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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0AD605 it is the complementary color #F529FA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0AD605. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0AD605 shade: #0FD600, #20E813, #31FA26, #42FF39 and #53FF4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0AD605. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0AD605 shade: #0AD605, #00C400, #00B200, #00A000 and #008E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0AD605 shade: #0AD605, #43D605, #7BD605, #B3D605 and #D6C005

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0AD605 shade: #0AD605, #05D639, #05D671, #05D6A9 and #05CAD6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0AD605 shade matches the following richer shades: #0AD605

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0AD605 shade: #0AD605, #1BC417, #2CB229, #3DA13B and #4E8F4C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0AD605 shade: #7CD605, #44D605, #0CD605, #05D636 and #05D66E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0AD605 shade: #078503, #09AE04, #0AD605, #11F90C and #39FA34

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0AD605 shade: #0AD605, #05B3D6 and #D60560

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0AD605 shade: #0AD605, #050CD6 and #D6050C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0AD605 shade: #0AD605, #05B3D6, #CF05D6 and #D62805

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0AD605 shade: #0AD605, #0575D6, #CF05D6 and #D66705

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 95 / 0 / 98 / 16

HEX #0AD605

RGB 10 214 5

HSL 118.56, 0.95%, 0.43%

LAB 74.93, -75.04, 72.44

 

Complementary color

CMYK 2 / 84 / 0 / 2

HEX #F529FA

RGB 245 41 250

HSL 298.56, 0.95%, 0.57%

LAB 59.8, 91.71, -59

 

CMYK 93 / 0 / 100 / 16

HEX #0FD600

RGB 15 214 0

HSL 115.79, 1%, 0.42%

LAB 74.95, -74.92, 72.95

 

CMYK 86 / 0 / 92 / 9

HEX #20E813

RGB 32 232 19

HSL 116.34, 0.85%, 0.49%

LAB 80.78, -78.34, 75.83

 

CMYK 80 / 0 / 85 / 2

HEX #31FA26

RGB 49 250 38

HSL 116.89, 0.95%, 0.56%

LAB 86.59, -81.08, 77.65

 

CMYK 74 / 0 / 78 / 0

HEX #42FF39

RGB 66 255 57

HSL 117.27, 1%, 0.61%

LAB 88.44, -79.42, 74.71

 

CMYK 67 / 0 / 70 / 0

HEX #53FF4C

RGB 83 255 76

HSL 117.65, 1%, 0.65%

LAB 88.87, -75.35, 69.13

 

CMYK 95 / 0 / 98 / 16

HEX #0AD605

RGB 10 214 5

HSL 118.56, 0.95%, 0.43%

LAB 74.93, -75.04, 72.44

 

CMYK 100 / 0 / 100 / 23

HEX #00C400

RGB 0 196 0

HSL 120, 1%, 0.38%

LAB 69.1, -70.7, 68.24

 

CMYK 100 / 0 / 100 / 30

HEX #00B200

RGB 0 178 0

HSL 120, 1%, 0.35%

LAB 63.21, -65.81, 63.52

 

CMYK 100 / 0 / 100 / 37

HEX #00A000

RGB 0 160 0

HSL 120, 1%, 0.31%

LAB 57.21, -60.83, 58.71

 

CMYK 100 / 0 / 100 / 44

HEX #008E00

RGB 0 142 0

HSL 120, 1%, 0.28%

LAB 51.09, -55.74, 53.8

 

CMYK 95 / 0 / 98 / 16

HEX #0AD605

RGB 10 214 5

HSL 118.56, 0.95%, 0.43%

LAB 74.93, -75.04, 72.44

 

CMYK 69 / 0 / 98 / 16

HEX #43D605

RGB 67 214 5

HSL 102.2, 0.95%, 0.43%

LAB 75.64, -68.8, 73.3

 

CMYK 43 / 0 / 98 / 16

HEX #7BD605

RGB 123 214 5

HSL 86.12, 0.95%, 0.43%

LAB 77.47, -54.17, 75.54

 

CMYK 16 / 0 / 98 / 16

HEX #B3D605

RGB 179 214 5

HSL 70.05, 0.95%, 0.43%

LAB 80.56, -33.39, 79.27

 

CMYK 0 / 10 / 98 / 16

HEX #D6C005

RGB 214 192 5

HSL 53.68, 0.95%, 0.43%

LAB 77.28, -7.8, 78.04

 

CMYK 95 / 0 / 98 / 16

HEX #0AD605

RGB 10 214 5

HSL 118.56, 0.95%, 0.43%

LAB 74.93, -75.04, 72.44

 

CMYK 98 / 0 / 73 / 16

HEX #05D639

RGB 5 214 57

HSL 134.93, 0.95%, 0.43%

LAB 75.09, -72.92, 61.41

 

CMYK 98 / 0 / 47 / 16

HEX #05D671

RGB 5 214 113

HSL 151, 0.95%, 0.43%

LAB 75.65, -65.99, 37.68

 

CMYK 98 / 0 / 21 / 16

HEX #05D6A9

RGB 5 214 169

HSL 167.08, 0.95%, 0.43%

LAB 76.67, -54.28, 10

 

CMYK 98 / 6 / 0 / 16

HEX #05CAD6

RGB 5 202 214

HSL 183.44, 0.95%, 0.43%

LAB 74.27, -36.55, -17.76

 

CMYK 95 / 0 / 98 / 16

HEX #0AD605

RGB 10 214 5

HSL 118.56, 0.95%, 0.43%

LAB 74.93, -75.04, 72.44

 

CMYK 95 / 0 / 98 / 16

HEX #0AD605

RGB 10 214 5

HSL 118.56, 0.95%, 0.43%

LAB 74.93, -75.04, 72.44

 

CMYK 86 / 0 / 88 / 23

HEX #1BC417

RGB 27 196 23

HSL 118.61, 0.79%, 0.43%

LAB 69.31, -68.61, 65.41

 

CMYK 75 / 0 / 77 / 30

HEX #2CB229

RGB 44 178 41

HSL 118.69, 0.63%, 0.43%

LAB 63.78, -60.21, 55.71

 

CMYK 62 / 0 / 63 / 37

HEX #3DA13B

RGB 61 161 59

HSL 118.82, 0.46%, 0.43%

LAB 58.79, -49.43, 43.48

 

CMYK 45 / 0 / 47 / 44

HEX #4E8F4C

RGB 78 143 76

HSL 118.21, 0.31%, 0.43%

LAB 53.8, -35.12, 29.24

 

CMYK 42 / 0 / 98 / 16

HEX #7CD605

RGB 124 214 5

HSL 85.84, 0.95%, 0.43%

LAB 77.51, -53.84, 75.59

 

CMYK 68 / 0 / 98 / 16

HEX #44D605

RGB 68 214 5

HSL 101.91, 0.95%, 0.43%

LAB 75.66, -68.61, 73.33

 

CMYK 94 / 0 / 98 / 16

HEX #0CD605

RGB 12 214 5

HSL 117.99, 0.95%, 0.43%

LAB 74.94, -74.97, 72.45

 

CMYK 98 / 0 / 75 / 16

HEX #05D636

RGB 5 214 54

HSL 134.07, 0.95%, 0.43%

LAB 75.07, -73.15, 62.41

 

CMYK 98 / 0 / 49 / 16

HEX #05D66E

RGB 5 214 110

HSL 150.14, 0.95%, 0.43%

LAB 75.61, -66.49, 39.11

 

CMYK 95 / 0 / 98 / 48

HEX #078503

RGB 7 133 3

HSL 118.15, 0.96%, 0.27%

LAB 48.04, -52.52, 50.78

 

CMYK 95 / 0 / 98 / 32

HEX #09AE04

RGB 9 174 4

HSL 118.24, 0.96%, 0.35%

LAB 61.95, -64.16, 61.99

 

CMYK 95 / 0 / 98 / 16

HEX #0AD605

RGB 10 214 5

HSL 118.56, 0.95%, 0.43%

LAB 74.93, -75.04, 72.44

 

CMYK 93 / 0 / 95 / 2

HEX #11F90C

RGB 17 249 12

HSL 118.73, 0.95%, 0.51%

LAB 85.95, -83.92, 80.83

 

CMYK 77 / 0 / 79 / 2

HEX #39FA34

RGB 57 250 52

HSL 118.48, 0.95%, 0.59%

LAB 86.75, -79.46, 74.46

 

CMYK 95 / 0 / 98 / 16

HEX #0AD605

RGB 10 214 5

HSL 118.56, 0.95%, 0.43%

LAB 74.93, -75.04, 72.44

 

CMYK 98 / 16 / 0 / 16

HEX #05B3D6

RGB 5 179 214

HSL 190.05, 0.95%, 0.43%

LAB 67.37, -25.41, -28.28

 

CMYK 0 / 98 / 55 / 16

HEX #D60560

RGB 214 5 96

HSL 333.88, 0.95%, 0.43%

LAB 45.97, 72.92, 9.82

 

CMYK 95 / 0 / 98 / 16

HEX #0AD605

RGB 10 214 5

HSL 118.56, 0.95%, 0.43%

LAB 74.93, -75.04, 72.44

 

CMYK 98 / 94 / 0 / 16

HEX #050CD6

RGB 5 12 214

HSL 237.99, 0.95%, 0.43%

LAB 27.16, 67.09, -93.09

 

CMYK 0 / 98 / 94 / 16

HEX #D6050C

RGB 214 5 12

HSL 357.99, 0.95%, 0.43%

LAB 44.85, 69.84, 55.26

 

CMYK 95 / 0 / 98 / 16

HEX #0AD605

RGB 10 214 5

HSL 118.56, 0.95%, 0.43%

LAB 74.93, -75.04, 72.44

 

CMYK 98 / 16 / 0 / 16

HEX #05B3D6

RGB 5 179 214

HSL 190.05, 0.95%, 0.43%

LAB 67.37, -25.41, -28.28

 

CMYK 3 / 98 / 0 / 16

HEX #CF05D6

RGB 207 5 214

HSL 297.99, 0.95%, 0.43%

LAB 49.77, 84.59, -55.12

 

CMYK 0 / 81 / 98 / 16

HEX #D62805

RGB 214 40 5

HSL 10.05, 0.95%, 0.43%

LAB 46.74, 64.28, 58.24

 

CMYK 95 / 0 / 98 / 16

HEX #0AD605

RGB 10 214 5

HSL 118.56, 0.95%, 0.43%

LAB 74.93, -75.04, 72.44

 

CMYK 98 / 45 / 0 / 16

HEX #0575D6

RGB 5 117 214

HSL 207.85, 0.95%, 0.43%

LAB 49.02, 9.83, -57.19

 

CMYK 3 / 98 / 0 / 16

HEX #CF05D6

RGB 207 5 214

HSL 297.99, 0.95%, 0.43%

LAB 49.77, 84.59, -55.12

 

CMYK 0 / 52 / 98 / 16

HEX #D66705

RGB 214 103 5

HSL 28.13, 0.95%, 0.43%

LAB 56.1, 39.27, 63.5

 

Description

Color code: HEX #0AD605 | qconv.com Color code: HEX #0AD605 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 10 red, 214 green and 5 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
10 214 5 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 95 cyan, none magenta, 98 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
95% 0% 98% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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