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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0ADC5E it is the complementary color #F523A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0ADC5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0ADC5E shade: #0FDC59, #20EE6C, #31FF7F, #42FF92 and #53FFA5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0ADC5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0ADC5E shade: #0ADC5E, #00CA4B, #00B838, #00A625 and #009412

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0ADC5E shade: #0ADB5E, #0ADB26, #27DB0A, #60DB0A and #98DB0A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0ADC5E shade: #0ADB5E, #0ADB96, #0ADBCF, #0AB0DB and #0A77DB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0ADC5E shade matches the following richer shades: #0ADB5E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0ADC5E shade: #0ADB5E, #1DC962, #2FB665, #42A369 and #55916D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0ADC5E shade: #26DB0A, #0ADB26, #0ADB5E, #0ADB96 and #0ADBCD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0ADC5E shade: #078C3C, #08B44D, #0ADB5E, #1BF472 and #42F68A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0ADC5E shade: #0ADC5E, #0A5EDB and #DB0A0A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0ADC5E shade: #0ADC5E, #5E0ADB and #DB5E0A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0ADC5E shade: #0ADC5E, #0A5EDB, #DB0A88 and #DB880A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0ADC5E shade: #0ADC5E, #0A1FDB, #DB0A88 and #DBC60A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 95 / 0 / 57 / 14

HEX #0ADC5E

RGB 10 220 94

HSL 144, 0.91%, 0.45%

LAB 77.32, -70.57, 48.78

 

Complementary color

CMYK 0 / 86 / 34 / 4

HEX #F523A1

RGB 245 35 161

HSL 324, 0.91%, 0.55%

LAB 55.27, 81.62, -15.22

 

CMYK 93 / 0 / 60 / 14

HEX #0FDC59

RGB 15 220 89

HSL 141.66, 0.87%, 0.46%

LAB 77.29, -71.02, 51

 

CMYK 87 / 0 / 55 / 7

HEX #20EE6C

RGB 32 238 108

HSL 142.14, 0.86%, 0.53%

LAB 83.2, -73.08, 49.43

 

CMYK 81 / 0 / 50 / 0

HEX #31FF7F

RGB 49 255 127

HSL 142.72, 1%, 0.6%

LAB 88.78, -74.3, 47.48

 

CMYK 74 / 0 / 43 / 0

HEX #42FF92

RGB 66 255 146

HSL 145.4, 1%, 0.63%

LAB 89.28, -69.37, 39.06

 

CMYK 67 / 0 / 35 / 0

HEX #53FFA5

RGB 83 255 165

HSL 148.6, 1%, 0.66%

LAB 89.89, -63.54, 30.52

 

CMYK 95 / 0 / 57 / 14

HEX #0ADC5E

RGB 10 220 94

HSL 144, 0.91%, 0.45%

LAB 77.32, -70.57, 48.78

 

CMYK 100 / 0 / 63 / 21

HEX #00CA4B

RGB 0 202 75

HSL 142.28, 1%, 0.4%

LAB 71.38, -67.86, 50.38

 

CMYK 100 / 0 / 70 / 28

HEX #00B838

RGB 0 184 56

HSL 138.26, 1%, 0.36%

LAB 65.41, -64.55, 51.74

 

CMYK 100 / 0 / 78 / 35

HEX #00A625

RGB 0 166 37

HSL 133.37, 1%, 0.33%

LAB 59.35, -60.91, 52.54

 

CMYK 100 / 0 / 88 / 42

HEX #009412

RGB 0 148 18

HSL 127.3, 1%, 0.29%

LAB 53.19, -56.83, 52.24

 

CMYK 95 / 0 / 57 / 14

HEX #0ADB5E

RGB 10 219 94

HSL 144.11, 0.91%, 0.45%

LAB 77, -70.26, 48.41

 

CMYK 95 / 0 / 83 / 14

HEX #0ADB26

RGB 10 219 38

HSL 128.04, 0.91%, 0.45%

LAB 76.6, -75.36, 68.55

 

CMYK 82 / 0 / 95 / 14

HEX #27DB0A

RGB 39 219 10

HSL 111.67, 0.91%, 0.45%

LAB 76.75, -74.28, 73.54

 

CMYK 56 / 0 / 95 / 14

HEX #60DB0A

RGB 96 219 10

HSL 95.31, 0.91%, 0.45%

LAB 77.98, -63.84, 75.04

 

CMYK 31 / 0 / 95 / 14

HEX #98DB0A

RGB 152 219 10

HSL 79.23, 0.91%, 0.45%

LAB 80.38, -46.02, 77.98

 

CMYK 95 / 0 / 57 / 14

HEX #0ADB5E

RGB 10 219 94

HSL 144.11, 0.91%, 0.45%

LAB 77, -70.26, 48.41

 

CMYK 95 / 0 / 32 / 14

HEX #0ADB96

RGB 10 219 150

HSL 160.19, 0.91%, 0.45%

LAB 77.83, -60.42, 21.67

 

CMYK 95 / 0 / 5 / 14

HEX #0ADBCF

RGB 10 219 207

HSL 176.56, 0.91%, 0.45%

LAB 79.18, -46.08, -6.66

 

CMYK 95 / 20 / 0 / 14

HEX #0AB0DB

RGB 10 176 219

HSL 192.34, 0.91%, 0.45%

LAB 66.7, -22.03, -32.08

 

CMYK 95 / 46 / 0 / 14

HEX #0A77DB

RGB 10 119 219

HSL 208.71, 0.91%, 0.45%

LAB 49.95, 10.69, -58.53

 

CMYK 95 / 0 / 57 / 14

HEX #0ADB5E

RGB 10 219 94

HSL 144.11, 0.91%, 0.45%

LAB 77, -70.26, 48.41

 

CMYK 95 / 0 / 57 / 14

HEX #0ADB5E

RGB 10 219 94

HSL 144.11, 0.91%, 0.45%

LAB 77, -70.26, 48.41

 

CMYK 86 / 0 / 51 / 21

HEX #1DC962

RGB 29 201 98

HSL 144.07, 0.75%, 0.45%

LAB 71.5, -62.89, 39.9

 

CMYK 74 / 0 / 45 / 29

HEX #2FB665

RGB 47 182 101

HSL 144, 0.59%, 0.45%

LAB 65.75, -53.74, 31.18

 

CMYK 60 / 0 / 36 / 36

HEX #42A369

RGB 66 163 105

HSL 144.12, 0.42%, 0.45%

LAB 60.22, -41.99, 21.86

 

CMYK 41 / 0 / 25 / 43

HEX #55916D

RGB 85 145 109

HSL 144, 0.26%, 0.45%

LAB 55.37, -27.95, 13.1

 

CMYK 83 / 0 / 95 / 14

HEX #26DB0A

RGB 38 219 10

HSL 111.96, 0.91%, 0.45%

LAB 76.74, -74.39, 73.52

 

CMYK 95 / 0 / 83 / 14

HEX #0ADB26

RGB 10 219 38

HSL 128.04, 0.91%, 0.45%

LAB 76.6, -75.36, 68.55

 

CMYK 95 / 0 / 57 / 14

HEX #0ADB5E

RGB 10 219 94

HSL 144.11, 0.91%, 0.45%

LAB 77, -70.26, 48.41

 

CMYK 95 / 0 / 32 / 14

HEX #0ADB96

RGB 10 219 150

HSL 160.19, 0.91%, 0.45%

LAB 77.83, -60.42, 21.67

 

CMYK 95 / 0 / 6 / 14

HEX #0ADBCD

RGB 10 219 205

HSL 175.98, 0.91%, 0.45%

LAB 79.12, -46.65, -5.67

 

CMYK 95 / 0 / 57 / 45

HEX #078C3C

RGB 7 140 60

HSL 143.91, 0.9%, 0.29%

LAB 50.84, -49.85, 33.52

 

CMYK 96 / 0 / 57 / 29

HEX #08B44D

RGB 8 180 77

HSL 144.07, 0.91%, 0.37%

LAB 64.35, -60.47, 41.33

 

CMYK 95 / 0 / 57 / 14

HEX #0ADB5E

RGB 10 219 94

HSL 144.11, 0.91%, 0.45%

LAB 77, -70.26, 48.41

 

CMYK 89 / 0 / 53 / 4

HEX #1BF472

RGB 27 244 114

HSL 144.06, 0.91%, 0.53%

LAB 85.07, -74.43, 48.93

 

CMYK 73 / 0 / 44 / 4

HEX #42F68A

RGB 66 246 138

HSL 144, 0.91%, 0.61%

LAB 86.46, -67.59, 39.32

 

CMYK 95 / 0 / 57 / 14

HEX #0ADC5E

RGB 10 220 94

HSL 144, 0.91%, 0.45%

LAB 77.32, -70.57, 48.78

 

CMYK 95 / 57 / 0 / 14

HEX #0A5EDB

RGB 10 94 219

HSL 215.89, 0.91%, 0.45%

LAB 43.04, 26.76, -69.72

 

CMYK 0 / 95 / 95 / 14

HEX #DB0A0A

RGB 219 10 10

HSL 0, 0.91%, 0.45%

LAB 46.04, 70.64, 57.06

 

CMYK 95 / 0 / 57 / 14

HEX #0ADC5E

RGB 10 220 94

HSL 144, 0.91%, 0.45%

LAB 77.32, -70.57, 48.78

 

CMYK 57 / 95 / 0 / 14

HEX #5E0ADB

RGB 94 10 219

HSL 264.11, 0.91%, 0.45%

LAB 33.37, 71.69, -85.48

 

CMYK 0 / 57 / 95 / 14

HEX #DB5E0A

RGB 219 94 10

HSL 24.11, 0.91%, 0.45%

LAB 55.16, 45.65, 62.35

 

CMYK 95 / 0 / 57 / 14

HEX #0ADC5E

RGB 10 220 94

HSL 144, 0.91%, 0.45%

LAB 77.32, -70.57, 48.78

 

CMYK 95 / 57 / 0 / 14

HEX #0A5EDB

RGB 10 94 219

HSL 215.89, 0.91%, 0.45%

LAB 43.04, 26.76, -69.72

 

CMYK 0 / 95 / 38 / 14

HEX #DB0A88

RGB 219 10 136

HSL 323.83, 0.91%, 0.45%

LAB 48.33, 76.84, -11.24

 

CMYK 0 / 38 / 95 / 14

HEX #DB880A

RGB 219 136 10

HSL 36.17, 0.91%, 0.45%

LAB 63.91, 24.14, 68.17

 

CMYK 95 / 0 / 57 / 14

HEX #0ADC5E

RGB 10 220 94

HSL 144, 0.91%, 0.45%

LAB 77.32, -70.57, 48.78

 

CMYK 95 / 86 / 0 / 14

HEX #0A1FDB

RGB 10 31 219

HSL 233.97, 0.91%, 0.45%

LAB 29.81, 62.78, -91.55

 

CMYK 0 / 95 / 38 / 14

HEX #DB0A88

RGB 219 10 136

HSL 323.83, 0.91%, 0.45%

LAB 48.33, 76.84, -11.24

 

CMYK 0 / 10 / 95 / 14

HEX #DBC60A

RGB 219 198 10

HSL 53.97, 0.91%, 0.45%

LAB 79.31, -8.65, 79.23

 

Description

Color code: HEX #0ADC5E | qconv.com Color code: HEX #0ADC5E | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 10 red, 220 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
10 220 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 95 cyan, none magenta, 57 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
95% 0% 57% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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