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Color name
HEX #0AB164

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0AB164 it is the complementary color #F54E9B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0AB164. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0AB164 shade: #0FB15F, #20C372, #31D585, #42E798 and #53F9AB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0AB164. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0AB164 shade: #0AB164, #009F51, #008D3E, #007B2B and #006918

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0AB164 shade: #0AB265, #0AB238, #0AB20A, #38B20A and #65B20A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0AB164 shade: #0AB265, #0AB292, #0AA5B2, #0A78B2 and #0A4BB2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0AB164 shade matches the following richer shades: #0AB265

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0AB164 shade: #0AB265, #1AA364, #299463, #388561 and #477560

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0AB164 shade: #0AB20A, #0AB237, #0AB264, #0AB291 and #0AA7B2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0AB164 shade: #066439, #088B4F, #0AB265, #0DD97B and #1DF290

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0AB164 shade: #0AB164, #0A37B2 and #B2210A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0AB164 shade: #0AB164, #640AB2 and #B2640A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0AB164 shade: #0AB164, #0A37B2, #B20A59 and #B2860A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0AB164 shade: #0AB164, #100AB2, #B20A59 and #ADB20A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 94 / 0 / 44 / 31

HEX #0AB164

RGB 10 177 100

HSL 152.34, 0.89%, 0.37%

LAB 63.7, -55.6, 28.96

 

Complementary color

CMYK 0 / 68 / 37 / 4

HEX #F54E9B

RGB 245 78 155

HSL 332.34, 0.89%, 0.63%

LAB 59.18, 69.33, -5.83

 

CMYK 92 / 0 / 46 / 31

HEX #0FB15F

RGB 15 177 95

HSL 149.63, 0.84%, 0.38%

LAB 63.65, -56.27, 31.51

 

CMYK 84 / 0 / 42 / 24

HEX #20C372

RGB 32 195 114

HSL 150.18, 0.72%, 0.45%

LAB 69.86, -57.85, 29.75

 

CMYK 77 / 0 / 38 / 16

HEX #31D585

RGB 49 213 133

HSL 150.73, 0.66%, 0.51%

LAB 76.03, -58.94, 28.12

 

CMYK 71 / 0 / 34 / 9

HEX #42E798

RGB 66 231 152

HSL 151.27, 0.77%, 0.58%

LAB 82.15, -59.67, 26.62

 

CMYK 67 / 0 / 31 / 2

HEX #53F9AB

RGB 83 249 171

HSL 151.81, 0.93%, 0.65%

LAB 88.22, -60.14, 25.22

 

CMYK 94 / 0 / 44 / 31

HEX #0AB164

RGB 10 177 100

HSL 152.34, 0.89%, 0.37%

LAB 63.7, -55.6, 28.96

 

CMYK 100 / 0 / 49 / 38

HEX #009F51

RGB 0 159 81

HSL 150.57, 1%, 0.31%

LAB 57.45, -53.29, 30.88

 

CMYK 100 / 0 / 56 / 45

HEX #008D3E

RGB 0 141 62

HSL 146.38, 1%, 0.28%

LAB 51.15, -50.33, 32.88

 

CMYK 100 / 0 / 65 / 52

HEX #007B2B

RGB 0 123 43

HSL 140.98, 1%, 0.24%

LAB 44.72, -47.07, 34.74

 

CMYK 100 / 0 / 77 / 59

HEX #006918

RGB 0 105 24

HSL 133.71, 1%, 0.21%

LAB 38.14, -43.37, 36.12

 

CMYK 94 / 0 / 43 / 30

HEX #0AB265

RGB 10 178 101

HSL 152.5, 0.89%, 0.37%

LAB 64.04, -55.76, 28.88

 

CMYK 94 / 0 / 69 / 30

HEX #0AB238

RGB 10 178 56

HSL 136.43, 0.89%, 0.37%

LAB 63.5, -62.3, 49.72

 

CMYK 94 / 0 / 94 / 30

HEX #0AB20A

RGB 10 178 10

HSL 120, 0.89%, 0.37%

LAB 63.28, -65.08, 62.31

 

CMYK 69 / 0 / 94 / 30

HEX #38B20A

RGB 56 178 10

HSL 103.57, 0.89%, 0.37%

LAB 63.92, -59.46, 63.1

 

CMYK 43 / 0 / 94 / 30

HEX #65B20A

RGB 101 178 10

HSL 87.5, 0.89%, 0.37%

LAB 65.46, -47.21, 64.99

 

CMYK 94 / 0 / 43 / 30

HEX #0AB265

RGB 10 178 101

HSL 152.5, 0.89%, 0.37%

LAB 64.04, -55.76, 28.88

 

CMYK 94 / 0 / 18 / 30

HEX #0AB292

RGB 10 178 146

HSL 168.57, 0.89%, 0.37%

LAB 64.95, -45.52, 5.72

 

CMYK 94 / 7 / 0 / 30

HEX #0AA5B2

RGB 10 165 178

HSL 184.64, 0.89%, 0.37%

LAB 61.82, -30.22, -16.78

 

CMYK 94 / 33 / 0 / 30

HEX #0A78B2

RGB 10 120 178

HSL 200.71, 0.89%, 0.37%

LAB 47.89, -5.94, -38.33

 

CMYK 94 / 58 / 0 / 30

HEX #0A4BB2

RGB 10 75 178

HSL 216.79, 0.89%, 0.37%

LAB 34.62, 23.05, -59.64

 

CMYK 94 / 0 / 43 / 30

HEX #0AB265

RGB 10 178 101

HSL 152.5, 0.89%, 0.37%

LAB 64.04, -55.76, 28.88

 

CMYK 94 / 0 / 43 / 30

HEX #0AB265

RGB 10 178 101

HSL 152.5, 0.89%, 0.37%

LAB 64.04, -55.76, 28.88

 

CMYK 84 / 0 / 39 / 36

HEX #1AA364

RGB 26 163 100

HSL 152.41, 0.72%, 0.37%

LAB 59.28, -49.43, 23.17

 

CMYK 72 / 0 / 33 / 42

HEX #299463

RGB 41 148 99

HSL 152.52, 0.57%, 0.37%

LAB 54.61, -41.83, 17.46

 

CMYK 58 / 0 / 27 / 48

HEX #388561

RGB 56 133 97

HSL 151.95, 0.41%, 0.37%

LAB 50.07, -32.74, 12.41

 

CMYK 39 / 0 / 18 / 54

HEX #477560

RGB 71 117 96

HSL 152.61, 0.24%, 0.37%

LAB 45.51, -20.93, 6.66

 

CMYK 94 / 0 / 94 / 30

HEX #0AB20A

RGB 10 178 10

HSL 120, 0.89%, 0.37%

LAB 63.28, -65.08, 62.31

 

CMYK 94 / 0 / 69 / 30

HEX #0AB237

RGB 10 178 55

HSL 136.07, 0.89%, 0.37%

LAB 63.49, -62.4, 50.12

 

CMYK 94 / 0 / 44 / 30

HEX #0AB264

RGB 10 178 100

HSL 152.14, 0.89%, 0.37%

LAB 64.02, -55.95, 29.38

 

CMYK 94 / 0 / 19 / 30

HEX #0AB291

RGB 10 178 145

HSL 168.21, 0.89%, 0.37%

LAB 64.92, -45.78, 6.24

 

CMYK 94 / 6 / 0 / 30

HEX #0AA7B2

RGB 10 167 178

HSL 183.93, 0.89%, 0.37%

LAB 62.44, -31.19, -15.84

 

CMYK 94 / 0 / 43 / 61

HEX #066439

RGB 6 100 57

HSL 152.55, 0.89%, 0.21%

LAB 36.83, -35.86, 17.56

 

CMYK 94 / 0 / 43 / 45

HEX #088B4F

RGB 8 139 79

HSL 152.52, 0.89%, 0.29%

LAB 50.78, -46.1, 23.39

 

CMYK 94 / 0 / 43 / 30

HEX #0AB265

RGB 10 178 101

HSL 152.5, 0.89%, 0.37%

LAB 64.04, -55.76, 28.88

 

CMYK 94 / 0 / 43 / 15

HEX #0DD97B

RGB 13 217 123

HSL 152.35, 0.89%, 0.45%

LAB 76.76, -64.97, 34.13

 

CMYK 88 / 0 / 40 / 5

HEX #1DF290

RGB 29 242 144

HSL 152.39, 0.89%, 0.53%

LAB 84.88, -68.8, 34.23

 

CMYK 94 / 0 / 44 / 31

HEX #0AB164

RGB 10 177 100

HSL 152.34, 0.89%, 0.37%

LAB 63.7, -55.6, 28.96

 

CMYK 94 / 69 / 0 / 30

HEX #0A37B2

RGB 10 55 178

HSL 223.93, 0.89%, 0.37%

LAB 29.44, 36.4, -68.14

 

CMYK 0 / 81 / 94 / 30

HEX #B2210A

RGB 178 33 10

HSL 8.21, 0.89%, 0.37%

LAB 38.85, 55.7, 48.53

 

CMYK 94 / 0 / 44 / 31

HEX #0AB164

RGB 10 177 100

HSL 152.34, 0.89%, 0.37%

LAB 63.7, -55.6, 28.96

 

CMYK 44 / 94 / 0 / 30

HEX #640AB2

RGB 100 10 178

HSL 272.14, 0.89%, 0.37%

LAB 29.76, 62.97, -67.37

 

CMYK 0 / 44 / 94 / 30

HEX #B2640A

RGB 178 100 10

HSL 32.14, 0.89%, 0.37%

LAB 50.22, 26.03, 56.09

 

CMYK 94 / 0 / 44 / 31

HEX #0AB164

RGB 10 177 100

HSL 152.34, 0.89%, 0.37%

LAB 63.7, -55.6, 28.96

 

CMYK 94 / 69 / 0 / 30

HEX #0A37B2

RGB 10 55 178

HSL 223.93, 0.89%, 0.37%

LAB 29.44, 36.4, -68.14

 

CMYK 0 / 94 / 50 / 30

HEX #B20A59

RGB 178 10 89

HSL 331.79, 0.89%, 0.37%

LAB 38.56, 63.58, 2.67

 

CMYK 0 / 25 / 94 / 30

HEX #B2860A

RGB 178 134 10

HSL 44.29, 0.89%, 0.37%

LAB 58.54, 7.13, 62.1

 

CMYK 94 / 0 / 44 / 31

HEX #0AB164

RGB 10 177 100

HSL 152.34, 0.89%, 0.37%

LAB 63.7, -55.6, 28.96

 

CMYK 91 / 94 / 0 / 30

HEX #100AB2

RGB 16 10 178

HSL 242.14, 0.89%, 0.37%

LAB 22.09, 58.15, -80.33

 

CMYK 0 / 94 / 50 / 30

HEX #B20A59

RGB 178 10 89

HSL 331.79, 0.89%, 0.37%

LAB 38.56, 63.58, 2.67

 

CMYK 3 / 0 / 94 / 30

HEX #ADB20A

RGB 173 178 10

HSL 61.79, 0.89%, 0.37%

LAB 70, -18.52, 70.5

 

Description

Color code: HEX #0AB164 | qconv.com Color code: HEX #0AB164 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 10 red, 177 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
10 177 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 94 cyan, none magenta, 44 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
94% 0% 44% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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