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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #09DF30 it is the complementary color #F620CF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #09DF30. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #09DF30 shade: #0EDF2B, #1FF13E, #30FF51, #41FF64 and #52FF77

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #09DF30. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #09DF30 shade: #09DF30, #00CD1D, #00BB0A, #00A900 and #009700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #09DF30 shade: #09DC30, #1CDC09, #55DC09, #8EDC09 and #C6DC09

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #09DF30 shade: #09DC30, #09DC69, #09DCA2, #09DCDA and #09A5DC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #09DF30 shade matches the following richer shades: #09DC30

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #09DF30 shade: #09DC30, #1CCA3B, #2EB747, #41A553 and #53925F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #09DF30 shade: #57DC09, #1EDC09, #09DC2C, #09DC65 and #09DC9D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #09DF30 shade: #068D1F, #08B527, #09DC30, #19F541 and #41F762

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #09DF30 shade: #09DF30, #098FDC and #DC093A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #09DF30 shade: #09DF30, #2C09DC and #DC2C09

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #09DF30 shade: #09DF30, #098FDC, #DC09B9 and #DC5709

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #09DF30 shade: #09DF30, #0950DC, #DC09B9 and #DC9609

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 96 / 0 / 78 / 13

HEX #09DF30

RGB 9 223 48

HSL 130.93, 0.92%, 0.45%

LAB 77.9, -75.93, 67.06

 

Complementary color

CMYK 0 / 87 / 16 / 4

HEX #F620CF

RGB 246 32 207

HSL 310.93, 0.92%, 0.55%

LAB 57.2, 87.52, -38.9

 

CMYK 94 / 0 / 81 / 13

HEX #0EDF2B

RGB 14 223 43

HSL 128.33, 0.88%, 0.46%

LAB 77.9, -76.04, 68.47

 

CMYK 87 / 0 / 74 / 5

HEX #1FF13E

RGB 31 241 62

HSL 128.86, 0.88%, 0.53%

LAB 83.73, -78.84, 68.45

 

CMYK 81 / 0 / 68 / 0

HEX #30FF51

RGB 48 255 81

HSL 129.57, 1%, 0.59%

LAB 88.32, -79.84, 66.56

 

CMYK 75 / 0 / 61 / 0

HEX #41FF64

RGB 65 255 100

HSL 131.05, 1%, 0.63%

LAB 88.72, -75.92, 59.51

 

CMYK 68 / 0 / 53 / 0

HEX #52FF77

RGB 82 255 119

HSL 132.83, 1%, 0.66%

LAB 89.23, -71.01, 51.84

 

CMYK 96 / 0 / 78 / 13

HEX #09DF30

RGB 9 223 48

HSL 130.93, 0.92%, 0.45%

LAB 77.9, -75.93, 67.06

 

CMYK 100 / 0 / 86 / 20

HEX #00CD1D

RGB 0 205 29

HSL 128.49, 1%, 0.4%

LAB 72.06, -72.34, 66.54

 

CMYK 100 / 0 / 95 / 27

HEX #00BB0A

RGB 0 187 10

HSL 123.21, 1%, 0.37%

LAB 66.18, -68.04, 64.7

 

CMYK 100 / 0 / 100 / 34

HEX #00A900

RGB 0 169 0

HSL 120, 1%, 0.33%

LAB 60.23, -63.33, 61.12

 

CMYK 100 / 0 / 100 / 41

HEX #009700

RGB 0 151 0

HSL 120, 1%, 0.3%

LAB 54.17, -58.3, 56.26

 

CMYK 96 / 0 / 78 / 14

HEX #09DC30

RGB 9 220 48

HSL 131.09, 0.92%, 0.45%

LAB 76.96, -75.1, 66.15

 

CMYK 87 / 0 / 96 / 14

HEX #1CDC09

RGB 28 220 9

HSL 114.6, 0.92%, 0.45%

LAB 76.95, -75.58, 73.75

 

CMYK 61 / 0 / 96 / 14

HEX #55DC09

RGB 85 220 9

HSL 98.39, 0.92%, 0.45%

LAB 77.96, -66.88, 74.98

 

CMYK 35 / 0 / 96 / 14

HEX #8EDC09

RGB 142 220 9

HSL 82.18, 0.92%, 0.45%

LAB 80.16, -50.05, 77.67

 

CMYK 10 / 0 / 96 / 14

HEX #C6DC09

RGB 198 220 9

HSL 66.26, 0.92%, 0.45%

LAB 83.55, -28.38, 81.77

 

CMYK 96 / 0 / 78 / 14

HEX #09DC30

RGB 9 220 48

HSL 131.09, 0.92%, 0.45%

LAB 76.96, -75.1, 66.15

 

CMYK 96 / 0 / 52 / 14

HEX #09DC69

RGB 9 220 105

HSL 147.3, 0.92%, 0.45%

LAB 77.44, -69.05, 43.81

 

CMYK 96 / 0 / 26 / 14

HEX #09DCA2

RGB 9 220 162

HSL 163.51, 0.92%, 0.45%

LAB 78.38, -58.14, 16.12

 

CMYK 96 / 0 / 1 / 14

HEX #09DCDA

RGB 9 220 218

HSL 179.43, 0.92%, 0.45%

LAB 79.79, -43.37, -11.62

 

CMYK 96 / 25 / 0 / 14

HEX #09A5DC

RGB 9 165 220

HSL 195.64, 0.92%, 0.45%

LAB 63.45, -15.89, -37.67

 

CMYK 96 / 0 / 78 / 14

HEX #09DC30

RGB 9 220 48

HSL 131.09, 0.92%, 0.45%

LAB 76.96, -75.1, 66.15

 

CMYK 96 / 0 / 78 / 14

HEX #09DC30

RGB 9 220 48

HSL 131.09, 0.92%, 0.45%

LAB 76.96, -75.1, 66.15

 

CMYK 86 / 0 / 71 / 21

HEX #1CCA3B

RGB 28 202 59

HSL 130.69, 0.76%, 0.45%

LAB 71.42, -68.02, 56.96

 

CMYK 75 / 0 / 61 / 28

HEX #2EB747

RGB 46 183 71

HSL 130.95, 0.6%, 0.45%

LAB 65.67, -58.68, 45.77

 

CMYK 61 / 0 / 50 / 35

HEX #41A553

RGB 65 165 83

HSL 130.8, 0.43%, 0.45%

LAB 60.48, -46.86, 33.86

 

CMYK 43 / 0 / 35 / 43

HEX #53925F

RGB 83 146 95

HSL 131.43, 0.28%, 0.45%

LAB 55.3, -31.76, 20.87

 

CMYK 60 / 0 / 96 / 14

HEX #57DC09

RGB 87 220 9

HSL 97.82, 0.92%, 0.45%

LAB 78.01, -66.41, 75.05

 

CMYK 86 / 0 / 96 / 14

HEX #1EDC09

RGB 30 220 9

HSL 114.03, 0.92%, 0.45%

LAB 76.97, -75.42, 73.77

 

CMYK 96 / 0 / 80 / 14

HEX #09DC2C

RGB 9 220 44

HSL 129.95, 0.92%, 0.45%

LAB 76.94, -75.35, 67.28

 

CMYK 96 / 0 / 54 / 14

HEX #09DC65

RGB 9 220 101

HSL 146.16, 0.92%, 0.45%

LAB 77.39, -69.64, 45.64

 

CMYK 96 / 0 / 29 / 14

HEX #09DC9D

RGB 9 220 157

HSL 162.09, 0.92%, 0.45%

LAB 78.27, -59.27, 18.61

 

CMYK 96 / 0 / 78 / 45

HEX #068D1F

RGB 6 141 31

HSL 131.11, 0.92%, 0.29%

LAB 50.91, -53.55, 46.3

 

CMYK 96 / 0 / 78 / 29

HEX #08B527

RGB 8 181 39

HSL 130.75, 0.92%, 0.37%

LAB 64.36, -64.72, 56.78

 

CMYK 96 / 0 / 78 / 14

HEX #09DC30

RGB 9 220 48

HSL 131.09, 0.92%, 0.45%

LAB 76.96, -75.1, 66.15

 

CMYK 90 / 0 / 73 / 4

HEX #19F541

RGB 25 245 65

HSL 130.91, 0.92%, 0.53%

LAB 84.94, -80.13, 68.66

 

CMYK 74 / 0 / 60 / 3

HEX #41F762

RGB 65 247 98

HSL 130.88, 0.92%, 0.61%

LAB 86.27, -73.62, 57.56

 

CMYK 96 / 0 / 78 / 13

HEX #09DF30

RGB 9 223 48

HSL 130.93, 0.92%, 0.45%

LAB 77.9, -75.93, 67.06

 

CMYK 96 / 35 / 0 / 14

HEX #098FDC

RGB 9 143 220

HSL 201.9, 0.92%, 0.45%

LAB 56.95, -3.52, -47.91

 

CMYK 0 / 96 / 74 / 14

HEX #DC093A

RGB 220 9 58

HSL 346.07, 0.92%, 0.45%

LAB 46.6, 72.02, 34.29

 

CMYK 96 / 0 / 78 / 13

HEX #09DF30

RGB 9 223 48

HSL 130.93, 0.92%, 0.45%

LAB 77.9, -75.93, 67.06

 

CMYK 80 / 96 / 0 / 14

HEX #2C09DC

RGB 44 9 220

HSL 249.95, 0.92%, 0.45%

LAB 29.15, 69.77, -93.19

 

CMYK 0 / 80 / 96 / 14

HEX #DC2C09

RGB 220 44 9

HSL 9.95, 0.92%, 0.45%

LAB 48.31, 65, 58.63

 

CMYK 96 / 0 / 78 / 13

HEX #09DF30

RGB 9 223 48

HSL 130.93, 0.92%, 0.45%

LAB 77.9, -75.93, 67.06

 

CMYK 96 / 35 / 0 / 14

HEX #098FDC

RGB 9 143 220

HSL 201.9, 0.92%, 0.45%

LAB 56.95, -3.52, -47.91

 

CMYK 0 / 96 / 16 / 14

HEX #DC09B9

RGB 220 9 185

HSL 309.95, 0.92%, 0.45%

LAB 50.59, 82.52, -36.91

 

CMYK 0 / 60 / 96 / 14

HEX #DC5709

RGB 220 87 9

HSL 22.18, 0.92%, 0.45%

LAB 54.08, 49.25, 61.96

 

CMYK 96 / 0 / 78 / 13

HEX #09DF30

RGB 9 223 48

HSL 130.93, 0.92%, 0.45%

LAB 77.9, -75.93, 67.06

 

CMYK 96 / 64 / 0 / 14

HEX #0950DC

RGB 9 80 220

HSL 219.81, 0.92%, 0.45%

LAB 39.52, 36.2, -76.06

 

CMYK 0 / 96 / 16 / 14

HEX #DC09B9

RGB 220 9 185

HSL 309.95, 0.92%, 0.45%

LAB 50.59, 82.52, -36.91

 

CMYK 0 / 32 / 96 / 14

HEX #DC9609

RGB 220 150 9

HSL 40.09, 0.92%, 0.45%

LAB 67.31, 17.05, 70.73

 

Description

Color code: HEX #09DF30 | qconv.com Color code: HEX #09DF30 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 9 red, 223 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
9 223 48 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 96 cyan, none magenta, 78 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
96% 0% 78% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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