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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0A7C42 it is the complementary color #F583BD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0A7C42. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0A7C42 shade: #0F7C3D, #208E50, #31A063, #42B276 and #53C489

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0A7C42. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0A7C42 shade: #0A7C42, #006A2F, #00581C, #004609 and #003400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0A7C42 shade: #0A7B41, #0A7B23, #0F7B0A, #2E7B0A and #4C7B0A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0A7C42 shade: #0A7B41, #0A7B60, #0A777B, #0A597B and #0A3A7B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0A7C42 shade matches the following richer shades: #0A7B41

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0A7C42 shade: #0A7B41, #157041, #1F6542, #2A5A42 and #355042

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0A7C42 shade: #107B0A, #0A7B22, #0A7B40, #0A7B5E and #0A797B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0A7C42 shade: #042E19, #07542D, #0A7B41, #0DA156 and #10C76A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0A7C42 shade: #0A7C42, #0A2E7B and #7B130A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0A7C42 shade: #0A7C42, #400A7B and #7B400A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0A7C42 shade: #0A7C42, #0A2E7B, #7B0A44 and #7B570A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0A7C42 shade: #0A7C42, #0A0C7B, #7B0A44 and #7B790A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 92 / 0 / 47 / 51

HEX #0A7C42

RGB 10 124 66

HSL 149.47, 0.85%, 0.26%

LAB 45.46, -42.94, 23.67

 

Complementary color

CMYK 0 / 47 / 23 / 4

HEX #F583BD

RGB 245 131 189

HSL 329.47, 0.85%, 0.74%

LAB 68.98, 50.25, -10.64

 

CMYK 88 / 0 / 51 / 51

HEX #0F7C3D

RGB 15 124 61

HSL 145.32, 0.78%, 0.27%

LAB 45.43, -43.44, 26.39

 

CMYK 77 / 0 / 44 / 44

HEX #208E50

RGB 32 142 80

HSL 146.18, 0.63%, 0.34%

LAB 52.1, -44.69, 24.61

 

CMYK 69 / 0 / 38 / 37

HEX #31A063

RGB 49 160 99

HSL 147.03, 0.53%, 0.41%

LAB 58.69, -45.35, 23

 

CMYK 63 / 0 / 34 / 30

HEX #42B276

RGB 66 178 118

HSL 147.86, 0.46%, 0.48%

LAB 65.21, -45.67, 21.54

 

CMYK 58 / 0 / 30 / 23

HEX #53C489

RGB 83 196 137

HSL 148.67, 0.49%, 0.55%

LAB 71.64, -45.77, 20.21

 

CMYK 92 / 0 / 47 / 51

HEX #0A7C42

RGB 10 124 66

HSL 149.47, 0.85%, 0.26%

LAB 45.46, -42.94, 23.67

 

CMYK 100 / 0 / 56 / 58

HEX #006A2F

RGB 0 106 47

HSL 146.6, 1%, 0.21%

LAB 38.75, -40.65, 25.66

 

CMYK 100 / 0 / 68 / 65

HEX #00581C

RGB 0 88 28

HSL 139.09, 1%, 0.17%

LAB 31.95, -37.24, 27.65

 

CMYK 100 / 0 / 87 / 73

HEX #004609

RGB 0 70 9

HSL 127.71, 1%, 0.14%

LAB 24.95, -33.18, 28.87

 

CMYK 100 / 0 / 100 / 80

HEX #003400

RGB 0 52 0

HSL 120, 1%, 0.1%

LAB 17.72, -28.01, 24.69

 

CMYK 92 / 0 / 47 / 52

HEX #0A7B41

RGB 10 123 65

HSL 149.2, 0.85%, 0.26%

LAB 45.1, -42.76, 23.76

 

CMYK 92 / 0 / 72 / 52

HEX #0A7B23

RGB 10 123 35

HSL 133.27, 0.85%, 0.26%

LAB 44.73, -47.21, 38.42

 

CMYK 88 / 0 / 92 / 52

HEX #0F7B0A

RGB 15 123 10

HSL 117.35, 0.85%, 0.26%

LAB 44.65, -48.53, 46.54

 

CMYK 63 / 0 / 92 / 52

HEX #2E7B0A

RGB 46 123 10

HSL 100.88, 0.85%, 0.26%

LAB 45.32, -42.78, 47.38

 

CMYK 38 / 0 / 92 / 52

HEX #4C7B0A

RGB 76 123 10

HSL 84.96, 0.85%, 0.26%

LAB 46.61, -32.9, 48.99

 

CMYK 92 / 0 / 47 / 52

HEX #0A7B41

RGB 10 123 65

HSL 149.2, 0.85%, 0.26%

LAB 45.1, -42.76, 23.76

 

CMYK 92 / 0 / 22 / 52

HEX #0A7B60

RGB 10 123 96

HSL 165.66, 0.85%, 0.26%

LAB 45.74, -35.54, 6.75

 

CMYK 92 / 3 / 0 / 52

HEX #0A777B

RGB 10 119 123

HSL 182.12, 0.85%, 0.26%

LAB 45.2, -25.45, -10.09

 

CMYK 92 / 28 / 0 / 52

HEX #0A597B

RGB 10 89 123

HSL 198.05, 0.85%, 0.26%

LAB 35.28, -8.77, -25.32

 

CMYK 92 / 53 / 0 / 52

HEX #0A3A7B

RGB 10 58 123

HSL 214.51, 0.85%, 0.26%

LAB 25.32, 11.86, -41.17

 

CMYK 92 / 0 / 47 / 52

HEX #0A7B41

RGB 10 123 65

HSL 149.2, 0.85%, 0.26%

LAB 45.1, -42.76, 23.76

 

CMYK 92 / 0 / 47 / 52

HEX #0A7B41

RGB 10 123 65

HSL 149.2, 0.85%, 0.26%

LAB 45.1, -42.76, 23.76

 

CMYK 81 / 0 / 42 / 56

HEX #157041

RGB 21 112 65

HSL 149.01, 0.68%, 0.26%

LAB 41.42, -37.35, 19

 

CMYK 69 / 0 / 35 / 60

HEX #1F6542

RGB 31 101 66

HSL 150, 0.53%, 0.26%

LAB 37.83, -30.72, 13.63

 

CMYK 53 / 0 / 27 / 65

HEX #2A5A42

RGB 42 90 66

HSL 150, 0.36%, 0.26%

LAB 34.39, -22.71, 8.95

 

CMYK 34 / 0 / 18 / 69

HEX #355042

RGB 53 80 66

HSL 148.89, 0.2%, 0.26%

LAB 31.55, -13.69, 5.02

 

CMYK 87 / 0 / 92 / 52

HEX #107B0A

RGB 16 123 10

HSL 116.81, 0.85%, 0.26%

LAB 44.66, -48.42, 46.55

 

CMYK 92 / 0 / 72 / 52

HEX #0A7B22

RGB 10 123 34

HSL 132.74, 0.85%, 0.26%

LAB 44.73, -47.32, 38.84

 

CMYK 92 / 0 / 48 / 52

HEX #0A7B40

RGB 10 123 64

HSL 148.67, 0.85%, 0.26%

LAB 45.08, -42.95, 24.29

 

CMYK 92 / 0 / 24 / 52

HEX #0A7B5E

RGB 10 123 94

HSL 164.6, 0.85%, 0.26%

LAB 45.69, -36.08, 7.86

 

CMYK 92 / 2 / 0 / 52

HEX #0A797B

RGB 10 121 123

HSL 181.06, 0.85%, 0.26%

LAB 45.87, -26.46, -9.09

 

CMYK 91 / 0 / 46 / 82

HEX #042E19

RGB 4 46 25

HSL 150, 0.84%, 0.1%

LAB 15.75, -20.33, 9.6

 

CMYK 92 / 0 / 46 / 67

HEX #07542D

RGB 7 84 45

HSL 149.61, 0.85%, 0.18%

LAB 30.82, -31.87, 16.8

 

CMYK 92 / 0 / 47 / 52

HEX #0A7B41

RGB 10 123 65

HSL 149.2, 0.85%, 0.26%

LAB 45.1, -42.76, 23.76

 

CMYK 92 / 0 / 47 / 37

HEX #0DA156

RGB 13 161 86

HSL 149.59, 0.85%, 0.34%

LAB 58.27, -52.41, 29.32

 

CMYK 92 / 0 / 47 / 22

HEX #10C76A

RGB 16 199 106

HSL 149.51, 0.85%, 0.42%

LAB 70.87, -61.78, 35.11

 

CMYK 92 / 0 / 47 / 51

HEX #0A7C42

RGB 10 124 66

HSL 149.47, 0.85%, 0.26%

LAB 45.46, -42.94, 23.67

 

CMYK 92 / 63 / 0 / 52

HEX #0A2E7B

RGB 10 46 123

HSL 220.88, 0.85%, 0.26%

LAB 21.76, 20.48, -46.97

 

CMYK 0 / 85 / 92 / 52

HEX #7B130A

RGB 123 19 10

HSL 4.78, 0.85%, 0.26%

LAB 25.86, 42.79, 33.88

 

CMYK 92 / 0 / 47 / 51

HEX #0A7C42

RGB 10 124 66

HSL 149.47, 0.85%, 0.26%

LAB 45.46, -42.94, 23.67

 

CMYK 48 / 92 / 0 / 52

HEX #400A7B

RGB 64 10 123

HSL 268.67, 0.85%, 0.26%

LAB 18.96, 46.14, -51.41

 

CMYK 0 / 48 / 92 / 52

HEX #7B400A

RGB 123 64 10

HSL 28.67, 0.85%, 0.26%

LAB 33.77, 21.95, 40.32

 

CMYK 92 / 0 / 47 / 51

HEX #0A7C42

RGB 10 124 66

HSL 149.47, 0.85%, 0.26%

LAB 45.46, -42.94, 23.67

 

CMYK 92 / 63 / 0 / 52

HEX #0A2E7B

RGB 10 46 123

HSL 220.88, 0.85%, 0.26%

LAB 21.76, 20.48, -46.97

 

CMYK 0 / 92 / 45 / 52

HEX #7B0A44

RGB 123 10 68

HSL 329.2, 0.85%, 0.26%

LAB 26.29, 48.29, -2.82

 

CMYK 0 / 29 / 92 / 52

HEX #7B570A

RGB 123 87 10

HSL 40.88, 0.85%, 0.26%

LAB 39.66, 8.31, 44.96

 

CMYK 92 / 0 / 47 / 51

HEX #0A7C42

RGB 10 124 66

HSL 149.47, 0.85%, 0.26%

LAB 45.46, -42.94, 23.67

 

CMYK 92 / 90 / 0 / 52

HEX #0A0C7B

RGB 10 12 123

HSL 238.94, 0.85%, 0.26%

LAB 14.16, 41.45, -59.52

 

CMYK 0 / 92 / 45 / 52

HEX #7B0A44

RGB 123 10 68

HSL 329.2, 0.85%, 0.26%

LAB 26.29, 48.29, -2.82

 

CMYK 0 / 2 / 92 / 52

HEX #7B790A

RGB 123 121 10

HSL 58.94, 0.85%, 0.26%

LAB 49.38, -11.26, 52.66

 

Description

Color code: HEX #0A7C42 | qconv.com Color code: HEX #0A7C42 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 10 red, 124 green and 66 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
10 124 66 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 92 cyan, none magenta, 47 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
92% 0% 47% 51% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

19% - Artikel | Handelsaus...
Link: http://handelsauskunft.de

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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