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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0A511D it is the complementary color #F5AEE2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0A511D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0A511D shade: #0F5118, #20632B, #31753E, #428751 and #539964

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0A511D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0A511D shade: #0A511D, #003F0A, #002D00, #001B00 and #000900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0A511D shade: #0A521D, #0A520A, #1E520A, #31520A and #44520A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0A511D shade: #0A521D, #0A5231, #0A5244, #0A4C52 and #0A3952

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0A511D shade matches the following richer shades: #0A521D and #03591A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0A511D shade: #0A521D, #124A21, #194324, #203B28 and #28342B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0A511D shade: #1D520A, #0A520A, #0A521D, #0A5230 and #0A5243

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0A511D shade: #010803, #062D10, #0A521D, #0F762A and #139B38

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0A511D shade: #0A511D, #0A3052 and #520A14

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0A511D shade: #0A511D, #1D0A52 and #521D0A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0A511D shade: #0A511D, #0A3052, #520A3F and #522C0A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0A511D shade: #0A511D, #0A1B52, #520A3F and #52410A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 0 / 64 / 68

HEX #0A511D

RGB 10 81 29

HSL 136.06, 0.78%, 0.18%

LAB 29.51, -33.22, 24.37

 

Complementary color

CMYK 0 / 29 / 8 / 4

HEX #F5AEE2

RGB 245 174 226

HSL 316.06, 0.78%, 0.82%

LAB 79.14, 33.83, -15.75

 

CMYK 81 / 0 / 70 / 68

HEX #0F5118

RGB 15 81 24

HSL 128.18, 0.69%, 0.19%

LAB 29.54, -33.12, 27.03

 

CMYK 68 / 0 / 57 / 61

HEX #20632B

RGB 32 99 43

HSL 129.85, 0.51%, 0.26%

LAB 36.75, -34.06, 25.53

 

CMYK 58 / 0 / 47 / 54

HEX #31753E

RGB 49 117 62

HSL 131.47, 0.41%, 0.33%

LAB 43.83, -34.33, 23.97

 

CMYK 51 / 0 / 40 / 47

HEX #428751

RGB 66 135 81

HSL 133.04, 0.34%, 0.39%

LAB 50.78, -34.29, 22.52

 

CMYK 46 / 0 / 35 / 40

HEX #539964

RGB 83 153 100

HSL 134.57, 0.3%, 0.46%

LAB 57.6, -34.1, 21.19

 

CMYK 88 / 0 / 64 / 68

HEX #0A511D

RGB 10 81 29

HSL 136.06, 0.78%, 0.18%

LAB 29.51, -33.22, 24.37

 

CMYK 100 / 0 / 84 / 75

HEX #003F0A

RGB 0 63 10

HSL 129.52, 1%, 0.12%

LAB 22.22, -30.68, 25.71

 

CMYK 100 / 0 / 100 / 82

HEX #002D00

RGB 0 45 0

HSL 120, 1%, 0.09%

LAB 14.83, -25.61, 21.09

 

CMYK 100 / 0 / 100 / 89

HEX #001B00

RGB 0 27 0

HSL 120, 1%, 0.05%

LAB 7.08, -14.46, 10.34

 

CMYK 100 / 0 / 100 / 96

HEX #000900

RGB 0 9 0

HSL 120, 1%, 0.02%

LAB 1.76, -3.61, 2.58

 

CMYK 88 / 0 / 65 / 68

HEX #0A521D

RGB 10 82 29

HSL 135.83, 0.78%, 0.18%

LAB 29.88, -33.6, 24.8

 

CMYK 88 / 0 / 88 / 68

HEX #0A520A

RGB 10 82 10

HSL 120, 0.78%, 0.18%

LAB 29.72, -35.65, 33.11

 

CMYK 63 / 0 / 88 / 68

HEX #1E520A

RGB 30 82 10

HSL 103.33, 0.78%, 0.18%

LAB 30.24, -31.26, 33.78

 

CMYK 40 / 0 / 88 / 68

HEX #31520A

RGB 49 82 10

HSL 87.5, 0.78%, 0.18%

LAB 31.14, -24.48, 34.94

 

CMYK 17 / 0 / 88 / 68

HEX #44520A

RGB 68 82 10

HSL 71.67, 0.78%, 0.18%

LAB 32.45, -15.95, 36.61

 

CMYK 88 / 0 / 65 / 68

HEX #0A521D

RGB 10 82 29

HSL 135.83, 0.78%, 0.18%

LAB 29.88, -33.6, 24.8

 

CMYK 88 / 0 / 40 / 68

HEX #0A5231

RGB 10 82 49

HSL 152.5, 0.78%, 0.18%

LAB 30.21, -29.76, 13.57

 

CMYK 88 / 0 / 17 / 68

HEX #0A5244

RGB 10 82 68

HSL 168.33, 0.78%, 0.18%

LAB 30.68, -24.64, 2.29

 

CMYK 88 / 7 / 0 / 68

HEX #0A4C52

RGB 10 76 82

HSL 185, 0.78%, 0.18%

LAB 29.01, -16.79, -9.15

 

CMYK 88 / 30 / 0 / 68

HEX #0A3952

RGB 10 57 82

HSL 200.83, 0.78%, 0.18%

LAB 22.3, -5.15, -19.48

 

CMYK 88 / 0 / 65 / 68

HEX #0A521D

RGB 10 82 29

HSL 135.83, 0.78%, 0.18%

LAB 29.88, -33.6, 24.8

 

CMYK 97 / 0 / 71 / 65

HEX #03591A

RGB 3 89 26

HSL 136.05, 0.93%, 0.18%

LAB 32.34, -37.47, 29.09

 

CMYK 88 / 0 / 65 / 68

HEX #0A521D

RGB 10 82 29

HSL 135.83, 0.78%, 0.18%

LAB 29.88, -33.6, 24.8

 

CMYK 76 / 0 / 55 / 71

HEX #124A21

RGB 18 74 33

HSL 136.07, 0.61%, 0.18%

LAB 27.12, -28.32, 19.27

 

CMYK 63 / 0 / 46 / 74

HEX #194324

RGB 25 67 36

HSL 135.71, 0.46%, 0.18%

LAB 24.79, -22.77, 14.53

 

CMYK 46 / 0 / 32 / 77

HEX #203B28

RGB 32 59 40

HSL 137.78, 0.3%, 0.18%

LAB 22.26, -15.38, 8.63

 

CMYK 23 / 0 / 17 / 80

HEX #28342B

RGB 40 52 43

HSL 135, 0.13%, 0.18%

LAB 20.37, -7.29, 4.05

 

CMYK 65 / 0 / 88 / 68

HEX #1D520A

RGB 29 82 10

HSL 104.17, 0.78%, 0.18%

LAB 30.2, -31.55, 33.73

 

CMYK 88 / 0 / 88 / 68

HEX #0A520A

RGB 10 82 10

HSL 120, 0.78%, 0.18%

LAB 29.72, -35.65, 33.11

 

CMYK 88 / 0 / 65 / 68

HEX #0A521D

RGB 10 82 29

HSL 135.83, 0.78%, 0.18%

LAB 29.88, -33.6, 24.8

 

CMYK 88 / 0 / 41 / 68

HEX #0A5230

RGB 10 82 48

HSL 151.67, 0.78%, 0.18%

LAB 30.19, -30, 14.15

 

CMYK 88 / 0 / 18 / 68

HEX #0A5243

RGB 10 82 67

HSL 167.5, 0.78%, 0.18%

LAB 30.65, -24.94, 2.89

 

CMYK 88 / 0 / 63 / 97

HEX #010803

RGB 1 8 3

HSL 137.14, 0.78%, 0.02%

LAB 1.69, -2.53, 1.25

 

CMYK 87 / 0 / 64 / 82

HEX #062D10

RGB 6 45 16

HSL 135.38, 0.76%, 0.1%

LAB 15.24, -21.31, 14.7

 

CMYK 88 / 0 / 65 / 68

HEX #0A521D

RGB 10 82 29

HSL 135.83, 0.78%, 0.18%

LAB 29.88, -33.6, 24.8

 

CMYK 87 / 0 / 64 / 54

HEX #0F762A

RGB 15 118 42

HSL 135.73, 0.77%, 0.26%

LAB 43.1, -44.24, 33.43

 

CMYK 88 / 0 / 64 / 39

HEX #139B38

RGB 19 155 56

HSL 136.32, 0.78%, 0.34%

LAB 55.95, -54.5, 41.43

 

CMYK 88 / 0 / 64 / 68

HEX #0A511D

RGB 10 81 29

HSL 136.06, 0.78%, 0.18%

LAB 29.51, -33.22, 24.37

 

CMYK 88 / 41 / 0 / 68

HEX #0A3052

RGB 10 48 82

HSL 208.33, 0.78%, 0.18%

LAB 19.17, 1.05, -24.42

 

CMYK 0 / 88 / 76 / 68

HEX #520A14

RGB 82 10 20

HSL 351.67, 0.78%, 0.18%

LAB 15.81, 32.58, 14.9

 

CMYK 88 / 0 / 64 / 68

HEX #0A511D

RGB 10 81 29

HSL 136.06, 0.78%, 0.18%

LAB 29.51, -33.22, 24.37

 

CMYK 65 / 88 / 0 / 68

HEX #1D0A52

RGB 29 10 82

HSL 255.83, 0.78%, 0.18%

LAB 9.7, 30.37, -39.73

 

CMYK 0 / 65 / 88 / 68

HEX #521D0A

RGB 82 29 10

HSL 15.83, 0.78%, 0.18%

LAB 18.78, 23.64, 23.82

 

CMYK 88 / 0 / 64 / 68

HEX #0A511D

RGB 10 81 29

HSL 136.06, 0.78%, 0.18%

LAB 29.51, -33.22, 24.37

 

CMYK 88 / 41 / 0 / 68

HEX #0A3052

RGB 10 48 82

HSL 208.33, 0.78%, 0.18%

LAB 19.17, 1.05, -24.42

 

CMYK 0 / 88 / 23 / 68

HEX #520A3F

RGB 82 10 63

HSL 315.83, 0.78%, 0.18%

LAB 17.32, 37.07, -13.81

 

CMYK 0 / 46 / 88 / 68

HEX #522C0A

RGB 82 44 10

HSL 28.33, 0.78%, 0.18%

LAB 22.36, 14.65, 27.81

 

CMYK 88 / 0 / 64 / 68

HEX #0A511D

RGB 10 81 29

HSL 136.06, 0.78%, 0.18%

LAB 29.51, -33.22, 24.37

 

CMYK 88 / 67 / 0 / 68

HEX #0A1B52

RGB 10 27 82

HSL 225.83, 0.78%, 0.18%

LAB 12.34, 16.82, -35.45

 

CMYK 0 / 88 / 23 / 68

HEX #520A3F

RGB 82 10 63

HSL 315.83, 0.78%, 0.18%

LAB 17.32, 37.07, -13.81

 

CMYK 0 / 21 / 88 / 68

HEX #52410A

RGB 82 65 10

HSL 45.83, 0.78%, 0.18%

LAB 28.37, 1.26, 33.51

 

Description

Color code: HEX #0A511D | qconv.com Color code: HEX #0A511D | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 10 red, 81 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
10 81 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, none magenta, 64 yellow and 68 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 0% 64% 68% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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