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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0A8CBB it is the complementary color #F57344. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0A8CBB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0A8CBB shade: #0F8CB6, #209EC9, #31B0DC, #42C2EF and #53D4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0A8CBB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0A8CBB shade: #0A8CBB, #007AA8, #006895, #005682 and #00446F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0A8CBB shade: #098DBC, #095DBC, #092CBC, #1709BC and #4709BC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0A8CBB shade: #098DBC, #095DBC, #092CBC and #0909BC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0A8CBB shade matches the following richer shades: #098DBC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0A8CBB shade: #098DBC, #1A85AC, #2A7E9C, #3A768C and #4A6F7C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0A8CBB shade: #09BC8A, #09BCB9, #0990BC, #0960BC and #0930BC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0A8CBB shade: #05526E, #077095, #098DBC, #0CAAE4 and #25BCF3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0A8CBB shade: #0A8CBB, #5A09BC and #BCA209

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0A8CBB shade: #0A8CBB, #BC0990 and #90BC09

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0A8CBB shade: #0A8CBB, #5A09BC, #BC3609 and #6CBC09

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0A8CBB shade: #0A8CBB, #9009BC, #BC3609 and #36BC09

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 95 / 25 / 0 / 27

HEX #0A8CBB

RGB 10 140 187

HSL 195.93, 0.9%, 0.39%

LAB 54.46, -14.07, -33.2

 

Complementary color

CMYK 0 / 53 / 72 / 4

HEX #F57344

RGB 245 115 68

HSL 15.93, 0.9%, 0.61%

LAB 63.42, 46.89, 48.85

 

CMYK 92 / 23 / 0 / 29

HEX #0F8CB6

RGB 15 140 182

HSL 195.09, 0.85%, 0.39%

LAB 54.28, -15.68, -30.62

 

CMYK 84 / 21 / 0 / 21

HEX #209EC9

RGB 32 158 201

HSL 195.27, 0.73%, 0.46%

LAB 60.76, -17.65, -31.27

 

CMYK 78 / 20 / 0 / 14

HEX #31B0DC

RGB 49 176 220

HSL 195.44, 0.71%, 0.53%

LAB 67.18, -19.2, -31.84

 

CMYK 72 / 19 / 0 / 6

HEX #42C2EF

RGB 66 194 239

HSL 195.61, 0.84%, 0.6%

LAB 73.53, -20.43, -32.34

 

CMYK 67 / 17 / 0 / 0

HEX #53D4FF

RGB 83 212 255

HSL 195, 1%, 0.66%

LAB 79.7, -22.32, -31.38

 

CMYK 95 / 25 / 0 / 27

HEX #0A8CBB

RGB 10 140 187

HSL 195.93, 0.9%, 0.39%

LAB 54.46, -14.07, -33.2

 

CMYK 100 / 27 / 0 / 34

HEX #007AA8

RGB 0 122 168

HSL 196.43, 1%, 0.33%

LAB 47.94, -11.37, -32.45

 

CMYK 100 / 30 / 0 / 42

HEX #006895

RGB 0 104 149

HSL 198.12, 1%, 0.29%

LAB 41.33, -8.15, -31.61

 

CMYK 100 / 34 / 0 / 49

HEX #005682

RGB 0 86 130

HSL 200.31, 1%, 0.25%

LAB 34.53, -4.73, -30.81

 

CMYK 100 / 39 / 0 / 56

HEX #00446F

RGB 0 68 111

HSL 203.24, 1%, 0.22%

LAB 27.52, -1.05, -30.05

 

CMYK 95 / 25 / 0 / 26

HEX #098DBC

RGB 9 141 188

HSL 195.75, 0.91%, 0.39%

LAB 54.8, -14.3, -33.23

 

CMYK 95 / 51 / 0 / 26

HEX #095DBC

RGB 9 93 188

HSL 211.84, 0.91%, 0.39%

LAB 40.44, 15.03, -56.07

 

CMYK 95 / 77 / 0 / 26

HEX #092CBC

RGB 9 44 188

HSL 228.27, 0.91%, 0.39%

LAB 28.09, 46.72, -76.31

 

CMYK 88 / 95 / 0 / 26

HEX #1709BC

RGB 23 9 188

HSL 244.69, 0.91%, 0.39%

LAB 23.7, 61.15, -83.61

 

CMYK 62 / 95 / 0 / 26

HEX #4709BC

RGB 71 9 188

HSL 260.78, 0.91%, 0.39%

LAB 27.2, 63.03, -77.68

 

CMYK 95 / 25 / 0 / 26

HEX #098DBC

RGB 9 141 188

HSL 195.75, 0.91%, 0.39%

LAB 54.8, -14.3, -33.23

 

CMYK 95 / 51 / 0 / 26

HEX #095DBC

RGB 9 93 188

HSL 211.84, 0.91%, 0.39%

LAB 40.44, 15.03, -56.07

 

CMYK 95 / 77 / 0 / 26

HEX #092CBC

RGB 9 44 188

HSL 228.27, 0.91%, 0.39%

LAB 28.09, 46.72, -76.31

 

CMYK 95 / 95 / 0 / 26

HEX #0909BC

RGB 9 9 188

HSL 240, 0.91%, 0.39%

LAB 23.29, 60.96, -84.31

 

CMYK 95 / 25 / 0 / 26

HEX #098DBC

RGB 9 141 188

HSL 195.75, 0.91%, 0.39%

LAB 54.8, -14.3, -33.23

 

CMYK 95 / 25 / 0 / 26

HEX #098DBC

RGB 9 141 188

HSL 195.75, 0.91%, 0.39%

LAB 54.8, -14.3, -33.23

 

CMYK 85 / 23 / 0 / 33

HEX #1A85AC

RGB 26 133 172

HSL 196.03, 0.74%, 0.39%

LAB 51.81, -14.71, -28.71

 

CMYK 73 / 19 / 0 / 39

HEX #2A7E9C

RGB 42 126 156

HSL 195.79, 0.58%, 0.39%

LAB 49.27, -14.69, -23.33

 

CMYK 59 / 16 / 0 / 45

HEX #3A768C

RGB 58 118 140

HSL 196.1, 0.41%, 0.39%

LAB 46.64, -12.69, -17.9

 

CMYK 40 / 10 / 0 / 51

HEX #4A6F7C

RGB 74 111 124

HSL 195.6, 0.25%, 0.39%

LAB 44.63, -9.49, -11.35

 

CMYK 95 / 0 / 27 / 26

HEX #09BC8A

RGB 9 188 138

HSL 163.24, 0.91%, 0.39%

LAB 67.92, -51.57, 14.32

 

CMYK 95 / 0 / 2 / 26

HEX #09BCB9

RGB 9 188 185

HSL 178.99, 0.91%, 0.39%

LAB 69.13, -38.86, -9.67

 

CMYK 95 / 23 / 0 / 26

HEX #0990BC

RGB 9 144 188

HSL 194.75, 0.91%, 0.39%

LAB 55.72, -15.95, -31.8

 

CMYK 95 / 49 / 0 / 26

HEX #0960BC

RGB 9 96 188

HSL 210.84, 0.91%, 0.39%

LAB 41.3, 13.06, -54.67

 

CMYK 95 / 74 / 0 / 26

HEX #0930BC

RGB 9 48 188

HSL 226.93, 0.91%, 0.39%

LAB 28.91, 44.39, -74.95

 

CMYK 95 / 25 / 0 / 57

HEX #05526E

RGB 5 82 110

HSL 196, 0.91%, 0.23%

LAB 32.24, -10.03, -21.99

 

CMYK 95 / 25 / 0 / 42

HEX #077095

RGB 7 112 149

HSL 195.63, 0.91%, 0.31%

LAB 43.95, -12.5, -27.5

 

CMYK 95 / 25 / 0 / 26

HEX #098DBC

RGB 9 141 188

HSL 195.75, 0.91%, 0.39%

LAB 54.8, -14.3, -33.23

 

CMYK 95 / 25 / 0 / 11

HEX #0CAAE4

RGB 12 170 228

HSL 196.11, 0.9%, 0.47%

LAB 65.3, -15.66, -39.19

 

CMYK 85 / 23 / 0 / 5

HEX #25BCF3

RGB 37 188 243

HSL 196.02, 0.9%, 0.55%

LAB 71.44, -18.77, -37.78

 

CMYK 95 / 25 / 0 / 27

HEX #0A8CBB

RGB 10 140 187

HSL 195.93, 0.9%, 0.39%

LAB 54.46, -14.07, -33.2

 

CMYK 52 / 95 / 0 / 26

HEX #5A09BC

RGB 90 9 188

HSL 267.15, 0.91%, 0.39%

LAB 29.41, 64.43, -73.95

 

CMYK 0 / 14 / 95 / 26

HEX #BCA209

RGB 188 162 9

HSL 51.28, 0.91%, 0.39%

LAB 66.94, -3.58, 68.9

 

CMYK 95 / 25 / 0 / 27

HEX #0A8CBB

RGB 10 140 187

HSL 195.93, 0.9%, 0.39%

LAB 54.46, -14.07, -33.2

 

CMYK 0 / 95 / 23 / 26

HEX #BC0990

RGB 188 9 144

HSL 314.75, 0.91%, 0.39%

LAB 42.61, 71.4, -25.38

 

CMYK 23 / 0 / 95 / 26

HEX #90BC09

RGB 144 188 9

HSL 74.75, 0.91%, 0.39%

LAB 70.81, -35.53, 70.36

 

CMYK 95 / 25 / 0 / 27

HEX #0A8CBB

RGB 10 140 187

HSL 195.93, 0.9%, 0.39%

LAB 54.46, -14.07, -33.2

 

CMYK 52 / 95 / 0 / 26

HEX #5A09BC

RGB 90 9 188

HSL 267.15, 0.91%, 0.39%

LAB 29.41, 64.43, -73.95

 

CMYK 0 / 71 / 95 / 26

HEX #BC3609

RGB 188 54 9

HSL 15.08, 0.91%, 0.39%

LAB 43.29, 51.96, 52.52

 

CMYK 43 / 0 / 95 / 26

HEX #6CBC09

RGB 108 188 9

HSL 86.82, 0.91%, 0.39%

LAB 68.88, -48.87, 68

 

CMYK 95 / 25 / 0 / 27

HEX #0A8CBB

RGB 10 140 187

HSL 195.93, 0.9%, 0.39%

LAB 54.46, -14.07, -33.2

 

CMYK 23 / 95 / 0 / 26

HEX #9009BC

RGB 144 9 188

HSL 285.25, 0.91%, 0.39%

LAB 37.4, 70.54, -60.54

 

CMYK 0 / 71 / 95 / 26

HEX #BC3609

RGB 188 54 9

HSL 15.08, 0.91%, 0.39%

LAB 43.29, 51.96, 52.52

 

CMYK 71 / 0 / 95 / 26

HEX #36BC09

RGB 54 188 9

HSL 104.92, 0.91%, 0.39%

LAB 67.1, -63.04, 65.82

 

Description

Color code: HEX #0A8CBB | qconv.com Color code: HEX #0A8CBB | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 10 red, 140 green and 187 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
10 140 187 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 95 cyan, 25 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
95% 25% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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