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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #09D436 it is the complementary color #F62BC9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #09D436. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #09D436 shade: #0ED431, #1FE644, #30F857, #41FF6A and #52FF7D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #09D436. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #09D436 shade: #09D436, #00C223, #00B010, #009E00 and #008C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #09D436 shade: #09D335, #12D309, #49D309, #7FD309 and #B6D309

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #09D436 shade: #09D335, #09D36C, #09D3A2, #09CCD3 and #0996D3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #09D436 shade matches the following richer shades: #09D335

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #09D436 shade: #09D335, #1BC13F, #2CAF49, #3E9D53 and #508C5D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #09D436 shade: #49D309, #13D309, #09D334, #09D36A and #09D3A0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #09D436 shade: #058321, #07AB2B, #09D335, #10F542 and #37F762

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #09D436 shade: #09D436, #097ED3 and #D3092E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #09D436 shade: #09D436, #3409D3 and #D33409

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #09D436 shade: #09D436, #097ED3, #D309A7 and #D35D09

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #09D436 shade: #09D436, #0942D3, #D309A7 and #D39909

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 96 / 0 / 75 / 17

HEX #09D436

RGB 9 212 54

HSL 133.3, 0.92%, 0.43%

LAB 74.45, -72.44, 61.8

 

Complementary color

CMYK 0 / 83 / 18 / 4

HEX #F62BC9

RGB 246 43 201

HSL 313.3, 0.92%, 0.57%

LAB 57.6, 84.82, -34.85

 

CMYK 93 / 0 / 77 / 17

HEX #0ED431

RGB 14 212 49

HSL 130.61, 0.88%, 0.44%

LAB 74.45, -72.61, 63.43

 

CMYK 87 / 0 / 70 / 10

HEX #1FE644

RGB 31 230 68

HSL 131.16, 0.8%, 0.51%

LAB 80.35, -75.23, 62.93

 

CMYK 81 / 0 / 65 / 3

HEX #30F857

RGB 48 248 87

HSL 131.7, 0.93%, 0.58%

LAB 86.23, -77.2, 62

 

CMYK 75 / 0 / 58 / 0

HEX #41FF6A

RGB 65 255 106

HSL 132.95, 1%, 0.63%

LAB 88.77, -75.23, 57.01

 

CMYK 68 / 0 / 51 / 0

HEX #52FF7D

RGB 82 255 125

HSL 134.91, 1%, 0.66%

LAB 89.3, -70.2, 49.16

 

CMYK 96 / 0 / 75 / 17

HEX #09D436

RGB 9 212 54

HSL 133.3, 0.92%, 0.43%

LAB 74.45, -72.44, 61.8

 

CMYK 100 / 0 / 82 / 24

HEX #00C223

RGB 0 194 35

HSL 130.82, 1%, 0.38%

LAB 68.54, -69.01, 61.89

 

CMYK 100 / 0 / 91 / 31

HEX #00B010

RGB 0 176 16

HSL 125.45, 1%, 0.35%

LAB 62.58, -64.85, 60.81

 

CMYK 100 / 0 / 100 / 38

HEX #009E00

RGB 0 158 0

HSL 120, 1%, 0.31%

LAB 56.54, -60.27, 58.17

 

CMYK 100 / 0 / 100 / 45

HEX #008C00

RGB 0 140 0

HSL 120, 1%, 0.27%

LAB 50.4, -55.17, 53.24

 

CMYK 96 / 0 / 75 / 17

HEX #09D335

RGB 9 211 53

HSL 133.07, 0.92%, 0.43%

LAB 74.13, -72.24, 61.81

 

CMYK 91 / 0 / 96 / 17

HEX #12D309

RGB 18 211 9

HSL 117.33, 0.92%, 0.43%

LAB 74.02, -73.79, 71.32

 

CMYK 65 / 0 / 96 / 17

HEX #49D309

RGB 73 211 9

HSL 100.99, 0.92%, 0.43%

LAB 74.84, -66.6, 72.32

 

CMYK 40 / 0 / 96 / 17

HEX #7FD309

RGB 127 211 9

HSL 84.95, 0.92%, 0.43%

LAB 76.75, -51.61, 74.66

 

CMYK 14 / 0 / 96 / 17

HEX #B6D309

RGB 182 211 9

HSL 68.61, 0.92%, 0.43%

LAB 79.93, -30.73, 78.51

 

CMYK 96 / 0 / 75 / 17

HEX #09D335

RGB 9 211 53

HSL 133.07, 0.92%, 0.43%

LAB 74.13, -72.24, 61.81

 

CMYK 96 / 0 / 49 / 17

HEX #09D36C

RGB 9 211 108

HSL 149.41, 0.92%, 0.43%

LAB 74.65, -65.7, 38.9

 

CMYK 96 / 0 / 23 / 17

HEX #09D3A2

RGB 9 211 162

HSL 165.45, 0.92%, 0.43%

LAB 75.61, -54.71, 12.23

 

CMYK 96 / 3 / 0 / 17

HEX #09CCD3

RGB 9 204 211

HSL 182.08, 0.92%, 0.43%

LAB 74.79, -38.28, -15.35

 

CMYK 96 / 29 / 0 / 17

HEX #0996D3

RGB 9 150 211

HSL 198.12, 0.92%, 0.43%

LAB 58.58, -10.89, -40.3

 

CMYK 96 / 0 / 75 / 17

HEX #09D335

RGB 9 211 53

HSL 133.07, 0.92%, 0.43%

LAB 74.13, -72.24, 61.81

 

CMYK 96 / 0 / 75 / 17

HEX #09D335

RGB 9 211 53

HSL 133.07, 0.92%, 0.43%

LAB 74.13, -72.24, 61.81

 

CMYK 86 / 0 / 67 / 24

HEX #1BC13F

RGB 27 193 63

HSL 133.01, 0.75%, 0.43%

LAB 68.56, -65.01, 52.35

 

CMYK 75 / 0 / 58 / 31

HEX #2CAF49

RGB 44 175 73

HSL 133.28, 0.6%, 0.43%

LAB 63.07, -56, 41.82

 

CMYK 61 / 0 / 47 / 38

HEX #3E9D53

RGB 62 157 83

HSL 133.26, 0.43%, 0.43%

LAB 57.81, -44.37, 30.49

 

CMYK 43 / 0 / 34 / 45

HEX #508C5D

RGB 80 140 93

HSL 133, 0.27%, 0.43%

LAB 53.22, -30.22, 19.17

 

CMYK 65 / 0 / 96 / 17

HEX #49D309

RGB 73 211 9

HSL 100.99, 0.92%, 0.43%

LAB 74.84, -66.6, 72.32

 

CMYK 91 / 0 / 96 / 17

HEX #13D309

RGB 19 211 9

HSL 117.03, 0.92%, 0.43%

LAB 74.03, -73.73, 71.32

 

CMYK 96 / 0 / 75 / 17

HEX #09D334

RGB 9 211 52

HSL 132.77, 0.92%, 0.43%

LAB 74.12, -72.31, 62.14

 

CMYK 96 / 0 / 50 / 17

HEX #09D36A

RGB 9 211 106

HSL 148.81, 0.92%, 0.43%

LAB 74.63, -66.02, 39.85

 

CMYK 96 / 0 / 24 / 17

HEX #09D3A0

RGB 9 211 160

HSL 164.85, 0.92%, 0.43%

LAB 75.57, -55.19, 13.23

 

CMYK 96 / 0 / 75 / 49

HEX #058321

RGB 5 131 33

HSL 133.33, 0.93%, 0.27%

LAB 47.46, -50.36, 42.09

 

CMYK 96 / 0 / 75 / 33

HEX #07AB2B

RGB 7 171 43

HSL 133.17, 0.92%, 0.35%

LAB 61.09, -61.54, 52.2

 

CMYK 96 / 0 / 75 / 17

HEX #09D335

RGB 9 211 53

HSL 133.07, 0.92%, 0.43%

LAB 74.13, -72.24, 61.81

 

CMYK 93 / 0 / 73 / 4

HEX #10F542

RGB 16 245 66

HSL 133.1, 0.92%, 0.51%

LAB 84.9, -80.5, 68.26

 

CMYK 78 / 0 / 60 / 3

HEX #37F762

RGB 55 247 98

HSL 133.44, 0.92%, 0.59%

LAB 86.11, -74.93, 57.35

 

CMYK 96 / 0 / 75 / 17

HEX #09D436

RGB 9 212 54

HSL 133.3, 0.92%, 0.43%

LAB 74.45, -72.44, 61.8

 

CMYK 96 / 40 / 0 / 17

HEX #097ED3

RGB 9 126 211

HSL 205.25, 0.92%, 0.43%

LAB 51.48, 3.2, -51.55

 

CMYK 0 / 96 / 78 / 17

HEX #D3092E

RGB 211 9 46

HSL 349.01, 0.92%, 0.43%

LAB 44.58, 69.41, 38.59

 

CMYK 96 / 0 / 75 / 17

HEX #09D436

RGB 9 212 54

HSL 133.3, 0.92%, 0.43%

LAB 74.45, -72.44, 61.8

 

CMYK 75 / 96 / 0 / 17

HEX #3409D3

RGB 52 9 211

HSL 252.77, 0.92%, 0.43%

LAB 28.46, 67.78, -89.14

 

CMYK 0 / 75 / 96 / 17

HEX #D33409

RGB 211 52 9

HSL 12.77, 0.92%, 0.43%

LAB 47.4, 59.99, 57.19

 

CMYK 96 / 0 / 75 / 17

HEX #09D436

RGB 9 212 54

HSL 133.3, 0.92%, 0.43%

LAB 74.45, -72.44, 61.8

 

CMYK 96 / 40 / 0 / 17

HEX #097ED3

RGB 9 126 211

HSL 205.25, 0.92%, 0.43%

LAB 51.48, 3.2, -51.55

 

CMYK 0 / 96 / 21 / 17

HEX #D309A7

RGB 211 9 167

HSL 313.07, 0.92%, 0.43%

LAB 48.05, 78.64, -30.4

 

CMYK 0 / 56 / 96 / 17

HEX #D35D09

RGB 211 93 9

HSL 24.95, 0.92%, 0.43%

LAB 53.7, 43.08, 61

 

CMYK 96 / 0 / 75 / 17

HEX #09D436

RGB 9 212 54

HSL 133.3, 0.92%, 0.43%

LAB 74.45, -72.44, 61.8

 

CMYK 96 / 69 / 0 / 17

HEX #0942D3

RGB 9 66 211

HSL 223.07, 0.92%, 0.43%

LAB 35.32, 41.72, -77.8

 

CMYK 0 / 96 / 21 / 17

HEX #D309A7

RGB 211 9 167

HSL 313.07, 0.92%, 0.43%

LAB 48.05, 78.64, -30.4

 

CMYK 0 / 27 / 96 / 17

HEX #D39909

RGB 211 153 9

HSL 42.77, 0.92%, 0.43%

LAB 67.01, 11.5, 70.04

 

Description

Color code: HEX #09D436 | qconv.com Color code: HEX #09D436 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 9 red, 212 green and 54 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
9 212 54 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 96 cyan, none magenta, 75 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
96% 0% 75% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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