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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #09F210 it is the complementary color #F60DEF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #09F210. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #09F210 shade: #0EF20B, #1FFF1E, #30FF31, #41FF44 and #52FF57

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #09F210. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #09F210 shade: #09F210, #00E000, #00CE00, #00BC00 and #00AA00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #09F210 shade: #09F110, #40F109, #7FF109, #BEF109 and #F1E609

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #09F210 shade: #09F110, #09F14E, #09F18D, #09F1CC and #09D8F1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #09F210 shade matches the following richer shades: #09F110

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #09F210 shade: #09F110, #1DDD23, #31C936, #45B549 and #5AA05C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #09F210 shade: #81F109, #43F109, #09F10D, #09F14B and #09F189

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #09F210 shade: #06A20B, #07C90D, #09F110, #2CF732 and #54F959

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #09F210 shade: #09F210, #09BFF1 and #F10962

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #09F210 shade: #09F210, #0D09F1 and #F10D09

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #09F210 shade: #09F210, #09BFF1, #F109ED and #F13B09

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #09F210 shade: #09F210, #0979F1, #F109ED and #F18109

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 96 / 0 / 93 / 5

HEX #09F210

RGB 9 242 16

HSL 121.8, 0.93%, 0.49%

LAB 83.76, -82.3, 78.62

 

Complementary color

CMYK 0 / 95 / 3 / 4

HEX #F60DEF

RGB 246 13 239

HSL 301.8, 0.93%, 0.51%

LAB 58.14, 93.84, -55.5

 

CMYK 94 / 0 / 95 / 5

HEX #0EF20B

RGB 14 242 11

HSL 119.22, 0.91%, 0.5%

LAB 83.77, -82.22, 79.12

 

CMYK 88 / 0 / 88 / 0

HEX #1FFF1E

RGB 31 255 30

HSL 119.73, 1%, 0.56%

LAB 87.92, -84.32, 80.24

 

CMYK 81 / 0 / 81 / 0

HEX #30FF31

RGB 48 255 49

HSL 120.29, 1%, 0.59%

LAB 88.15, -82.08, 76.51

 

CMYK 75 / 0 / 73 / 0

HEX #41FF44

RGB 65 255 68

HSL 120.95, 1%, 0.63%

LAB 88.48, -78.84, 71.36

 

CMYK 68 / 0 / 66 / 0

HEX #52FF57

RGB 82 255 87

HSL 121.73, 1%, 0.66%

LAB 88.92, -74.59, 65.09

 

CMYK 96 / 0 / 93 / 5

HEX #09F210

RGB 9 242 16

HSL 121.8, 0.93%, 0.49%

LAB 83.76, -82.3, 78.62

 

CMYK 100 / 0 / 100 / 12

HEX #00E000

RGB 0 224 0

HSL 120, 1%, 0.44%

LAB 78.06, -78.14, 75.42

 

CMYK 100 / 0 / 100 / 19

HEX #00CE00

RGB 0 206 0

HSL 120, 1%, 0.4%

LAB 72.32, -73.38, 70.82

 

CMYK 100 / 0 / 100 / 26

HEX #00BC00

RGB 0 188 0

HSL 120, 1%, 0.37%

LAB 66.49, -68.54, 66.15

 

CMYK 100 / 0 / 100 / 33

HEX #00AA00

RGB 0 170 0

HSL 120, 1%, 0.33%

LAB 60.56, -63.61, 61.39

 

CMYK 96 / 0 / 93 / 5

HEX #09F110

RGB 9 241 16

HSL 121.81, 0.93%, 0.49%

LAB 83.45, -82.04, 78.36

 

CMYK 73 / 0 / 96 / 5

HEX #40F109

RGB 64 241 9

HSL 105.78, 0.93%, 0.49%

LAB 83.98, -77.33, 79.67

 

CMYK 47 / 0 / 96 / 5

HEX #7FF109

RGB 127 241 9

HSL 89.48, 0.93%, 0.49%

LAB 85.73, -62.98, 81.81

 

CMYK 21 / 0 / 96 / 5

HEX #BEF109

RGB 190 241 9

HSL 73.19, 0.93%, 0.49%

LAB 88.86, -41.13, 85.61

 

CMYK 0 / 5 / 96 / 5

HEX #F1E609

RGB 241 230 9

HSL 57.16, 0.93%, 0.49%

LAB 89.54, -15.25, 87.73

 

CMYK 96 / 0 / 93 / 5

HEX #09F110

RGB 9 241 16

HSL 121.81, 0.93%, 0.49%

LAB 83.45, -82.04, 78.36

 

CMYK 96 / 0 / 68 / 5

HEX #09F14E

RGB 9 241 78

HSL 137.84, 0.93%, 0.49%

LAB 83.71, -78.58, 62.7

 

CMYK 96 / 0 / 41 / 5

HEX #09F18D

RGB 9 241 141

HSL 154.14, 0.93%, 0.49%

LAB 84.43, -69.86, 35.1

 

CMYK 96 / 0 / 15 / 5

HEX #09F1CC

RGB 9 241 204

HSL 170.43, 0.93%, 0.49%

LAB 85.67, -55.99, 4.44

 

CMYK 96 / 10 / 0 / 5

HEX #09D8F1

RGB 9 216 241

HSL 186.47, 0.93%, 0.49%

LAB 79.34, -34.56, -24.56

 

CMYK 96 / 0 / 93 / 5

HEX #09F110

RGB 9 241 16

HSL 121.81, 0.93%, 0.49%

LAB 83.45, -82.04, 78.36

 

CMYK 96 / 0 / 93 / 5

HEX #09F110

RGB 9 241 16

HSL 121.81, 0.93%, 0.49%

LAB 83.45, -82.04, 78.36

 

CMYK 87 / 0 / 84 / 13

HEX #1DDD23

RGB 29 221 35

HSL 121.88, 0.77%, 0.49%

LAB 77.34, -74.99, 69.98

 

CMYK 76 / 0 / 73 / 21

HEX #31C936

RGB 49 201 54

HSL 121.97, 0.61%, 0.49%

LAB 71.35, -65.73, 58.8

 

CMYK 62 / 0 / 60 / 29

HEX #45B549

RGB 69 181 73

HSL 122.14, 0.45%, 0.49%

LAB 65.59, -53.38, 44.9

 

CMYK 44 / 0 / 43 / 37

HEX #5AA05C

RGB 90 160 92

HSL 121.71, 0.28%, 0.49%

LAB 59.97, -36.54, 28.71

 

CMYK 46 / 0 / 96 / 5

HEX #81F109

RGB 129 241 9

HSL 88.97, 0.93%, 0.49%

LAB 85.8, -62.39, 81.9

 

CMYK 72 / 0 / 96 / 5

HEX #43F109

RGB 67 241 9

HSL 105, 0.93%, 0.49%

LAB 84.03, -76.86, 79.73

 

CMYK 96 / 0 / 95 / 5

HEX #09F10D

RGB 9 241 13

HSL 121.03, 0.93%, 0.49%

LAB 83.44, -82.1, 78.66

 

CMYK 96 / 0 / 69 / 5

HEX #09F14B

RGB 9 241 75

HSL 137.07, 0.93%, 0.49%

LAB 83.69, -78.86, 63.81

 

CMYK 96 / 0 / 43 / 5

HEX #09F189

RGB 9 241 137

HSL 153.1, 0.93%, 0.49%

LAB 84.37, -70.58, 37.01

 

CMYK 96 / 0 / 93 / 36

HEX #06A20B

RGB 6 162 11

HSL 121.92, 0.93%, 0.33%

LAB 57.95, -60.75, 57.69

 

CMYK 97 / 0 / 94 / 21

HEX #07C90D

RGB 7 201 13

HSL 121.86, 0.93%, 0.41%

LAB 70.77, -71.49, 68.17

 

CMYK 96 / 0 / 93 / 5

HEX #09F110

RGB 9 241 16

HSL 121.81, 0.93%, 0.49%

LAB 83.45, -82.04, 78.36

 

CMYK 82 / 0 / 80 / 3

HEX #2CF732

RGB 44 247 50

HSL 121.77, 0.93%, 0.57%

LAB 85.65, -80.19, 73.91

 

CMYK 66 / 0 / 64 / 2

HEX #54F959

RGB 84 249 89

HSL 121.82, 0.93%, 0.65%

LAB 87.17, -72.1, 62.41

 

CMYK 96 / 0 / 93 / 5

HEX #09F210

RGB 9 242 16

HSL 121.8, 0.93%, 0.49%

LAB 83.76, -82.3, 78.62

 

CMYK 96 / 21 / 0 / 5

HEX #09BFF1

RGB 9 191 241

HSL 192.93, 0.93%, 0.49%

LAB 72.01, -22.26, -35.84

 

CMYK 0 / 96 / 59 / 5

HEX #F10962

RGB 241 9 98

HSL 336.98, 0.93%, 0.49%

LAB 51.59, 78.88, 17.19

 

CMYK 96 / 0 / 93 / 5

HEX #09F210

RGB 9 242 16

HSL 121.8, 0.93%, 0.49%

LAB 83.76, -82.3, 78.62

 

CMYK 95 / 96 / 0 / 5

HEX #0D09F1

RGB 13 9 241

HSL 241.03, 0.93%, 0.49%

LAB 30.95, 74.5, -102.22

 

CMYK 0 / 95 / 96 / 5

HEX #F10D09

RGB 241 13 9

HSL 1.03, 0.93%, 0.49%

LAB 50.7, 75.84, 62.18

 

CMYK 96 / 0 / 93 / 5

HEX #09F210

RGB 9 242 16

HSL 121.8, 0.93%, 0.49%

LAB 83.76, -82.3, 78.62

 

CMYK 96 / 21 / 0 / 5

HEX #09BFF1

RGB 9 191 241

HSL 192.93, 0.93%, 0.49%

LAB 72.01, -22.26, -35.84

 

CMYK 0 / 96 / 2 / 5

HEX #F109ED

RGB 241 9 237

HSL 301.03, 0.93%, 0.49%

LAB 57.09, 93.02, -56.12

 

CMYK 0 / 76 / 96 / 5

HEX #F13B09

RGB 241 59 9

HSL 12.93, 0.93%, 0.49%

LAB 53.87, 66.84, 63.78

 

CMYK 96 / 0 / 93 / 5

HEX #09F210

RGB 9 242 16

HSL 121.8, 0.93%, 0.49%

LAB 83.76, -82.3, 78.62

 

CMYK 96 / 50 / 0 / 5

HEX #0979F1

RGB 9 121 241

HSL 211.03, 0.93%, 0.49%

LAB 51.93, 17.99, -67.67

 

CMYK 0 / 96 / 2 / 5

HEX #F109ED

RGB 241 9 237

HSL 301.03, 0.93%, 0.49%

LAB 57.09, 93.02, -56.12

 

CMYK 0 / 46 / 96 / 5

HEX #F18109

RGB 241 129 9

HSL 31.03, 0.93%, 0.49%

LAB 65.3, 36.89, 70.64

 

Description

Color code: HEX #09F210 | qconv.com Color code: HEX #09F210 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 9 red, 242 green and 16 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
9 242 16 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 96 cyan, none magenta, 93 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
96% 0% 93% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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