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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0AEABC it is the complementary color #F51543. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0AEABC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0AEABC shade: #0FEAB7, #20FCCA, #31FFDD, #42FFF0 and #53FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0AEABC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0AEABC shade: #0AEABC, #00D8A9, #00C696, #00B483 and #00A270

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0AEABC shade: #0AEBBD, #0AEB80, #0AEB43, #0DEB0A and #4AEB0A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0AEABC shade: #0AEBBD, #0ADDEB, #0AA0EB, #0A63EB and #0A26EB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0AEABC shade matches the following richer shades: #0AEBBD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0AEABC shade: #0AEBBD, #1ED7B1, #31C3A5, #45B09A and #599C8E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0AEABC shade: #0AEB42, #0AEB7E, #0AEBBA, #0AE0EB and #0AA4EB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0AEABC shade: #069C7D, #08C39D, #0AEBBD, #28F6CC and #50F8D5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0AEABC shade: #0AEABC, #0A0EEB and #EB600A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0AEABC shade: #0AEABC, #BA0AEB and #EBBA0A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0AEABC shade: #0AEABC, #0A0EEB, #EB0A3B and #EBE70A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0AEABC shade: #0AEABC, #4A0AEB, #EB0A3B and #ABEB0A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 96 / 0 / 20 / 8

HEX #0AEABC

RGB 10 234 188

HSL 167.68, 0.92%, 0.48%

LAB 83.2, -57.24, 9.27

 

Complementary color

CMYK 0 / 91 / 73 / 4

HEX #F51543

RGB 245 21 67

HSL 347.68, 0.92%, 0.52%

LAB 52.24, 77.23, 36.82

 

CMYK 94 / 0 / 22 / 8

HEX #0FEAB7

RGB 15 234 183

HSL 166.03, 0.88%, 0.49%

LAB 83.11, -58.31, 11.76

 

CMYK 87 / 0 / 20 / 1

HEX #20FCCA

RGB 32 252 202

HSL 166.36, 0.97%, 0.56%

LAB 89.01, -59.89, 10.3

 

CMYK 81 / 0 / 13 / 0

HEX #31FFDD

RGB 49 255 221

HSL 170.1, 1%, 0.6%

LAB 90.5, -55.23, 2.63

 

CMYK 74 / 0 / 6 / 0

HEX #42FFF0

RGB 66 255 240

HSL 175.24, 1%, 0.63%

LAB 91.22, -48.72, -6.15

 

CMYK 67 / 0 / 0 / 0

HEX #53FFFF

RGB 83 255 255

HSL 180, 1%, 0.66%

LAB 91.94, -42.7, -12.81

 

CMYK 96 / 0 / 20 / 8

HEX #0AEABC

RGB 10 234 188

HSL 167.68, 0.92%, 0.48%

LAB 83.2, -57.24, 9.27

 

CMYK 100 / 0 / 22 / 15

HEX #00D8A9

RGB 0 216 169

HSL 166.94, 1%, 0.42%

LAB 77.27, -55.2, 10.85

 

CMYK 100 / 0 / 24 / 22

HEX #00C696

RGB 0 198 150

HSL 165.45, 1%, 0.39%

LAB 71.28, -52.87, 12.54

 

CMYK 100 / 0 / 27 / 29

HEX #00B483

RGB 0 180 131

HSL 163.67, 1%, 0.35%

LAB 65.19, -50.48, 14.3

 

CMYK 100 / 0 / 31 / 36

HEX #00A270

RGB 0 162 112

HSL 161.48, 1%, 0.32%

LAB 58.98, -48.02, 16.15

 

CMYK 96 / 0 / 20 / 8

HEX #0AEBBD

RGB 10 235 189

HSL 167.73, 0.92%, 0.48%

LAB 83.52, -57.38, 9.21

 

CMYK 96 / 0 / 46 / 8

HEX #0AEB80

RGB 10 235 128

HSL 151.47, 0.92%, 0.48%

LAB 82.4, -70.14, 38.9

 

CMYK 96 / 0 / 71 / 8

HEX #0AEB43

RGB 10 235 67

HSL 135.2, 0.92%, 0.48%

LAB 81.78, -77.84, 64.73

 

CMYK 94 / 0 / 96 / 8

HEX #0DEB0A

RGB 13 235 10

HSL 119.2, 0.92%, 0.48%

LAB 81.58, -80.43, 77.41

 

CMYK 69 / 0 / 96 / 8

HEX #4AEB0A

RGB 74 235 10

HSL 102.93, 0.92%, 0.48%

LAB 82.32, -73.85, 78.32

 

CMYK 96 / 0 / 20 / 8

HEX #0AEBBD

RGB 10 235 189

HSL 167.73, 0.92%, 0.48%

LAB 83.52, -57.38, 9.21

 

CMYK 96 / 6 / 0 / 8

HEX #0ADDEB

RGB 10 221 235

HSL 183.73, 0.92%, 0.48%

LAB 80.61, -38.72, -19.43

 

CMYK 96 / 32 / 0 / 8

HEX #0AA0EB

RGB 10 160 235

HSL 200, 0.92%, 0.48%

LAB 62.68, -7.67, -47.16

 

CMYK 96 / 58 / 0 / 8

HEX #0A63EB

RGB 10 99 235

HSL 216.27, 0.92%, 0.48%

LAB 45.62, 29.73, -74.58

 

CMYK 96 / 84 / 0 / 8

HEX #0A26EB

RGB 10 38 235

HSL 232.53, 0.92%, 0.48%

LAB 32.81, 64.62, -95.72

 

CMYK 96 / 0 / 20 / 8

HEX #0AEBBD

RGB 10 235 189

HSL 167.73, 0.92%, 0.48%

LAB 83.52, -57.38, 9.21

 

CMYK 96 / 0 / 20 / 8

HEX #0AEBBD

RGB 10 235 189

HSL 167.73, 0.92%, 0.48%

LAB 83.52, -57.38, 9.21

 

CMYK 86 / 0 / 18 / 16

HEX #1ED7B1

RGB 30 215 177

HSL 167.68, 0.76%, 0.48%

LAB 77.31, -51.6, 6.67

 

CMYK 75 / 0 / 15 / 24

HEX #31C3A5

RGB 49 195 165

HSL 167.67, 0.6%, 0.48%

LAB 71.15, -44.63, 4.28

 

CMYK 61 / 0 / 13 / 31

HEX #45B09A

RGB 69 176 154

HSL 167.66, 0.44%, 0.48%

LAB 65.47, -35.98, 2.17

 

CMYK 43 / 0 / 9 / 39

HEX #599C8E

RGB 89 156 142

HSL 167.46, 0.27%, 0.48%

LAB 59.76, -24.79, 0.67

 

CMYK 96 / 0 / 72 / 8

HEX #0AEB42

RGB 10 235 66

HSL 134.93, 0.92%, 0.48%

LAB 81.77, -77.93, 65.08

 

CMYK 96 / 0 / 46 / 8

HEX #0AEB7E

RGB 10 235 126

HSL 150.93, 0.92%, 0.48%

LAB 82.37, -70.48, 39.84

 

CMYK 96 / 0 / 21 / 8

HEX #0AEBBA

RGB 10 235 186

HSL 166.93, 0.92%, 0.48%

LAB 83.46, -58.11, 10.68

 

CMYK 96 / 5 / 0 / 8

HEX #0AE0EB

RGB 10 224 235

HSL 182.93, 0.92%, 0.48%

LAB 81.5, -40.08, -18.1

 

CMYK 96 / 30 / 0 / 8

HEX #0AA4EB

RGB 10 164 235

HSL 198.93, 0.92%, 0.48%

LAB 63.85, -9.91, -45.32

 

CMYK 96 / 0 / 20 / 39

HEX #069C7D

RGB 6 156 125

HSL 167.6, 0.93%, 0.32%

LAB 57.36, -42.08, 6.59

 

CMYK 96 / 0 / 19 / 24

HEX #08C39D

RGB 8 195 157

HSL 167.81, 0.92%, 0.4%

LAB 70.54, -49.67, 7.7

 

CMYK 96 / 0 / 20 / 8

HEX #0AEBBD

RGB 10 235 189

HSL 167.73, 0.92%, 0.48%

LAB 83.52, -57.38, 9.21

 

CMYK 84 / 0 / 17 / 4

HEX #28F6CC

RGB 40 246 204

HSL 167.77, 0.92%, 0.56%

LAB 87.35, -56.56, 6.88

 

CMYK 68 / 0 / 14 / 3

HEX #50F8D5

RGB 80 248 213

HSL 167.5, 0.92%, 0.64%

LAB 88.75, -50.92, 4.3

 

CMYK 96 / 0 / 20 / 8

HEX #0AEABC

RGB 10 234 188

HSL 167.68, 0.92%, 0.48%

LAB 83.2, -57.24, 9.27

 

CMYK 96 / 94 / 0 / 8

HEX #0A0EEB

RGB 10 14 235

HSL 238.93, 0.92%, 0.48%

LAB 30.34, 72.1, -99.83

 

CMYK 0 / 59 / 96 / 8

HEX #EB600A

RGB 235 96 10

HSL 22.93, 0.92%, 0.48%

LAB 58.08, 50.62, 65.46

 

CMYK 96 / 0 / 20 / 8

HEX #0AEABC

RGB 10 234 188

HSL 167.68, 0.92%, 0.48%

LAB 83.2, -57.24, 9.27

 

CMYK 21 / 96 / 0 / 8

HEX #BA0AEB

RGB 186 10 235

HSL 286.93, 0.92%, 0.48%

LAB 47.82, 84.49, -70.39

 

CMYK 0 / 21 / 96 / 8

HEX #EBBA0A

RGB 235 186 10

HSL 46.93, 0.92%, 0.48%

LAB 77.76, 4.48, 78.78

 

CMYK 96 / 0 / 20 / 8

HEX #0AEABC

RGB 10 234 188

HSL 167.68, 0.92%, 0.48%

LAB 83.2, -57.24, 9.27

 

CMYK 96 / 94 / 0 / 8

HEX #0A0EEB

RGB 10 14 235

HSL 238.93, 0.92%, 0.48%

LAB 30.34, 72.1, -99.83

 

CMYK 0 / 96 / 75 / 8

HEX #EB0A3B

RGB 235 10 59

HSL 346.93, 0.92%, 0.48%

LAB 49.73, 75.6, 38.09

 

CMYK 0 / 2 / 96 / 8

HEX #EBE70A

RGB 235 231 10

HSL 58.93, 0.92%, 0.48%

LAB 89.32, -18.25, 87.27

 

CMYK 96 / 0 / 20 / 8

HEX #0AEABC

RGB 10 234 188

HSL 167.68, 0.92%, 0.48%

LAB 83.2, -57.24, 9.27

 

CMYK 69 / 96 / 0 / 8

HEX #4A0AEB

RGB 74 10 235

HSL 257.07, 0.92%, 0.48%

LAB 33.29, 74.3, -94.84

 

CMYK 0 / 96 / 75 / 8

HEX #EB0A3B

RGB 235 10 59

HSL 346.93, 0.92%, 0.48%

LAB 49.73, 75.6, 38.09

 

CMYK 27 / 0 / 96 / 8

HEX #ABEB0A

RGB 171 235 10

HSL 77.07, 0.92%, 0.48%

LAB 86.05, -45.75, 82.87

 

Description

Color code: HEX #0AEABC | qconv.com Color code: HEX #0AEABC | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 10 red, 234 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
10 234 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 96 cyan, none magenta, 20 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
96% 0% 20% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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