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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0AC081 it is the complementary color #F53F7E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0AC081. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0AC081 shade: #0FC07C, #20D28F, #31E4A2, #42F6B5 and #53FFC8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0AC081. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0AC081 shade: #0AC081, #00AE6E, #009C5B, #008A48 and #007835

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0AC081 shade: #0AC282, #0AC251, #0AC21F, #27C20A and #58C20A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0AC081 shade: #0AC282, #0AC2B4, #0A9EC2, #0A6DC2 and #0A3BC2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0AC081 shade matches the following richer shades: #0AC282

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0AC081 shade: #0AC282, #1BB17D, #2BA178, #3C9073 and #4C806E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0AC081 shade: #0AC220, #0AC251, #0AC282, #0AC2B3 and #0AA0C2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0AC081 shade: #06734E, #089B68, #0AC282, #0CE99D and #2BF4AE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0AC081 shade: #0AC081, #0A26C2 and #C2380A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0AC081 shade: #0AC081, #820AC2 and #C2820A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0AC081 shade: #0AC081, #0A26C2, #C20A4A and #C2A60A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0AC081 shade: #0AC081, #260AC2, #C20A4A and #A6C20A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 95 / 0 / 33 / 25

HEX #0AC081

RGB 10 192 129

HSL 159.23, 0.9%, 0.4%

LAB 69, -55.1, 20.67

 

Complementary color

CMYK 0 / 74 / 49 / 4

HEX #F53F7E

RGB 245 63 126

HSL 339.23, 0.9%, 0.6%

LAB 56.56, 71.67, 7.41

 

CMYK 92 / 0 / 35 / 25

HEX #0FC07C

RGB 15 192 124

HSL 156.95, 0.86%, 0.41%

LAB 68.94, -55.96, 23.24

 

CMYK 85 / 0 / 32 / 18

HEX #20D28F

RGB 32 210 143

HSL 157.42, 0.74%, 0.47%

LAB 75.07, -57.47, 21.57

 

CMYK 79 / 0 / 29 / 11

HEX #31E4A2

RGB 49 228 162

HSL 157.88, 0.77%, 0.54%

LAB 81.15, -58.58, 20.04

 

CMYK 73 / 0 / 26 / 4

HEX #42F6B5

RGB 66 246 181

HSL 158.33, 0.91%, 0.61%

LAB 87.2, -59.36, 18.63

 

CMYK 67 / 0 / 22 / 0

HEX #53FFC8

RGB 83 255 200

HSL 160.81, 1%, 0.66%

LAB 90.56, -56.37, 13.63

 

CMYK 95 / 0 / 33 / 25

HEX #0AC081

RGB 10 192 129

HSL 159.23, 0.9%, 0.4%

LAB 69, -55.1, 20.67

 

CMYK 100 / 0 / 37 / 32

HEX #00AE6E

RGB 0 174 110

HSL 157.93, 1%, 0.34%

LAB 62.84, -52.97, 22.5

 

CMYK 100 / 0 / 42 / 39

HEX #009C5B

RGB 0 156 91

HSL 155, 1%, 0.31%

LAB 56.62, -50.36, 24.48

 

CMYK 100 / 0 / 48 / 46

HEX #008A48

RGB 0 138 72

HSL 151.3, 1%, 0.27%

LAB 50.27, -47.59, 26.53

 

CMYK 100 / 0 / 56 / 53

HEX #007835

RGB 0 120 53

HSL 146.5, 1%, 0.24%

LAB 43.79, -44.59, 28.6

 

CMYK 95 / 0 / 33 / 24

HEX #0AC282

RGB 10 194 130

HSL 159.13, 0.9%, 0.4%

LAB 69.65, -55.62, 21.02

 

CMYK 95 / 0 / 58 / 24

HEX #0AC251

RGB 10 194 81

HSL 143.15, 0.9%, 0.4%

LAB 68.93, -64.26, 44.86

 

CMYK 95 / 0 / 84 / 24

HEX #0AC21F

RGB 10 194 31

HSL 126.85, 0.9%, 0.4%

LAB 68.57, -68.79, 62.96

 

CMYK 80 / 0 / 95 / 24

HEX #27C20A

RGB 39 194 10

HSL 110.54, 0.9%, 0.4%

LAB 68.78, -67.12, 66.98

 

CMYK 55 / 0 / 95 / 24

HEX #58C20A

RGB 88 194 10

HSL 94.57, 0.9%, 0.4%

LAB 69.95, -57.24, 68.43

 

CMYK 95 / 0 / 33 / 24

HEX #0AC282

RGB 10 194 130

HSL 159.13, 0.9%, 0.4%

LAB 69.65, -55.62, 21.02

 

CMYK 95 / 0 / 7 / 24

HEX #0AC2B4

RGB 10 194 180

HSL 175.43, 0.9%, 0.4%

LAB 70.83, -42.95, -4.4

 

CMYK 95 / 19 / 0 / 24

HEX #0A9EC2

RGB 10 158 194

HSL 191.74, 0.9%, 0.4%

LAB 60.26, -21.3, -28.14

 

CMYK 95 / 44 / 0 / 24

HEX #0A6DC2

RGB 10 109 194

HSL 207.72, 0.9%, 0.4%

LAB 45.49, 7.12, -51.41

 

CMYK 95 / 70 / 0 / 24

HEX #0A3BC2

RGB 10 59 194

HSL 224.02, 0.9%, 0.4%

LAB 32.01, 39.85, -73.37

 

CMYK 95 / 0 / 33 / 24

HEX #0AC282

RGB 10 194 130

HSL 159.13, 0.9%, 0.4%

LAB 69.65, -55.62, 21.02

 

CMYK 95 / 0 / 33 / 24

HEX #0AC282

RGB 10 194 130

HSL 159.13, 0.9%, 0.4%

LAB 69.65, -55.62, 21.02

 

CMYK 85 / 0 / 29 / 31

HEX #1BB17D

RGB 27 177 125

HSL 159.2, 0.74%, 0.4%

LAB 64.29, -49.29, 16.36

 

CMYK 73 / 0 / 25 / 37

HEX #2BA178

RGB 43 161 120

HSL 159.15, 0.58%, 0.4%

LAB 59.31, -42.16, 12.22

 

CMYK 58 / 0 / 20 / 44

HEX #3C9073

RGB 60 144 115

HSL 159.29, 0.41%, 0.4%

LAB 54.18, -32.71, 7.87

 

CMYK 41 / 0 / 14 / 50

HEX #4C806E

RGB 76 128 110

HSL 159.23, 0.25%, 0.4%

LAB 49.62, -21.87, 4.33

 

CMYK 95 / 0 / 84 / 24

HEX #0AC220

RGB 10 194 32

HSL 127.17, 0.9%, 0.4%

LAB 68.57, -68.74, 62.72

 

CMYK 95 / 0 / 58 / 24

HEX #0AC251

RGB 10 194 81

HSL 143.15, 0.9%, 0.4%

LAB 68.93, -64.26, 44.86

 

CMYK 95 / 0 / 33 / 24

HEX #0AC282

RGB 10 194 130

HSL 159.13, 0.9%, 0.4%

LAB 69.65, -55.62, 21.02

 

CMYK 95 / 0 / 8 / 24

HEX #0AC2B3

RGB 10 194 179

HSL 175.11, 0.9%, 0.4%

LAB 70.8, -43.24, -3.9

 

CMYK 95 / 18 / 0 / 24

HEX #0AA0C2

RGB 10 160 194

HSL 191.09, 0.9%, 0.4%

LAB 60.87, -22.34, -27.2

 

CMYK 95 / 0 / 32 / 55

HEX #06734E

RGB 6 115 78

HSL 159.63, 0.9%, 0.24%

LAB 42.54, -37.09, 12.88

 

CMYK 95 / 0 / 33 / 39

HEX #089B68

RGB 8 155 104

HSL 159.18, 0.9%, 0.32%

LAB 56.58, -46.78, 17.29

 

CMYK 95 / 0 / 33 / 24

HEX #0AC282

RGB 10 194 130

HSL 159.13, 0.9%, 0.4%

LAB 69.65, -55.62, 21.02

 

CMYK 95 / 0 / 33 / 9

HEX #0CE99D

RGB 12 233 157

HSL 159.37, 0.9%, 0.48%

LAB 82.27, -63.9, 24.1

 

CMYK 82 / 0 / 29 / 4

HEX #2BF4AE

RGB 43 244 174

HSL 159.1, 0.9%, 0.56%

LAB 86.14, -62.52, 20.72

 

CMYK 95 / 0 / 33 / 25

HEX #0AC081

RGB 10 192 129

HSL 159.23, 0.9%, 0.4%

LAB 69, -55.1, 20.67

 

CMYK 95 / 80 / 0 / 24

HEX #0A26C2

RGB 10 38 194

HSL 230.87, 0.9%, 0.4%

LAB 27.7, 51.98, -80.5

 

CMYK 0 / 71 / 95 / 24

HEX #C2380A

RGB 194 56 10

HSL 15, 0.9%, 0.4%

LAB 44.69, 53.2, 53.68

 

CMYK 95 / 0 / 33 / 25

HEX #0AC081

RGB 10 192 129

HSL 159.23, 0.9%, 0.4%

LAB 69, -55.1, 20.67

 

CMYK 33 / 95 / 0 / 24

HEX #820AC2

RGB 130 10 194

HSL 279.13, 0.9%, 0.4%

LAB 35.71, 69.74, -66.92

 

CMYK 0 / 33 / 95 / 24

HEX #C2820A

RGB 194 130 10

HSL 39.13, 0.9%, 0.4%

LAB 59.39, 16.53, 63.56

 

CMYK 95 / 0 / 33 / 25

HEX #0AC081

RGB 10 192 129

HSL 159.23, 0.9%, 0.4%

LAB 69, -55.1, 20.67

 

CMYK 95 / 80 / 0 / 24

HEX #0A26C2

RGB 10 38 194

HSL 230.87, 0.9%, 0.4%

LAB 27.7, 51.98, -80.5

 

CMYK 0 / 95 / 62 / 24

HEX #C20A4A

RGB 194 10 74

HSL 339.13, 0.9%, 0.4%

LAB 41.5, 66.38, 16.84

 

CMYK 0 / 14 / 95 / 24

HEX #C2A60A

RGB 194 166 10

HSL 50.87, 0.9%, 0.4%

LAB 68.58, -3.01, 70.25

 

CMYK 95 / 0 / 33 / 25

HEX #0AC081

RGB 10 192 129

HSL 159.23, 0.9%, 0.4%

LAB 69, -55.1, 20.67

 

CMYK 80 / 95 / 0 / 24

HEX #260AC2

RGB 38 10 194

HSL 249.13, 0.9%, 0.4%

LAB 25.33, 62.85, -84.41

 

CMYK 0 / 95 / 62 / 24

HEX #C20A4A

RGB 194 10 74

HSL 339.13, 0.9%, 0.4%

LAB 41.5, 66.38, 16.84

 

CMYK 14 / 0 / 95 / 24

HEX #A6C20A

RGB 166 194 10

HSL 69.13, 0.9%, 0.4%

LAB 74.01, -29.33, 73.36

 

Description

Color code: HEX #0AC081 | qconv.com Color code: HEX #0AC081 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 10 red, 192 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
10 192 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 95 cyan, none magenta, 33 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
95% 0% 33% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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