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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0AB384 it is the complementary color #F54C7B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0AB384. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0AB384 shade: #0FB37F, #20C592, #31D7A5, #42E9B8 and #53FBCB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0AB384. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0AB384 shade: #0AB384, #00A171, #008F5E, #007D4B and #006B38

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0AB384 shade: #0AB284, #0AB256, #0AB229, #19B20A and #46B20A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0AB384 shade: #0AB284, #0AB2B1, #0A86B2, #0A59B2 and #0A2CB2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0AB384 shade matches the following richer shades: #0AB284

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0AB384 shade: #0AB284, #1AA37D, #299476, #38856F and #477569

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0AB384 shade: #0AB229, #0AB256, #0AB283, #0AB2B0 and #0A88B2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0AB384 shade: #06644A, #088B67, #0AB284, #0DD9A0 and #1DF2B7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0AB384 shade: #0AB384, #0A18B2 and #B2400A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0AB384 shade: #0AB384, #830AB2 and #B2830A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0AB384 shade: #0AB384, #0A18B2, #B20A3A and #B2A40A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0AB384 shade: #0AB384, #2F0AB2, #B20A3A and #8EB20A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 94 / 0 / 26 / 30

HEX #0AB384

RGB 10 179 132

HSL 163.31, 0.89%, 0.37%

LAB 64.94, -49.46, 13.42

 

Complementary color

CMYK 0 / 69 / 50 / 4

HEX #F54C7B

RGB 245 76 123

HSL 343.31, 0.89%, 0.63%

LAB 58.05, 67.08, 11.3

 

CMYK 92 / 0 / 29 / 30

HEX #0FB37F

RGB 15 179 127

HSL 160.98, 0.85%, 0.38%

LAB 64.86, -50.42, 16.05

 

CMYK 84 / 0 / 26 / 23

HEX #20C592

RGB 32 197 146

HSL 161.45, 0.72%, 0.45%

LAB 71.09, -51.84, 14.46

 

CMYK 77 / 0 / 23 / 16

HEX #31D7A5

RGB 49 215 165

HSL 161.93, 0.67%, 0.52%

LAB 77.26, -52.87, 13.02

 

CMYK 72 / 0 / 21 / 9

HEX #42E9B8

RGB 66 233 184

HSL 162.4, 0.79%, 0.59%

LAB 83.39, -53.59, 11.71

 

CMYK 67 / 0 / 19 / 2

HEX #53FBCB

RGB 83 251 203

HSL 162.86, 0.95%, 0.65%

LAB 89.46, -54.08, 10.52

 

CMYK 94 / 0 / 26 / 30

HEX #0AB384

RGB 10 179 132

HSL 163.31, 0.89%, 0.37%

LAB 64.94, -49.46, 13.42

 

CMYK 100 / 0 / 30 / 37

HEX #00A171

RGB 0 161 113

HSL 162.11, 1%, 0.32%

LAB 58.68, -47.4, 15.17

 

CMYK 100 / 0 / 34 / 44

HEX #008F5E

RGB 0 143 94

HSL 159.44, 1%, 0.28%

LAB 52.35, -44.86, 17.1

 

CMYK 100 / 0 / 40 / 51

HEX #007D4B

RGB 0 125 75

HSL 156, 1%, 0.25%

LAB 45.87, -42.19, 19.13

 

CMYK 100 / 0 / 48 / 58

HEX #006B38

RGB 0 107 56

HSL 151.4, 1%, 0.21%

LAB 39.24, -39.35, 21.26

 

CMYK 94 / 0 / 26 / 30

HEX #0AB284

RGB 10 178 132

HSL 163.57, 0.89%, 0.37%

LAB 64.62, -49.07, 12.97

 

CMYK 94 / 0 / 52 / 30

HEX #0AB256

RGB 10 178 86

HSL 147.14, 0.89%, 0.37%

LAB 63.82, -58.38, 36.29

 

CMYK 94 / 0 / 77 / 30

HEX #0AB229

RGB 10 178 41

HSL 131.07, 0.89%, 0.37%

LAB 63.4, -63.61, 55.2

 

CMYK 86 / 0 / 94 / 30

HEX #19B20A

RGB 25 178 10

HSL 114.64, 0.89%, 0.37%

LAB 63.4, -64.02, 62.46

 

CMYK 61 / 0 / 94 / 30

HEX #46B20A

RGB 70 178 10

HSL 98.57, 0.89%, 0.37%

LAB 64.29, -56.32, 63.56

 

CMYK 94 / 0 / 26 / 30

HEX #0AB284

RGB 10 178 132

HSL 163.57, 0.89%, 0.37%

LAB 64.62, -49.07, 12.97

 

CMYK 94 / 0 / 1 / 30

HEX #0AB2B1

RGB 10 178 177

HSL 179.64, 0.89%, 0.37%

LAB 65.81, -36.68, -10.21

 

CMYK 94 / 25 / 0 / 30

HEX #0A86B2

RGB 10 134 178

HSL 195.71, 0.89%, 0.37%

LAB 52.21, -14.03, -31.56

 

CMYK 94 / 50 / 0 / 30

HEX #0A59B2

RGB 10 89 178

HSL 211.79, 0.89%, 0.37%

LAB 38.59, 13.65, -53.19

 

CMYK 94 / 75 / 0 / 30

HEX #0A2CB2

RGB 10 44 178

HSL 227.86, 0.89%, 0.37%

LAB 26.96, 43.23, -72.23

 

CMYK 94 / 0 / 26 / 30

HEX #0AB284

RGB 10 178 132

HSL 163.57, 0.89%, 0.37%

LAB 64.62, -49.07, 12.97

 

CMYK 94 / 0 / 26 / 30

HEX #0AB284

RGB 10 178 132

HSL 163.57, 0.89%, 0.37%

LAB 64.62, -49.07, 12.97

 

CMYK 84 / 0 / 23 / 36

HEX #1AA37D

RGB 26 163 125

HSL 163.36, 0.72%, 0.37%

LAB 59.79, -43.75, 10.07

 

CMYK 72 / 0 / 20 / 42

HEX #299476

RGB 41 148 118

HSL 163.18, 0.57%, 0.37%

LAB 55.03, -37.33, 7.29

 

CMYK 58 / 0 / 17 / 48

HEX #38856F

RGB 56 133 111

HSL 162.86, 0.41%, 0.37%

LAB 50.41, -29.38, 4.77

 

CMYK 39 / 0 / 10 / 54

HEX #477569

RGB 71 117 105

HSL 164.35, 0.24%, 0.37%

LAB 45.75, -18.78, 1.65

 

CMYK 94 / 0 / 77 / 30

HEX #0AB229

RGB 10 178 41

HSL 131.07, 0.89%, 0.37%

LAB 63.4, -63.61, 55.2

 

CMYK 94 / 0 / 52 / 30

HEX #0AB256

RGB 10 178 86

HSL 147.14, 0.89%, 0.37%

LAB 63.82, -58.38, 36.29

 

CMYK 94 / 0 / 26 / 30

HEX #0AB283

RGB 10 178 131

HSL 163.21, 0.89%, 0.37%

LAB 64.6, -49.31, 13.49

 

CMYK 94 / 0 / 1 / 30

HEX #0AB2B0

RGB 10 178 176

HSL 179.29, 0.89%, 0.37%

LAB 65.78, -36.99, -9.7

 

CMYK 94 / 24 / 0 / 30

HEX #0A88B2

RGB 10 136 178

HSL 195, 0.89%, 0.37%

LAB 52.83, -15.14, -30.59

 

CMYK 94 / 0 / 26 / 61

HEX #06644A

RGB 6 100 74

HSL 163.4, 0.89%, 0.21%

LAB 37.2, -31.7, 7.85

 

CMYK 94 / 0 / 26 / 45

HEX #088B67

RGB 8 139 103

HSL 163.51, 0.89%, 0.29%

LAB 51.26, -40.63, 10.49

 

CMYK 94 / 0 / 26 / 30

HEX #0AB284

RGB 10 178 132

HSL 163.57, 0.89%, 0.37%

LAB 64.62, -49.07, 12.97

 

CMYK 94 / 0 / 26 / 15

HEX #0DD9A0

RGB 13 217 160

HSL 163.24, 0.89%, 0.45%

LAB 77.43, -57.35, 15.85

 

CMYK 88 / 0 / 24 / 5

HEX #1DF2B7

RGB 29 242 183

HSL 163.38, 0.89%, 0.53%

LAB 85.6, -60.72, 15.29

 

CMYK 94 / 0 / 26 / 30

HEX #0AB384

RGB 10 179 132

HSL 163.31, 0.89%, 0.37%

LAB 64.94, -49.46, 13.42

 

CMYK 94 / 87 / 0 / 30

HEX #0A18B2

RGB 10 24 178

HSL 235, 0.89%, 0.37%

LAB 23.45, 53.46, -78.07

 

CMYK 0 / 64 / 94 / 30

HEX #B2400A

RGB 178 64 10

HSL 19.29, 0.89%, 0.37%

LAB 42.99, 44.34, 51.16

 

CMYK 94 / 0 / 26 / 30

HEX #0AB384

RGB 10 179 132

HSL 163.31, 0.89%, 0.37%

LAB 64.94, -49.46, 13.42

 

CMYK 26 / 94 / 0 / 30

HEX #830AB2

RGB 131 10 178

HSL 283.21, 0.89%, 0.37%

LAB 34.51, 66.75, -59.41

 

CMYK 0 / 26 / 94 / 30

HEX #B2830A

RGB 178 131 10

HSL 43.21, 0.89%, 0.37%

LAB 57.77, 8.8, 61.53

 

CMYK 94 / 0 / 26 / 30

HEX #0AB384

RGB 10 179 132

HSL 163.31, 0.89%, 0.37%

LAB 64.94, -49.46, 13.42

 

CMYK 94 / 87 / 0 / 30

HEX #0A18B2

RGB 10 24 178

HSL 235, 0.89%, 0.37%

LAB 23.45, 53.46, -78.07

 

CMYK 0 / 94 / 67 / 30

HEX #B20A3A

RGB 178 10 58

HSL 342.86, 0.89%, 0.37%

LAB 37.82, 61.56, 21.57

 

CMYK 0 / 8 / 94 / 30

HEX #B2A40A

RGB 178 164 10

HSL 55, 0.89%, 0.37%

LAB 66.55, -9.1, 68.07

 

CMYK 94 / 0 / 26 / 30

HEX #0AB384

RGB 10 179 132

HSL 163.31, 0.89%, 0.37%

LAB 64.94, -49.46, 13.42

 

CMYK 74 / 94 / 0 / 30

HEX #2F0AB2

RGB 47 10 178

HSL 253.21, 0.89%, 0.37%

LAB 23.79, 59.03, -77.46

 

CMYK 0 / 94 / 67 / 30

HEX #B20A3A

RGB 178 10 58

HSL 342.86, 0.89%, 0.37%

LAB 37.82, 61.56, 21.57

 

CMYK 20 / 0 / 94 / 30

HEX #8EB20A

RGB 142 178 10

HSL 72.86, 0.89%, 0.37%

LAB 67.73, -31.71, 67.77

 

Description

Color code: HEX #0AB384 | qconv.com Color code: HEX #0AB384 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 10 red, 179 green and 132 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
10 179 132 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 94 cyan, none magenta, 26 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
94% 0% 26% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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