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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0AE70B it is the complementary color #F518F4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0AE70B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0AE70B shade: #0FE706, #20F919, #31FF2C, #42FF3F and #53FF52

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0AE70B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0AE70B shade: #0AE70B, #00D500, #00C300, #00B100 and #009F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0AE70B shade: #0AE60B, #44E60A, #80E60A, #BBE60A and #E6D60A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0AE70B shade: #0AE60B, #0AE646, #0AE682, #0AE6BD and #0AD4E6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0AE70B shade matches the following richer shades: #0AE60B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0AE70B shade: #0AE60B, #1DD31E, #30BF31, #44AC44 and #579957

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0AE70B shade: #7FE60A, #44E60A, #0AE60A, #0AE644 and #0AE67F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0AE70B shade: #069707, #08BF09, #0AE60B, #23F624 and #4BF74C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0AE70B shade: #0AE70B, #0ABAE6 and #E60A62

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0AE70B shade: #0AE70B, #0A0AE6 and #E60A0A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0AE70B shade: #0AE70B, #0ABAE6, #E60AE6 and #E6360A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0AE70B shade: #0AE70B, #0A78E6, #E60AE6 and #E6780A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 96 / 0 / 95 / 9

HEX #0AE70B

RGB 10 231 11

HSL 120.27, 0.92%, 0.47%

LAB 80.31, -79.47, 76.28

 

Complementary color

CMYK 0 / 90 / 0 / 4

HEX #F518F4

RGB 245 24 244

HSL 300.27, 0.92%, 0.53%

LAB 58.6, 93.36, -57.58

 

CMYK 94 / 0 / 97 / 9

HEX #0FE706

RGB 15 231 6

HSL 117.6, 0.95%, 0.46%

LAB 80.33, -79.36, 76.74

 

CMYK 87 / 0 / 90 / 2

HEX #20F919

RGB 32 249 25

HSL 118.13, 0.95%, 0.54%

LAB 86.07, -82.79, 79.45

 

CMYK 81 / 0 / 83 / 0

HEX #31FF2C

RGB 49 255 44

HSL 118.58, 1%, 0.59%

LAB 88.14, -82.22, 77.72

 

CMYK 74 / 0 / 75 / 0

HEX #42FF3F

RGB 66 255 63

HSL 119.06, 1%, 0.62%

LAB 88.47, -79.04, 72.95

 

CMYK 67 / 0 / 68 / 0

HEX #53FF52

RGB 83 255 82

HSL 119.65, 1%, 0.66%

LAB 88.91, -74.86, 66.98

 

CMYK 96 / 0 / 95 / 9

HEX #0AE70B

RGB 10 231 11

HSL 120.27, 0.92%, 0.47%

LAB 80.31, -79.47, 76.28

 

CMYK 100 / 0 / 100 / 16

HEX #00D500

RGB 0 213 0

HSL 120, 1%, 0.42%

LAB 74.56, -75.24, 72.62

 

CMYK 100 / 0 / 100 / 24

HEX #00C300

RGB 0 195 0

HSL 120, 1%, 0.38%

LAB 68.77, -70.43, 67.98

 

CMYK 100 / 0 / 100 / 31

HEX #00B100

RGB 0 177 0

HSL 120, 1%, 0.35%

LAB 62.88, -65.53, 63.25

 

CMYK 100 / 0 / 100 / 38

HEX #009F00

RGB 0 159 0

HSL 120, 1%, 0.31%

LAB 56.88, -60.55, 58.44

 

CMYK 96 / 0 / 95 / 10

HEX #0AE60B

RGB 10 230 11

HSL 120.27, 0.92%, 0.47%

LAB 80, -79.2, 76.02

 

CMYK 70 / 0 / 96 / 10

HEX #44E60A

RGB 68 230 10

HSL 104.18, 0.92%, 0.47%

LAB 80.65, -73.41, 76.91

 

CMYK 44 / 0 / 96 / 10

HEX #80E60A

RGB 128 230 10

HSL 87.82, 0.92%, 0.47%

LAB 82.49, -58.61, 79.16

 

CMYK 19 / 0 / 96 / 10

HEX #BBE60A

RGB 187 230 10

HSL 71.73, 0.92%, 0.47%

LAB 85.59, -37.41, 82.93

 

CMYK 0 / 7 / 96 / 10

HEX #E6D60A

RGB 230 214 10

HSL 55.64, 0.92%, 0.47%

LAB 84.45, -11.99, 83.47

 

CMYK 96 / 0 / 95 / 10

HEX #0AE60B

RGB 10 230 11

HSL 120.27, 0.92%, 0.47%

LAB 80, -79.2, 76.02

 

CMYK 96 / 0 / 70 / 10

HEX #0AE646

RGB 10 230 70

HSL 136.36, 0.92%, 0.47%

LAB 80.24, -76.17, 62.04

 

CMYK 96 / 0 / 43 / 10

HEX #0AE682

RGB 10 230 130

HSL 152.73, 0.92%, 0.47%

LAB 80.89, -68.16, 35.97

 

CMYK 96 / 0 / 18 / 10

HEX #0AE6BD

RGB 10 230 189

HSL 168.82, 0.92%, 0.47%

LAB 82.02, -55.42, 7.05

 

CMYK 96 / 8 / 0 / 10

HEX #0AD4E6

RGB 10 212 230

HSL 184.91, 0.92%, 0.47%

LAB 77.8, -36.1, -21.03

 

CMYK 96 / 0 / 95 / 10

HEX #0AE60B

RGB 10 230 11

HSL 120.27, 0.92%, 0.47%

LAB 80, -79.2, 76.02

 

CMYK 96 / 0 / 95 / 10

HEX #0AE60B

RGB 10 230 11

HSL 120.27, 0.92%, 0.47%

LAB 80, -79.2, 76.02

 

CMYK 86 / 0 / 86 / 17

HEX #1DD31E

RGB 29 211 30

HSL 120.33, 0.76%, 0.47%

LAB 74.15, -72.41, 68.24

 

CMYK 75 / 0 / 74 / 25

HEX #30BF31

RGB 48 191 49

HSL 120.42, 0.6%, 0.47%

LAB 68.1, -63.13, 57.29

 

CMYK 60 / 0 / 60 / 33

HEX #44AC44

RGB 68 172 68

HSL 120, 0.43%, 0.47%

LAB 62.64, -50.86, 43.79

 

CMYK 43 / 0 / 43 / 40

HEX #579957

RGB 87 153 87

HSL 120, 0.28%, 0.47%

LAB 57.56, -35.11, 28.24

 

CMYK 45 / 0 / 96 / 10

HEX #7FE60A

RGB 127 230 10

HSL 88.09, 0.92%, 0.47%

LAB 82.45, -58.92, 79.11

 

CMYK 70 / 0 / 96 / 10

HEX #44E60A

RGB 68 230 10

HSL 104.18, 0.92%, 0.47%

LAB 80.65, -73.41, 76.91

 

CMYK 96 / 0 / 96 / 10

HEX #0AE60A

RGB 10 230 10

HSL 120, 0.92%, 0.47%

LAB 80, -79.22, 76.11

 

CMYK 96 / 0 / 70 / 10

HEX #0AE644

RGB 10 230 68

HSL 135.82, 0.92%, 0.47%

LAB 80.22, -76.35, 62.76

 

CMYK 96 / 0 / 45 / 10

HEX #0AE67F

RGB 10 230 127

HSL 151.91, 0.92%, 0.47%

LAB 80.84, -68.68, 37.4

 

CMYK 96 / 0 / 95 / 41

HEX #069707

RGB 6 151 7

HSL 120.41, 0.92%, 0.31%

LAB 54.23, -57.71, 55.18

 

CMYK 96 / 0 / 95 / 25

HEX #08BF09

RGB 8 191 9

HSL 120.33, 0.92%, 0.39%

LAB 67.53, -68.8, 65.95

 

CMYK 96 / 0 / 95 / 10

HEX #0AE60B

RGB 10 230 11

HSL 120.27, 0.92%, 0.47%

LAB 80, -79.2, 76.02

 

CMYK 86 / 0 / 85 / 4

HEX #23F624

RGB 35 246 36

HSL 120.28, 0.92%, 0.55%

LAB 85.2, -81.38, 76.77

 

CMYK 70 / 0 / 69 / 3

HEX #4BF74C

RGB 75 247 76

HSL 120.35, 0.91%, 0.63%

LAB 86.28, -74.23, 66.38

 

CMYK 96 / 0 / 95 / 9

HEX #0AE70B

RGB 10 231 11

HSL 120.27, 0.92%, 0.47%

LAB 80.31, -79.47, 76.28

 

CMYK 96 / 19 / 0 / 10

HEX #0ABAE6

RGB 10 186 230

HSL 192, 0.92%, 0.47%

LAB 70.1, -23.42, -32.82

 

CMYK 0 / 96 / 57 / 10

HEX #E60A62

RGB 230 10 98

HSL 336, 0.92%, 0.47%

LAB 49.4, 76.3, 13.84

 

CMYK 96 / 0 / 95 / 9

HEX #0AE70B

RGB 10 231 11

HSL 120.27, 0.92%, 0.47%

LAB 80.31, -79.47, 76.28

 

CMYK 96 / 96 / 0 / 10

HEX #0A0AE6

RGB 10 10 230

HSL 240, 0.92%, 0.47%

LAB 29.4, 71.58, -98.55

 

CMYK 0 / 96 / 96 / 10

HEX #E60A0A

RGB 230 10 10

HSL 0, 0.92%, 0.47%

LAB 48.34, 73.38, 59.49

 

CMYK 96 / 0 / 95 / 9

HEX #0AE70B

RGB 10 231 11

HSL 120.27, 0.92%, 0.47%

LAB 80.31, -79.47, 76.28

 

CMYK 96 / 19 / 0 / 10

HEX #0ABAE6

RGB 10 186 230

HSL 192, 0.92%, 0.47%

LAB 70.1, -23.42, -32.82

 

CMYK 0 / 96 / 0 / 10

HEX #E60AE6

RGB 230 10 230

HSL 300, 0.92%, 0.47%

LAB 54.82, 90.21, -55.91

 

CMYK 0 / 77 / 96 / 10

HEX #E6360A

RGB 230 54 10

HSL 12, 0.92%, 0.47%

LAB 51.25, 65.1, 61.02

 

CMYK 96 / 0 / 95 / 9

HEX #0AE70B

RGB 10 231 11

HSL 120.27, 0.92%, 0.47%

LAB 80.31, -79.47, 76.28

 

CMYK 96 / 48 / 0 / 10

HEX #0A78E6

RGB 10 120 230

HSL 210, 0.92%, 0.47%

LAB 50.93, 14.36, -63.14

 

CMYK 0 / 96 / 0 / 10

HEX #E60AE6

RGB 230 10 230

HSL 300, 0.92%, 0.47%

LAB 54.82, 90.21, -55.91

 

CMYK 0 / 48 / 96 / 10

HEX #E6780A

RGB 230 120 10

HSL 30, 0.92%, 0.47%

LAB 61.89, 37.08, 67.51

 

Description

Color code: HEX #0AE70B | qconv.com Color code: HEX #0AE70B | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 10 red, 231 green and 11 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
10 231 11 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 96 cyan, none magenta, 95 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
96% 0% 95% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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