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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0ACB3E it is the complementary color #F534C1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0ACB3E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0ACB3E shade: #0FCB39, #20DD4C, #31EF5F, #42FF72 and #53FF85

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0ACB3E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0ACB3E shade: #0ACB3E, #00B92B, #00A718, #009505 and #008300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0ACB3E shade: #09CC3E, #09CC09, #3ECC09, #72CC09 and #A7CC09

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0ACB3E shade: #09CC3E, #09CC72, #09CCA7, #09BDCC and #0988CC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0ACB3E shade matches the following richer shades: #09CC3E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0ACB3E shade: #09CC3E, #1ABB46, #2CA94E, #3D9856 and #4E875E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0ACB3E shade: #3DCC09, #09CC09, #09CC3D, #09CC71 and #09CCA5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0ACB3E shade: #057D26, #07A532, #09CC3E, #0BF34A and #33F567

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0ACB3E shade: #0ACB3E, #0971CC and #CC0923

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0ACB3E shade: #0ACB3E, #3D09CC and #CC3D09

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0ACB3E shade: #0ACB3E, #0971CC, #CC0998 and #CC6409

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0ACB3E shade: #0ACB3E, #0937CC, #CC0998 and #CC9F09

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 95 / 0 / 69 / 20

HEX #0ACB3E

RGB 10 203 62

HSL 136.17, 0.91%, 0.42%

LAB 71.64, -69.14, 56.01

 

Complementary color

CMYK 0 / 79 / 21 / 4

HEX #F534C1

RGB 245 52 193

HSL 316.17, 0.91%, 0.58%

LAB 57.77, 81.61, -30

 

CMYK 93 / 0 / 72 / 20

HEX #0FCB39

RGB 15 203 57

HSL 133.4, 0.86%, 0.43%

LAB 71.63, -69.37, 57.89

 

CMYK 86 / 0 / 66 / 13

HEX #20DD4C

RGB 32 221 76

HSL 133.97, 0.75%, 0.5%

LAB 77.6, -71.74, 56.92

 

CMYK 79 / 0 / 60 / 6

HEX #31EF5F

RGB 49 239 95

HSL 134.53, 0.86%, 0.56%

LAB 83.55, -73.49, 55.68

 

CMYK 74 / 0 / 55 / 0

HEX #42FF72

RGB 66 255 114

HSL 135.24, 1%, 0.63%

LAB 88.87, -74.11, 53.6

 

CMYK 67 / 0 / 48 / 0

HEX #53FF85

RGB 83 255 133

HSL 137.44, 1%, 0.66%

LAB 89.42, -68.89, 45.56

 

CMYK 95 / 0 / 69 / 20

HEX #0ACB3E

RGB 10 203 62

HSL 136.17, 0.91%, 0.42%

LAB 71.64, -69.14, 56.01

 

CMYK 100 / 0 / 77 / 27

HEX #00B92B

RGB 0 185 43

HSL 133.95, 1%, 0.36%

LAB 65.65, -65.95, 56.73

 

CMYK 100 / 0 / 86 / 35

HEX #00A718

RGB 0 167 24

HSL 128.62, 1%, 0.33%

LAB 59.62, -61.99, 56.56

 

CMYK 100 / 0 / 97 / 42

HEX #009505

RGB 0 149 5

HSL 122.01, 1%, 0.29%

LAB 53.5, -57.58, 54.89

 

CMYK 100 / 0 / 100 / 49

HEX #008300

RGB 0 131 0

HSL 120, 1%, 0.26%

LAB 47.28, -52.57, 50.74

 

CMYK 96 / 0 / 70 / 20

HEX #09CC3E

RGB 9 204 62

HSL 136.31, 0.92%, 0.42%

LAB 71.95, -69.47, 56.34

 

CMYK 96 / 0 / 96 / 20

HEX #09CC09

RGB 9 204 9

HSL 120, 0.92%, 0.42%

LAB 71.73, -72.31, 69.42

 

CMYK 70 / 0 / 96 / 20

HEX #3ECC09

RGB 62 204 9

HSL 103.69, 0.92%, 0.42%

LAB 72.38, -66.56, 70.22

 

CMYK 44 / 0 / 96 / 20

HEX #72CC09

RGB 114 204 9

HSL 87.69, 0.92%, 0.42%

LAB 74.05, -53.17, 72.26

 

CMYK 18 / 0 / 96 / 20

HEX #A7CC09

RGB 167 204 9

HSL 71.38, 0.92%, 0.42%

LAB 76.93, -33.6, 75.76

 

CMYK 96 / 0 / 70 / 20

HEX #09CC3E

RGB 9 204 62

HSL 136.31, 0.92%, 0.42%

LAB 71.95, -69.47, 56.34

 

CMYK 96 / 0 / 44 / 20

HEX #09CC72

RGB 9 204 114

HSL 152.31, 0.92%, 0.42%

LAB 72.53, -62.36, 33.19

 

CMYK 96 / 0 / 18 / 20

HEX #09CCA7

RGB 9 204 167

HSL 168.62, 0.92%, 0.42%

LAB 73.57, -50.7, 6.64

 

CMYK 96 / 7 / 0 / 20

HEX #09BDCC

RGB 9 189 204

HSL 184.62, 0.92%, 0.42%

LAB 70.04, -33.47, -18.71

 

CMYK 96 / 33 / 0 / 20

HEX #0988CC

RGB 9 136 204

HSL 200.92, 0.92%, 0.42%

LAB 54.05, -5.48, -43.49

 

CMYK 96 / 0 / 70 / 20

HEX #09CC3E

RGB 9 204 62

HSL 136.31, 0.92%, 0.42%

LAB 71.95, -69.47, 56.34

 

CMYK 96 / 0 / 70 / 20

HEX #09CC3E

RGB 9 204 62

HSL 136.31, 0.92%, 0.42%

LAB 71.95, -69.47, 56.34

 

CMYK 86 / 0 / 63 / 27

HEX #1ABB46

RGB 26 187 70

HSL 136.4, 0.76%, 0.42%

LAB 66.67, -62.46, 47.28

 

CMYK 74 / 0 / 54 / 34

HEX #2CA94E

RGB 44 169 78

HSL 136.32, 0.59%, 0.42%

LAB 61.19, -53.21, 37.14

 

CMYK 60 / 0 / 43 / 40

HEX #3D9856

RGB 61 152 86

HSL 136.48, 0.43%, 0.42%

LAB 56.21, -42.05, 26.83

 

CMYK 42 / 0 / 30 / 47

HEX #4E875E

RGB 78 135 94

HSL 136.84, 0.27%, 0.42%

LAB 51.56, -28.25, 16.33

 

CMYK 70 / 0 / 96 / 20

HEX #3DCC09

RGB 61 204 9

HSL 104, 0.92%, 0.42%

LAB 72.36, -66.75, 70.19

 

CMYK 96 / 0 / 96 / 20

HEX #09CC09

RGB 9 204 9

HSL 120, 0.92%, 0.42%

LAB 71.73, -72.31, 69.42

 

CMYK 96 / 0 / 70 / 20

HEX #09CC3D

RGB 9 204 61

HSL 136, 0.92%, 0.42%

LAB 71.95, -69.56, 56.72

 

CMYK 96 / 0 / 45 / 20

HEX #09CC71

RGB 9 204 113

HSL 152, 0.92%, 0.42%

LAB 72.52, -62.53, 33.68

 

CMYK 96 / 0 / 19 / 20

HEX #09CCA5

RGB 9 204 165

HSL 168, 0.92%, 0.42%

LAB 73.52, -51.21, 7.65

 

CMYK 96 / 0 / 70 / 51

HEX #057D26

RGB 5 125 38

HSL 136.5, 0.92%, 0.25%

LAB 45.41, -47.93, 37.83

 

CMYK 96 / 0 / 70 / 35

HEX #07A532

RGB 7 165 50

HSL 136.33, 0.92%, 0.34%

LAB 59.15, -59.1, 47.5

 

CMYK 96 / 0 / 70 / 20

HEX #09CC3E

RGB 9 204 62

HSL 136.31, 0.92%, 0.42%

LAB 71.95, -69.47, 56.34

 

CMYK 95 / 0 / 70 / 5

HEX #0BF34A

RGB 11 243 74

HSL 136.29, 0.91%, 0.5%

LAB 84.31, -79.46, 64.84

 

CMYK 79 / 0 / 58 / 4

HEX #33F567

RGB 51 245 103

HSL 136.08, 0.91%, 0.58%

LAB 85.5, -74.17, 54.45

 

CMYK 95 / 0 / 69 / 20

HEX #0ACB3E

RGB 10 203 62

HSL 136.17, 0.91%, 0.42%

LAB 71.64, -69.14, 56.01

 

CMYK 96 / 45 / 0 / 20

HEX #0971CC

RGB 9 113 204

HSL 208, 0.92%, 0.42%

LAB 47.27, 8.53, -54.3

 

CMYK 0 / 96 / 83 / 20

HEX #CC0923

RGB 204 9 35

HSL 352, 0.92%, 0.42%

LAB 42.99, 67.36, 42.71

 

CMYK 95 / 0 / 69 / 20

HEX #0ACB3E

RGB 10 203 62

HSL 136.17, 0.91%, 0.42%

LAB 71.64, -69.14, 56.01

 

CMYK 70 / 96 / 0 / 20

HEX #3D09CC

RGB 61 9 204

HSL 256, 0.92%, 0.42%

LAB 28.24, 66.41, -85.4

 

CMYK 0 / 70 / 96 / 20

HEX #CC3D09

RGB 204 61 9

HSL 16, 0.92%, 0.42%

LAB 47.23, 54.6, 56.41

 

CMYK 95 / 0 / 69 / 20

HEX #0ACB3E

RGB 10 203 62

HSL 136.17, 0.91%, 0.42%

LAB 71.64, -69.14, 56.01

 

CMYK 96 / 45 / 0 / 20

HEX #0971CC

RGB 9 113 204

HSL 208, 0.92%, 0.42%

LAB 47.27, 8.53, -54.3

 

CMYK 0 / 96 / 25 / 20

HEX #CC0998

RGB 204 9 152

HSL 316, 0.92%, 0.42%

LAB 46.04, 75.51, -24.66

 

CMYK 0 / 51 / 96 / 20

HEX #CC6409

RGB 204 100 9

HSL 28, 0.92%, 0.42%

LAB 54, 36.85, 60.66

 

CMYK 95 / 0 / 69 / 20

HEX #0ACB3E

RGB 10 203 62

HSL 136.17, 0.91%, 0.42%

LAB 71.64, -69.14, 56.01

 

CMYK 96 / 73 / 0 / 20

HEX #0937CC

RGB 9 55 204

HSL 225.85, 0.92%, 0.42%

LAB 32.15, 45.91, -78.98

 

CMYK 0 / 96 / 25 / 20

HEX #CC0998

RGB 204 9 152

HSL 316, 0.92%, 0.42%

LAB 46.04, 75.51, -24.66

 

CMYK 0 / 22 / 96 / 20

HEX #CC9F09

RGB 204 159 9

HSL 46.15, 0.92%, 0.42%

LAB 67.76, 5.17, 70.23

 

Description

Color code: HEX #0ACB3E | qconv.com Color code: HEX #0ACB3E | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 10 red, 203 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
10 203 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 95 cyan, none magenta, 69 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
95% 0% 69% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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