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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #09F5E2 it is the complementary color #F60A1D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #09F5E2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #09F5E2 shade: #0EF5DD, #1FFFF0, #30FFFF, #41FFFF and #52FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #09F5E2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #09F5E2 shade: #09F5E2, #00E3CF, #00D1BC, #00BFA9 and #00AD96

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #09F5E2 shade: #09F6E3, #09F6A3, #09F663, #09F623 and #2FF609

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #09F5E2 shade: #09F6E3, #09C9F6, #0989F6, #0949F6 and #0909F6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #09F5E2 shade matches the following richer shades: #09F6E3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #09F5E2 shade: #09F6E3, #1EE1D2, #32CDC0, #47B8AF and #5BA49E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #09F5E2 shade: #09F664, #09F6A3, #09F6E2, #09CBF6 and #098BF6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #09F5E2 shade: #06A69A, #07CEBE, #09F6E3, #31F8E8 and #59F9EC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #09F5E2 shade: #09F5E2, #2509F6 and #F68309

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #09F5E2 shade: #09F5E2, #E209F6 and #F6E209

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #09F5E2 shade: #09F5E2, #2509F6, #F6091D and #DAF609

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #09F5E2 shade: #09F5E2, #6C09F6, #F6091D and #93F609

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 96 / 0 / 8 / 4

HEX #09F5E2

RGB 9 245 226

HSL 175.17, 0.93%, 0.5%

LAB 87.41, -51.79, -4.53

 

Complementary color

CMYK 0 / 96 / 88 / 4

HEX #F60A1D

RGB 246 10 29

HSL 355.17, 0.93%, 0.5%

LAB 51.72, 77.52, 56.47

 

CMYK 94 / 0 / 10 / 4

HEX #0EF5DD

RGB 14 245 221

HSL 173.77, 0.92%, 0.51%

LAB 87.3, -53.02, -2.08

 

CMYK 88 / 0 / 6 / 0

HEX #1FFFF0

RGB 31 255 240

HSL 175.98, 1%, 0.56%

LAB 90.83, -51.38, -6.77

 

CMYK 81 / 0 / 0 / 0

HEX #30FFFF

RGB 48 255 255

HSL 180, 1%, 0.59%

LAB 91.4, -46.2, -13.68

 

CMYK 75 / 0 / 0 / 0

HEX #41FFFF

RGB 65 255 255

HSL 180, 1%, 0.63%

LAB 91.62, -44.75, -13.33

 

CMYK 68 / 0 / 0 / 0

HEX #52FFFF

RGB 82 255 255

HSL 180, 1%, 0.66%

LAB 91.92, -42.83, -12.85

 

CMYK 96 / 0 / 8 / 4

HEX #09F5E2

RGB 9 245 226

HSL 175.17, 0.93%, 0.5%

LAB 87.41, -51.79, -4.53

 

CMYK 100 / 0 / 9 / 11

HEX #00E3CF

RGB 0 227 207

HSL 174.71, 1%, 0.45%

LAB 81.53, -49.72, -3.18

 

CMYK 100 / 0 / 10 / 18

HEX #00D1BC

RGB 0 209 188

HSL 173.97, 1%, 0.41%

LAB 75.6, -47.42, -1.74

 

CMYK 100 / 0 / 12 / 25

HEX #00BFA9

RGB 0 191 169

HSL 173.09, 1%, 0.37%

LAB 69.56, -45.08, -0.26

 

CMYK 100 / 0 / 13 / 32

HEX #00AD96

RGB 0 173 150

HSL 172.02, 1%, 0.34%

LAB 63.42, -42.71, 1.28

 

CMYK 96 / 0 / 8 / 4

HEX #09F6E3

RGB 9 246 227

HSL 175.19, 0.93%, 0.5%

LAB 87.73, -51.93, -4.58

 

CMYK 96 / 0 / 34 / 4

HEX #09F6A3

RGB 9 246 163

HSL 158.99, 0.93%, 0.5%

LAB 86.31, -67.31, 26.54

 

CMYK 96 / 0 / 60 / 4

HEX #09F663

RGB 9 246 99

HSL 142.78, 0.93%, 0.5%

LAB 85.44, -77.76, 56.04

 

CMYK 96 / 0 / 86 / 4

HEX #09F623

RGB 9 246 35

HSL 126.58, 0.93%, 0.5%

LAB 85.04, -82.79, 76.78

 

CMYK 81 / 0 / 96 / 4

HEX #2FF609

RGB 47 246 9

HSL 110.38, 0.93%, 0.5%

LAB 85.27, -80.95, 80.61

 

CMYK 96 / 0 / 8 / 4

HEX #09F6E3

RGB 9 246 227

HSL 175.19, 0.93%, 0.5%

LAB 87.73, -51.93, -4.58

 

CMYK 96 / 18 / 0 / 4

HEX #09C9F6

RGB 9 201 246

HSL 191.39, 0.93%, 0.5%

LAB 75.13, -25.65, -33.7

 

CMYK 96 / 44 / 0 / 4

HEX #0989F6

RGB 9 137 246

HSL 207.59, 0.93%, 0.5%

LAB 56.69, 9.99, -62.78

 

CMYK 96 / 70 / 0 / 4

HEX #0949F6

RGB 9 73 246

HSL 223.8, 0.93%, 0.5%

LAB 40.37, 50.03, -89.38

 

CMYK 96 / 96 / 0 / 4

HEX #0909F6

RGB 9 9 246

HSL 240, 0.93%, 0.5%

LAB 31.59, 75.7, -103.98

 

CMYK 96 / 0 / 8 / 4

HEX #09F6E3

RGB 9 246 227

HSL 175.19, 0.93%, 0.5%

LAB 87.73, -51.93, -4.58

 

CMYK 96 / 0 / 8 / 4

HEX #09F6E3

RGB 9 246 227

HSL 175.19, 0.93%, 0.5%

LAB 87.73, -51.93, -4.58

 

CMYK 87 / 0 / 7 / 12

HEX #1EE1D2

RGB 30 225 210

HSL 175.38, 0.76%, 0.5%

LAB 81.17, -47, -5.29

 

CMYK 76 / 0 / 6 / 20

HEX #32CDC0

RGB 50 205 192

HSL 174.97, 0.61%, 0.5%

LAB 74.92, -41.67, -4.85

 

CMYK 61 / 0 / 5 / 28

HEX #47B8AF

RGB 71 184 175

HSL 175.22, 0.44%, 0.5%

LAB 68.54, -33.81, -4.93

 

CMYK 45 / 0 / 4 / 36

HEX #5BA49E

RGB 91 164 158

HSL 175.07, 0.29%, 0.5%

LAB 62.71, -24.3, -4.01

 

CMYK 96 / 0 / 59 / 4

HEX #09F664

RGB 9 246 100

HSL 143.04, 0.93%, 0.5%

LAB 85.45, -77.64, 55.62

 

CMYK 96 / 0 / 34 / 4

HEX #09F6A3

RGB 9 246 163

HSL 158.99, 0.93%, 0.5%

LAB 86.31, -67.31, 26.54

 

CMYK 96 / 0 / 8 / 4

HEX #09F6E2

RGB 9 246 226

HSL 174.94, 0.93%, 0.5%

LAB 87.71, -52.2, -4.1

 

CMYK 96 / 17 / 0 / 4

HEX #09CBF6

RGB 9 203 246

HSL 190.89, 0.93%, 0.5%

LAB 75.71, -26.64, -32.79

 

CMYK 96 / 43 / 0 / 4

HEX #098BF6

RGB 9 139 246

HSL 207.09, 0.93%, 0.5%

LAB 57.25, 8.77, -61.88

 

CMYK 96 / 0 / 7 / 35

HEX #06A69A

RGB 6 166 154

HSL 175.5, 0.93%, 0.34%

LAB 61.35, -38.27, -3.99

 

CMYK 97 / 0 / 8 / 19

HEX #07CEBE

RGB 7 206 190

HSL 175.18, 0.93%, 0.42%

LAB 74.77, -45.39, -4.04

 

CMYK 96 / 0 / 8 / 4

HEX #09F6E3

RGB 9 246 227

HSL 175.19, 0.93%, 0.5%

LAB 87.73, -51.93, -4.58

 

CMYK 80 / 0 / 6 / 3

HEX #31F8E8

RGB 49 248 232

HSL 175.18, 0.93%, 0.58%

LAB 88.74, -49.46, -5.67

 

CMYK 64 / 0 / 5 / 2

HEX #59F9EC

RGB 89 249 236

HSL 175.13, 0.93%, 0.66%

LAB 89.83, -44.26, -6.08

 

CMYK 96 / 0 / 8 / 4

HEX #09F5E2

RGB 9 245 226

HSL 175.17, 0.93%, 0.5%

LAB 87.41, -51.79, -4.53

 

CMYK 85 / 96 / 0 / 4

HEX #2509F6

RGB 37 9 246

HSL 247.09, 0.93%, 0.5%

LAB 32.35, 76.01, -102.69

 

CMYK 0 / 47 / 96 / 4

HEX #F68309

RGB 246 131 9

HSL 30.89, 0.93%, 0.5%

LAB 66.4, 37.87, 71.7

 

CMYK 96 / 0 / 8 / 4

HEX #09F5E2

RGB 9 245 226

HSL 175.17, 0.93%, 0.5%

LAB 87.41, -51.79, -4.53

 

CMYK 8 / 96 / 0 / 4

HEX #E209F6

RGB 226 9 246

HSL 294.94, 0.93%, 0.5%

LAB 55.09, 92.01, -64.5

 

CMYK 0 / 8 / 96 / 4

HEX #F6E209

RGB 246 226 9

HSL 54.94, 0.93%, 0.5%

LAB 88.92, -11.18, 87.47

 

CMYK 96 / 0 / 8 / 4

HEX #09F5E2

RGB 9 245 226

HSL 175.17, 0.93%, 0.5%

LAB 87.41, -51.79, -4.53

 

CMYK 85 / 96 / 0 / 4

HEX #2509F6

RGB 37 9 246

HSL 247.09, 0.93%, 0.5%

LAB 32.35, 76.01, -102.69

 

CMYK 0 / 96 / 88 / 4

HEX #F6091D

RGB 246 9 29

HSL 354.94, 0.93%, 0.5%

LAB 51.7, 77.59, 56.45

 

CMYK 11 / 0 / 96 / 4

HEX #DAF609

RGB 218 246 9

HSL 67.09, 0.93%, 0.5%

LAB 92.06, -32.33, 88.85

 

CMYK 96 / 0 / 8 / 4

HEX #09F5E2

RGB 9 245 226

HSL 175.17, 0.93%, 0.5%

LAB 87.41, -51.79, -4.53

 

CMYK 56 / 96 / 0 / 4

HEX #6C09F6

RGB 108 9 246

HSL 265.06, 0.93%, 0.5%

LAB 37.91, 78.83, -93.29

 

CMYK 0 / 96 / 88 / 4

HEX #F6091D

RGB 246 9 29

HSL 354.94, 0.93%, 0.5%

LAB 51.7, 77.59, 56.45

 

CMYK 40 / 0 / 96 / 4

HEX #93F609

RGB 147 246 9

HSL 85.06, 0.93%, 0.5%

LAB 88.03, -58.61, 83.99

 

Description

Color code: HEX #09F5E2 | qconv.com Color code: HEX #09F5E2 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 9 red, 245 green and 226 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
9 245 226 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 96 cyan, none magenta, 8 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
96% 0% 8% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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