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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0ABC8C it is the complementary color #F54373. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0ABC8C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0ABC8C shade: #0FBC87, #20CE9A, #31E0AD, #42F2C0 and #53FFD3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0ABC8C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0ABC8C shade: #0ABC8C, #00AA79, #009866, #008653 and #007440

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0ABC8C shade: #09BC8C, #09BC5C, #09BC2C, #18BC09 and #48BC09

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0ABC8C shade: #09BC8C, #09BCBC, #098CBC, #095CBC and #092CBC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0ABC8C shade matches the following richer shades: #09BC8C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0ABC8C shade: #09BC8C, #1AAC85, #2A9C7D, #3A8C76 and #4A7C6F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0ABC8C shade: #09BC2A, #09BC5A, #09BC8A, #09BCB9 and #0990BC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0ABC8C shade: #056E52, #07956F, #09BC8C, #0CE4A9 and #25F3BC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0ABC8C shade: #0ABC8C, #0918BC and #BC4209

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0ABC8C shade: #0ABC8C, #8A09BC and #BC8A09

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0ABC8C shade: #0ABC8C, #0918BC, #BC093C and #BCAE09

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0ABC8C shade: #0ABC8C, #3009BC, #BC093C and #96BC09

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 95 / 0 / 26 / 26

HEX #0ABC8C

RGB 10 188 140

HSL 163.82, 0.9%, 0.39%

LAB 67.96, -51.05, 13.3

 

Complementary color

CMYK 0 / 73 / 53 / 4

HEX #F54373

RGB 245 67 115

HSL 343.82, 0.9%, 0.61%

LAB 56.75, 69.55, 14.2

 

CMYK 92 / 0 / 28 / 26

HEX #0FBC87

RGB 15 188 135

HSL 161.62, 0.85%, 0.4%

LAB 67.89, -52.03, 15.9

 

CMYK 84 / 0 / 25 / 19

HEX #20CE9A

RGB 32 206 154

HSL 162.07, 0.73%, 0.47%

LAB 74.05, -53.49, 14.33

 

CMYK 78 / 0 / 23 / 12

HEX #31E0AD

RGB 49 224 173

HSL 162.51, 0.74%, 0.54%

LAB 80.17, -54.56, 12.89

 

CMYK 73 / 0 / 21 / 5

HEX #42F2C0

RGB 66 242 192

HSL 162.95, 0.87%, 0.6%

LAB 86.24, -55.33, 11.59

 

CMYK 67 / 0 / 17 / 0

HEX #53FFD3

RGB 83 255 211

HSL 164.65, 1%, 0.66%

LAB 90.81, -53.85, 8.31

 

CMYK 95 / 0 / 26 / 26

HEX #0ABC8C

RGB 10 188 140

HSL 163.82, 0.9%, 0.39%

LAB 67.96, -51.05, 13.3

 

CMYK 100 / 0 / 29 / 33

HEX #00AA79

RGB 0 170 121

HSL 162.71, 1%, 0.33%

LAB 61.77, -49, 15.03

 

CMYK 100 / 0 / 33 / 40

HEX #009866

RGB 0 152 102

HSL 160.26, 1%, 0.3%

LAB 55.5, -46.49, 16.92

 

CMYK 100 / 0 / 38 / 47

HEX #008653

RGB 0 134 83

HSL 157.16, 1%, 0.26%

LAB 49.1, -43.88, 18.91

 

CMYK 100 / 0 / 45 / 55

HEX #007440

RGB 0 116 64

HSL 153.1, 1%, 0.23%

LAB 42.55, -41.11, 21.01

 

CMYK 95 / 0 / 26 / 26

HEX #09BC8C

RGB 9 188 140

HSL 163.91, 0.91%, 0.39%

LAB 67.96, -51.09, 13.29

 

CMYK 95 / 0 / 51 / 26

HEX #09BC5C

RGB 9 188 92

HSL 147.82, 0.91%, 0.39%

LAB 67.12, -60.76, 37.4

 

CMYK 95 / 0 / 77 / 26

HEX #09BC2C

RGB 9 188 44

HSL 131.73, 0.91%, 0.39%

LAB 66.68, -66.34, 57.43

 

CMYK 87 / 0 / 95 / 26

HEX #18BC09

RGB 24 188 9

HSL 114.97, 0.91%, 0.39%

LAB 66.66, -66.99, 65.27

 

CMYK 62 / 0 / 95 / 26

HEX #48BC09

RGB 72 188 9

HSL 98.88, 0.91%, 0.39%

LAB 67.55, -59.28, 66.37

 

CMYK 95 / 0 / 26 / 26

HEX #09BC8C

RGB 9 188 140

HSL 163.91, 0.91%, 0.39%

LAB 67.96, -51.09, 13.29

 

CMYK 95 / 0 / 0 / 26

HEX #09BCBC

RGB 9 188 188

HSL 180, 0.91%, 0.39%

LAB 69.22, -37.96, -11.18

 

CMYK 95 / 26 / 0 / 26

HEX #098CBC

RGB 9 140 188

HSL 196.09, 0.91%, 0.39%

LAB 54.5, -13.74, -33.71

 

CMYK 95 / 51 / 0 / 26

HEX #095CBC

RGB 9 92 188

HSL 212.18, 0.91%, 0.39%

LAB 40.15, 15.69, -56.53

 

CMYK 95 / 77 / 0 / 26

HEX #092CBC

RGB 9 44 188

HSL 228.27, 0.91%, 0.39%

LAB 28.09, 46.72, -76.31

 

CMYK 95 / 0 / 26 / 26

HEX #09BC8C

RGB 9 188 140

HSL 163.91, 0.91%, 0.39%

LAB 67.96, -51.09, 13.29

 

CMYK 95 / 0 / 26 / 26

HEX #09BC8C

RGB 9 188 140

HSL 163.91, 0.91%, 0.39%

LAB 67.96, -51.09, 13.29

 

CMYK 85 / 0 / 23 / 33

HEX #1AAC85

RGB 26 172 133

HSL 163.97, 0.74%, 0.39%

LAB 62.86, -45.46, 9.96

 

CMYK 73 / 0 / 20 / 39

HEX #2A9C7D

RGB 42 156 125

HSL 163.68, 0.58%, 0.39%

LAB 57.8, -38.92, 7.27

 

CMYK 59 / 0 / 16 / 45

HEX #3A8C76

RGB 58 140 118

HSL 163.9, 0.41%, 0.39%

LAB 52.91, -30.52, 4.32

 

CMYK 40 / 0 / 10 / 51

HEX #4A7C6F

RGB 74 124 111

HSL 164.4, 0.25%, 0.39%

LAB 48.28, -20.13, 1.8

 

CMYK 95 / 0 / 78 / 26

HEX #09BC2A

RGB 9 188 42

HSL 131.06, 0.91%, 0.39%

LAB 66.67, -66.48, 58.07

 

CMYK 95 / 0 / 52 / 26

HEX #09BC5A

RGB 9 188 90

HSL 147.15, 0.91%, 0.39%

LAB 67.1, -61.08, 38.36

 

CMYK 95 / 0 / 27 / 26

HEX #09BC8A

RGB 9 188 138

HSL 163.24, 0.91%, 0.39%

LAB 67.92, -51.57, 14.32

 

CMYK 95 / 0 / 2 / 26

HEX #09BCB9

RGB 9 188 185

HSL 178.99, 0.91%, 0.39%

LAB 69.13, -38.86, -9.67

 

CMYK 95 / 23 / 0 / 26

HEX #0990BC

RGB 9 144 188

HSL 194.75, 0.91%, 0.39%

LAB 55.72, -15.95, -31.8

 

CMYK 95 / 0 / 25 / 57

HEX #056E52

RGB 5 110 82

HSL 164, 0.91%, 0.23%

LAB 40.89, -34.01, 8.2

 

CMYK 95 / 0 / 26 / 42

HEX #07956F

RGB 7 149 111

HSL 163.94, 0.91%, 0.31%

LAB 54.75, -42.77, 10.82

 

CMYK 95 / 0 / 26 / 26

HEX #09BC8C

RGB 9 188 140

HSL 163.91, 0.91%, 0.39%

LAB 67.96, -51.09, 13.29

 

CMYK 95 / 0 / 26 / 11

HEX #0CE4A9

RGB 12 228 169

HSL 163.61, 0.9%, 0.47%

LAB 80.98, -59.43, 16.09

 

CMYK 85 / 0 / 23 / 5

HEX #25F3BC

RGB 37 243 188

HSL 163.98, 0.9%, 0.55%

LAB 86.07, -59.45, 13.37

 

CMYK 95 / 0 / 26 / 26

HEX #0ABC8C

RGB 10 188 140

HSL 163.82, 0.9%, 0.39%

LAB 67.96, -51.05, 13.3

 

CMYK 95 / 87 / 0 / 26

HEX #0918BC

RGB 9 24 188

HSL 234.97, 0.91%, 0.39%

LAB 24.77, 56.43, -81.83

 

CMYK 0 / 65 / 95 / 26

HEX #BC4209

RGB 188 66 9

HSL 19.11, 0.91%, 0.39%

LAB 45.09, 47.06, 53.64

 

CMYK 95 / 0 / 26 / 26

HEX #0ABC8C

RGB 10 188 140

HSL 163.82, 0.9%, 0.39%

LAB 67.96, -51.05, 13.3

 

CMYK 27 / 95 / 0 / 26

HEX #8A09BC

RGB 138 9 188

HSL 283.24, 0.91%, 0.39%

LAB 36.42, 69.72, -62.17

 

CMYK 0 / 27 / 95 / 26

HEX #BC8A09

RGB 188 138 9

HSL 43.24, 0.91%, 0.39%

LAB 60.68, 9.44, 64.32

 

CMYK 95 / 0 / 26 / 26

HEX #0ABC8C

RGB 10 188 140

HSL 163.82, 0.9%, 0.39%

LAB 67.96, -51.05, 13.3

 

CMYK 95 / 87 / 0 / 26

HEX #0918BC

RGB 9 24 188

HSL 234.97, 0.91%, 0.39%

LAB 24.77, 56.43, -81.83

 

CMYK 0 / 95 / 68 / 26

HEX #BC093C

RGB 188 9 60

HSL 342.91, 0.91%, 0.39%

LAB 39.94, 64.26, 23.43

 

CMYK 0 / 7 / 95 / 26

HEX #BCAE09

RGB 188 174 9

HSL 55.31, 0.91%, 0.39%

LAB 70.16, -9.89, 71.3

 

CMYK 95 / 0 / 26 / 26

HEX #0ABC8C

RGB 10 188 140

HSL 163.82, 0.9%, 0.39%

LAB 67.96, -51.05, 13.3

 

CMYK 74 / 95 / 0 / 26

HEX #3009BC

RGB 48 9 188

HSL 253.07, 0.91%, 0.39%

LAB 25.12, 61.86, -81.2

 

CMYK 0 / 95 / 68 / 26

HEX #BC093C

RGB 188 9 60

HSL 342.91, 0.91%, 0.39%

LAB 39.94, 64.26, 23.43

 

CMYK 20 / 0 / 95 / 26

HEX #96BC09

RGB 150 188 9

HSL 72.74, 0.91%, 0.39%

LAB 71.19, -33.11, 70.82

 

Description

Color code: HEX #0ABC8C | qconv.com Color code: HEX #0ABC8C | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 10 red, 188 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
10 188 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 95 cyan, none magenta, 26 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
95% 0% 26% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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