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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0AD3E6 it is the complementary color #F52C19. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0AD3E6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0AD3E6 shade: #0FD3E1, #20E5F4, #31F7FF, #42FFFF and #53FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0AD3E6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0AD3E6 shade: #0AD3E6, #00C1D3, #00AFC0, #009DAD and #008B9A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0AD3E6 shade: #0AD3E6, #0A98E6, #0A5CE6, #0A21E6 and #2E0AE6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0AD3E6 shade: #0AD3E6, #0A98E6, #0A5CE6, #0A21E6 and #0A0AE6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0AD3E6 shade matches the following richer shades: #0AD3E6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0AD3E6 shade: #0AD3E6, #1DC3D3, #30B3BF, #44A3AC and #579399

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0AD3E6 shade: #0AE683, #0AE6BE, #0AD4E6, #0A99E6 and #0A5EE6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0AD3E6 shade: #068A97, #08AFBF, #0AD3E6, #23E4F6 and #4BE9F7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0AD3E6 shade: #0AD3E6, #480AE6 and #E6A00A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0AD3E6 shade: #0AD3E6, #E60AD4 and #D4E60A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0AD3E6 shade: #0AD3E6, #480AE6, #E61C0A and #A8E60A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0AD3E6 shade: #0AD3E6, #8A0AE6, #E61C0A and #65E60A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 96 / 8 / 0 / 10

HEX #0AD3E6

RGB 10 211 230

HSL 185.18, 0.92%, 0.47%

LAB 77.5, -35.64, -21.48

 

Complementary color

CMYK 0 / 82 / 90 / 4

HEX #F52C19

RGB 245 44 25

HSL 5.18, 0.92%, 0.53%

LAB 53.26, 72.16, 59.1

 

CMYK 93 / 6 / 0 / 12

HEX #0FD3E1

RGB 15 211 225

HSL 184, 0.88%, 0.47%

LAB 77.36, -37.05, -19.01

 

CMYK 87 / 6 / 0 / 4

HEX #20E5F4

RGB 32 229 244

HSL 184.25, 0.91%, 0.54%

LAB 83.38, -38.82, -20.01

 

CMYK 81 / 3 / 0 / 0

HEX #31F7FF

RGB 49 247 255

HSL 182.33, 1%, 0.6%

LAB 89.11, -42.61, -17.12

 

CMYK 74 / 0 / 0 / 0

HEX #42FFFF

RGB 66 255 255

HSL 180, 1%, 0.63%

LAB 91.64, -44.65, -13.3

 

CMYK 67 / 0 / 0 / 0

HEX #53FFFF

RGB 83 255 255

HSL 180, 1%, 0.66%

LAB 91.94, -42.7, -12.81

 

CMYK 96 / 8 / 0 / 10

HEX #0AD3E6

RGB 10 211 230

HSL 185.18, 0.92%, 0.47%

LAB 77.5, -35.64, -21.48

 

CMYK 100 / 9 / 0 / 17

HEX #00C1D3

RGB 0 193 211

HSL 185.12, 1%, 0.41%

LAB 71.45, -33.4, -20.41

 

CMYK 100 / 9 / 0 / 25

HEX #00AFC0

RGB 0 175 192

HSL 185.31, 1%, 0.38%

LAB 65.33, -30.87, -19.26

 

CMYK 100 / 9 / 0 / 32

HEX #009DAD

RGB 0 157 173

HSL 185.55, 1%, 0.34%

LAB 59.1, -28.29, -18.1

 

CMYK 100 / 10 / 0 / 40

HEX #008B9A

RGB 0 139 154

HSL 185.84, 1%, 0.3%

LAB 52.73, -25.65, -16.91

 

CMYK 96 / 8 / 0 / 10

HEX #0AD3E6

RGB 10 211 230

HSL 185.18, 0.92%, 0.47%

LAB 77.5, -35.64, -21.48

 

CMYK 96 / 34 / 0 / 10

HEX #0A98E6

RGB 10 152 230

HSL 201.27, 0.92%, 0.47%

LAB 60.1, -4.96, -48.48

 

CMYK 96 / 60 / 0 / 10

HEX #0A5CE6

RGB 10 92 230

HSL 217.64, 0.92%, 0.47%

LAB 43.41, 32.31, -75.37

 

CMYK 96 / 86 / 0 / 10

HEX #0A21E6

RGB 10 33 230

HSL 233.73, 0.92%, 0.47%

LAB 31.5, 65.18, -95.05

 

CMYK 80 / 96 / 0 / 10

HEX #2E0AE6

RGB 46 10 230

HSL 249.82, 0.92%, 0.47%

LAB 30.67, 72.13, -96.41

 

CMYK 96 / 8 / 0 / 10

HEX #0AD3E6

RGB 10 211 230

HSL 185.18, 0.92%, 0.47%

LAB 77.5, -35.64, -21.48

 

CMYK 96 / 34 / 0 / 10

HEX #0A98E6

RGB 10 152 230

HSL 201.27, 0.92%, 0.47%

LAB 60.1, -4.96, -48.48

 

CMYK 96 / 60 / 0 / 10

HEX #0A5CE6

RGB 10 92 230

HSL 217.64, 0.92%, 0.47%

LAB 43.41, 32.31, -75.37

 

CMYK 96 / 86 / 0 / 10

HEX #0A21E6

RGB 10 33 230

HSL 233.73, 0.92%, 0.47%

LAB 31.5, 65.18, -95.05

 

CMYK 96 / 96 / 0 / 10

HEX #0A0AE6

RGB 10 10 230

HSL 240, 0.92%, 0.47%

LAB 29.4, 71.58, -98.55

 

CMYK 96 / 8 / 0 / 10

HEX #0AD3E6

RGB 10 211 230

HSL 185.18, 0.92%, 0.47%

LAB 77.5, -35.64, -21.48

 

CMYK 96 / 8 / 0 / 10

HEX #0AD3E6

RGB 10 211 230

HSL 185.18, 0.92%, 0.47%

LAB 77.5, -35.64, -21.48

 

CMYK 86 / 8 / 0 / 17

HEX #1DC3D3

RGB 29 195 211

HSL 185.27, 0.76%, 0.47%

LAB 72.22, -33.24, -19.21

 

CMYK 75 / 6 / 0 / 25

HEX #30B3BF

RGB 48 179 191

HSL 185.03, 0.6%, 0.47%

LAB 67, -30.12, -16.13

 

CMYK 60 / 5 / 0 / 33

HEX #44A3AC

RGB 68 163 172

HSL 185.19, 0.43%, 0.47%

LAB 62, -24.95, -13.03

 

CMYK 43 / 4 / 0 / 40

HEX #579399

RGB 87 147 153

HSL 185.45, 0.28%, 0.47%

LAB 57.26, -17.83, -9.29

 

CMYK 96 / 0 / 43 / 10

HEX #0AE683

RGB 10 230 131

HSL 153, 0.92%, 0.47%

LAB 80.9, -67.98, 35.49

 

CMYK 96 / 0 / 17 / 10

HEX #0AE6BE

RGB 10 230 190

HSL 169.09, 0.92%, 0.47%

LAB 82.04, -55.17, 6.56

 

CMYK 96 / 8 / 0 / 10

HEX #0AD4E6

RGB 10 212 230

HSL 184.91, 0.92%, 0.47%

LAB 77.8, -36.1, -21.03

 

CMYK 96 / 33 / 0 / 10

HEX #0A99E6

RGB 10 153 230

HSL 201, 0.92%, 0.47%

LAB 60.39, -5.54, -48.02

 

CMYK 96 / 59 / 0 / 10

HEX #0A5EE6

RGB 10 94 230

HSL 217.09, 0.92%, 0.47%

LAB 43.92, 31.02, -74.53

 

CMYK 96 / 9 / 0 / 41

HEX #068A97

RGB 6 138 151

HSL 185.38, 0.92%, 0.31%

LAB 52.34, -25.89, -15.76

 

CMYK 96 / 8 / 0 / 25

HEX #08AFBF

RGB 8 175 191

HSL 185.25, 0.92%, 0.39%

LAB 65.34, -30.94, -18.69

 

CMYK 96 / 8 / 0 / 10

HEX #0AD3E6

RGB 10 211 230

HSL 185.18, 0.92%, 0.47%

LAB 77.5, -35.64, -21.48

 

CMYK 86 / 7 / 0 / 4

HEX #23E4F6

RGB 35 228 246

HSL 185.12, 0.92%, 0.55%

LAB 83.18, -37.59, -21.36

 

CMYK 70 / 6 / 0 / 3

HEX #4BE9F7

RGB 75 233 247

HSL 184.88, 0.91%, 0.63%

LAB 85.25, -35.95, -18.71

 

CMYK 96 / 8 / 0 / 10

HEX #0AD3E6

RGB 10 211 230

HSL 185.18, 0.92%, 0.47%

LAB 77.5, -35.64, -21.48

 

CMYK 69 / 96 / 0 / 10

HEX #480AE6

RGB 72 10 230

HSL 256.91, 0.92%, 0.47%

LAB 32.5, 73.02, -93.31

 

CMYK 0 / 30 / 96 / 10

HEX #E6A00A

RGB 230 160 10

HSL 40.91, 0.92%, 0.47%

LAB 70.86, 16.04, 73.63

 

CMYK 96 / 8 / 0 / 10

HEX #0AD3E6

RGB 10 211 230

HSL 185.18, 0.92%, 0.47%

LAB 77.5, -35.64, -21.48

 

CMYK 0 / 96 / 8 / 10

HEX #E60AD4

RGB 230 10 212

HSL 304.91, 0.92%, 0.47%

LAB 53.81, 87.72, -47.3

 

CMYK 8 / 0 / 96 / 10

HEX #D4E60A

RGB 212 230 10

HSL 64.91, 0.92%, 0.47%

LAB 87.3, -27.32, 84.97

 

CMYK 96 / 8 / 0 / 10

HEX #0AD3E6

RGB 10 211 230

HSL 185.18, 0.92%, 0.47%

LAB 77.5, -35.64, -21.48

 

CMYK 69 / 96 / 0 / 10

HEX #480AE6

RGB 72 10 230

HSL 256.91, 0.92%, 0.47%

LAB 32.5, 73.02, -93.31

 

CMYK 0 / 88 / 96 / 10

HEX #E61C0A

RGB 230 28 10

HSL 4.91, 0.92%, 0.47%

LAB 49.1, 71.18, 59.88

 

CMYK 27 / 0 / 96 / 10

HEX #A8E60A

RGB 168 230 10

HSL 76.91, 0.92%, 0.47%

LAB 84.45, -44.74, 81.55

 

CMYK 96 / 8 / 0 / 10

HEX #0AD3E6

RGB 10 211 230

HSL 185.18, 0.92%, 0.47%

LAB 77.5, -35.64, -21.48

 

CMYK 40 / 96 / 0 / 10

HEX #8A0AE6

RGB 138 10 230

HSL 274.91, 0.92%, 0.47%

LAB 40.14, 77.85, -80.42

 

CMYK 0 / 88 / 96 / 10

HEX #E61C0A

RGB 230 28 10

HSL 4.91, 0.92%, 0.47%

LAB 49.1, 71.18, 59.88

 

CMYK 56 / 0 / 96 / 10

HEX #65E60A

RGB 101 230 10

HSL 95.18, 0.92%, 0.47%

LAB 81.5, -66.31, 77.95

 

Description

Color code: HEX #0AD3E6 | qconv.com Color code: HEX #0AD3E6 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 10 red, 211 green and 230 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
10 211 230 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 96 cyan, 8 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
96% 8% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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