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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0AA7F6 it is the complementary color #F55809. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0AA7F6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0AA7F6 shade: #0FA7F1, #20B9FF, #31CBFF, #42DDFF and #53EFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0AA7F6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0AA7F6 shade: #0AA7F6, #0095E3, #0083D0, #0071BD and #005FAA

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0AA7F6 shade: #09A7F6, #0967F6, #0927F6, #2B09F6 and #6B09F6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0AA7F6 shade: #09A7F6, #0967F6, #0927F6 and #0909F6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0AA7F6 shade matches the following richer shades: #09A7F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0AA7F6 shade: #09A7F6, #1EA0E1, #3299CD, #4792B8 and #5B8BA4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0AA7F6 shade: #09F6C7, #09E6F6, #09A7F6, #0968F6 and #0929F6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0AA7F6 shade: #0671A6, #078CCE, #09A7F6, #31B5F8 and #59C3F9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0AA7F6 shade: #0AA7F6, #8709F6 and #F6E609

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0AA7F6 shade: #0AA7F6, #F609A7 and #A7F609

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0AA7F6 shade: #0AA7F6, #8709F6, #F65809 and #78F609

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0AA7F6 shade: #0AA7F6, #CF09F6, #F65809 and #30F609

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 96 / 32 / 0 / 4

HEX #0AA7F6

RGB 10 167 246

HSL 200.08, 0.93%, 0.5%

LAB 65.24, -7.58, -49.14

 

Complementary color

CMYK 0 / 64 / 96 / 4

HEX #F55809

RGB 245 88 9

HSL 20.08, 0.93%, 0.5%

LAB 58.43, 57.59, 66.7

 

CMYK 94 / 31 / 0 / 5

HEX #0FA7F1

RGB 15 167 241

HSL 199.65, 0.89%, 0.5%

LAB 65.03, -9.26, -46.74

 

CMYK 87 / 27 / 0 / 0

HEX #20B9FF

RGB 32 185 255

HSL 198.83, 1%, 0.56%

LAB 71.03, -13.37, -44.92

 

CMYK 81 / 20 / 0 / 0

HEX #31CBFF

RGB 49 203 255

HSL 195.15, 1%, 0.6%

LAB 76.43, -21.61, -36.48

 

CMYK 74 / 13 / 0 / 0

HEX #42DDFF

RGB 66 221 255

HSL 190.79, 1%, 0.63%

LAB 81.89, -28.93, -28.05

 

CMYK 67 / 6 / 0 / 0

HEX #53EFFF

RGB 83 239 255

HSL 185.58, 1%, 0.66%

LAB 87.38, -35.42, -19.66

 

CMYK 96 / 32 / 0 / 4

HEX #0AA7F6

RGB 10 167 246

HSL 200.08, 0.93%, 0.5%

LAB 65.24, -7.58, -49.14

 

CMYK 100 / 34 / 0 / 11

HEX #0095E3

RGB 0 149 227

HSL 200.62, 1%, 0.45%

LAB 59.01, -4.63, -48.54

 

CMYK 100 / 37 / 0 / 18

HEX #0083D0

RGB 0 131 208

HSL 202.21, 1%, 0.41%

LAB 52.72, -1.28, -47.88

 

CMYK 100 / 40 / 0 / 26

HEX #0071BD

RGB 0 113 189

HSL 204.13, 1%, 0.37%

LAB 46.29, 2.25, -47.25

 

CMYK 100 / 44 / 0 / 33

HEX #005FAA

RGB 0 95 170

HSL 206.47, 1%, 0.33%

LAB 39.73, 6.01, -46.65

 

CMYK 96 / 32 / 0 / 4

HEX #09A7F6

RGB 9 167 246

HSL 200, 0.93%, 0.5%

LAB 65.24, -7.61, -49.15

 

CMYK 96 / 58 / 0 / 4

HEX #0967F6

RGB 9 103 246

HSL 216.2, 0.93%, 0.5%

LAB 47.51, 31.36, -77.65

 

CMYK 96 / 84 / 0 / 4

HEX #0927F6

RGB 9 39 246

HSL 232.41, 0.93%, 0.5%

LAB 34.32, 67.4, -99.43

 

CMYK 83 / 96 / 0 / 4

HEX #2B09F6

RGB 43 9 246

HSL 248.61, 0.93%, 0.5%

LAB 32.62, 76.12, -102.24

 

CMYK 57 / 96 / 0 / 4

HEX #6B09F6

RGB 107 9 246

HSL 264.81, 0.93%, 0.5%

LAB 37.8, 78.77, -93.48

 

CMYK 96 / 32 / 0 / 4

HEX #09A7F6

RGB 9 167 246

HSL 200, 0.93%, 0.5%

LAB 65.24, -7.61, -49.15

 

CMYK 96 / 58 / 0 / 4

HEX #0967F6

RGB 9 103 246

HSL 216.2, 0.93%, 0.5%

LAB 47.51, 31.36, -77.65

 

CMYK 96 / 84 / 0 / 4

HEX #0927F6

RGB 9 39 246

HSL 232.41, 0.93%, 0.5%

LAB 34.32, 67.4, -99.43

 

CMYK 96 / 96 / 0 / 4

HEX #0909F6

RGB 9 9 246

HSL 240, 0.93%, 0.5%

LAB 31.59, 75.7, -103.98

 

CMYK 96 / 32 / 0 / 4

HEX #09A7F6

RGB 9 167 246

HSL 200, 0.93%, 0.5%

LAB 65.24, -7.61, -49.15

 

CMYK 96 / 32 / 0 / 4

HEX #09A7F6

RGB 9 167 246

HSL 200, 0.93%, 0.5%

LAB 65.24, -7.61, -49.15

 

CMYK 87 / 29 / 0 / 12

HEX #1EA0E1

RGB 30 160 225

HSL 200, 0.76%, 0.5%

LAB 62.38, -10.41, -42.1

 

CMYK 76 / 25 / 0 / 20

HEX #3299CD

RGB 50 153 205

HSL 200.13, 0.61%, 0.5%

LAB 59.77, -11.77, -35.03

 

CMYK 61 / 21 / 0 / 28

HEX #4792B8

RGB 71 146 184

HSL 200.18, 0.44%, 0.5%

LAB 57.42, -11.69, -26.79

 

CMYK 45 / 15 / 0 / 36

HEX #5B8BA4

RGB 91 139 164

HSL 200.55, 0.29%, 0.5%

LAB 55.45, -9.36, -18.31

 

CMYK 96 / 0 / 19 / 4

HEX #09F6C7

RGB 9 246 199

HSL 168.1, 0.93%, 0.5%

LAB 87.04, -59.19, 9.02

 

CMYK 96 / 7 / 0 / 4

HEX #09E6F6

RGB 9 230 246

HSL 184.05, 0.93%, 0.5%

LAB 83.6, -39.5, -20.74

 

CMYK 96 / 32 / 0 / 4

HEX #09A7F6

RGB 9 167 246

HSL 200, 0.93%, 0.5%

LAB 65.24, -7.61, -49.15

 

CMYK 96 / 58 / 0 / 4

HEX #0968F6

RGB 9 104 246

HSL 215.95, 0.93%, 0.5%

LAB 47.77, 30.72, -77.23

 

CMYK 96 / 83 / 0 / 4

HEX #0929F6

RGB 9 41 246

HSL 231.9, 0.93%, 0.5%

LAB 34.6, 66.58, -98.97

 

CMYK 96 / 32 / 0 / 35

HEX #0671A6

RGB 6 113 166

HSL 199.88, 0.93%, 0.34%

LAB 45.08, -6.59, -35.76

 

CMYK 97 / 32 / 0 / 19

HEX #078CCE

RGB 7 140 206

HSL 199.9, 0.93%, 0.42%

LAB 55.34, -7.12, -42.59

 

CMYK 96 / 32 / 0 / 4

HEX #09A7F6

RGB 9 167 246

HSL 200, 0.93%, 0.5%

LAB 65.24, -7.61, -49.15

 

CMYK 80 / 27 / 0 / 3

HEX #31B5F8

RGB 49 181 248

HSL 200.2, 0.93%, 0.58%

LAB 69.81, -12.39, -43.02

 

CMYK 64 / 22 / 0 / 2

HEX #59C3F9

RGB 89 195 249

HSL 200.25, 0.93%, 0.66%

LAB 74.82, -14.5, -35.68

 

CMYK 96 / 32 / 0 / 4

HEX #0AA7F6

RGB 10 167 246

HSL 200.08, 0.93%, 0.5%

LAB 65.24, -7.58, -49.14

 

CMYK 45 / 96 / 0 / 4

HEX #8709F6

RGB 135 9 246

HSL 271.9, 0.93%, 0.5%

LAB 41.22, 80.94, -87.72

 

CMYK 0 / 7 / 96 / 4

HEX #F6E609

RGB 246 230 9

HSL 55.95, 0.93%, 0.5%

LAB 89.95, -13.15, 88.22

 

CMYK 96 / 32 / 0 / 4

HEX #0AA7F6

RGB 10 167 246

HSL 200.08, 0.93%, 0.5%

LAB 65.24, -7.58, -49.14

 

CMYK 0 / 96 / 32 / 4

HEX #F609A7

RGB 246 9 167

HSL 320, 0.93%, 0.5%

LAB 54.64, 85.46, -19.69

 

CMYK 32 / 0 / 96 / 4

HEX #A7F609

RGB 167 246 9

HSL 80, 0.93%, 0.5%

LAB 88.99, -51.79, 85.16

 

CMYK 96 / 32 / 0 / 4

HEX #0AA7F6

RGB 10 167 246

HSL 200.08, 0.93%, 0.5%

LAB 65.24, -7.58, -49.14

 

CMYK 45 / 96 / 0 / 4

HEX #8709F6

RGB 135 9 246

HSL 271.9, 0.93%, 0.5%

LAB 41.22, 80.94, -87.72

 

CMYK 0 / 64 / 96 / 4

HEX #F65809

RGB 246 88 9

HSL 20, 0.93%, 0.5%

LAB 58.59, 57.93, 66.88

 

CMYK 51 / 0 / 96 / 4

HEX #78F609

RGB 120 246 9

HSL 91.9, 0.93%, 0.5%

LAB 86.96, -66.77, 82.68

 

CMYK 96 / 32 / 0 / 4

HEX #0AA7F6

RGB 10 167 246

HSL 200.08, 0.93%, 0.5%

LAB 65.24, -7.58, -49.14

 

CMYK 16 / 96 / 0 / 4

HEX #CF09F6

RGB 207 9 246

HSL 290.13, 0.93%, 0.5%

LAB 51.97, 89.28, -69.7

 

CMYK 0 / 64 / 96 / 4

HEX #F65809

RGB 246 88 9

HSL 20, 0.93%, 0.5%

LAB 58.59, 57.93, 66.88

 

CMYK 80 / 0 / 96 / 4

HEX #30F609

RGB 48 246 9

HSL 110.13, 0.93%, 0.5%

LAB 85.28, -80.84, 80.63

 

Description

Color code: HEX #0AA7F6 | qconv.com Color code: HEX #0AA7F6 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 10 red, 167 green and 246 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
10 167 246 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 96 cyan, 32 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
96% 32% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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