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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0AAC38 it is the complementary color #F553C7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0AAC38. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0AAC38 shade: #0FAC33, #20BE46, #31D059, #42E26C and #53F47F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0AAC38. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0AAC38 shade: #0AAC38, #009A25, #008812, #007600 and #006400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0AAC38 shade: #0AAE39, #0AAE0C, #34AE0A, #60AE0A and #8CAE0A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0AAC38 shade: #0AAE39, #0AAE65, #0AAE91, #0A9EAE and #0A72AE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0AAC38 shade matches the following richer shades: #0AAE39

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0AAC38 shade: #0AAE39, #199F3F, #289045, #37814C and #467252

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0AAC38 shade: #33AE0A, #0AAE0D, #0AAE38, #0AAE64 and #0AAE90

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0AAC38 shade: #06601F, #08872C, #0AAE39, #0CD445 and #19F256

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0AAC38 shade: #0AAC38, #0A5FAE and #AE0A1D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0AAC38 shade: #0AAC38, #380AAE and #AE380A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0AAC38 shade: #0AAC38, #0A5FAE, #AE0A7F and #AE590A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0AAC38 shade: #0AAC38, #0A2EAE, #AE0A7F and #AE8A0A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 94 / 0 / 67 / 33

HEX #0AAC38

RGB 10 172 56

HSL 137.04, 0.89%, 0.36%

LAB 61.53, -60.47, 47.59

 

Complementary color

CMYK 0 / 66 / 19 / 4

HEX #F553C7

RGB 245 83 199

HSL 317.04, 0.89%, 0.64%

LAB 61.41, 72.77, -27.79

 

CMYK 91 / 0 / 70 / 33

HEX #0FAC33

RGB 15 172 51

HSL 133.76, 0.84%, 0.37%

LAB 61.52, -60.69, 49.63

 

CMYK 83 / 0 / 63 / 25

HEX #20BE46

RGB 32 190 70

HSL 134.43, 0.71%, 0.44%

LAB 67.71, -62.84, 48.47

 

CMYK 76 / 0 / 57 / 18

HEX #31D059

RGB 49 208 89

HSL 135.09, 0.63%, 0.5%

LAB 73.86, -64.32, 47.08

 

CMYK 71 / 0 / 52 / 11

HEX #42E26C

RGB 66 226 108

HSL 135.75, 0.73%, 0.57%

LAB 79.97, -65.3, 45.63

 

CMYK 66 / 0 / 48 / 4

HEX #53F47F

RGB 83 244 127

HSL 136.4, 0.88%, 0.64%

LAB 86.04, -65.93, 44.19

 

CMYK 94 / 0 / 67 / 33

HEX #0AAC38

RGB 10 172 56

HSL 137.04, 0.89%, 0.36%

LAB 61.53, -60.47, 47.59

 

CMYK 100 / 0 / 76 / 40

HEX #009A25

RGB 0 154 37

HSL 134.42, 1%, 0.3%

LAB 55.32, -57.37, 48.55

 

CMYK 100 / 0 / 87 / 47

HEX #008812

RGB 0 136 18

HSL 127.94, 1%, 0.27%

LAB 49.07, -53.32, 48.54

 

CMYK 100 / 0 / 100 / 54

HEX #007600

RGB 0 118 0

HSL 120, 1%, 0.23%

LAB 42.7, -48.77, 47.07

 

CMYK 100 / 0 / 100 / 61

HEX #006400

RGB 0 100 0

HSL 120, 1%, 0.2%

LAB 36.2, -43.37, 41.86

 

CMYK 94 / 0 / 67 / 32

HEX #0AAE39

RGB 10 174 57

HSL 137.2, 0.89%, 0.36%

LAB 62.2, -60.98, 47.89

 

CMYK 94 / 0 / 93 / 32

HEX #0AAE0C

RGB 10 174 12

HSL 120.73, 0.89%, 0.36%

LAB 61.97, -63.91, 60.94

 

CMYK 70 / 0 / 94 / 32

HEX #34AE0A

RGB 52 174 10

HSL 104.63, 0.89%, 0.36%

LAB 62.53, -58.96, 61.91

 

CMYK 45 / 0 / 94 / 32

HEX #60AE0A

RGB 96 174 10

HSL 88.54, 0.89%, 0.36%

LAB 63.98, -47.29, 63.7

 

CMYK 20 / 0 / 94 / 32

HEX #8CAE0A

RGB 140 174 10

HSL 72.44, 0.89%, 0.36%

LAB 66.42, -30.66, 66.68

 

CMYK 94 / 0 / 67 / 32

HEX #0AAE39

RGB 10 174 57

HSL 137.2, 0.89%, 0.36%

LAB 62.2, -60.98, 47.89

 

CMYK 94 / 0 / 42 / 32

HEX #0AAE65

RGB 10 174 101

HSL 153.29, 0.89%, 0.36%

LAB 62.74, -54.35, 27.18

 

CMYK 94 / 0 / 17 / 32

HEX #0AAE91

RGB 10 174 145

HSL 169.39, 0.89%, 0.36%

LAB 63.66, -44.12, 4.42

 

CMYK 94 / 9 / 0 / 32

HEX #0A9EAE

RGB 10 158 174

HSL 185.85, 0.89%, 0.36%

LAB 59.5, -28.08, -18.04

 

CMYK 94 / 34 / 0 / 32

HEX #0A72AE

RGB 10 114 174

HSL 201.95, 0.89%, 0.36%

LAB 45.85, -3.89, -39.24

 

CMYK 94 / 0 / 67 / 32

HEX #0AAE39

RGB 10 174 57

HSL 137.2, 0.89%, 0.36%

LAB 62.2, -60.98, 47.89

 

CMYK 94 / 0 / 67 / 32

HEX #0AAE39

RGB 10 174 57

HSL 137.2, 0.89%, 0.36%

LAB 62.2, -60.98, 47.89

 

CMYK 84 / 0 / 60 / 38

HEX #199F3F

RGB 25 159 63

HSL 137.01, 0.73%, 0.36%

LAB 57.43, -54.36, 39.88

 

CMYK 72 / 0 / 52 / 44

HEX #289045

RGB 40 144 69

HSL 136.73, 0.57%, 0.36%

LAB 52.76, -46.09, 31.36

 

CMYK 57 / 0 / 41 / 49

HEX #37814C

RGB 55 129 76

HSL 137.03, 0.4%, 0.36%

LAB 48.3, -35.52, 21.98

 

CMYK 39 / 0 / 28 / 55

HEX #467252

RGB 70 114 82

HSL 136.36, 0.24%, 0.36%

LAB 44.16, -22.73, 13.05

 

CMYK 71 / 0 / 94 / 32

HEX #33AE0A

RGB 51 174 10

HSL 105, 0.89%, 0.36%

LAB 62.51, -59.15, 61.88

 

CMYK 94 / 0 / 93 / 32

HEX #0AAE0D

RGB 10 174 13

HSL 121.1, 0.89%, 0.36%

LAB 61.97, -63.88, 60.79

 

CMYK 94 / 0 / 68 / 32

HEX #0AAE38

RGB 10 174 56

HSL 136.83, 0.89%, 0.36%

LAB 62.19, -61.08, 48.3

 

CMYK 94 / 0 / 43 / 32

HEX #0AAE64

RGB 10 174 100

HSL 152.93, 0.89%, 0.36%

LAB 62.72, -54.55, 27.69

 

CMYK 94 / 0 / 17 / 32

HEX #0AAE90

RGB 10 174 144

HSL 169.02, 0.89%, 0.36%

LAB 63.63, -44.39, 4.94

 

CMYK 94 / 0 / 68 / 62

HEX #06601F

RGB 6 96 31

HSL 136.67, 0.88%, 0.2%

LAB 35.01, -38.92, 29.63

 

CMYK 94 / 0 / 67 / 47

HEX #08872C

RGB 8 135 44

HSL 137.01, 0.89%, 0.28%

LAB 48.96, -50.27, 39.04

 

CMYK 94 / 0 / 67 / 32

HEX #0AAE39

RGB 10 174 57

HSL 137.2, 0.89%, 0.36%

LAB 62.2, -60.98, 47.89

 

CMYK 94 / 0 / 67 / 17

HEX #0CD445

RGB 12 212 69

HSL 137.1, 0.89%, 0.44%

LAB 74.57, -71.01, 56.4

 

CMYK 90 / 0 / 64 / 5

HEX #19F256

RGB 25 242 86

HSL 136.87, 0.89%, 0.52%

LAB 84.16, -77.39, 60.06

 

CMYK 94 / 0 / 67 / 33

HEX #0AAC38

RGB 10 172 56

HSL 137.04, 0.89%, 0.36%

LAB 61.53, -60.47, 47.59

 

CMYK 94 / 45 / 0 / 32

HEX #0A5FAE

RGB 10 95 174

HSL 208.9, 0.89%, 0.36%

LAB 40.09, 8.07, -48.42

 

CMYK 0 / 94 / 83 / 32

HEX #AE0A1D

RGB 174 10 29

HSL 353.05, 0.89%, 0.36%

LAB 36.56, 59.42, 37.67

 

CMYK 94 / 0 / 67 / 33

HEX #0AAC38

RGB 10 172 56

HSL 137.04, 0.89%, 0.36%

LAB 61.53, -60.47, 47.59

 

CMYK 68 / 94 / 0 / 32

HEX #380AAE

RGB 56 10 174

HSL 256.83, 0.89%, 0.36%

LAB 24.04, 58.45, -74.61

 

CMYK 0 / 68 / 94 / 32

HEX #AE380A

RGB 174 56 10

HSL 16.83, 0.89%, 0.36%

LAB 40.98, 46.38, 49.48

 

CMYK 94 / 0 / 67 / 33

HEX #0AAC38

RGB 10 172 56

HSL 137.04, 0.89%, 0.36%

LAB 61.53, -60.47, 47.59

 

CMYK 94 / 45 / 0 / 32

HEX #0A5FAE

RGB 10 95 174

HSL 208.9, 0.89%, 0.36%

LAB 40.09, 8.07, -48.42

 

CMYK 0 / 94 / 27 / 32

HEX #AE0A7F

RGB 174 10 127

HSL 317.2, 0.89%, 0.36%

LAB 39.15, 66.43, -20.51

 

CMYK 0 / 49 / 94 / 32

HEX #AE590A

RGB 174 89 10

HSL 28.9, 0.89%, 0.36%

LAB 47.19, 30.29, 53.69

 

CMYK 94 / 0 / 67 / 33

HEX #0AAC38

RGB 10 172 56

HSL 137.04, 0.89%, 0.36%

LAB 61.53, -60.47, 47.59

 

CMYK 94 / 74 / 0 / 32

HEX #0A2EAE

RGB 10 46 174

HSL 226.83, 0.89%, 0.36%

LAB 26.95, 40.59, -69.86

 

CMYK 0 / 94 / 27 / 32

HEX #AE0A7F

RGB 174 10 127

HSL 317.2, 0.89%, 0.36%

LAB 39.15, 66.43, -20.51

 

CMYK 0 / 21 / 94 / 32

HEX #AE8A0A

RGB 174 138 10

HSL 46.83, 0.89%, 0.36%

LAB 59.16, 3.1, 62.36

 

Description

Color code: HEX #0AAC38 | qconv.com Color code: HEX #0AAC38 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 10 red, 172 green and 56 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
10 172 56 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 94 cyan, none magenta, 67 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
94% 0% 67% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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