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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0AD93E it is the complementary color #F526C1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0AD93E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0AD93E shade: #0FD939, #20EB4C, #31FD5F, #42FF72 and #53FF85

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0AD93E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0AD93E shade: #0AD93E, #00C72B, #00B518, #00A305 and #009100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0AD93E shade: #0ADB3F, #0EDB0A, #47DB0A, #7FDB0A and #B7DB0A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0AD93E shade: #0ADB3F, #0ADB77, #0ADBAF, #0ACFDB and #0A96DB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0AD93E shade matches the following richer shades: #0ADB3F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0AD93E shade: #0ADB3F, #1DC948, #2FB651, #42A35B and #559164

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0AD93E shade: #46DB0A, #0EDB0A, #0ADB3F, #0ADB76 and #0ADBAE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0AD93E shade: #078C28, #08B433, #0ADB3F, #1BF451 and #42F66F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0AD93E shade: #0AD93E, #0A7DDB and #DB0A2A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0AD93E shade: #0AD93E, #3F0ADB and #DB3F0A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0AD93E shade: #0AD93E, #0A7DDB, #DB0AA7 and #DB680A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0AD93E shade: #0AD93E, #0A3FDB, #DB0AA7 and #DBA70A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 95 / 0 / 71 / 15

HEX #0AD93E

RGB 10 217 62

HSL 135.07, 0.91%, 0.45%

LAB 76.09, -73.18, 60.66

 

Complementary color

CMYK 0 / 84 / 21 / 4

HEX #F526C1

RGB 245 38 193

HSL 315.07, 0.91%, 0.55%

LAB 56.73, 84.6, -31.61

 

CMYK 93 / 0 / 74 / 15

HEX #0FD939

RGB 15 217 57

HSL 132.48, 0.87%, 0.45%

LAB 76.08, -73.39, 62.43

 

CMYK 86 / 0 / 68 / 8

HEX #20EB4C

RGB 32 235 76

HSL 133, 0.84%, 0.52%

LAB 81.97, -75.88, 61.65

 

CMYK 81 / 0 / 62 / 1

HEX #31FD5F

RGB 49 253 95

HSL 133.53, 0.98%, 0.59%

LAB 87.84, -77.76, 60.54

 

CMYK 74 / 0 / 55 / 0

HEX #42FF72

RGB 66 255 114

HSL 135.24, 1%, 0.63%

LAB 88.87, -74.11, 53.6

 

CMYK 67 / 0 / 48 / 0

HEX #53FF85

RGB 83 255 133

HSL 137.44, 1%, 0.66%

LAB 89.42, -68.89, 45.56

 

CMYK 95 / 0 / 71 / 15

HEX #0AD93E

RGB 10 217 62

HSL 135.07, 0.91%, 0.45%

LAB 76.09, -73.18, 60.66

 

CMYK 100 / 0 / 78 / 22

HEX #00C72B

RGB 0 199 43

HSL 132.96, 1%, 0.39%

LAB 70.19, -69.92, 61.15

 

CMYK 100 / 0 / 87 / 29

HEX #00B518

RGB 0 181 24

HSL 127.96, 1%, 0.35%

LAB 64.25, -65.93, 60.7

 

CMYK 100 / 0 / 97 / 36

HEX #00A305

RGB 0 163 5

HSL 121.84, 1%, 0.32%

LAB 58.23, -61.53, 58.79

 

CMYK 100 / 0 / 100 / 43

HEX #009100

RGB 0 145 0

HSL 120, 1%, 0.28%

LAB 52.12, -56.59, 54.62

 

CMYK 95 / 0 / 71 / 14

HEX #0ADB3F

RGB 10 219 63

HSL 135.22, 0.91%, 0.45%

LAB 76.73, -73.66, 60.96

 

CMYK 94 / 0 / 95 / 14

HEX #0EDB0A

RGB 14 219 10

HSL 118.85, 0.91%, 0.45%

LAB 76.54, -76.13, 73.28

 

CMYK 68 / 0 / 95 / 14

HEX #47DB0A

RGB 71 219 10

HSL 102.49, 0.91%, 0.45%

LAB 77.3, -69.5, 74.21

 

CMYK 42 / 0 / 95 / 14

HEX #7FDB0A

RGB 127 219 10

HSL 86.41, 0.91%, 0.45%

LAB 79.15, -54.73, 76.48

 

CMYK 16 / 0 / 95 / 14

HEX #B7DB0A

RGB 183 219 10

HSL 70.33, 0.91%, 0.45%

LAB 82.25, -34.02, 80.23

 

CMYK 95 / 0 / 71 / 14

HEX #0ADB3F

RGB 10 219 63

HSL 135.22, 0.91%, 0.45%

LAB 76.73, -73.66, 60.96

 

CMYK 95 / 0 / 46 / 14

HEX #0ADB77

RGB 10 219 119

HSL 151.29, 0.91%, 0.45%

LAB 77.32, -66.45, 36.84

 

CMYK 95 / 0 / 20 / 14

HEX #0ADBAF

RGB 10 219 175

HSL 167.37, 0.91%, 0.45%

LAB 78.36, -54.61, 9.22

 

CMYK 95 / 5 / 0 / 14

HEX #0ACFDB

RGB 10 207 219

HSL 183.44, 0.91%, 0.45%

LAB 75.95, -37.19, -17.92

 

CMYK 95 / 32 / 0 / 14

HEX #0A96DB

RGB 10 150 219

HSL 199.81, 0.91%, 0.45%

LAB 58.97, -7.9, -44.16

 

CMYK 95 / 0 / 71 / 14

HEX #0ADB3F

RGB 10 219 63

HSL 135.22, 0.91%, 0.45%

LAB 76.73, -73.66, 60.96

 

CMYK 95 / 0 / 71 / 14

HEX #0ADB3F

RGB 10 219 63

HSL 135.22, 0.91%, 0.45%

LAB 76.73, -73.66, 60.96

 

CMYK 86 / 0 / 64 / 21

HEX #1DC948

RGB 29 201 72

HSL 135, 0.75%, 0.45%

LAB 71.22, -66.34, 51.52

 

CMYK 74 / 0 / 55 / 29

HEX #2FB651

RGB 47 182 81

HSL 135.11, 0.59%, 0.45%

LAB 65.48, -56.88, 40.87

 

CMYK 60 / 0 / 44 / 36

HEX #42A35B

RGB 66 163 91

HSL 135.46, 0.42%, 0.45%

LAB 59.99, -44.54, 29.08

 

CMYK 41 / 0 / 31 / 43

HEX #559164

RGB 85 145 100

HSL 135, 0.26%, 0.45%

LAB 55.18, -29.74, 17.93

 

CMYK 68 / 0 / 95 / 14

HEX #46DB0A

RGB 70 219 10

HSL 102.78, 0.91%, 0.45%

LAB 77.27, -69.7, 74.18

 

CMYK 94 / 0 / 95 / 14

HEX #0EDB0A

RGB 14 219 10

HSL 118.85, 0.91%, 0.45%

LAB 76.54, -76.13, 73.28

 

CMYK 95 / 0 / 71 / 14

HEX #0ADB3F

RGB 10 219 63

HSL 135.22, 0.91%, 0.45%

LAB 76.73, -73.66, 60.96

 

CMYK 95 / 0 / 46 / 14

HEX #0ADB76

RGB 10 219 118

HSL 151, 0.91%, 0.45%

LAB 77.3, -66.62, 37.31

 

CMYK 95 / 0 / 21 / 14

HEX #0ADBAE

RGB 10 219 174

HSL 167.08, 0.91%, 0.45%

LAB 78.34, -54.85, 9.72

 

CMYK 95 / 0 / 71 / 45

HEX #078C28

RGB 7 140 40

HSL 134.89, 0.9%, 0.29%

LAB 50.63, -52.37, 42.57

 

CMYK 96 / 0 / 72 / 29

HEX #08B433

RGB 8 180 51

HSL 135, 0.91%, 0.37%

LAB 64.11, -63.47, 52.33

 

CMYK 95 / 0 / 71 / 14

HEX #0ADB3F

RGB 10 219 63

HSL 135.22, 0.91%, 0.45%

LAB 76.73, -73.66, 60.96

 

CMYK 89 / 0 / 67 / 4

HEX #1BF451

RGB 27 244 81

HSL 134.93, 0.91%, 0.53%

LAB 84.76, -78.36, 62.69

 

CMYK 73 / 0 / 55 / 4

HEX #42F66F

RGB 66 246 111

HSL 135, 0.91%, 0.61%

LAB 86.12, -71.58, 51.66

 

CMYK 95 / 0 / 71 / 15

HEX #0AD93E

RGB 10 217 62

HSL 135.07, 0.91%, 0.45%

LAB 76.09, -73.18, 60.66

 

CMYK 95 / 43 / 0 / 14

HEX #0A7DDB

RGB 10 125 219

HSL 206.99, 0.91%, 0.45%

LAB 51.66, 6.95, -55.77

 

CMYK 0 / 95 / 81 / 14

HEX #DB0A2A

RGB 219 10 42

HSL 350.81, 0.91%, 0.45%

LAB 46.24, 71.18, 43.09

 

CMYK 95 / 0 / 71 / 15

HEX #0AD93E

RGB 10 217 62

HSL 135.07, 0.91%, 0.45%

LAB 76.09, -73.18, 60.66

 

CMYK 71 / 95 / 0 / 14

HEX #3F0ADB

RGB 63 10 219

HSL 255.22, 0.91%, 0.45%

LAB 30.37, 69.99, -90.55

 

CMYK 0 / 71 / 95 / 14

HEX #DB3F0A

RGB 219 63 10

HSL 15.22, 0.91%, 0.45%

LAB 50.26, 58.74, 59.37

 

CMYK 95 / 0 / 71 / 15

HEX #0AD93E

RGB 10 217 62

HSL 135.07, 0.91%, 0.45%

LAB 76.09, -73.18, 60.66

 

CMYK 95 / 43 / 0 / 14

HEX #0A7DDB

RGB 10 125 219

HSL 206.99, 0.91%, 0.45%

LAB 51.66, 6.95, -55.77

 

CMYK 0 / 95 / 24 / 14

HEX #DB0AA7

RGB 219 10 167

HSL 314.93, 0.91%, 0.45%

LAB 49.58, 80.09, -27.91

 

CMYK 0 / 53 / 95 / 14

HEX #DB680A

RGB 219 104 10

HSL 26.99, 0.91%, 0.45%

LAB 57.06, 40.79, 63.57

 

CMYK 95 / 0 / 71 / 15

HEX #0AD93E

RGB 10 217 62

HSL 135.07, 0.91%, 0.45%

LAB 76.09, -73.18, 60.66

 

CMYK 95 / 71 / 0 / 14

HEX #0A3FDB

RGB 10 63 219

HSL 224.78, 0.91%, 0.45%

LAB 35.47, 46.48, -82.16

 

CMYK 0 / 95 / 24 / 14

HEX #DB0AA7

RGB 219 10 167

HSL 314.93, 0.91%, 0.45%

LAB 49.58, 80.09, -27.91

 

CMYK 0 / 24 / 95 / 14

HEX #DBA70A

RGB 219 167 10

HSL 45.07, 0.91%, 0.45%

LAB 71.36, 7.53, 73.43

 

Description

Color code: HEX #0AD93E | qconv.com Color code: HEX #0AD93E | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 10 red, 217 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
10 217 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 95 cyan, none magenta, 71 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
95% 0% 71% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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