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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0A3CEA it is the complementary color #F5C315. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0A3CEA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0A3CEA shade: #0F3CE5, #204EF8, #3160FF, #4272FF and #5384FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0A3CEA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0A3CEA shade: #0A3CEA, #002AD7, #0018C4, #0006B1 and #00009E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0A3CEA shade: #0A3CEB, #140AEB, #510AEB, #8E0AEB and #CA0AEB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0A3CEA shade: #0A3CEB and #0A0AEB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0A3CEA shade matches the following richer shades: #0A3CEB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0A3CEA shade: #0A3CEB, #1E47D7, #3152C3, #455DB0 and #59689C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0A3CEA shade: #0AB6EB, #0A7AEB, #0A3EEB, #110AEB and #4D0AEB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0A3CEA shade: #06289C, #0832C3, #0A3CEB, #2856F6 and #5075F8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0A3CEA shade: #0A3CEA, #E40AEB and #98EB0A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0A3CEA shade: #0A3CEA, #EB0A3E and #3EEB0A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0A3CEA shade: #0A3CEA, #E40AEB, #EBB60A and #11EB0A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0A3CEA shade: #0A3CEA, #EB0AAF, #EBB60A and #0AEB46

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 96 / 74 / 0 / 8

HEX #0A3CEA

RGB 10 60 234

HSL 226.61, 0.92%, 0.48%

LAB 36.44, 53.42, -89.12

 

Complementary color

CMYK 0 / 20 / 91 / 4

HEX #F5C315

RGB 245 195 21

HSL 46.61, 0.92%, 0.52%

LAB 81.01, 4.24, 80.21

 

CMYK 93 / 74 / 0 / 10

HEX #0F3CE5

RGB 15 60 229

HSL 227.38, 0.88%, 0.48%

LAB 35.97, 51.83, -87.05

 

CMYK 87 / 69 / 0 / 3

HEX #204EF8

RGB 32 78 248

HSL 227.22, 0.94%, 0.55%

LAB 42.05, 48.47, -87.72

 

CMYK 81 / 62 / 0 / 0

HEX #3160FF

RGB 49 96 255

HSL 226.31, 1%, 0.6%

LAB 47.29, 41.03, -83

 

CMYK 74 / 55 / 0 / 0

HEX #4272FF

RGB 66 114 255

HSL 224.76, 1%, 0.63%

LAB 52.3, 31.48, -74.79

 

CMYK 67 / 48 / 0 / 0

HEX #5384FF

RGB 83 132 255

HSL 222.91, 1%, 0.66%

LAB 57.62, 22.61, -66.15

 

CMYK 96 / 74 / 0 / 8

HEX #0A3CEA

RGB 10 60 234

HSL 226.61, 0.92%, 0.48%

LAB 36.44, 53.42, -89.12

 

CMYK 100 / 80 / 0 / 16

HEX #002AD7

RGB 0 42 215

HSL 228.28, 1%, 0.42%

LAB 30.79, 56.56, -87.62

 

CMYK 100 / 88 / 0 / 23

HEX #0018C4

RGB 0 24 196

HSL 232.65, 1%, 0.38%

LAB 25.68, 58.65, -85.05

 

CMYK 100 / 97 / 0 / 31

HEX #0006B1

RGB 0 6 177

HSL 237.97, 1%, 0.35%

LAB 21.22, 58.68, -81.19

 

CMYK 100 / 100 / 0 / 38

HEX #00009E

RGB 0 0 158

HSL 240, 1%, 0.31%

LAB 17.78, 55.38, -75.42

 

CMYK 96 / 74 / 0 / 8

HEX #0A3CEB

RGB 10 60 235

HSL 226.67, 0.92%, 0.48%

LAB 36.55, 53.76, -89.51

 

CMYK 91 / 96 / 0 / 8

HEX #140AEB

RGB 20 10 235

HSL 242.67, 0.92%, 0.48%

LAB 30.31, 72.91, -99.88

 

CMYK 66 / 96 / 0 / 8

HEX #510AEB

RGB 81 10 235

HSL 258.93, 0.92%, 0.48%

LAB 33.91, 74.63, -93.79

 

CMYK 40 / 96 / 0 / 8

HEX #8E0AEB

RGB 142 10 235

HSL 275.2, 0.92%, 0.48%

LAB 41.16, 79.26, -81.56

 

CMYK 14 / 96 / 0 / 8

HEX #CA0AEB

RGB 202 10 235

HSL 291.2, 0.92%, 0.48%

LAB 50.42, 86.71, -66.06

 

CMYK 96 / 74 / 0 / 8

HEX #0A3CEB

RGB 10 60 235

HSL 226.67, 0.92%, 0.48%

LAB 36.55, 53.76, -89.51

 

CMYK 96 / 96 / 0 / 8

HEX #0A0AEB

RGB 10 10 235

HSL 240, 0.92%, 0.48%

LAB 30.11, 72.83, -100.22

 

CMYK 96 / 74 / 0 / 8

HEX #0A3CEB

RGB 10 60 235

HSL 226.67, 0.92%, 0.48%

LAB 36.55, 53.76, -89.51

 

CMYK 96 / 74 / 0 / 8

HEX #0A3CEB

RGB 10 60 235

HSL 226.67, 0.92%, 0.48%

LAB 36.55, 53.76, -89.51

 

CMYK 86 / 67 / 0 / 16

HEX #1E47D7

RGB 30 71 215

HSL 226.7, 0.76%, 0.48%

LAB 37.28, 40.88, -76.86

 

CMYK 75 / 58 / 0 / 24

HEX #3152C3

RGB 49 82 195

HSL 226.44, 0.6%, 0.48%

LAB 38.95, 28.06, -62.53

 

CMYK 61 / 47 / 0 / 31

HEX #455DB0

RGB 69 93 176

HSL 226.54, 0.44%, 0.48%

LAB 41.58, 17.16, -47.11

 

CMYK 43 / 33 / 0 / 39

HEX #59689C

RGB 89 104 156

HSL 226.57, 0.27%, 0.48%

LAB 44.84, 8.4, -30.05

 

CMYK 96 / 23 / 0 / 8

HEX #0AB6EB

RGB 10 182 235

HSL 194.13, 0.92%, 0.48%

LAB 69.13, -19.63, -37.06

 

CMYK 96 / 48 / 0 / 8

HEX #0A7AEB

RGB 10 122 235

HSL 210.13, 0.92%, 0.48%

LAB 51.82, 15.05, -64.51

 

CMYK 96 / 74 / 0 / 8

HEX #0A3EEB

RGB 10 62 235

HSL 226.13, 0.92%, 0.48%

LAB 36.94, 52.64, -88.84

 

CMYK 93 / 96 / 0 / 8

HEX #110AEB

RGB 17 10 235

HSL 241.87, 0.92%, 0.48%

LAB 30.24, 72.88, -100

 

CMYK 67 / 96 / 0 / 8

HEX #4D0AEB

RGB 77 10 235

HSL 257.87, 0.92%, 0.48%

LAB 33.55, 74.43, -94.4

 

CMYK 96 / 74 / 0 / 39

HEX #06289C

RGB 6 40 156

HSL 226.4, 0.93%, 0.32%

LAB 23.53, 37.54, -64.62

 

CMYK 96 / 74 / 0 / 24

HEX #0832C3

RGB 8 50 195

HSL 226.52, 0.92%, 0.4%

LAB 30.09, 45.66, -77.12

 

CMYK 96 / 74 / 0 / 8

HEX #0A3CEB

RGB 10 60 235

HSL 226.67, 0.92%, 0.48%

LAB 36.55, 53.76, -89.51

 

CMYK 84 / 65 / 0 / 4

HEX #2856F6

RGB 40 86 246

HSL 226.6, 0.92%, 0.56%

LAB 43.89, 43.35, -83.57

 

CMYK 68 / 53 / 0 / 3

HEX #5075F8

RGB 80 117 248

HSL 226.79, 0.92%, 0.64%

LAB 53.17, 28.94, -69.47

 

CMYK 96 / 74 / 0 / 8

HEX #0A3CEA

RGB 10 60 234

HSL 226.61, 0.92%, 0.48%

LAB 36.44, 53.42, -89.12

 

CMYK 3 / 96 / 0 / 8

HEX #E40AEB

RGB 228 10 235

HSL 298.13, 0.92%, 0.48%

LAB 54.77, 90.61, -58.82

 

CMYK 35 / 0 / 96 / 8

HEX #98EB0A

RGB 152 235 10

HSL 82.13, 0.92%, 0.48%

LAB 85.05, -52.6, 81.66

 

CMYK 96 / 74 / 0 / 8

HEX #0A3CEA

RGB 10 60 234

HSL 226.61, 0.92%, 0.48%

LAB 36.44, 53.42, -89.12

 

CMYK 0 / 96 / 74 / 8

HEX #EB0A3E

RGB 235 10 62

HSL 346.13, 0.92%, 0.48%

LAB 49.77, 75.7, 36.38

 

CMYK 74 / 0 / 96 / 8

HEX #3EEB0A

RGB 62 235 10

HSL 106.13, 0.92%, 0.48%

LAB 82.09, -75.87, 78.04

 

CMYK 96 / 74 / 0 / 8

HEX #0A3CEA

RGB 10 60 234

HSL 226.61, 0.92%, 0.48%

LAB 36.44, 53.42, -89.12

 

CMYK 3 / 96 / 0 / 8

HEX #E40AEB

RGB 228 10 235

HSL 298.13, 0.92%, 0.48%

LAB 54.77, 90.61, -58.82

 

CMYK 0 / 23 / 96 / 8

HEX #EBB60A

RGB 235 182 10

HSL 45.87, 0.92%, 0.48%

LAB 76.76, 6.57, 78.07

 

CMYK 93 / 0 / 96 / 8

HEX #11EB0A

RGB 17 235 10

HSL 118.13, 0.92%, 0.48%

LAB 81.6, -80.27, 77.43

 

CMYK 96 / 74 / 0 / 8

HEX #0A3CEA

RGB 10 60 234

HSL 226.61, 0.92%, 0.48%

LAB 36.44, 53.42, -89.12

 

CMYK 0 / 96 / 26 / 8

HEX #EB0AAF

RGB 235 10 175

HSL 316, 0.92%, 0.48%

LAB 52.92, 84.09, -27.2

 

CMYK 0 / 23 / 96 / 8

HEX #EBB60A

RGB 235 182 10

HSL 45.87, 0.92%, 0.48%

LAB 76.76, 6.57, 78.07

 

CMYK 96 / 0 / 70 / 8

HEX #0AEB46

RGB 10 235 70

HSL 136, 0.92%, 0.48%

LAB 81.8, -77.59, 63.67

 

Description

Color code: HEX #0A3CEA | qconv.com Color code: HEX #0A3CEA | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 10 red, 60 green and 234 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
10 60 234 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 96 cyan, 74 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
96% 74% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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