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Color name
HEX #0ABA4E

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0ABA4E it is the complementary color #F545B1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0ABA4E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0ABA4E shade: #0FBA49, #20CC5C, #31DE6F, #42F082 and #53FF95

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0ABA4E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0ABA4E shade: #0ABA4E, #00A83B, #009628, #008415 and #007202

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0ABA4E shade: #0AB84D, #0AB81E, #24B80A, #53B80A and #82B80A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0ABA4E shade: #0AB84D, #0AB87C, #0AB8AB, #0A96B8 and #0A67B8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0ABA4E shade matches the following richer shades: #0AB84D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0ABA4E shade: #0AB84D, #19A851, #299954, #398958 and #48795B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0ABA4E shade: #24B80A, #0AB81E, #0AB84D, #0AB87B and #0AB8AA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0ABA4E shade: #066A2C, #08913D, #0AB84D, #0CDF5D and #21F372

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0ABA4E shade: #0ABA4E, #0A52B8 and #B80A0D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0ABA4E shade: #0ABA4E, #4D0AB8 and #B84D0A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0ABA4E shade: #0ABA4E, #0A52B8, #B80A75 and #B86F0A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0ABA4E shade: #0ABA4E, #0A1EB8, #B80A75 and #B8A40A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 95 / 0 / 58 / 27

HEX #0ABA4E

RGB 10 186 78

HSL 143.18, 0.9%, 0.38%

LAB 66.31, -62.15, 43.19

 

Complementary color

CMYK 0 / 72 / 28 / 4

HEX #F545B1

RGB 245 69 177

HSL 323.18, 0.9%, 0.62%

LAB 58.83, 74.86, -19.14

 

CMYK 92 / 0 / 61 / 27

HEX #0FBA49

RGB 15 186 73

HSL 140.35, 0.85%, 0.39%

LAB 66.29, -62.56, 45.47

 

CMYK 84 / 0 / 55 / 20

HEX #20CC5C

RGB 32 204 92

HSL 140.93, 0.73%, 0.46%

LAB 72.41, -64.5, 43.9

 

CMYK 78 / 0 / 50 / 13

HEX #31DE6F

RGB 49 222 111

HSL 141.5, 0.72%, 0.53%

LAB 78.49, -65.87, 42.3

 

CMYK 73 / 0 / 46 / 6

HEX #42F082

RGB 66 240 130

HSL 142.07, 0.85%, 0.6%

LAB 84.53, -66.81, 40.76

 

CMYK 67 / 0 / 42 / 0

HEX #53FF95

RGB 83 255 149

HSL 143.02, 1%, 0.66%

LAB 89.64, -66.36, 38.12

 

CMYK 95 / 0 / 58 / 27

HEX #0ABA4E

RGB 10 186 78

HSL 143.18, 0.9%, 0.38%

LAB 66.31, -62.15, 43.19

 

CMYK 100 / 0 / 65 / 34

HEX #00A83B

RGB 0 168 59

HSL 141.07, 1%, 0.33%

LAB 60.18, -59.41, 44.79

 

CMYK 100 / 0 / 73 / 41

HEX #009628

RGB 0 150 40

HSL 136, 1%, 0.29%

LAB 53.99, -55.9, 46.07

 

CMYK 100 / 0 / 84 / 48

HEX #008415

RGB 0 132 21

HSL 129.55, 1%, 0.26%

LAB 47.7, -51.96, 46.45

 

CMYK 100 / 0 / 98 / 55

HEX #007202

RGB 0 114 2

HSL 121.05, 1%, 0.22%

LAB 41.28, -47.49, 45.43

 

CMYK 95 / 0 / 58 / 28

HEX #0AB84D

RGB 10 184 77

HSL 143.1, 0.9%, 0.38%

LAB 65.66, -61.65, 42.88

 

CMYK 95 / 0 / 84 / 28

HEX #0AB81E

RGB 10 184 30

HSL 126.9, 0.9%, 0.38%

LAB 65.31, -66.02, 60.25

 

CMYK 80 / 0 / 95 / 28

HEX #24B80A

RGB 36 184 10

HSL 111.03, 0.9%, 0.38%

LAB 65.5, -64.56, 64.25

 

CMYK 55 / 0 / 95 / 28

HEX #53B80A

RGB 83 184 10

HSL 94.83, 0.9%, 0.38%

LAB 66.63, -55.03, 65.65

 

CMYK 29 / 0 / 95 / 28

HEX #82B80A

RGB 130 184 10

HSL 78.62, 0.9%, 0.38%

LAB 68.79, -39.22, 68.29

 

CMYK 95 / 0 / 58 / 28

HEX #0AB84D

RGB 10 184 77

HSL 143.1, 0.9%, 0.38%

LAB 65.66, -61.65, 42.88

 

CMYK 95 / 0 / 33 / 28

HEX #0AB87C

RGB 10 184 124

HSL 159.31, 0.9%, 0.38%

LAB 66.37, -53.22, 19.75

 

CMYK 95 / 0 / 7 / 28

HEX #0AB8AB

RGB 10 184 171

HSL 175.52, 0.9%, 0.38%

LAB 67.49, -41.16, -4.39

 

CMYK 95 / 18 / 0 / 28

HEX #0A96B8

RGB 10 150 184

HSL 191.72, 0.9%, 0.38%

LAB 57.4, -20.58, -26.92

 

CMYK 95 / 44 / 0 / 28

HEX #0A67B8

RGB 10 103 184

HSL 207.93, 0.9%, 0.38%

LAB 43.1, 6.95, -49.45

 

CMYK 95 / 0 / 58 / 28

HEX #0AB84D

RGB 10 184 77

HSL 143.1, 0.9%, 0.38%

LAB 65.66, -61.65, 42.88

 

CMYK 95 / 0 / 58 / 28

HEX #0AB84D

RGB 10 184 77

HSL 143.1, 0.9%, 0.38%

LAB 65.66, -61.65, 42.88

 

CMYK 85 / 0 / 52 / 34

HEX #19A851

RGB 25 168 81

HSL 143.5, 0.74%, 0.38%

LAB 60.61, -54.78, 34.86

 

CMYK 73 / 0 / 45 / 40

HEX #299954

RGB 41 153 84

HSL 143.04, 0.58%, 0.38%

LAB 55.98, -46.8, 27.51

 

CMYK 58 / 0 / 36 / 46

HEX #398958

RGB 57 137 88

HSL 143.25, 0.41%, 0.38%

LAB 51.23, -36.22, 19.13

 

CMYK 40 / 0 / 25 / 53

HEX #48795B

RGB 72 121 91

HSL 143.27, 0.25%, 0.38%

LAB 46.72, -23.78, 11.33

 

CMYK 80 / 0 / 95 / 28

HEX #24B80A

RGB 36 184 10

HSL 111.03, 0.9%, 0.38%

LAB 65.5, -64.56, 64.25

 

CMYK 95 / 0 / 84 / 28

HEX #0AB81E

RGB 10 184 30

HSL 126.9, 0.9%, 0.38%

LAB 65.31, -66.02, 60.25

 

CMYK 95 / 0 / 58 / 28

HEX #0AB84D

RGB 10 184 77

HSL 143.1, 0.9%, 0.38%

LAB 65.66, -61.65, 42.88

 

CMYK 95 / 0 / 33 / 28

HEX #0AB87B

RGB 10 184 123

HSL 158.97, 0.9%, 0.38%

LAB 66.35, -53.44, 20.26

 

CMYK 95 / 0 / 8 / 28

HEX #0AB8AA

RGB 10 184 170

HSL 175.17, 0.9%, 0.38%

LAB 67.46, -41.45, -3.88

 

CMYK 94 / 0 / 58 / 58

HEX #066A2C

RGB 6 106 44

HSL 142.8, 0.89%, 0.22%

LAB 38.77, -40.57, 27.32

 

CMYK 94 / 0 / 58 / 43

HEX #08913D

RGB 8 145 61

HSL 143.21, 0.9%, 0.3%

LAB 52.55, -51.32, 35.08

 

CMYK 95 / 0 / 58 / 28

HEX #0AB84D

RGB 10 184 77

HSL 143.1, 0.9%, 0.38%

LAB 65.66, -61.65, 42.88

 

CMYK 95 / 0 / 58 / 13

HEX #0CDF5D

RGB 12 223 93

HSL 143.03, 0.9%, 0.46%

LAB 78.25, -71.55, 50.34

 

CMYK 86 / 0 / 53 / 5

HEX #21F372

RGB 33 243 114

HSL 143.14, 0.9%, 0.54%

LAB 84.81, -73.73, 48.62

 

CMYK 95 / 0 / 58 / 27

HEX #0ABA4E

RGB 10 186 78

HSL 143.18, 0.9%, 0.38%

LAB 66.31, -62.15, 43.19

 

CMYK 95 / 55 / 0 / 28

HEX #0A52B8

RGB 10 82 184

HSL 215.17, 0.9%, 0.38%

LAB 37.04, 20.77, -59.24

 

CMYK 0 / 95 / 93 / 28

HEX #B80A0D

RGB 184 10 13

HSL 358.97, 0.9%, 0.38%

LAB 38.61, 61.73, 47.94

 

CMYK 95 / 0 / 58 / 27

HEX #0ABA4E

RGB 10 186 78

HSL 143.18, 0.9%, 0.38%

LAB 66.31, -62.15, 43.19

 

CMYK 58 / 95 / 0 / 28

HEX #4D0AB8

RGB 77 10 184

HSL 263.1, 0.9%, 0.38%

LAB 27.45, 62.29, -74.87

 

CMYK 0 / 58 / 95 / 28

HEX #B84D0A

RGB 184 77 10

HSL 23.1, 0.9%, 0.38%

LAB 46.34, 40.49, 53.86

 

CMYK 95 / 0 / 58 / 27

HEX #0ABA4E

RGB 10 186 78

HSL 143.18, 0.9%, 0.38%

LAB 66.31, -62.15, 43.19

 

CMYK 95 / 55 / 0 / 28

HEX #0A52B8

RGB 10 82 184

HSL 215.17, 0.9%, 0.38%

LAB 37.04, 20.77, -59.24

 

CMYK 0 / 95 / 36 / 28

HEX #B80A75

RGB 184 10 117

HSL 323.1, 0.9%, 0.38%

LAB 40.72, 67.48, -11.7

 

CMYK 0 / 40 / 95 / 28

HEX #B86F0A

RGB 184 111 10

HSL 34.83, 0.9%, 0.38%

LAB 53.58, 22.6, 58.84

 

CMYK 95 / 0 / 58 / 27

HEX #0ABA4E

RGB 10 186 78

HSL 143.18, 0.9%, 0.38%

LAB 66.31, -62.15, 43.19

 

CMYK 95 / 84 / 0 / 28

HEX #0A1EB8

RGB 10 30 184

HSL 233.1, 0.9%, 0.38%

LAB 25.12, 52.68, -78.87

 

CMYK 0 / 95 / 36 / 28

HEX #B80A75

RGB 184 10 117

HSL 323.1, 0.9%, 0.38%

LAB 40.72, 67.48, -11.7

 

CMYK 0 / 11 / 95 / 28

HEX #B8A40A

RGB 184 164 10

HSL 53.1, 0.9%, 0.38%

LAB 67.1, -6.42, 68.73

 

Description

Color code: HEX #0ABA4E | qconv.com Color code: HEX #0ABA4E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 10 red, 186 green and 78 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
10 186 78 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 95 cyan, none magenta, 58 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
95% 0% 58% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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