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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #09D32E it is the complementary color #F62CD1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #09D32E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #09D32E shade: #0ED329, #1FE53C, #30F74F, #41FF62 and #52FF75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #09D32E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #09D32E shade: #09D32E, #00C11B, #00AF08, #009D00 and #008B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #09D32E shade: #09D32E, #1AD309, #51D309, #87D309 and #BDD309

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #09D32E shade: #09D32E, #09D364, #09D39B, #09D3D1 and #099ED3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #09D32E shade matches the following richer shades: #09D32E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #09D32E shade: #09D32E, #1BC139, #2CAF44, #3E9D4F and #508C5B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #09D32E shade: #53D309, #1DD309, #09D32A, #09D360 and #09D396

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #09D32E shade: #05831D, #07AB25, #09D32E, #10F53A and #37F75A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #09D32E shade: #09D32E, #0989D3 and #D30938

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #09D32E shade: #09D32E, #2A09D3 and #D32A09

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #09D32E shade: #09D32E, #0989D3, #D309B1 and #D35309

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #09D32E shade: #09D32E, #094CD3, #D309B1 and #D38F09

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 96 / 0 / 78 / 17

HEX #09D32E

RGB 9 211 46

HSL 130.99, 0.92%, 0.43%

LAB 74.09, -72.73, 64

 

Complementary color

CMYK 0 / 82 / 15 / 4

HEX #F62CD1

RGB 246 44 209

HSL 310.99, 0.92%, 0.57%

LAB 58.03, 85.63, -38.73

 

CMYK 93 / 0 / 81 / 17

HEX #0ED329

RGB 14 211 41

HSL 128.22, 0.88%, 0.44%

LAB 74.09, -72.83, 65.45

 

CMYK 86 / 0 / 74 / 10

HEX #1FE53C

RGB 31 229 60

HSL 128.79, 0.79%, 0.51%

LAB 79.99, -75.58, 65.37

 

CMYK 81 / 0 / 68 / 3

HEX #30F74F

RGB 48 247 79

HSL 129.35, 0.93%, 0.58%

LAB 85.86, -77.67, 64.7

 

CMYK 75 / 0 / 62 / 0

HEX #41FF62

RGB 65 255 98

HSL 130.42, 1%, 0.63%

LAB 88.7, -76.14, 60.32

 

CMYK 68 / 0 / 54 / 0

HEX #52FF75

RGB 82 255 117

HSL 132.14, 1%, 0.66%

LAB 89.2, -71.27, 52.72

 

CMYK 96 / 0 / 78 / 17

HEX #09D32E

RGB 9 211 46

HSL 130.99, 0.92%, 0.43%

LAB 74.09, -72.73, 64

 

CMYK 100 / 0 / 86 / 24

HEX #00C11B

RGB 0 193 27

HSL 128.39, 1%, 0.38%

LAB 68.18, -69.13, 63.53

 

CMYK 100 / 0 / 95 / 31

HEX #00AF08

RGB 0 175 8

HSL 122.74, 1%, 0.34%

LAB 62.23, -64.79, 61.68

 

CMYK 100 / 0 / 100 / 38

HEX #009D00

RGB 0 157 0

HSL 120, 1%, 0.31%

LAB 56.2, -59.99, 57.89

 

CMYK 100 / 0 / 100 / 45

HEX #008B00

RGB 0 139 0

HSL 120, 1%, 0.27%

LAB 50.06, -54.88, 52.97

 

CMYK 96 / 0 / 78 / 17

HEX #09D32E

RGB 9 211 46

HSL 130.99, 0.92%, 0.43%

LAB 74.09, -72.73, 64

 

CMYK 88 / 0 / 96 / 17

HEX #1AD309

RGB 26 211 9

HSL 114.95, 0.92%, 0.43%

LAB 74.08, -73.26, 71.39

 

CMYK 62 / 0 / 96 / 17

HEX #51D309

RGB 81 211 9

HSL 98.61, 0.92%, 0.43%

LAB 75.05, -64.84, 72.58

 

CMYK 36 / 0 / 96 / 17

HEX #87D309

RGB 135 211 9

HSL 82.57, 0.92%, 0.43%

LAB 77.14, -48.84, 75.13

 

CMYK 10 / 0 / 96 / 17

HEX #BDD309

RGB 189 211 9

HSL 66.53, 0.92%, 0.43%

LAB 80.42, -27.85, 79.1

 

CMYK 96 / 0 / 78 / 17

HEX #09D32E

RGB 9 211 46

HSL 130.99, 0.92%, 0.43%

LAB 74.09, -72.73, 64

 

CMYK 96 / 0 / 53 / 17

HEX #09D364

RGB 9 211 100

HSL 147.03, 0.92%, 0.43%

LAB 74.55, -66.95, 42.65

 

CMYK 96 / 0 / 27 / 17

HEX #09D39B

RGB 9 211 155

HSL 163.37, 0.92%, 0.43%

LAB 75.46, -56.37, 15.74

 

CMYK 96 / 0 / 1 / 17

HEX #09D3D1

RGB 9 211 209

HSL 179.41, 0.92%, 0.43%

LAB 76.83, -42.04, -11.21

 

CMYK 96 / 25 / 0 / 17

HEX #099ED3

RGB 9 158 211

HSL 195.74, 0.92%, 0.43%

LAB 60.97, -15.31, -36.55

 

CMYK 96 / 0 / 78 / 17

HEX #09D32E

RGB 9 211 46

HSL 130.99, 0.92%, 0.43%

LAB 74.09, -72.73, 64

 

CMYK 96 / 0 / 78 / 17

HEX #09D32E

RGB 9 211 46

HSL 130.99, 0.92%, 0.43%

LAB 74.09, -72.73, 64

 

CMYK 86 / 0 / 70 / 24

HEX #1BC139

RGB 27 193 57

HSL 130.84, 0.75%, 0.43%

LAB 68.51, -65.59, 54.68

 

CMYK 75 / 0 / 61 / 31

HEX #2CAF44

RGB 44 175 68

HSL 130.99, 0.6%, 0.43%

LAB 63.02, -56.64, 44.09

 

CMYK 61 / 0 / 50 / 38

HEX #3E9D4F

RGB 62 157 79

HSL 130.74, 0.43%, 0.43%

LAB 57.75, -45, 32.5

 

CMYK 43 / 0 / 35 / 45

HEX #508C5B

RGB 80 140 91

HSL 131, 0.27%, 0.43%

LAB 53.19, -30.59, 20.24

 

CMYK 61 / 0 / 96 / 17

HEX #53D309

RGB 83 211 9

HSL 98.02, 0.92%, 0.43%

LAB 75.11, -64.38, 72.65

 

CMYK 86 / 0 / 96 / 17

HEX #1DD309

RGB 29 211 9

HSL 114.06, 0.92%, 0.43%

LAB 74.11, -73.02, 71.42

 

CMYK 96 / 0 / 80 / 17

HEX #09D32A

RGB 9 211 42

HSL 129.8, 0.92%, 0.43%

LAB 74.07, -72.98, 65.15

 

CMYK 96 / 0 / 55 / 17

HEX #09D360

RGB 9 211 96

HSL 145.84, 0.92%, 0.43%

LAB 74.5, -67.54, 44.5

 

CMYK 96 / 0 / 29 / 17

HEX #09D396

RGB 9 211 150

HSL 161.88, 0.92%, 0.43%

LAB 75.36, -57.51, 18.25

 

CMYK 96 / 0 / 78 / 49

HEX #05831D

RGB 5 131 29

HSL 131.43, 0.93%, 0.27%

LAB 47.43, -50.71, 43.58

 

CMYK 96 / 0 / 78 / 33

HEX #07AB25

RGB 7 171 37

HSL 130.98, 0.92%, 0.35%

LAB 61.05, -62, 54.21

 

CMYK 96 / 0 / 78 / 17

HEX #09D32E

RGB 9 211 46

HSL 130.99, 0.92%, 0.43%

LAB 74.09, -72.73, 64

 

CMYK 93 / 0 / 76 / 4

HEX #10F53A

RGB 16 245 58

HSL 131, 0.92%, 0.51%

LAB 84.85, -81.07, 70.79

 

CMYK 78 / 0 / 64 / 3

HEX #37F75A

RGB 55 247 90

HSL 130.94, 0.92%, 0.59%

LAB 86.04, -75.81, 60.6

 

CMYK 96 / 0 / 78 / 17

HEX #09D32E

RGB 9 211 46

HSL 130.99, 0.92%, 0.43%

LAB 74.09, -72.73, 64

 

CMYK 96 / 35 / 0 / 17

HEX #0989D3

RGB 9 137 211

HSL 201.98, 0.92%, 0.43%

LAB 54.71, -3.41, -46.4

 

CMYK 0 / 96 / 73 / 17

HEX #D30938

RGB 211 9 56

HSL 346.04, 0.92%, 0.43%

LAB 44.7, 69.75, 32.81

 

CMYK 96 / 0 / 78 / 17

HEX #09D32E

RGB 9 211 46

HSL 130.99, 0.92%, 0.43%

LAB 74.09, -72.73, 64

 

CMYK 80 / 96 / 0 / 17

HEX #2A09D3

RGB 42 9 211

HSL 249.8, 0.92%, 0.43%

LAB 27.82, 67.48, -90.21

 

CMYK 0 / 80 / 96 / 17

HEX #D32A09

RGB 211 42 9

HSL 9.8, 0.92%, 0.43%

LAB 46.34, 62.94, 56.61

 

CMYK 96 / 0 / 78 / 17

HEX #09D32E

RGB 9 211 46

HSL 130.99, 0.92%, 0.43%

LAB 74.09, -72.73, 64

 

CMYK 96 / 35 / 0 / 17

HEX #0989D3

RGB 9 137 211

HSL 201.98, 0.92%, 0.43%

LAB 54.71, -3.41, -46.4

 

CMYK 0 / 96 / 16 / 17

HEX #D309B1

RGB 211 9 177

HSL 310.1, 0.92%, 0.43%

LAB 48.53, 79.87, -35.56

 

CMYK 0 / 61 / 96 / 17

HEX #D35309

RGB 211 83 9

HSL 21.98, 0.92%, 0.43%

LAB 51.9, 47.79, 59.86

 

CMYK 96 / 0 / 78 / 17

HEX #09D32E

RGB 9 211 46

HSL 130.99, 0.92%, 0.43%

LAB 74.09, -72.73, 64

 

CMYK 96 / 64 / 0 / 17

HEX #094CD3

RGB 9 76 211

HSL 220.1, 0.92%, 0.43%

LAB 37.72, 35.35, -73.85

 

CMYK 0 / 96 / 16 / 17

HEX #D309B1

RGB 211 9 177

HSL 310.1, 0.92%, 0.43%

LAB 48.53, 79.87, -35.56

 

CMYK 0 / 32 / 96 / 17

HEX #D38F09

RGB 211 143 9

HSL 39.8, 0.92%, 0.43%

LAB 64.57, 16.91, 68.31

 

Description

Color code: HEX #09D32E | qconv.com Color code: HEX #09D32E | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 9 red, 211 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
9 211 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 96 cyan, none magenta, 78 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
96% 0% 78% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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