3 / 0

HEX #53FFF8

RGB 83 255 248

HSL 177.56, 1%, 0.66%

LAB 91.75, -44.58, -9.48

 

CMYK 96 / 0 / 30 / 0

HEX #0AFEB1

RGB 10 254 177

HSL 161.07, 0.99%, 0.52%

LAB 88.98, -67.17, 23.07

 

CMYK 100 / 0 / 33 / 7

HEX #00EC9E

RGB 0 236 158

HSL 160.17, 1%, 0.46%

LAB 83.16, -65.08, 24.8

 

CMYK 100 / 0 / 36 / 15

HEX #00DA8B

RGB 0 218 139

HSL 158.26, 1%, 0.43%

LAB 77.28, -62.68, 26.63

 

CMYK 100 / 0 / 40 / 22

HEX #00C878

RGB 0 200 120

HSL 156, 1%, 0.39%

LAB 71.33, -60.18, 28.53

 

CMYK 100 / 0 / 45 / 29

HEX #00B665

RGB 0 182 101

HSL 153.3, 1%, 0.36%

LAB 65.28, -57.58, 30.47

 

CMYK 96 / 0 / 30 / 0

HEX #0BFEB1

RGB 11 254 177

HSL 160.99, 0.99%, 0.52%

LAB 88.98, -67.15, 23.08

 

CMYK 96 / 0 / 56 / 0

HEX #0BFE70

RGB 11 254 112

HSL 144.94, 0.99%, 0.52%

LAB 88.03, -78.43, 53.37

 

CMYK 96 / 0 / 81 / 0

HEX #0BFE2F

RGB 11 254 47

HSL 128.89, 0.99%, 0.52%

LAB 87.56, -84.32, 76.37

 

CMYK 83 / 0 / 96 / 0

HEX #2AFE0B

RGB 42 254 11

HSL 112.35, 0.99%, 0.52%

LAB 87.68, -83.6, 82.4

 

CMYK 58 / 0 / 96 / 0

HEX #6BFE0B

RGB 107 254 11

HSL 96.3, 0.99%, 0.52%

LAB 88.94, -72.8, 83.94

 

CMYK 96 / 0 / 30 / 0

HEX #0BFEB1

RGB 11 254 177

HSL 160.99, 0.99%, 0.52%

LAB 88.98, -67.15, 23.08

 

CMYK 96 / 0 / 4 / 0

HEX #0BFEF3

RGB 11 254 243

HSL 177.28, 0.99%, 0.52%

LAB 90.52, -50.82, -8.8

 

CMYK 96 / 21 / 0 / 0

HEX #0BC8FE

RGB 11 200 254

HSL 193.33, 0.99%, 0.52%

LAB 75.16, -22.41, -37.94

 

CMYK 96 / 47 / 0 / 0

HEX #0B86FE

RGB 11 134 254

HSL 209.63, 0.99%, 0.52%

LAB 56.36, 14.94, -67.71

 

CMYK 96 / 73 / 0 / 0

HEX #0B45FE

RGB 11 69 254

HSL 225.68, 0.99%, 0.52%

LAB 40.38, 55.14, -93.85

 

CMYK 96 / 0 / 30 / 0

HEX #0BFEB1

RGB 11 254 177

HSL 160.99, 0.99%, 0.52%

LAB 88.98, -67.15, 23.08

 

CMYK 96 / 0 / 30 / 0

HEX #0BFEB1

RGB 11 254 177

HSL 160.99, 0.99%, 0.52%

LAB 88.98, -67.15, 23.08

 

CMYK 87 / 0 / 27 / 8

HEX #1FEAAA

RGB 31 234 170

HSL 161.08, 0.83%, 0.52%

LAB 82.93, -60.56, 18.32

 

CMYK 76 / 0 / 24 / 16

HEX #33D6A3

RGB 51 214 163

HSL 161.23, 0.67%, 0.52%

LAB 76.95, -52.71, 13.64

 

CMYK 63 / 0 / 20 / 24

HEX #47C29B

RGB 71 194 155

HSL 160.98, 0.5%, 0.52%

LAB 71.07, -43.38, 9.67

 

CMYK 48 / 0 / 15 / 31

HEX #5BAF94

RGB 91 175 148

HSL 160.71, 0.34%, 0.52%

LAB 65.77, -32.12, 6.01

 

CMYK 96 / 0 / 81 / 0

HEX #0BFE30

RGB 11 254 48

HSL 129.14, 0.99%, 0.52%

LAB 87.57, -84.27, 76.13

 

CMYK 96 / 0 / 56 / 0

HEX #0BFE70

RGB 11 254 112

HSL 144.94, 0.99%, 0.52%

LAB 88.03, -78.43, 53.37

 

CMYK 96 / 0 / 30 / 0

HEX #0BFEB1

RGB 11 254 177

HSL 160.99, 0.99%, 0.52%

LAB 88.98, -67.15, 23.08

 

CMYK 96 / 0 / 5 / 0

HEX #0BFEF2

RGB 11 254 242

HSL 177.04, 0.99%, 0.52%

LAB 90.49, -51.1, -8.32

 

CMYK 96 / 21 / 0 / 0

HEX #0BC9FE

RGB 11 201 254

HSL 193.09, 0.99%, 0.52%

LAB 75.45, -22.91, -37.49

 

CMYK 99 / 0 / 31 / 29

HEX #01B67D

RGB 1 182 125

HSL 161.1, 0.99%, 0.36%

LAB 65.7, -52.6, 18.29

 

CMYK 100 / 0 / 31 / 13

HEX #01DF99

RGB 1 223 153

HSL 161.08, 0.99%, 0.44%

LAB 79.09, -61.49, 21.82

 

CMYK 96 / 0 / 30 / 0

HEX #0BFEB1

RGB 11 254 177

HSL 160.99, 0.99%, 0.52%

LAB 88.98, -67.15, 23.08

 

CMYK 80 / 0 / 25 / 0

HEX #34FEBE

RGB 52 254 190

HSL 160.99, 0.99%, 0.6%

LAB 89.55, -61.95, 17.26

 

CMYK 63 / 0 / 20 / 0

HEX #5EFECC

RGB 94 254 204

HSL 161.25, 0.99%, 0.68%

LAB 90.61, -53.33, 11.67

 

CMYK 96 / 0 / 30 / 0

HEX #0AFEB1

RGB 10 254 177

HSL 161.07, 0.99%, 0.52%

LAB 88.98, -67.17, 23.07

 

CMYK 96 / 84 / 0 / 0

HEX #0B28FE

RGB 11 40 254

HSL 232.84, 0.99%, 0.52%

LAB 35.49, 69.32, -101.98

 

CMYK 0 / 69 / 96 / 0

HEX #FE500B

RGB 254 80 11

HSL 17.04, 0.99%, 0.52%

LAB 58.82, 63.71, 67.36

 

CMYK 96 / 0 / 30 / 0

HEX #0AFEB1

RGB 10 254 177

HSL 161.07, 0.99%, 0.52%

LAB 88.98, -67.17, 23.07

 

CMYK 30 / 96 / 0 / 0

HEX #B10BFE

RGB 177 11 254

HSL 280.99, 0.99%, 0.52%

LAB 47.93, 86.66, -80.94

 

CMYK 0 / 30 / 96 / 0

HEX #FEB10B

RGB 254 177 11

HSL 40.99, 0.99%, 0.52%

LAB 77.6, 17.34, 79.5

 

CMYK 96 / 0 / 30 / 0

HEX #0AFEB1

RGB 10 254 177

HSL 161.07, 0.99%, 0.52%

LAB 88.98, -67.17, 23.07

 

CMYK 96 / 84 / 0 / 0

HEX #0B28FE

RGB 11 40 254

HSL 232.84, 0.99%, 0.52%

LAB 35.49, 69.32, -101.98

 

CMYK 0 / 96 / 65 / 0

HEX #FE0B58

RGB 254 11 88

HSL 340.99, 0.99%, 0.52%

LAB 54.04, 81.2, 26.97

 

CMYK 0 / 11 / 96 / 0

HEX #FEE20B

RGB 254 226 11

HSL 53.09, 0.99%, 0.52%

LAB 89.62, -7.79, 88.13

 

CMYK 96 / 0 / 30 / 0

HEX #0AFEB1

RGB 10 254 177

HSL 161.07, 0.99%, 0.52%

LAB 88.98, -67.17, 23.07

 

CMYK 78 / 96 / 0 / 0

HEX #380BFE

RGB 56 11 254

HSL 251.11, 0.99%, 0.52%

LAB 34.47, 78.06, -103.64

 

CMYK 0 / 96 / 65 / 0

HEX #FE0B58

RGB 254 11 88

HSL 340.99, 0.99%, 0.52%

LAB 54.04, 81.2, 26.97

 

CMYK 18 / 0 / 96 / 0

HEX #D1FE0B

RGB 209 254 11

HSL 71.11, 0.99%, 0.52%

LAB 93.65, -39.48, 89.66

 

Description

Color code: HEX #0AFEB1 | qconv.com Color code: HEX #0AFEB1 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 10 red, 254 green and 177 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
10 254 177 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 96 cyan, none magenta, 30 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
96% 0% 30% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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