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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0A4FE7 it is the complementary color #F5B018. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0A4FE7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0A4FE7 shade: #0F4FE2, #2061F5, #3173FF, #4285FF and #5397FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0A4FE7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0A4FE7 shade: #0A4FE7, #003DD4, #002BC1, #0019AE and #00079B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0A4FE7 shade: #0A4EE6, #0A13E6, #3C0AE6, #770AE6 and #B30AE6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0A4FE7 shade: #0A4EE6, #0A13E6 and #0A0AE6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0A4FE7 shade matches the following richer shades: #0A4EE6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0A4FE7 shade: #0A4EE6, #1D56D3, #305DBF, #4464AC and #576C99

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0A4FE7 shade: #0AC5E6, #0A8AE6, #0A4FE6, #0A15E6 and #390AE6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0A4FE7 shade: #063397, #0841BF, #0A4EE6, #2365F6 and #4B81F7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0A4FE7 shade: #0A4FE7, #CC0AE6 and #A8E60A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0A4FE7 shade: #0A4FE7, #E60A4F and #4FE60A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0A4FE7 shade: #0A4FE7, #CC0AE6, #E6A00A and #23E60A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0A4FE7 shade: #0A4FE7, #E60ABE, #E6A00A and #0AE632

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 96 / 66 / 0 / 9

HEX #0A4FE7

RGB 10 79 231

HSL 221.27, 0.92%, 0.47%

LAB 40.29, 40.98, -81.05

 

Complementary color

CMYK 0 / 28 / 90 / 4

HEX #F5B018

RGB 245 176 24

HSL 41.27, 0.92%, 0.53%

LAB 76.39, 14.19, 76.22

 

CMYK 93 / 65 / 0 / 11

HEX #0F4FE2

RGB 15 79 226

HSL 221.8, 0.88%, 0.47%

LAB 39.89, 39.26, -78.87

 

CMYK 87 / 60 / 0 / 4

HEX #2061F5

RGB 32 97 245

HSL 221.69, 0.91%, 0.54%

LAB 46.24, 35.66, -79.15

 

CMYK 81 / 55 / 0 / 0

HEX #3173FF

RGB 49 115 255

HSL 220.78, 1%, 0.6%

LAB 51.99, 29.2, -75.32

 

CMYK 74 / 48 / 0 / 0

HEX #4285FF

RGB 66 133 255

HSL 218.73, 1%, 0.63%

LAB 57.22, 19.76, -66.82

 

CMYK 67 / 41 / 0 / 0

HEX #5397FF

RGB 83 151 255

HSL 216.28, 1%, 0.66%

LAB 62.67, 11.2, -58.06

 

CMYK 96 / 66 / 0 / 9

HEX #0A4FE7

RGB 10 79 231

HSL 221.27, 0.92%, 0.47%

LAB 40.29, 40.98, -81.05

 

CMYK 100 / 71 / 0 / 17

HEX #003DD4

RGB 0 61 212

HSL 222.74, 1%, 0.42%

LAB 34.17, 44.96, -80.27

 

CMYK 100 / 78 / 0 / 24

HEX #002BC1

RGB 0 43 193

HSL 226.63, 1%, 0.38%

LAB 28.32, 48.79, -78.88

 

CMYK 100 / 86 / 0 / 32

HEX #0019AE

RGB 0 25 174

HSL 231.38, 1%, 0.34%

LAB 22.83, 51.63, -76.7

 

CMYK 100 / 95 / 0 / 39

HEX #00079B

RGB 0 7 155

HSL 237.29, 1%, 0.3%

LAB 18, 52.44, -73.2

 

CMYK 96 / 66 / 0 / 10

HEX #0A4EE6

RGB 10 78 230

HSL 221.45, 0.92%, 0.47%

LAB 39.96, 41.24, -81.03

 

CMYK 96 / 92 / 0 / 10

HEX #0A13E6

RGB 10 19 230

HSL 237.55, 0.92%, 0.47%

LAB 30.02, 69.67, -97.52

 

CMYK 74 / 96 / 0 / 10

HEX #3C0AE6

RGB 60 10 230

HSL 253.64, 0.92%, 0.47%

LAB 31.56, 72.55, -94.9

 

CMYK 48 / 96 / 0 / 10

HEX #770AE6

RGB 119 10 230

HSL 269.73, 0.92%, 0.47%

LAB 37.58, 76.06, -84.73

 

CMYK 22 / 96 / 0 / 10

HEX #B30AE6

RGB 179 10 230

HSL 286.09, 0.92%, 0.47%

LAB 46.33, 82.69, -70.04

 

CMYK 96 / 66 / 0 / 10

HEX #0A4EE6

RGB 10 78 230

HSL 221.45, 0.92%, 0.47%

LAB 39.96, 41.24, -81.03

 

CMYK 96 / 92 / 0 / 10

HEX #0A13E6

RGB 10 19 230

HSL 237.55, 0.92%, 0.47%

LAB 30.02, 69.67, -97.52

 

CMYK 96 / 96 / 0 / 10

HEX #0A0AE6

RGB 10 10 230

HSL 240, 0.92%, 0.47%

LAB 29.4, 71.58, -98.55

 

CMYK 96 / 66 / 0 / 10

HEX #0A4EE6

RGB 10 78 230

HSL 221.45, 0.92%, 0.47%

LAB 39.96, 41.24, -81.03

 

CMYK 96 / 66 / 0 / 10

HEX #0A4EE6

RGB 10 78 230

HSL 221.45, 0.92%, 0.47%

LAB 39.96, 41.24, -81.03

 

CMYK 86 / 59 / 0 / 17

HEX #1D56D3

RGB 29 86 211

HSL 221.21, 0.76%, 0.47%

LAB 40.61, 29.72, -69.1

 

CMYK 75 / 51 / 0 / 25

HEX #305DBF

RGB 48 93 191

HSL 221.12, 0.6%, 0.47%

LAB 41.56, 19.28, -55.96

 

CMYK 60 / 42 / 0 / 33

HEX #4464AC

RGB 68 100 172

HSL 221.54, 0.43%, 0.47%

LAB 43.24, 11.11, -42.09

 

CMYK 43 / 29 / 0 / 40

HEX #576C99

RGB 87 108 153

HSL 220.91, 0.28%, 0.47%

LAB 45.7, 4.49, -26.93

 

CMYK 96 / 14 / 0 / 10

HEX #0AC5E6

RGB 10 197 230

HSL 189, 0.92%, 0.47%

LAB 73.36, -28.93, -27.81

 

CMYK 96 / 40 / 0 / 10

HEX #0A8AE6

RGB 10 138 230

HSL 205.09, 0.92%, 0.47%

LAB 56.04, 3.28, -54.93

 

CMYK 96 / 66 / 0 / 10

HEX #0A4FE6

RGB 10 79 230

HSL 221.18, 0.92%, 0.47%

LAB 40.2, 40.61, -80.64

 

CMYK 96 / 91 / 0 / 10

HEX #0A15E6

RGB 10 21 230

HSL 237, 0.92%, 0.47%

LAB 30.19, 69.14, -97.23

 

CMYK 75 / 96 / 0 / 10

HEX #390AE6

RGB 57 10 230

HSL 252.82, 0.92%, 0.47%

LAB 31.35, 72.45, -95.25

 

CMYK 96 / 66 / 0 / 41

HEX #063397

RGB 6 51 151

HSL 221.38, 0.92%, 0.31%

LAB 25.69, 28.34, -58

 

CMYK 96 / 66 / 0 / 25

HEX #0841BF

RGB 8 65 191

HSL 221.31, 0.92%, 0.39%

LAB 33.12, 34.81, -69.77

 

CMYK 96 / 66 / 0 / 10

HEX #0A4EE6

RGB 10 78 230

HSL 221.45, 0.92%, 0.47%

LAB 39.96, 41.24, -81.03

 

CMYK 86 / 59 / 0 / 4

HEX #2365F6

RGB 35 101 246

HSL 221.23, 0.92%, 0.55%

LAB 47.39, 33.68, -77.83

 

CMYK 70 / 48 / 0 / 3

HEX #4B81F7

RGB 75 129 247

HSL 221.16, 0.91%, 0.63%

LAB 56, 20.52, -64.36

 

CMYK 96 / 66 / 0 / 9

HEX #0A4FE7

RGB 10 79 231

HSL 221.27, 0.92%, 0.47%

LAB 40.29, 40.98, -81.05

 

CMYK 11 / 96 / 0 / 10

HEX #CC0AE6

RGB 204 10 230

HSL 292.91, 0.92%, 0.47%

LAB 50.41, 86.21, -63.23

 

CMYK 27 / 0 / 96 / 10

HEX #A8E60A

RGB 168 230 10

HSL 76.91, 0.92%, 0.47%

LAB 84.45, -44.74, 81.55

 

CMYK 96 / 66 / 0 / 9

HEX #0A4FE7

RGB 10 79 231

HSL 221.27, 0.92%, 0.47%

LAB 40.29, 40.98, -81.05

 

CMYK 0 / 96 / 66 / 10

HEX #E60A4F

RGB 230 10 79

HSL 341.18, 0.92%, 0.47%

LAB 49.01, 75.24, 24.99

 

CMYK 66 / 0 / 96 / 10

HEX #4FE60A

RGB 79 230 10

HSL 101.18, 0.92%, 0.47%

LAB 80.89, -71.35, 77.21

 

CMYK 96 / 66 / 0 / 9

HEX #0A4FE7

RGB 10 79 231

HSL 221.27, 0.92%, 0.47%

LAB 40.29, 40.98, -81.05

 

CMYK 11 / 96 / 0 / 10

HEX #CC0AE6

RGB 204 10 230

HSL 292.91, 0.92%, 0.47%

LAB 50.41, 86.21, -63.23

 

CMYK 0 / 30 / 96 / 10

HEX #E6A00A

RGB 230 160 10

HSL 40.91, 0.92%, 0.47%

LAB 70.86, 16.04, 73.63

 

CMYK 85 / 0 / 96 / 10

HEX #23E60A

RGB 35 230 10

HSL 113.18, 0.92%, 0.47%

LAB 80.16, -77.72, 76.31

 

CMYK 96 / 66 / 0 / 9

HEX #0A4FE7

RGB 10 79 231

HSL 221.27, 0.92%, 0.47%

LAB 40.29, 40.98, -81.05

 

CMYK 0 / 96 / 17 / 10

HEX #E60ABE

RGB 230 10 190

HSL 310.91, 0.92%, 0.47%

LAB 52.68, 84.9, -36.4

 

CMYK 0 / 30 / 96 / 10

HEX #E6A00A

RGB 230 160 10

HSL 40.91, 0.92%, 0.47%

LAB 70.86, 16.04, 73.63

 

CMYK 96 / 0 / 78 / 10

HEX #0AE632

RGB 10 230 50

HSL 130.91, 0.92%, 0.47%

LAB 80.12, -77.7, 68.59

 

Description

Color code: HEX #0A4FE7 | qconv.com Color code: HEX #0A4FE7 | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 10 red, 79 green and 231 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
10 79 231 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 96 cyan, 66 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
96% 66% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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