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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0A0CE9 it is the complementary color #F5F316. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0A0CE9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0A0CE9 shade: #0F0CE4, #201EF7, #3130FF, #4242FF and #5354FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0A0CE9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0A0CE9 shade: #0A0CE9, #0000D6, #0000C3, #0000B0 and #00009D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0A0CE9 shade: #0A0CEB, #440AEB, #810AEB, #BE0AEB and #EB0ADB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0A0CE9 shade: #0A0CEB and #0A0AEB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0A0CE9 shade matches the following richer shades: #0A0CEB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0A0CE9 shade: #0A0CEB, #1E1FD7, #3133C3, #4546B0 and #595A9C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0A0CE9 shade: #0A86EB, #0A4AEB, #0A0EEB, #420AEB and #7E0AEB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0A0CE9 shade: #06089C, #080AC3, #0A0CEB, #282AF6 and #5051F8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0A0CE9 shade: #0A0CE9, #EB0AC2 and #68EB0A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0A0CE9 shade: #0A0CE9, #EB0A0E and #0EEB0A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0A0CE9 shade: #0A0CE9, #EB0AC2, #EBE70A and #0AEB33

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0A0CE9 shade: #0A0CE9, #EB0A7E, #EBE70A and #0AEB77

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 96 / 95 / 0 / 9

HEX #0A0CE9

RGB 10 12 233

HSL 239.46, 0.92%, 0.48%

LAB 29.94, 71.98, -99.37

 

Complementary color

CMYK 0 / 1 / 91 / 4

HEX #F5F316

RGB 245 243 22

HSL 59.46, 0.92%, 0.52%

LAB 93.26, -19.75, 89.38

 

CMYK 93 / 95 / 0 / 11

HEX #0F0CE4

RGB 15 12 228

HSL 240.83, 0.9%, 0.47%

LAB 29.33, 70.76, -97.53

 

CMYK 87 / 88 / 0 / 3

HEX #201EF7

RGB 32 30 247

HSL 240.55, 0.93%, 0.54%

LAB 33.88, 71.32, -100.71

 

CMYK 81 / 81 / 0 / 0

HEX #3130FF

RGB 49 48 255

HSL 240.29, 1%, 0.59%

LAB 37.82, 67.26, -98.63

 

CMYK 74 / 74 / 0 / 0

HEX #4242FF

RGB 66 66 255

HSL 240, 1%, 0.63%

LAB 41.65, 59.64, -92.25

 

CMYK 67 / 67 / 0 / 0

HEX #5354FF

RGB 83 84 255

HSL 239.65, 1%, 0.66%

LAB 46.18, 51.45, -84.76

 

CMYK 96 / 95 / 0 / 9

HEX #0A0CE9

RGB 10 12 233

HSL 239.46, 0.92%, 0.48%

LAB 29.94, 71.98, -99.37

 

CMYK 100 / 100 / 0 / 16

HEX #0000D6

RGB 0 0 214

HSL 240, 1%, 0.42%

LAB 26.32, 69.38, -94.5

 

CMYK 100 / 100 / 0 / 24

HEX #0000C3

RGB 0 0 195

HSL 240, 1%, 0.38%

LAB 23.47, 64.72, -88.15

 

CMYK 100 / 100 / 0 / 31

HEX #0000B0

RGB 0 0 176

HSL 240, 1%, 0.35%

LAB 20.58, 59.97, -81.68

 

CMYK 100 / 100 / 0 / 38

HEX #00009D

RGB 0 0 157

HSL 240, 1%, 0.31%

LAB 17.62, 55.12, -75.07

 

CMYK 96 / 95 / 0 / 8

HEX #0A0CEB

RGB 10 12 235

HSL 239.47, 0.92%, 0.48%

LAB 30.22, 72.48, -100.04

 

CMYK 71 / 96 / 0 / 8

HEX #440AEB

RGB 68 10 235

HSL 255.47, 0.92%, 0.48%

LAB 32.8, 74.05, -95.67

 

CMYK 45 / 96 / 0 / 8

HEX #810AEB

RGB 129 10 235

HSL 271.73, 0.92%, 0.48%

LAB 39.38, 78, -84.55

 

CMYK 19 / 96 / 0 / 8

HEX #BE0AEB

RGB 190 10 235

HSL 288, 0.92%, 0.48%

LAB 48.46, 85.03, -69.32

 

CMYK 0 / 96 / 7 / 8

HEX #EB0ADB

RGB 235 10 219

HSL 304.27, 0.92%, 0.48%

LAB 55.07, 89.51, -49.24

 

CMYK 96 / 95 / 0 / 8

HEX #0A0CEB

RGB 10 12 235

HSL 239.47, 0.92%, 0.48%

LAB 30.22, 72.48, -100.04

 

CMYK 96 / 96 / 0 / 8

HEX #0A0AEB

RGB 10 10 235

HSL 240, 0.92%, 0.48%

LAB 30.11, 72.83, -100.22

 

CMYK 96 / 95 / 0 / 8

HEX #0A0CEB

RGB 10 12 235

HSL 239.47, 0.92%, 0.48%

LAB 30.22, 72.48, -100.04

 

CMYK 96 / 95 / 0 / 8

HEX #0A0CEB

RGB 10 12 235

HSL 239.47, 0.92%, 0.48%

LAB 30.22, 72.48, -100.04

 

CMYK 86 / 86 / 0 / 16

HEX #1E1FD7

RGB 30 31 215

HSL 239.68, 0.76%, 0.48%

LAB 29.82, 62.03, -89.21

 

CMYK 75 / 74 / 0 / 24

HEX #3133C3

RGB 49 51 195

HSL 239.18, 0.6%, 0.48%

LAB 31.72, 47.23, -74.38

 

CMYK 61 / 60 / 0 / 31

HEX #4546B0

RGB 69 70 176

HSL 239.44, 0.44%, 0.48%

LAB 35.56, 31.91, -56.82

 

CMYK 43 / 42 / 0 / 39

HEX #595A9C

RGB 89 90 156

HSL 239.1, 0.27%, 0.48%

LAB 40.96, 17.15, -36.16

 

CMYK 96 / 43 / 0 / 8

HEX #0A86EB

RGB 10 134 235

HSL 206.93, 0.92%, 0.48%

LAB 55.19, 7.62, -59.08

 

CMYK 96 / 69 / 0 / 8

HEX #0A4AEB

RGB 10 74 235

HSL 222.93, 0.92%, 0.48%

LAB 39.51, 45.54, -84.6

 

CMYK 96 / 94 / 0 / 8

HEX #0A0EEB

RGB 10 14 235

HSL 238.93, 0.92%, 0.48%

LAB 30.34, 72.1, -99.83

 

CMYK 72 / 96 / 0 / 8

HEX #420AEB

RGB 66 10 235

HSL 254.93, 0.92%, 0.48%

LAB 32.64, 73.97, -95.93

 

CMYK 46 / 96 / 0 / 8

HEX #7E0AEB

RGB 126 10 235

HSL 270.93, 0.92%, 0.48%

LAB 38.99, 77.73, -85.22

 

CMYK 96 / 95 / 0 / 39

HEX #06089C

RGB 6 8 156

HSL 239.2, 0.93%, 0.32%

LAB 18.42, 52.5, -73.11

 

CMYK 96 / 95 / 0 / 24

HEX #080AC3

RGB 8 10 195

HSL 239.36, 0.92%, 0.4%

LAB 24.35, 62.58, -86.67

 

CMYK 96 / 95 / 0 / 8

HEX #0A0CEB

RGB 10 12 235

HSL 239.47, 0.92%, 0.48%

LAB 30.22, 72.48, -100.04

 

CMYK 84 / 83 / 0 / 4

HEX #282AF6

RGB 40 42 246

HSL 239.42, 0.92%, 0.56%

LAB 35.52, 66.85, -97.41

 

CMYK 68 / 67 / 0 / 3

HEX #5051F8

RGB 80 81 248

HSL 239.64, 0.92%, 0.64%

LAB 44.76, 50.57, -83.19

 

CMYK 96 / 95 / 0 / 9

HEX #0A0CE9

RGB 10 12 233

HSL 239.46, 0.92%, 0.48%

LAB 29.94, 71.98, -99.37

 

CMYK 0 / 96 / 17 / 8

HEX #EB0AC2

RGB 235 10 194

HSL 310.93, 0.92%, 0.48%

LAB 53.79, 86.3, -36.92

 

CMYK 56 / 0 / 96 / 8

HEX #68EB0A

RGB 104 235 10

HSL 94.93, 0.92%, 0.48%

LAB 83.12, -67.24, 79.3

 

CMYK 96 / 95 / 0 / 9

HEX #0A0CE9

RGB 10 12 233

HSL 239.46, 0.92%, 0.48%

LAB 29.94, 71.98, -99.37

 

CMYK 0 / 96 / 94 / 8

HEX #EB0A0E

RGB 235 10 14

HSL 358.93, 0.92%, 0.48%

LAB 49.39, 74.65, 59.47

 

CMYK 94 / 0 / 96 / 8

HEX #0EEB0A

RGB 14 235 10

HSL 118.93, 0.92%, 0.48%

LAB 81.58, -80.4, 77.41

 

CMYK 96 / 95 / 0 / 9

HEX #0A0CE9

RGB 10 12 233

HSL 239.46, 0.92%, 0.48%

LAB 29.94, 71.98, -99.37

 

CMYK 0 / 96 / 17 / 8

HEX #EB0AC2

RGB 235 10 194

HSL 310.93, 0.92%, 0.48%

LAB 53.79, 86.3, -36.92

 

CMYK 0 / 2 / 96 / 8

HEX #EBE70A

RGB 235 231 10

HSL 58.93, 0.92%, 0.48%

LAB 89.32, -18.25, 87.27

 

CMYK 96 / 0 / 78 / 8

HEX #0AEB33

RGB 10 235 51

HSL 130.93, 0.92%, 0.48%

LAB 81.69, -79, 69.8

 

CMYK 96 / 95 / 0 / 9

HEX #0A0CE9

RGB 10 12 233

HSL 239.46, 0.92%, 0.48%

LAB 29.94, 71.98, -99.37

 

CMYK 0 / 96 / 46 / 8

HEX #EB0A7E

RGB 235 10 126

HSL 329.07, 0.92%, 0.48%

LAB 51.14, 79.4, -0.66

 

CMYK 0 / 2 / 96 / 8

HEX #EBE70A

RGB 235 231 10

HSL 58.93, 0.92%, 0.48%

LAB 89.32, -18.25, 87.27

 

CMYK 96 / 0 / 49 / 8

HEX #0AEB77

RGB 10 235 119

HSL 149.07, 0.92%, 0.48%

LAB 82.28, -71.61, 43.11

 

Description

Color code: HEX #0A0CE9 | qconv.com Color code: HEX #0A0CE9 | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 10 red, 12 green and 233 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
10 12 233 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 96 cyan, 95 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
96% 95% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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