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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0AAF67 it is the complementary color #F55098. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0AAF67. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0AAF67 shade: #0FAF62, #20C175, #31D388, #42E59B and #53F7AE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0AAF67. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0AAF67 shade: #0AAF67, #009D54, #008B41, #00792E and #00671B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0AAF67 shade: #0AAE66, #0AAE3A, #0AAE0E, #32AE0A and #5EAE0A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0AAF67 shade: #0AAE66, #0AAE92, #0A9DAE, #0A71AE and #0A45AE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0AAF67 shade matches the following richer shades: #0AAE66

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0AAF67 shade: #0AAE66, #199F64, #289062, #378161 and #46725F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0AAF67 shade: #0AAE0D, #0AAE38, #0AAE64, #0AAE90 and #0AA0AE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0AAF67 shade: #066038, #08874F, #0AAE66, #0CD47D and #19F293

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0AAF67 shade: #0AAF67, #0A33AE and #AE230A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0AAF67 shade: #0AAF67, #640AAE and #AE640A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0AAF67 shade: #0AAF67, #0A33AE, #AE0A54 and #AE850A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0AAF67 shade: #0AAF67, #120AAE, #AE0A54 and #A5AE0A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 94 / 0 / 41 / 31

HEX #0AAF67

RGB 10 175 103

HSL 153.82, 0.89%, 0.36%

LAB 63.1, -54.32, 26.59

 

Complementary color

CMYK 0 / 67 / 38 / 4

HEX #F55098

RGB 245 80 152

HSL 333.82, 0.89%, 0.64%

LAB 59.36, 68.29, -3.82

 

CMYK 91 / 0 / 44 / 31

HEX #0FAF62

RGB 15 175 98

HSL 151.13, 0.84%, 0.37%

LAB 63.05, -55.02, 29.17

 

CMYK 83 / 0 / 39 / 24

HEX #20C175

RGB 32 193 117

HSL 151.68, 0.72%, 0.44%

LAB 69.28, -56.56, 27.42

 

CMYK 77 / 0 / 36 / 17

HEX #31D388

RGB 49 211 136

HSL 152.22, 0.65%, 0.51%

LAB 75.46, -57.61, 25.8

 

CMYK 71 / 0 / 32 / 10

HEX #42E59B

RGB 66 229 155

HSL 152.76, 0.76%, 0.58%

LAB 81.6, -58.32, 24.32

 

CMYK 66 / 0 / 30 / 3

HEX #53F7AE

RGB 83 247 174

HSL 153.29, 0.91%, 0.65%

LAB 87.69, -58.77, 22.96

 

CMYK 94 / 0 / 41 / 31

HEX #0AAF67

RGB 10 175 103

HSL 153.82, 0.89%, 0.36%

LAB 63.1, -54.32, 26.59

 

CMYK 100 / 0 / 46 / 38

HEX #009D54

RGB 0 157 84

HSL 152.1, 1%, 0.31%

LAB 56.83, -52.06, 28.52

 

CMYK 100 / 0 / 53 / 45

HEX #008B41

RGB 0 139 65

HSL 148.06, 1%, 0.27%

LAB 50.51, -49.17, 30.55

 

CMYK 100 / 0 / 62 / 53

HEX #00792E

RGB 0 121 46

HSL 142.81, 1%, 0.24%

LAB 44.05, -46, 32.51

 

CMYK 100 / 0 / 74 / 60

HEX #00671B

RGB 0 103 27

HSL 135.73, 1%, 0.2%

LAB 37.44, -42.42, 34.12

 

CMYK 94 / 0 / 41 / 32

HEX #0AAE66

RGB 10 174 102

HSL 153.66, 0.89%, 0.36%

LAB 62.76, -54.16, 26.68

 

CMYK 94 / 0 / 67 / 32

HEX #0AAE3A

RGB 10 174 58

HSL 137.56, 0.89%, 0.36%

LAB 62.2, -60.87, 47.48

 

CMYK 94 / 0 / 92 / 32

HEX #0AAE0E

RGB 10 174 14

HSL 121.46, 0.89%, 0.36%

LAB 61.97, -63.85, 60.64

 

CMYK 71 / 0 / 94 / 32

HEX #32AE0A

RGB 50 174 10

HSL 105.37, 0.89%, 0.36%

LAB 62.48, -59.33, 61.86

 

CMYK 46 / 0 / 94 / 32

HEX #5EAE0A

RGB 94 174 10

HSL 89.27, 0.89%, 0.36%

LAB 63.9, -47.94, 63.6

 

CMYK 94 / 0 / 41 / 32

HEX #0AAE66

RGB 10 174 102

HSL 153.66, 0.89%, 0.36%

LAB 62.76, -54.16, 26.68

 

CMYK 94 / 0 / 16 / 32

HEX #0AAE92

RGB 10 174 146

HSL 169.76, 0.89%, 0.36%

LAB 63.68, -43.85, 3.9

 

CMYK 94 / 10 / 0 / 32

HEX #0A9DAE

RGB 10 157 174

HSL 186.22, 0.89%, 0.36%

LAB 59.19, -27.59, -18.51

 

CMYK 94 / 35 / 0 / 32

HEX #0A71AE

RGB 10 113 174

HSL 202.32, 0.89%, 0.36%

LAB 45.54, -3.29, -39.72

 

CMYK 94 / 60 / 0 / 32

HEX #0A45AE

RGB 10 69 174

HSL 218.41, 0.89%, 0.36%

LAB 32.65, 25.5, -60.48

 

CMYK 94 / 0 / 41 / 32

HEX #0AAE66

RGB 10 174 102

HSL 153.66, 0.89%, 0.36%

LAB 62.76, -54.16, 26.68

 

CMYK 94 / 0 / 41 / 32

HEX #0AAE66

RGB 10 174 102

HSL 153.66, 0.89%, 0.36%

LAB 62.76, -54.16, 26.68

 

CMYK 84 / 0 / 37 / 38

HEX #199F64

RGB 25 159 100

HSL 153.58, 0.73%, 0.36%

LAB 57.96, -48.01, 21.41

 

CMYK 72 / 0 / 32 / 44

HEX #289062

RGB 40 144 98

HSL 153.46, 0.57%, 0.36%

LAB 53.25, -40.54, 16.17

 

CMYK 57 / 0 / 25 / 49

HEX #378161

RGB 55 129 97

HSL 154.05, 0.4%, 0.36%

LAB 48.73, -31.11, 10.53

 

CMYK 39 / 0 / 17 / 55

HEX #46725F

RGB 70 114 95

HSL 154.09, 0.24%, 0.36%

LAB 44.47, -19.89, 5.77

 

CMYK 94 / 0 / 93 / 32

HEX #0AAE0D

RGB 10 174 13

HSL 121.1, 0.89%, 0.36%

LAB 61.97, -63.88, 60.79

 

CMYK 94 / 0 / 68 / 32

HEX #0AAE38

RGB 10 174 56

HSL 136.83, 0.89%, 0.36%

LAB 62.19, -61.08, 48.3

 

CMYK 94 / 0 / 43 / 32

HEX #0AAE64

RGB 10 174 100

HSL 152.93, 0.89%, 0.36%

LAB 62.72, -54.55, 27.69

 

CMYK 94 / 0 / 17 / 32

HEX #0AAE90

RGB 10 174 144

HSL 169.02, 0.89%, 0.36%

LAB 63.63, -44.39, 4.94

 

CMYK 94 / 8 / 0 / 32

HEX #0AA0AE

RGB 10 160 174

HSL 185.12, 0.89%, 0.36%

LAB 60.12, -29.07, -17.09

 

CMYK 94 / 0 / 42 / 62

HEX #066038

RGB 6 96 56

HSL 153.33, 0.88%, 0.2%

LAB 35.38, -34.47, 16.23

 

CMYK 94 / 0 / 41 / 47

HEX #08874F

RGB 8 135 79

HSL 153.54, 0.89%, 0.28%

LAB 49.43, -44.6, 21.61

 

CMYK 94 / 0 / 41 / 32

HEX #0AAE66

RGB 10 174 102

HSL 153.66, 0.89%, 0.36%

LAB 62.76, -54.16, 26.68

 

CMYK 94 / 0 / 41 / 17

HEX #0CD47D

RGB 12 212 125

HSL 153.9, 0.89%, 0.44%

LAB 75.23, -62.95, 31.11

 

CMYK 90 / 0 / 39 / 5

HEX #19F293

RGB 25 242 147

HSL 153.73, 0.89%, 0.52%

LAB 84.9, -68.47, 32.75

 

CMYK 94 / 0 / 41 / 31

HEX #0AAF67

RGB 10 175 103

HSL 153.82, 0.89%, 0.36%

LAB 63.1, -54.32, 26.59

 

CMYK 94 / 71 / 0 / 32

HEX #0A33AE

RGB 10 51 174

HSL 225, 0.89%, 0.36%

LAB 28.08, 37.45, -67.99

 

CMYK 0 / 80 / 94 / 32

HEX #AE230A

RGB 174 35 10

HSL 9.15, 0.89%, 0.36%

LAB 38.24, 53.93, 47.74

 

CMYK 94 / 0 / 41 / 31

HEX #0AAF67

RGB 10 175 103

HSL 153.82, 0.89%, 0.36%

LAB 63.1, -54.32, 26.59

 

CMYK 43 / 94 / 0 / 32

HEX #640AAE

RGB 100 10 174

HSL 272.93, 0.89%, 0.36%

LAB 29.37, 62.09, -65.63

 

CMYK 0 / 43 / 94 / 32

HEX #AE640A

RGB 174 100 10

HSL 32.93, 0.89%, 0.36%

LAB 49.66, 24.29, 55.43

 

CMYK 94 / 0 / 41 / 31

HEX #0AAF67

RGB 10 175 103

HSL 153.82, 0.89%, 0.36%

LAB 63.1, -54.32, 26.59

 

CMYK 94 / 71 / 0 / 32

HEX #0A33AE

RGB 10 51 174

HSL 225, 0.89%, 0.36%

LAB 28.08, 37.45, -67.99

 

CMYK 0 / 94 / 52 / 32

HEX #AE0A54

RGB 174 10 84

HSL 332.93, 0.89%, 0.36%

LAB 37.58, 62.24, 4.37

 

CMYK 0 / 24 / 94 / 32

HEX #AE850A

RGB 174 133 10

HSL 45, 0.89%, 0.36%

LAB 57.84, 5.86, 61.38

 

CMYK 94 / 0 / 41 / 31

HEX #0AAF67

RGB 10 175 103

HSL 153.82, 0.89%, 0.36%

LAB 63.1, -54.32, 26.59

 

CMYK 90 / 94 / 0 / 32

HEX #120AAE

RGB 18 10 174

HSL 242.93, 0.89%, 0.36%

LAB 21.59, 57.1, -78.77

 

CMYK 0 / 94 / 52 / 32

HEX #AE0A54

RGB 174 10 84

HSL 332.93, 0.89%, 0.36%

LAB 37.58, 62.24, 4.37

 

CMYK 5 / 0 / 94 / 32

HEX #A5AE0A

RGB 165 174 10

HSL 63.29, 0.89%, 0.36%

LAB 68.24, -20, 68.87

 

Description

Color code: HEX #0AAF67 | qconv.com Color code: HEX #0AAF67 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 10 red, 175 green and 103 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
10 175 103 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 94 cyan, none magenta, 41 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
94% 0% 41% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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