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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #09D67C it is the complementary color #F62983. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #09D67C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #09D67C shade: #0ED677, #1FE88A, #30FA9D, #41FFB0 and #52FFC3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #09D67C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #09D67C shade: #09D67C, #00C469, #00B256, #00A043 and #008E30

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #09D67C shade: #09D77D, #09D745, #09D70D, #3CD709 and #74D709

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #09D67C shade: #09D77D, #09D7B4, #09C3D7, #098BD7 and #0953D7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #09D67C shade matches the following richer shades: #09D77D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #09D67C shade: #09D77D, #1BC57B, #2DB378, #3FA176 and #528F74

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #09D67C shade: #09D70C, #09D743, #09D77B, #09D7B2 and #09C6D7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #09D67C shade: #06884F, #07B066, #09D77D, #14F593 and #3CF7A5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #09D67C shade: #09D67C, #093DD7 and #D72809

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #09D67C shade: #09D67C, #7B09D7 and #D77B09

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #09D67C shade: #09D67C, #093DD7, #D70966 and #D7A409

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #09D67C shade: #09D67C, #1309D7, #D70966 and #CDD709

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 96 / 0 / 42 / 16

HEX #09D67C

RGB 9 214 124

HSL 153.66, 0.92%, 0.44%

LAB 75.83, -63.92, 32.4

 

Complementary color

CMYK 0 / 83 / 47 / 4

HEX #F62983

RGB 246 41 131

HSL 333.66, 0.92%, 0.56%

LAB 54.88, 77.99, 2.05

 

CMYK 93 / 0 / 44 / 16

HEX #0ED677

RGB 14 214 119

HSL 151.5, 0.88%, 0.45%

LAB 75.77, -64.64, 34.86

 

CMYK 87 / 0 / 41 / 9

HEX #1FE88A

RGB 31 232 138

HSL 151.94, 0.81%, 0.52%

LAB 81.75, -66.37, 33.11

 

CMYK 81 / 0 / 37 / 2

HEX #30FA9D

RGB 48 250 157

HSL 152.38, 0.95%, 0.58%

LAB 87.7, -67.67, 31.48

 

CMYK 75 / 0 / 31 / 0

HEX #41FFB0

RGB 65 255 176

HSL 155.05, 1%, 0.63%

LAB 89.76, -63.92, 24.73

 

CMYK 68 / 0 / 24 / 0

HEX #52FFC3

RGB 82 255 195

HSL 159.19, 1%, 0.66%

LAB 90.44, -57.62, 16.02

 

CMYK 96 / 0 / 42 / 16

HEX #09D67C

RGB 9 214 124

HSL 153.66, 0.92%, 0.44%

LAB 75.83, -63.92, 32.4

 

CMYK 100 / 0 / 46 / 23

HEX #00C469

RGB 0 196 105

HSL 152.14, 1%, 0.38%

LAB 69.82, -61.59, 34.27

 

CMYK 100 / 0 / 52 / 30

HEX #00B256

RGB 0 178 86

HSL 148.99, 1%, 0.35%

LAB 63.76, -58.82, 36.22

 

CMYK 100 / 0 / 58 / 37

HEX #00A043

RGB 0 160 67

HSL 145.13, 1%, 0.31%

LAB 57.6, -55.84, 38.12

 

CMYK 100 / 0 / 66 / 44

HEX #008E30

RGB 0 142 48

HSL 140.28, 1%, 0.28%

LAB 51.34, -52.58, 39.85

 

CMYK 96 / 0 / 42 / 16

HEX #09D77D

RGB 9 215 125

HSL 153.79, 0.92%, 0.44%

LAB 76.15, -64.07, 32.32

 

CMYK 96 / 0 / 68 / 16

HEX #09D745

RGB 9 215 69

HSL 137.48, 0.92%, 0.44%

LAB 75.51, -72, 57.4

 

CMYK 96 / 0 / 94 / 16

HEX #09D70D

RGB 9 215 13

HSL 121.17, 0.92%, 0.44%

LAB 75.26, -75.2, 71.9

 

CMYK 72 / 0 / 96 / 16

HEX #3CD709

RGB 60 215 9

HSL 105.15, 0.92%, 0.44%

LAB 75.81, -70.28, 73

 

CMYK 46 / 0 / 96 / 16

HEX #74D709

RGB 116 215 9

HSL 88.83, 0.92%, 0.44%

LAB 77.48, -56.73, 75.04

 

CMYK 96 / 0 / 42 / 16

HEX #09D77D

RGB 9 215 125

HSL 153.79, 0.92%, 0.44%

LAB 76.15, -64.07, 32.32

 

CMYK 96 / 0 / 16 / 16

HEX #09D7B4

RGB 9 215 180

HSL 169.81, 0.92%, 0.44%

LAB 77.25, -51.78, 4.97

 

CMYK 96 / 9 / 0 / 16

HEX #09C3D7

RGB 9 195 215

HSL 185.83, 0.92%, 0.44%

LAB 72.22, -32.83, -21.4

 

CMYK 96 / 35 / 0 / 16

HEX #098BD7

RGB 9 139 215

HSL 202.14, 0.92%, 0.44%

LAB 55.51, -3.07, -47.38

 

CMYK 96 / 61 / 0 / 16

HEX #0953D7

RGB 9 83 215

HSL 218.45, 0.92%, 0.44%

LAB 39.83, 32.34, -72.68

 

CMYK 96 / 0 / 42 / 16

HEX #09D77D

RGB 9 215 125

HSL 153.79, 0.92%, 0.44%

LAB 76.15, -64.07, 32.32

 

CMYK 96 / 0 / 42 / 16

HEX #09D77D

RGB 9 215 125

HSL 153.79, 0.92%, 0.44%

LAB 76.15, -64.07, 32.32

 

CMYK 86 / 0 / 38 / 23

HEX #1BC57B

RGB 27 197 123

HSL 153.88, 0.76%, 0.44%

LAB 70.59, -57.24, 26.01

 

CMYK 75 / 0 / 33 / 30

HEX #2DB378

RGB 45 179 120

HSL 153.58, 0.6%, 0.44%

LAB 65.08, -49.2, 20.21

 

CMYK 61 / 0 / 27 / 37

HEX #3FA176

RGB 63 161 118

HSL 153.67, 0.44%, 0.44%

LAB 59.76, -39.06, 14.04

 

CMYK 43 / 0 / 19 / 44

HEX #528F74

RGB 82 143 116

HSL 153.44, 0.27%, 0.44%

LAB 54.76, -26.34, 8.24

 

CMYK 96 / 0 / 94 / 16

HEX #09D70C

RGB 9 215 12

HSL 120.87, 0.92%, 0.44%

LAB 75.26, -75.22, 72.01

 

CMYK 96 / 0 / 69 / 16

HEX #09D743

RGB 9 215 67

HSL 136.89, 0.92%, 0.44%

LAB 75.49, -72.19, 58.16

 

CMYK 96 / 0 / 43 / 16

HEX #09D77B

RGB 9 215 123

HSL 153.2, 0.92%, 0.44%

LAB 76.12, -64.44, 33.29

 

CMYK 96 / 0 / 17 / 16

HEX #09D7B2

RGB 9 215 178

HSL 169.22, 0.92%, 0.44%

LAB 77.21, -52.29, 5.97

 

CMYK 96 / 8 / 0 / 16

HEX #09C6D7

RGB 9 198 215

HSL 184.95, 0.92%, 0.44%

LAB 73.12, -34.26, -20.04

 

CMYK 96 / 0 / 42 / 47

HEX #06884F

RGB 6 136 79

HSL 153.69, 0.92%, 0.28%

LAB 49.75, -45.11, 22.03

 

CMYK 96 / 0 / 42 / 31

HEX #07B066

RGB 7 176 102

HSL 153.73, 0.92%, 0.36%

LAB 63.39, -55, 27.5

 

CMYK 96 / 0 / 42 / 16

HEX #09D77D

RGB 9 215 125

HSL 153.79, 0.92%, 0.44%

LAB 76.15, -64.07, 32.32

 

CMYK 92 / 0 / 40 / 4

HEX #14F593

RGB 20 245 147

HSL 153.87, 0.92%, 0.52%

LAB 85.79, -69.72, 33.91

 

CMYK 76 / 0 / 33 / 3

HEX #3CF7A5

RGB 60 247 165

HSL 153.69, 0.92%, 0.6%

LAB 87.09, -63.79, 26.67

 

CMYK 96 / 0 / 42 / 16

HEX #09D67C

RGB 9 214 124

HSL 153.66, 0.92%, 0.44%

LAB 75.83, -63.92, 32.4

 

CMYK 96 / 72 / 0 / 16

HEX #093DD7

RGB 9 61 215

HSL 224.85, 0.92%, 0.44%

LAB 34.6, 46.23, -81.29

 

CMYK 0 / 81 / 96 / 16

HEX #D72809

RGB 215 40 9

HSL 9.03, 0.92%, 0.44%

LAB 46.95, 64.6, 57.37

 

CMYK 96 / 0 / 42 / 16

HEX #09D67C

RGB 9 214 124

HSL 153.66, 0.92%, 0.44%

LAB 75.83, -63.92, 32.4

 

CMYK 43 / 96 / 0 / 16

HEX #7B09D7

RGB 123 9 215

HSL 273.2, 0.92%, 0.44%

LAB 36.58, 73.37, -77.75

 

CMYK 0 / 43 / 96 / 16

HEX #D77B09

RGB 215 123 9

HSL 33.2, 0.92%, 0.44%

LAB 60.46, 29.36, 65.71

 

CMYK 96 / 0 / 42 / 16

HEX #09D67C

RGB 9 214 124

HSL 153.66, 0.92%, 0.44%

LAB 75.83, -63.92, 32.4

 

CMYK 96 / 72 / 0 / 16

HEX #093DD7

RGB 9 61 215

HSL 224.85, 0.92%, 0.44%

LAB 34.6, 46.23, -81.29

 

CMYK 0 / 96 / 53 / 16

HEX #D70966

RGB 215 9 102

HSL 332.91, 0.92%, 0.44%

LAB 46.45, 73.22, 6.79

 

CMYK 0 / 24 / 96 / 16

HEX #D7A409

RGB 215 164 9

HSL 45.15, 0.92%, 0.44%

LAB 70.19, 7.36, 72.51

 

CMYK 96 / 0 / 42 / 16

HEX #09D67C

RGB 9 214 124

HSL 153.66, 0.92%, 0.44%

LAB 75.83, -63.92, 32.4

 

CMYK 91 / 96 / 0 / 16

HEX #1309D7

RGB 19 9 215

HSL 242.91, 0.92%, 0.44%

LAB 27.41, 68.06, -93.25

 

CMYK 0 / 96 / 53 / 16

HEX #D70966

RGB 215 9 102

HSL 332.91, 0.92%, 0.44%

LAB 46.45, 73.22, 6.79

 

CMYK 5 / 0 / 96 / 16

HEX #CDD709

RGB 205 215 9

HSL 62.91, 0.92%, 0.44%

LAB 82.7, -23.08, 81.35

 

Description

Color code: HEX #09D67C | qconv.com Color code: HEX #09D67C | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 9 red, 214 green and 124 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
9 214 124 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 96 cyan, none magenta, 42 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
96% 0% 42% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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