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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0A8C07 it is the complementary color #F573F8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0A8C07. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0A8C07 shade: #0F8C02, #209E15, #31B028, #42C23B and #53D44E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0A8C07. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0A8C07 shade: #0A8C07, #007A00, #006800, #005600 and #004400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0A8C07 shade: #0A8C07, #2E8C07, #528C07, #768C07 and #8C7F07

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0A8C07 shade: #0A8C07, #078C28, #078C4C, #078C70 and #07858C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0A8C07 shade matches the following richer shades: #0A8C07

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0A8C07 shade: #0A8C07, #158013, #21741F, #2C682B and #385C37

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0A8C07 shade: #528C07, #2F8C07, #0B8C07, #078C26 and #078C49

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0A8C07 shade: #043E03, #076505, #0A8C07, #0DB309 and #10DA0B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0A8C07 shade: #0A8C07, #07768C and #8C0741

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0A8C07 shade: #0A8C07, #070B8C and #8C070B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0A8C07 shade: #0A8C07, #07768C, #88078C and #8C1D07

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0A8C07 shade: #0A8C07, #074E8C, #88078C and #8C4507

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 93 / 0 / 95 / 45

HEX #0A8C07

RGB 10 140 7

HSL 118.65, 0.9%, 0.29%

LAB 50.49, -54.24, 52.08

 

Complementary color

CMYK 1 / 54 / 0 / 3

HEX #F573F8

RGB 245 115 248

HSL 298.65, 0.9%, 0.71%

LAB 68.35, 67.07, -44.34

 

CMYK 89 / 0 / 99 / 45

HEX #0F8C02

RGB 15 140 2

HSL 114.35, 0.97%, 0.28%

LAB 50.53, -54.01, 53.02

 

CMYK 80 / 0 / 87 / 38

HEX #209E15

RGB 32 158 21

HSL 115.18, 0.77%, 0.35%

LAB 56.89, -56.86, 54.95

 

CMYK 72 / 0 / 77 / 31

HEX #31B028

RGB 49 176 40

HSL 116.03, 0.63%, 0.42%

LAB 63.22, -58.81, 55.53

 

CMYK 66 / 0 / 70 / 24

HEX #42C23B

RGB 66 194 59

HSL 116.89, 0.53%, 0.5%

LAB 69.51, -60.07, 55.16

 

CMYK 61 / 0 / 63 / 17

HEX #53D44E

RGB 83 212 78

HSL 117.76, 0.61%, 0.57%

LAB 75.75, -60.85, 54.31

 

CMYK 93 / 0 / 95 / 45

HEX #0A8C07

RGB 10 140 7

HSL 118.65, 0.9%, 0.29%

LAB 50.49, -54.24, 52.08

 

CMYK 100 / 0 / 100 / 52

HEX #007A00

RGB 0 122 0

HSL 120, 1%, 0.24%

LAB 44.12, -49.94, 48.2

 

CMYK 100 / 0 / 100 / 59

HEX #006800

RGB 0 104 0

HSL 120, 1%, 0.2%

LAB 37.66, -44.58, 43.03

 

CMYK 100 / 0 / 100 / 66

HEX #005600

RGB 0 86 0

HSL 120, 1%, 0.17%

LAB 31.01, -39.06, 37.69

 

CMYK 100 / 0 / 100 / 73

HEX #004400

RGB 0 68 0

HSL 120, 1%, 0.13%

LAB 24.11, -33.32, 31.71

 

CMYK 93 / 0 / 95 / 45

HEX #0A8C07

RGB 10 140 7

HSL 118.65, 0.9%, 0.29%

LAB 50.49, -54.24, 52.08

 

CMYK 67 / 0 / 95 / 45

HEX #2E8C07

RGB 46 140 7

HSL 102.41, 0.9%, 0.29%

LAB 51.1, -48.97, 52.82

 

CMYK 41 / 0 / 95 / 45

HEX #528C07

RGB 82 140 7

HSL 86.17, 0.9%, 0.29%

LAB 52.47, -38.2, 54.52

 

CMYK 16 / 0 / 95 / 45

HEX #768C07

RGB 118 140 7

HSL 69.92, 0.9%, 0.29%

LAB 54.68, -23.57, 57.22

 

CMYK 0 / 9 / 95 / 45

HEX #8C7F07

RGB 140 127 7

HSL 54.14, 0.9%, 0.29%

LAB 52.7, -6.64, 56.48

 

CMYK 93 / 0 / 95 / 45

HEX #0A8C07

RGB 10 140 7

HSL 118.65, 0.9%, 0.29%

LAB 50.49, -54.24, 52.08

 

CMYK 95 / 0 / 71 / 45

HEX #078C28

RGB 7 140 40

HSL 134.89, 0.9%, 0.29%

LAB 50.63, -52.37, 42.57

 

CMYK 95 / 0 / 46 / 45

HEX #078C4C

RGB 7 140 76

HSL 151.13, 0.9%, 0.29%

LAB 51.06, -47.11, 25.39

 

CMYK 95 / 0 / 20 / 45

HEX #078C70

RGB 7 140 112

HSL 167.37, 0.9%, 0.29%

LAB 51.8, -38.74, 6.07

 

CMYK 95 / 5 / 0 / 45

HEX #07858C

RGB 7 133 140

HSL 183.16, 0.9%, 0.29%

LAB 50.35, -27.01, -12.37

 

CMYK 93 / 0 / 95 / 45

HEX #0A8C07

RGB 10 140 7

HSL 118.65, 0.9%, 0.29%

LAB 50.49, -54.24, 52.08

 

CMYK 93 / 0 / 95 / 45

HEX #0A8C07

RGB 10 140 7

HSL 118.65, 0.9%, 0.29%

LAB 50.49, -54.24, 52.08

 

CMYK 84 / 0 / 85 / 50

HEX #158013

RGB 21 128 19

HSL 118.9, 0.74%, 0.29%

LAB 46.5, -48.97, 46.01

 

CMYK 72 / 0 / 73 / 55

HEX #21741F

RGB 33 116 31

HSL 118.59, 0.58%, 0.29%

LAB 42.63, -41.95, 38.03

 

CMYK 58 / 0 / 59 / 59

HEX #2C682B

RGB 44 104 43

HSL 119.02, 0.41%, 0.29%

LAB 38.92, -33.03, 28.23

 

CMYK 39 / 0 / 40 / 64

HEX #385C37

RGB 56 92 55

HSL 118.38, 0.25%, 0.29%

LAB 35.54, -21.45, 17.32

 

CMYK 41 / 0 / 95 / 45

HEX #528C07

RGB 82 140 7

HSL 86.17, 0.9%, 0.29%

LAB 52.47, -38.2, 54.52

 

CMYK 66 / 0 / 95 / 45

HEX #2F8C07

RGB 47 140 7

HSL 101.95, 0.9%, 0.29%

LAB 51.12, -48.74, 52.86

 

CMYK 92 / 0 / 95 / 45

HEX #0B8C07

RGB 11 140 7

HSL 118.2, 0.9%, 0.29%

LAB 50.5, -54.17, 52.09

 

CMYK 95 / 0 / 73 / 45

HEX #078C26

RGB 7 140 38

HSL 133.98, 0.9%, 0.29%

LAB 50.62, -52.57, 43.37

 

CMYK 95 / 0 / 48 / 45

HEX #078C49

RGB 7 140 73

HSL 149.77, 0.9%, 0.29%

LAB 51.02, -47.67, 26.95

 

CMYK 94 / 0 / 95 / 76

HEX #043E03

RGB 4 62 3

HSL 118.98, 0.91%, 0.13%

LAB 21.86, -30.2, 28.21

 

CMYK 93 / 0 / 95 / 60

HEX #076505

RGB 7 101 5

HSL 118.75, 0.91%, 0.21%

LAB 36.67, -42.63, 40.84

 

CMYK 93 / 0 / 95 / 45

HEX #0A8C07

RGB 10 140 7

HSL 118.65, 0.9%, 0.29%

LAB 50.49, -54.24, 52.08

 

CMYK 93 / 0 / 95 / 30

HEX #0DB309

RGB 13 179 9

HSL 118.59, 0.9%, 0.37%

LAB 63.63, -65.23, 62.73

 

CMYK 93 / 0 / 95 / 15

HEX #10DA0B

RGB 16 218 11

HSL 118.55, 0.9%, 0.45%

LAB 76.24, -75.75, 72.94

 

CMYK 93 / 0 / 95 / 45

HEX #0A8C07

RGB 10 140 7

HSL 118.65, 0.9%, 0.29%

LAB 50.49, -54.24, 52.08

 

CMYK 95 / 16 / 0 / 45

HEX #07768C

RGB 7 118 140

HSL 189.92, 0.9%, 0.29%

LAB 45.49, -19.19, -19.77

 

CMYK 0 / 95 / 54 / 45

HEX #8C0741

RGB 140 7 65

HSL 333.83, 0.9%, 0.29%

LAB 29.69, 52.83, 4.59

 

CMYK 93 / 0 / 95 / 45

HEX #0A8C07

RGB 10 140 7

HSL 118.65, 0.9%, 0.29%

LAB 50.49, -54.24, 52.08

 

CMYK 95 / 92 / 0 / 45

HEX #070B8C

RGB 7 11 140

HSL 238.2, 0.9%, 0.29%

LAB 16.39, 46.97, -66.57

 

CMYK 0 / 95 / 92 / 45

HEX #8C070B

RGB 140 7 11

HSL 358.2, 0.9%, 0.29%

LAB 28.78, 50.3, 37.46

 

CMYK 93 / 0 / 95 / 45

HEX #0A8C07

RGB 10 140 7

HSL 118.65, 0.9%, 0.29%

LAB 50.49, -54.24, 52.08

 

CMYK 95 / 16 / 0 / 45

HEX #07768C

RGB 7 118 140

HSL 189.92, 0.9%, 0.29%

LAB 45.49, -19.19, -19.77

 

CMYK 3 / 95 / 0 / 45

HEX #88078C

RGB 136 7 140

HSL 298.2, 0.9%, 0.29%

LAB 32.44, 61.21, -39.65

 

CMYK 0 / 79 / 95 / 45

HEX #8C1D07

RGB 140 29 7

HSL 9.92, 0.9%, 0.29%

LAB 30.57, 45.08, 40.48

 

CMYK 93 / 0 / 95 / 45

HEX #0A8C07

RGB 10 140 7

HSL 118.65, 0.9%, 0.29%

LAB 50.49, -54.24, 52.08

 

CMYK 95 / 44 / 0 / 45

HEX #074E8C

RGB 7 78 140

HSL 207.97, 0.9%, 0.29%

LAB 32.67, 5.1, -39.9

 

CMYK 3 / 95 / 0 / 45

HEX #88078C

RGB 136 7 140

HSL 298.2, 0.9%, 0.29%

LAB 32.44, 61.21, -39.65

 

CMYK 0 / 51 / 95 / 45

HEX #8C4507

RGB 140 69 7

HSL 27.97, 0.9%, 0.29%

LAB 37.57, 26.6, 45.31

 

Description

Color code: HEX #0A8C07 | qconv.com Color code: HEX #0A8C07 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 10 red, 140 green and 7 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
10 140 7 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 93 cyan, none magenta, 95 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
93% 0% 95% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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