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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0AE455 it is the complementary color #F51BAA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0AE455. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0AE455 shade: #0FE450, #20F663, #31FF76, #42FF89 and #53FF9C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0AE455. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0AE455 shade: #0AE455, #00D242, #00C02F, #00AE1C and #009C09

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0AE455 shade: #0AE655, #0AE61A, #35E60A, #70E60A and #ACE60A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0AE455 shade: #0AE655, #0AE691, #0AE6CC, #0AC4E6 and #0A89E6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0AE455 shade matches the following richer shades: #0AE655

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0AE455 shade: #0AE655, #1DD35B, #30BF62, #44AC68 and #57996E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0AE455 shade: #36E60A, #0AE618, #0AE653, #0AE68E and #0AE6C9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0AE455 shade: #069738, #08BF47, #0AE655, #23F66C and #4BF786

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0AE455 shade: #0AE455, #0A70E6 and #E60A18

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0AE455 shade: #0AE455, #530AE6 and #E6530A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0AE455 shade: #0AE455, #0A70E6, #E60A9D and #E67F0A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0AE455 shade: #0AE455, #0A2EE6, #E60A9D and #E6C10A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 96 / 0 / 63 / 11

HEX #0AE455

RGB 10 228 85

HSL 140.64, 0.92%, 0.47%

LAB 79.73, -74.07, 55.52

 

Complementary color

CMYK 0 / 89 / 31 / 4

HEX #F51BAA

RGB 245 27 170

HSL 320.64, 0.92%, 0.53%

LAB 55.17, 83.79, -20.65

 

CMYK 93 / 0 / 65 / 11

HEX #0FE450

RGB 15 228 80

HSL 138.31, 0.88%, 0.48%

LAB 79.71, -74.44, 57.57

 

CMYK 87 / 0 / 60 / 4

HEX #20F663

RGB 32 246 99

HSL 138.79, 0.92%, 0.55%

LAB 85.56, -76.67, 56.22

 

CMYK 81 / 0 / 54 / 0

HEX #31FF76

RGB 49 255 118

HSL 140.1, 1%, 0.6%

LAB 88.68, -75.57, 51.5

 

CMYK 74 / 0 / 46 / 0

HEX #42FF89

RGB 66 255 137

HSL 142.54, 1%, 0.63%

LAB 89.15, -70.83, 43.25

 

CMYK 67 / 0 / 39 / 0

HEX #53FF9C

RGB 83 255 156

HSL 145.47, 1%, 0.66%

LAB 89.75, -65.17, 34.81

 

CMYK 96 / 0 / 63 / 11

HEX #0AE455

RGB 10 228 85

HSL 140.64, 0.92%, 0.47%

LAB 79.73, -74.07, 55.52

 

CMYK 100 / 0 / 69 / 18

HEX #00D242

RGB 0 210 66

HSL 138.86, 1%, 0.41%

LAB 73.86, -71.17, 56.8

 

CMYK 100 / 0 / 76 / 25

HEX #00C02F

RGB 0 192 47

HSL 134.69, 1%, 0.38%

LAB 67.95, -67.65, 57.67

 

CMYK 100 / 0 / 84 / 32

HEX #00AE1C

RGB 0 174 28

HSL 129.66, 1%, 0.34%

LAB 61.96, -63.77, 57.68

 

CMYK 100 / 0 / 94 / 39

HEX #009C09

RGB 0 156 9

HSL 123.46, 1%, 0.31%

LAB 55.88, -59.44, 56.24

 

CMYK 96 / 0 / 63 / 10

HEX #0AE655

RGB 10 230 85

HSL 140.45, 0.92%, 0.47%

LAB 80.36, -74.66, 56.22

 

CMYK 96 / 0 / 89 / 10

HEX #0AE61A

RGB 10 230 26

HSL 124.36, 0.92%, 0.47%

LAB 80.03, -78.83, 74.09

 

CMYK 77 / 0 / 96 / 10

HEX #35E60A

RGB 53 230 10

HSL 108.27, 0.92%, 0.47%

LAB 80.39, -75.72, 76.59

 

CMYK 51 / 0 / 96 / 10

HEX #70E60A

RGB 112 230 10

HSL 92.18, 0.92%, 0.47%

LAB 81.87, -63.36, 78.41

 

CMYK 25 / 0 / 96 / 10

HEX #ACE60A

RGB 172 230 10

HSL 75.82, 0.92%, 0.47%

LAB 84.68, -43.23, 81.83

 

CMYK 96 / 0 / 63 / 10

HEX #0AE655

RGB 10 230 85

HSL 140.45, 0.92%, 0.47%

LAB 80.36, -74.66, 56.22

 

CMYK 96 / 0 / 37 / 10

HEX #0AE691

RGB 10 230 145

HSL 156.82, 0.92%, 0.47%

LAB 81.13, -65.35, 28.72

 

CMYK 96 / 0 / 11 / 10

HEX #0AE6CC

RGB 10 230 204

HSL 172.91, 0.92%, 0.47%

LAB 82.39, -51.53, -0.33

 

CMYK 96 / 15 / 0 / 10

HEX #0AC4E6

RGB 10 196 230

HSL 189.27, 0.92%, 0.47%

LAB 73.06, -28.43, -28.26

 

CMYK 96 / 40 / 0 / 10

HEX #0A89E6

RGB 10 137 230

HSL 205.36, 0.92%, 0.47%

LAB 55.75, 3.88, -55.39

 

CMYK 96 / 0 / 63 / 10

HEX #0AE655

RGB 10 230 85

HSL 140.45, 0.92%, 0.47%

LAB 80.36, -74.66, 56.22

 

CMYK 96 / 0 / 63 / 10

HEX #0AE655

RGB 10 230 85

HSL 140.45, 0.92%, 0.47%

LAB 80.36, -74.66, 56.22

 

CMYK 86 / 0 / 57 / 17

HEX #1DD35B

RGB 29 211 91

HSL 140.44, 0.76%, 0.47%

LAB 74.58, -67.13, 46.95

 

CMYK 75 / 0 / 49 / 25

HEX #30BF62

RGB 48 191 98

HSL 140.98, 0.6%, 0.47%

LAB 68.59, -57.35, 36.32

 

CMYK 60 / 0 / 40 / 33

HEX #44AC68

RGB 68 172 104

HSL 140.77, 0.43%, 0.47%

LAB 63.12, -45.47, 26.27

 

CMYK 43 / 0 / 28 / 40

HEX #57996E

RGB 87 153 110

HSL 140.91, 0.28%, 0.47%

LAB 57.97, -31, 16.17

 

CMYK 77 / 0 / 96 / 10

HEX #36E60A

RGB 54 230 10

HSL 108, 0.92%, 0.47%

LAB 80.4, -75.58, 76.61

 

CMYK 96 / 0 / 90 / 10

HEX #0AE618

RGB 10 230 24

HSL 123.82, 0.92%, 0.47%

LAB 80.02, -78.9, 74.41

 

CMYK 96 / 0 / 64 / 10

HEX #0AE653

RGB 10 230 83

HSL 139.91, 0.92%, 0.47%

LAB 80.34, -74.88, 57.03

 

CMYK 96 / 0 / 38 / 10

HEX #0AE68E

RGB 10 230 142

HSL 156, 0.92%, 0.47%

LAB 81.08, -65.94, 30.18

 

CMYK 96 / 0 / 13 / 10

HEX #0AE6C9

RGB 10 230 201

HSL 172.09, 0.92%, 0.47%

LAB 82.31, -52.32, 1.14

 

CMYK 96 / 0 / 63 / 41

HEX #069738

RGB 6 151 56

HSL 140.69, 0.92%, 0.31%

LAB 54.51, -54.1, 39.76

 

CMYK 96 / 0 / 63 / 25

HEX #08BF47

RGB 8 191 71

HSL 140.66, 0.92%, 0.39%

LAB 67.85, -64.68, 48.14

 

CMYK 96 / 0 / 63 / 10

HEX #0AE655

RGB 10 230 85

HSL 140.45, 0.92%, 0.47%

LAB 80.36, -74.66, 56.22

 

CMYK 86 / 0 / 56 / 4

HEX #23F66C

RGB 35 246 108

HSL 140.76, 0.92%, 0.55%

LAB 85.68, -75.33, 52.4

 

CMYK 70 / 0 / 46 / 3

HEX #4BF786

RGB 75 247 134

HSL 140.58, 0.91%, 0.63%

LAB 86.87, -67.26, 41.83

 

CMYK 96 / 0 / 63 / 11

HEX #0AE455

RGB 10 228 85

HSL 140.64, 0.92%, 0.47%

LAB 79.73, -74.07, 55.52

 

CMYK 96 / 51 / 0 / 10

HEX #0A70E6

RGB 10 112 230

HSL 212.18, 0.92%, 0.47%

LAB 48.72, 19.44, -66.72

 

CMYK 0 / 96 / 90 / 10

HEX #E60A18

RGB 230 10 24

HSL 356.18, 0.92%, 0.47%

LAB 48.39, 73.53, 54.7

 

CMYK 96 / 0 / 63 / 11

HEX #0AE455

RGB 10 228 85

HSL 140.64, 0.92%, 0.47%

LAB 79.73, -74.07, 55.52

 

CMYK 64 / 96 / 0 / 10

HEX #530AE6

RGB 83 10 230

HSL 259.91, 0.92%, 0.47%

LAB 33.5, 73.56, -91.61

 

CMYK 0 / 64 / 96 / 10

HEX #E6530A

RGB 230 83 10

HSL 19.91, 0.92%, 0.47%

LAB 55.1, 54.54, 63.23

 

CMYK 96 / 0 / 63 / 11

HEX #0AE455

RGB 10 228 85

HSL 140.64, 0.92%, 0.47%

LAB 79.73, -74.07, 55.52

 

CMYK 96 / 51 / 0 / 10

HEX #0A70E6

RGB 10 112 230

HSL 212.18, 0.92%, 0.47%

LAB 48.72, 19.44, -66.72

 

CMYK 0 / 96 / 32 / 10

HEX #E60A9D

RGB 230 10 157

HSL 319.91, 0.92%, 0.47%

LAB 51.24, 81.18, -19.24

 

CMYK 0 / 45 / 96 / 10

HEX #E67F0A

RGB 230 127 10

HSL 31.91, 0.92%, 0.47%

LAB 63.36, 33.48, 68.48

 

CMYK 96 / 0 / 63 / 11

HEX #0AE455

RGB 10 228 85

HSL 140.64, 0.92%, 0.47%

LAB 79.73, -74.07, 55.52

 

CMYK 96 / 80 / 0 / 10

HEX #0A2EE6

RGB 10 46 230

HSL 230.18, 0.92%, 0.47%

LAB 33.42, 59.49, -91.85

 

CMYK 0 / 96 / 32 / 10

HEX #E60A9D

RGB 230 10 157

HSL 319.91, 0.92%, 0.47%

LAB 51.24, 81.18, -19.24

 

CMYK 0 / 16 / 96 / 10

HEX #E6C10A

RGB 230 193 10

HSL 49.91, 0.92%, 0.47%

LAB 79.03, -1.32, 79.48

 

Description

Color code: HEX #0AE455 | qconv.com Color code: HEX #0AE455 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 10 red, 228 green and 85 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
10 228 85 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 96 cyan, none magenta, 63 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
96% 0% 63% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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