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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #09CFC7 it is the complementary color #F63038. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #09CFC7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #09CFC7 shade: #0ECFC2, #1FE1D5, #30F3E8, #41FFFB and #52FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #09CFC7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #09CFC7 shade: #09CFC7, #00BDB4, #00ABA1, #00998E and #00877B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #09CFC7 shade: #08CDC5, #08CD90, #08CD5B, #08CD26 and #20CD08

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #09CFC7 shade: #08CDC5, #08A0CD, #086BCD, #0836CD and #0808CD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #09CFC7 shade matches the following richer shades: #08CDC5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #09CFC7 shade: #08CDC5, #19BCB5, #2BAAA5, #3C9995 and #4D8885

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #09CFC7 shade: #08CD5A, #08CD8F, #08CDC3, #08A2CD and #086ECD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #09CFC7 shade: #057E79, #06A69F, #08CDC5, #0AF4EB and #32F6EE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #09CFC7 shade: #09CFC7, #2608CD and #CD7408

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #09CFC7 shade: #09CFC7, #C308CD and #CDC308

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #09CFC7 shade: #09CFC7, #2608CD, #CD0812 and #B0CD08

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #09CFC7 shade: #09CFC7, #6108CD, #CD0812 and #74CD08

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 96 / 0 / 4 / 19

HEX #09CFC7

RGB 9 207 199

HSL 177.58, 0.92%, 0.42%

LAB 75.33, -43.19, -8.06

 

Complementary color

CMYK 0 / 80 / 77 / 4

HEX #F63038

RGB 246 48 56

HSL 357.58, 0.92%, 0.58%

LAB 54.02, 72.19, 45.08

 

CMYK 93 / 0 / 6 / 19

HEX #0ECFC2

RGB 14 207 194

HSL 175.96, 0.87%, 0.43%

LAB 75.21, -44.48, -5.54

 

CMYK 86 / 0 / 5 / 12

HEX #1FE1D5

RGB 31 225 213

HSL 176.29, 0.76%, 0.5%

LAB 81.26, -46.1, -6.75

 

CMYK 80 / 0 / 5 / 5

HEX #30F3E8

RGB 48 243 232

HSL 176.62, 0.89%, 0.57%

LAB 87.27, -47.41, -7.85

 

CMYK 75 / 0 / 2 / 0

HEX #41FFFB

RGB 65 255 251

HSL 178.74, 1%, 0.63%

LAB 91.51, -45.86, -11.42

 

CMYK 68 / 0 / 0 / 0

HEX #52FFFF

RGB 82 255 255

HSL 180, 1%, 0.66%

LAB 91.92, -42.83, -12.85

 

CMYK 96 / 0 / 4 / 19

HEX #09CFC7

RGB 9 207 199

HSL 177.58, 0.92%, 0.42%

LAB 75.33, -43.19, -8.06

 

CMYK 100 / 0 / 5 / 26

HEX #00BDB4

RGB 0 189 180

HSL 177.14, 1%, 0.37%

LAB 69.25, -41.07, -6.75

 

CMYK 100 / 0 / 6 / 33

HEX #00ABA1

RGB 0 171 161

HSL 176.49, 1%, 0.34%

LAB 63.09, -38.67, -5.34

 

CMYK 100 / 0 / 7 / 40

HEX #00998E

RGB 0 153 142

HSL 175.69, 1%, 0.3%

LAB 56.82, -36.22, -3.88

 

CMYK 100 / 0 / 9 / 47

HEX #00877B

RGB 0 135 123

HSL 174.67, 1%, 0.26%

LAB 50.4, -33.73, -2.36

 

CMYK 96 / 0 / 4 / 20

HEX #08CDC5

RGB 8 205 197

HSL 177.56, 0.92%, 0.42%

LAB 74.66, -42.92, -7.97

 

CMYK 96 / 0 / 30 / 20

HEX #08CD90

RGB 8 205 144

HSL 161.42, 0.92%, 0.42%

LAB 73.37, -56.67, 18.68

 

CMYK 96 / 0 / 56 / 20

HEX #08CD5B

RGB 8 205 91

HSL 145.28, 0.92%, 0.42%

LAB 72.54, -66.41, 44.49

 

CMYK 96 / 0 / 81 / 20

HEX #08CD26

RGB 8 205 38

HSL 129.14, 0.92%, 0.42%

LAB 72.13, -71.58, 64.43

 

CMYK 84 / 0 / 96 / 20

HEX #20CD08

RGB 32 205 8

HSL 112.69, 0.92%, 0.42%

LAB 72.22, -71.09, 69.99

 

CMYK 96 / 0 / 4 / 20

HEX #08CDC5

RGB 8 205 197

HSL 177.56, 0.92%, 0.42%

LAB 74.66, -42.92, -7.97

 

CMYK 96 / 22 / 0 / 20

HEX #08A0CD

RGB 8 160 205

HSL 193.71, 0.92%, 0.42%

LAB 61.31, -18.56, -32.68

 

CMYK 96 / 48 / 0 / 20

HEX #086BCD

RGB 8 107 205

HSL 209.85, 0.92%, 0.42%

LAB 45.6, 12.71, -57.57

 

CMYK 96 / 74 / 0 / 20

HEX #0836CD

RGB 8 54 205

HSL 225.99, 0.92%, 0.42%

LAB 32.03, 46.83, -79.76

 

CMYK 96 / 96 / 0 / 20

HEX #0808CD

RGB 8 8 205

HSL 240, 0.92%, 0.42%

LAB 25.66, 65.6, -90.35

 

CMYK 96 / 0 / 4 / 20

HEX #08CDC5

RGB 8 205 197

HSL 177.56, 0.92%, 0.42%

LAB 74.66, -42.92, -7.97

 

CMYK 96 / 0 / 4 / 20

HEX #08CDC5

RGB 8 205 197

HSL 177.56, 0.92%, 0.42%

LAB 74.66, -42.92, -7.97

 

CMYK 87 / 0 / 4 / 26

HEX #19BCB5

RGB 25 188 181

HSL 177.42, 0.77%, 0.42%

LAB 69.12, -39.33, -7.48

 

CMYK 75 / 0 / 3 / 33

HEX #2BAAA5

RGB 43 170 165

HSL 177.64, 0.6%, 0.42%

LAB 63.33, -34.17, -7.19

 

CMYK 61 / 0 / 3 / 40

HEX #3C9995

RGB 60 153 149

HSL 177.42, 0.44%, 0.42%

LAB 57.95, -28.07, -6.09

 

CMYK 43 / 0 / 2 / 47

HEX #4D8885

RGB 77 136 133

HSL 176.95, 0.28%, 0.42%

LAB 52.82, -19.99, -4.42

 

CMYK 96 / 0 / 56 / 20

HEX #08CD5A

RGB 8 205 90

HSL 144.97, 0.92%, 0.42%

LAB 72.53, -66.55, 44.94

 

CMYK 96 / 0 / 30 / 20

HEX #08CD8F

RGB 8 205 143

HSL 161.12, 0.92%, 0.42%

LAB 73.35, -56.89, 19.18

 

CMYK 96 / 0 / 5 / 20

HEX #08CDC3

RGB 8 205 195

HSL 176.95, 0.92%, 0.42%

LAB 74.61, -43.5, -6.98

 

CMYK 96 / 21 / 0 / 20

HEX #08A2CD

RGB 8 162 205

HSL 193.1, 0.92%, 0.42%

LAB 61.91, -19.62, -31.74

 

CMYK 96 / 46 / 0 / 20

HEX #086ECD

RGB 8 110 205

HSL 208.93, 0.92%, 0.42%

LAB 46.46, 10.8, -56.18

 

CMYK 96 / 0 / 4 / 51

HEX #057E79

RGB 5 126 121

HSL 177.52, 0.92%, 0.26%

LAB 47.41, -29.85, -5.61

 

CMYK 96 / 0 / 4 / 35

HEX #06A69F

RGB 6 166 159

HSL 177.38, 0.93%, 0.34%

LAB 61.49, -36.78, -6.59

 

CMYK 96 / 0 / 4 / 20

HEX #08CDC5

RGB 8 205 197

HSL 177.56, 0.92%, 0.42%

LAB 74.66, -42.92, -7.97

 

CMYK 96 / 0 / 4 / 4

HEX #0AF4EB

RGB 10 244 235

HSL 177.69, 0.92%, 0.5%

LAB 87.37, -48.86, -9.3

 

CMYK 80 / 0 / 3 / 4

HEX #32F6EE

RGB 50 246 238

HSL 177.55, 0.92%, 0.58%

LAB 88.33, -46.89, -9.41

 

CMYK 96 / 0 / 4 / 19

HEX #09CFC7

RGB 9 207 199

HSL 177.58, 0.92%, 0.42%

LAB 75.33, -43.19, -8.06

 

CMYK 81 / 96 / 0 / 20

HEX #2608CD

RGB 38 8 205

HSL 249.14, 0.92%, 0.42%

LAB 26.72, 66.05, -88.56

 

CMYK 0 / 43 / 96 / 20

HEX #CD7408

RGB 205 116 8

HSL 32.89, 0.92%, 0.42%

LAB 57.55, 28.88, 63.27

 

CMYK 96 / 0 / 4 / 19

HEX #09CFC7

RGB 9 207 199

HSL 177.58, 0.92%, 0.42%

LAB 75.33, -43.19, -8.06

 

CMYK 5 / 96 / 0 / 20

HEX #C308CD

RGB 195 8 205

HSL 296.95, 0.92%, 0.42%

LAB 47.21, 81.1, -54.16

 

CMYK 0 / 5 / 96 / 20

HEX #CDC308

RGB 205 195 8

HSL 56.95, 0.92%, 0.42%

LAB 77.3, -13.21, 77.39

 

CMYK 96 / 0 / 4 / 19

HEX #09CFC7

RGB 9 207 199

HSL 177.58, 0.92%, 0.42%

LAB 75.33, -43.19, -8.06

 

CMYK 81 / 96 / 0 / 20

HEX #2608CD

RGB 38 8 205

HSL 249.14, 0.92%, 0.42%

LAB 26.72, 66.05, -88.56

 

CMYK 0 / 96 / 91 / 20

HEX #CD0812

RGB 205 8 18

HSL 356.95, 0.92%, 0.42%

LAB 43.06, 67.38, 51.04

 

CMYK 14 / 0 / 96 / 20

HEX #B0CD08

RGB 176 205 8

HSL 68.83, 0.92%, 0.42%

LAB 77.82, -30.4, 76.8

 

CMYK 96 / 0 / 4 / 19

HEX #09CFC7

RGB 9 207 199

HSL 177.58, 0.92%, 0.42%

LAB 75.33, -43.19, -8.06

 

CMYK 53 / 96 / 0 / 20

HEX #6108CD

RGB 97 8 205

HSL 267.11, 0.92%, 0.42%

LAB 32.08, 69.02, -79.49

 

CMYK 0 / 96 / 91 / 20

HEX #CD0812

RGB 205 8 18

HSL 356.95, 0.92%, 0.42%

LAB 43.06, 67.38, 51.04

 

CMYK 43 / 0 / 96 / 20

HEX #74CD08

RGB 116 205 8

HSL 87.11, 0.92%, 0.42%

LAB 74.44, -52.92, 72.71

 

Description

Color code: HEX #09CFC7 | qconv.com Color code: HEX #09CFC7 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 9 red, 207 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
9 207 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 96 cyan, none magenta, 4 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
96% 0% 4% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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