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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0A5E51 it is the complementary color #F5A1AE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0A5E51. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0A5E51 shade: #0F5E4C, #20705F, #318272, #429485 and #53A698

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0A5E51. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0A5E51 shade: #0A5E51, #004C3E, #003A2B, #002818 and #001605

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0A5E51 shade: #0A5C50, #0A5C39, #0A5C23, #0A5C0D and #1D5C0A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0A5E51 shade: #0A5C50, #0A535C, #0A3D5C, #0A265C and #0A105C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0A5E51 shade matches the following richer shades: #0A5C50 and #016555

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0A5E51 shade: #0A5C50, #12544A, #1A4C44, #22443E and #2B3B39

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0A5E51 shade: #0A5C22, #0A5C39, #0A5C4F, #0A545C and #0A3E5C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0A5E51 shade: #02120F, #06372F, #0A5C50, #0E8270 and #12A790

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0A5E51 shade: #0A5E51, #0C0A5C and #5C2D0A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0A5E51 shade: #0A5E51, #4F0A5C and #5C4F0A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0A5E51 shade: #0A5E51, #0C0A5C, #5C0A17 and #5A5C0A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0A5E51 shade: #0A5E51, #250A5C, #5C0A17 and #415C0A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 89 / 0 / 14 / 63

HEX #0A5E51

RGB 10 94 81

HSL 170.71, 0.81%, 0.2%

LAB 35.33, -26.54, 0.86

 

Complementary color

CMYK 0 / 34 / 29 / 4

HEX #F5A1AE

RGB 245 161 174

HSL 350.71, 0.81%, 0.8%

LAB 74.8, 32.83, 6.22

 

CMYK 84 / 0 / 19 / 63

HEX #0F5E4C

RGB 15 94 76

HSL 166.33, 0.72%, 0.21%

LAB 35.26, -27.5, 3.87

 

CMYK 71 / 0 / 15 / 56

HEX #20705F

RGB 32 112 95

HSL 167.25, 0.56%, 0.28%

LAB 42.34, -28.27, 2.52

 

CMYK 62 / 0 / 12 / 49

HEX #318272

RGB 49 130 114

HSL 168.15, 0.45%, 0.35%

LAB 49.29, -28.62, 1.38

 

CMYK 55 / 0 / 10 / 42

HEX #429485

RGB 66 148 133

HSL 169.02, 0.38%, 0.42%

LAB 56.12, -28.76, 0.38

 

CMYK 50 / 0 / 8 / 35

HEX #53A698

RGB 83 166 152

HSL 169.88, 0.33%, 0.49%

LAB 62.83, -28.77, -0.52

 

CMYK 89 / 0 / 14 / 63

HEX #0A5E51

RGB 10 94 81

HSL 170.71, 0.81%, 0.2%

LAB 35.33, -26.54, 0.86

 

CMYK 100 / 0 / 18 / 70

HEX #004C3E

RGB 0 76 62

HSL 168.95, 1%, 0.15%

LAB 28.16, -24.73, 2.47

 

CMYK 100 / 0 / 26 / 77

HEX #003A2B

RGB 0 58 43

HSL 164.48, 1%, 0.11%

LAB 20.83, -21.89, 4.46

 

CMYK 100 / 0 / 40 / 84

HEX #002818

RGB 0 40 24

HSL 156, 1%, 0.08%

LAB 13.13, -18.86, 6.71

 

CMYK 100 / 0 / 77 / 91

HEX #001605

RGB 0 22 5

HSL 133.64, 1%, 0.04%

LAB 5.28, -9.89, 5.68

 

CMYK 89 / 0 / 13 / 64

HEX #0A5C50

RGB 10 92 80

HSL 171.22, 0.8%, 0.2%

LAB 34.6, -25.87, 0.42

 

CMYK 89 / 0 / 38 / 64

HEX #0A5C39

RGB 10 92 57

HSL 154.39, 0.8%, 0.2%

LAB 34.01, -32.17, 13.8

 

CMYK 89 / 0 / 62 / 64

HEX #0A5C23

RGB 10 92 35

HSL 138.29, 0.8%, 0.2%

LAB 33.65, -36.45, 26.02

 

CMYK 89 / 0 / 86 / 64

HEX #0A5C0D

RGB 10 92 13

HSL 122.2, 0.8%, 0.2%

LAB 33.45, -38.88, 35.63

 

CMYK 68 / 0 / 89 / 64

HEX #1D5C0A

RGB 29 92 10

HSL 106.1, 0.8%, 0.2%

LAB 33.85, -35.5, 37.09

 

CMYK 89 / 0 / 13 / 64

HEX #0A5C50

RGB 10 92 80

HSL 171.22, 0.8%, 0.2%

LAB 34.6, -25.87, 0.42

 

CMYK 89 / 10 / 0 / 64

HEX #0A535C

RGB 10 83 92

HSL 186.59, 0.8%, 0.2%

LAB 31.86, -17.09, -11.22

 

CMYK 89 / 34 / 0 / 64

HEX #0A3D5C

RGB 10 61 92

HSL 202.68, 0.8%, 0.2%

LAB 24.24, -3.6, -23.01

 

CMYK 89 / 59 / 0 / 64

HEX #0A265C

RGB 10 38 92

HSL 219.51, 0.8%, 0.2%

LAB 16.62, 12.9, -35.21

 

CMYK 89 / 83 / 0 / 64

HEX #0A105C

RGB 10 16 92

HSL 235.61, 0.8%, 0.2%

LAB 10.61, 28.68, -45.06

 

CMYK 89 / 0 / 13 / 64

HEX #0A5C50

RGB 10 92 80

HSL 171.22, 0.8%, 0.2%

LAB 34.6, -25.87, 0.42

 

CMYK 99 / 0 / 16 / 60

HEX #016555

RGB 1 101 85

HSL 170.4, 0.98%, 0.2%

LAB 37.79, -29.43, 1.95

 

CMYK 89 / 0 / 13 / 64

HEX #0A5C50

RGB 10 92 80

HSL 171.22, 0.8%, 0.2%

LAB 34.6, -25.87, 0.42

 

CMYK 79 / 0 / 12 / 67

HEX #12544A

RGB 18 84 74

HSL 170.91, 0.65%, 0.2%

LAB 31.72, -22.76, 0.02

 

CMYK 66 / 0 / 11 / 70

HEX #1A4C44

RGB 26 76 68

HSL 170.4, 0.49%, 0.2%

LAB 28.92, -18.91, -0.22

 

CMYK 50 / 0 / 9 / 73

HEX #22443E

RGB 34 68 62

HSL 169.41, 0.33%, 0.2%

LAB 26.22, -14.13, -0.22

 

CMYK 27 / 0 / 3 / 77

HEX #2B3B39

RGB 43 59 57

HSL 172.5, 0.16%, 0.2%

LAB 23.46, -7, -0.89

 

CMYK 89 / 0 / 63 / 64

HEX #0A5C22

RGB 10 92 34

HSL 137.56, 0.8%, 0.2%

LAB 33.64, -36.6, 26.53

 

CMYK 89 / 0 / 38 / 64

HEX #0A5C39

RGB 10 92 57

HSL 154.39, 0.8%, 0.2%

LAB 34.01, -32.17, 13.8

 

CMYK 89 / 0 / 14 / 64

HEX #0A5C4F

RGB 10 92 79

HSL 170.49, 0.8%, 0.2%

LAB 34.57, -26.17, 1

 

CMYK 89 / 9 / 0 / 64

HEX #0A545C

RGB 10 84 92

HSL 185.85, 0.8%, 0.2%

LAB 32.21, -17.65, -10.69

 

CMYK 89 / 33 / 0 / 64

HEX #0A3E5C

RGB 10 62 92

HSL 201.95, 0.8%, 0.2%

LAB 24.58, -4.27, -22.47

 

CMYK 89 / 0 / 17 / 93

HEX #02120F

RGB 2 18 15

HSL 168.75, 0.8%, 0.04%

LAB 4.34, -5.27, -0.07

 

CMYK 89 / 0 / 15 / 78

HEX #06372F

RGB 6 55 47

HSL 170.2, 0.8%, 0.12%

LAB 19.95, -17.97, 0.51

 

CMYK 89 / 0 / 13 / 64

HEX #0A5C50

RGB 10 92 80

HSL 171.22, 0.8%, 0.2%

LAB 34.6, -25.87, 0.42

 

CMYK 89 / 0 / 14 / 49

HEX #0E8270

RGB 14 130 112

HSL 170.69, 0.81%, 0.28%

LAB 48.55, -33.91, 1.38

 

CMYK 89 / 0 / 14 / 35

HEX #12A790

RGB 18 167 144

HSL 170.74, 0.81%, 0.36%

LAB 61.46, -41.02, 1.81

 

CMYK 89 / 0 / 14 / 63

HEX #0A5E51

RGB 10 94 81

HSL 170.71, 0.81%, 0.2%

LAB 35.33, -26.54, 0.86

 

CMYK 87 / 89 / 0 / 64

HEX #0C0A5C

RGB 12 10 92

HSL 241.46, 0.8%, 0.2%

LAB 9.55, 32.21, -46.84

 

CMYK 0 / 51 / 89 / 64

HEX #5C2D0A

RGB 92 45 10

HSL 25.61, 0.8%, 0.2%

LAB 24.24, 18.85, 30.24

 

CMYK 89 / 0 / 14 / 63

HEX #0A5E51

RGB 10 94 81

HSL 170.71, 0.81%, 0.2%

LAB 35.33, -26.54, 0.86

 

CMYK 14 / 89 / 0 / 64

HEX #4F0A5C

RGB 79 10 92

HSL 290.49, 0.8%, 0.2%

LAB 18.59, 41.49, -31.66

 

CMYK 0 / 14 / 89 / 64

HEX #5C4F0A

RGB 92 79 10

HSL 50.49, 0.8%, 0.2%

LAB 33.75, -2.25, 38.62

 

CMYK 89 / 0 / 14 / 63

HEX #0A5E51

RGB 10 94 81

HSL 170.71, 0.81%, 0.2%

LAB 35.33, -26.54, 0.86

 

CMYK 87 / 89 / 0 / 64

HEX #0C0A5C

RGB 12 10 92

HSL 241.46, 0.8%, 0.2%

LAB 9.55, 32.21, -46.84

 

CMYK 0 / 89 / 75 / 64

HEX #5C0A17

RGB 92 10 23

HSL 350.49, 0.8%, 0.2%

LAB 18.16, 35.97, 16.23

 

CMYK 2 / 0 / 89 / 64

HEX #5A5C0A

RGB 90 92 10

HSL 61.46, 0.8%, 0.2%

LAB 37.57, -10.89, 41.78

 

CMYK 89 / 0 / 14 / 63

HEX #0A5E51

RGB 10 94 81

HSL 170.71, 0.81%, 0.2%

LAB 35.33, -26.54, 0.86

 

CMYK 60 / 89 / 0 / 64

HEX #250A5C

RGB 37 10 92

HSL 259.76, 0.8%, 0.2%

LAB 11.84, 34.46, -42.96

 

CMYK 0 / 89 / 75 / 64

HEX #5C0A17

RGB 92 10 23

HSL 350.49, 0.8%, 0.2%

LAB 18.16, 35.97, 16.23

 

CMYK 29 / 0 / 89 / 64

HEX #415C0A

RGB 65 92 10

HSL 79.76, 0.8%, 0.2%

LAB 35.6, -22.63, 39.31

 

Description

Color code: HEX #0A5E51 | qconv.com Color code: HEX #0A5E51 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 10 red, 94 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
10 94 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 89 cyan, none magenta, 14 yellow and 63 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
89% 0% 14% 63% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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