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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #09CD3C it is the complementary color #F632C3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #09CD3C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #09CD3C shade: #0ECD37, #1FDF4A, #30F15D, #41FF70 and #52FF83

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #09CD3C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #09CD3C shade: #09CD3C, #00BB29, #00A916, #009703 and #008500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #09CD3C shade: #09CE3C, #0ACE09, #40CE09, #75CE09 and #AACE09

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #09CD3C shade: #09CE3C, #09CE71, #09CEA6, #09C0CE and #098BCE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #09CD3C shade matches the following richer shades: #09CE3C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #09CD3C shade: #09CE3C, #1ABC44, #2BAB4C, #3D9A55 and #4E885D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #09CD3C shade: #40CE09, #0CCE09, #09CE3A, #09CE6E and #09CEA3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #09CD3C shade: #057E25, #07A630, #09CE3C, #0BF548 and #32F665

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #09CD3C shade: #09CD3C, #0975CE and #CE0926

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #09CD3C shade: #09CD3C, #3A09CE and #CE3A09

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #09CD3C shade: #09CD3C, #0975CE, #CE099C and #CE6109

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #09CD3C shade: #09CD3C, #093ACE, #CE099C and #CE9C09

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 96 / 0 / 71 / 20

HEX #09CD3C

RGB 9 205 60

HSL 135.61, 0.92%, 0.42%

LAB 72.26, -69.94, 57.42

 

Complementary color

CMYK 0 / 80 / 21 / 4

HEX #F632C3

RGB 246 50 195

HSL 315.61, 0.92%, 0.58%

LAB 57.86, 82.55, -30.99

 

CMYK 93 / 0 / 73 / 20

HEX #0ECD37

RGB 14 205 55

HSL 132.88, 0.87%, 0.43%

LAB 72.25, -70.16, 59.24

 

CMYK 86 / 0 / 67 / 13

HEX #1FDF4A

RGB 31 223 74

HSL 133.44, 0.76%, 0.5%

LAB 78.21, -72.62, 58.37

 

CMYK 80 / 0 / 61 / 5

HEX #30F15D

RGB 48 241 93

HSL 133.99, 0.87%, 0.57%

LAB 84.14, -74.44, 57.19

 

CMYK 75 / 0 / 56 / 0

HEX #41FF70

RGB 65 255 112

HSL 134.84, 1%, 0.63%

LAB 88.83, -74.5, 54.45

 

CMYK 68 / 0 / 49 / 0

HEX #52FF83

RGB 82 255 131

HSL 136.99, 1%, 0.66%

LAB 89.37, -69.35, 46.45

 

CMYK 96 / 0 / 71 / 20

HEX #09CD3C

RGB 9 205 60

HSL 135.61, 0.92%, 0.42%

LAB 72.26, -69.94, 57.42

 

CMYK 100 / 0 / 78 / 27

HEX #00BB29

RGB 0 187 41

HSL 133.16, 1%, 0.37%

LAB 66.29, -66.67, 58.01

 

CMYK 100 / 0 / 87 / 34

HEX #00A916

RGB 0 169 22

HSL 127.81, 1%, 0.33%

LAB 60.28, -62.65, 57.62

 

CMYK 100 / 0 / 98 / 41

HEX #009703

RGB 0 151 3

HSL 121.19, 1%, 0.3%

LAB 54.18, -58.2, 55.77

 

CMYK 100 / 0 / 100 / 48

HEX #008500

RGB 0 133 0

HSL 120, 1%, 0.26%

LAB 47.98, -53.15, 51.3

 

CMYK 96 / 0 / 71 / 19

HEX #09CE3C

RGB 9 206 60

HSL 135.53, 0.92%, 0.42%

LAB 72.58, -70.23, 57.76

 

CMYK 95 / 0 / 96 / 19

HEX #0ACE09

RGB 10 206 9

HSL 119.7, 0.92%, 0.42%

LAB 72.38, -72.81, 69.95

 

CMYK 69 / 0 / 96 / 19

HEX #40CE09

RGB 64 206 9

HSL 103.25, 0.92%, 0.42%

LAB 73.06, -66.81, 70.79

 

CMYK 43 / 0 / 96 / 19

HEX #75CE09

RGB 117 206 9

HSL 87.11, 0.92%, 0.42%

LAB 74.79, -52.97, 72.91

 

CMYK 17 / 0 / 96 / 19

HEX #AACE09

RGB 170 206 9

HSL 70.96, 0.92%, 0.42%

LAB 77.7, -33.31, 76.44

 

CMYK 96 / 0 / 71 / 19

HEX #09CE3C

RGB 9 206 60

HSL 135.53, 0.92%, 0.42%

LAB 72.58, -70.23, 57.76

 

CMYK 96 / 0 / 45 / 19

HEX #09CE71

RGB 9 206 113

HSL 151.68, 0.92%, 0.42%

LAB 73.15, -63.21, 34.5

 

CMYK 96 / 0 / 19 / 19

HEX #09CEA6

RGB 9 206 166

HSL 167.82, 0.92%, 0.42%

LAB 74.16, -51.76, 8.03

 

CMYK 96 / 7 / 0 / 19

HEX #09C0CE

RGB 9 192 206

HSL 184.26, 0.92%, 0.42%

LAB 71.02, -34.26, -18.33

 

CMYK 96 / 33 / 0 / 19

HEX #098BCE

RGB 9 139 206

HSL 200.41, 0.92%, 0.42%

LAB 55.05, -6.47, -43.04

 

CMYK 96 / 0 / 71 / 19

HEX #09CE3C

RGB 9 206 60

HSL 135.53, 0.92%, 0.42%

LAB 72.58, -70.23, 57.76

 

CMYK 96 / 0 / 71 / 19

HEX #09CE3C

RGB 9 206 60

HSL 135.53, 0.92%, 0.42%

LAB 72.58, -70.23, 57.76

 

CMYK 86 / 0 / 64 / 26

HEX #1ABC44

RGB 26 188 68

HSL 135.56, 0.76%, 0.42%

LAB 66.98, -63.01, 48.5

 

CMYK 75 / 0 / 56 / 33

HEX #2BAB4C

RGB 43 171 76

HSL 135.47, 0.6%, 0.42%

LAB 61.79, -54.36, 38.85

 

CMYK 60 / 0 / 45 / 40

HEX #3D9A55

RGB 61 154 85

HSL 135.48, 0.43%, 0.42%

LAB 56.84, -43.05, 28.19

 

CMYK 43 / 0 / 32 / 47

HEX #4E885D

RGB 78 136 93

HSL 135.52, 0.27%, 0.42%

LAB 51.86, -28.93, 17.3

 

CMYK 69 / 0 / 96 / 19

HEX #40CE09

RGB 64 206 9

HSL 103.25, 0.92%, 0.42%

LAB 73.06, -66.81, 70.79

 

CMYK 94 / 0 / 96 / 19

HEX #0CCE09

RGB 12 206 9

HSL 119.09, 0.92%, 0.42%

LAB 72.39, -72.73, 69.96

 

CMYK 96 / 0 / 72 / 19

HEX #09CE3A

RGB 9 206 58

HSL 134.92, 0.92%, 0.42%

LAB 72.57, -70.41, 58.48

 

CMYK 96 / 0 / 47 / 19

HEX #09CE6E

RGB 9 206 110

HSL 150.76, 0.92%, 0.42%

LAB 73.11, -63.73, 35.95

 

CMYK 96 / 0 / 21 / 19

HEX #09CEA3

RGB 9 206 163

HSL 166.9, 0.92%, 0.42%

LAB 74.09, -52.51, 9.54

 

CMYK 96 / 0 / 71 / 51

HEX #057E25

RGB 5 126 37

HSL 135.87, 0.92%, 0.26%

LAB 45.75, -48.37, 38.64

 

CMYK 96 / 0 / 71 / 35

HEX #07A630

RGB 7 166 48

HSL 135.47, 0.92%, 0.34%

LAB 59.46, -59.6, 48.64

 

CMYK 96 / 0 / 71 / 19

HEX #09CE3C

RGB 9 206 60

HSL 135.53, 0.92%, 0.42%

LAB 72.58, -70.23, 57.76

 

CMYK 96 / 0 / 71 / 4

HEX #0BF548

RGB 11 245 72

HSL 135.64, 0.92%, 0.5%

LAB 84.92, -80.19, 66.19

 

CMYK 80 / 0 / 59 / 4

HEX #32F665

RGB 50 246 101

HSL 135.61, 0.92%, 0.58%

LAB 85.77, -74.84, 55.64

 

CMYK 96 / 0 / 71 / 20

HEX #09CD3C

RGB 9 205 60

HSL 135.61, 0.92%, 0.42%

LAB 72.26, -69.94, 57.42

 

CMYK 96 / 43 / 0 / 19

HEX #0975CE

RGB 9 117 206

HSL 207.11, 0.92%, 0.42%

LAB 48.56, 6.8, -53.38

 

CMYK 0 / 96 / 82 / 19

HEX #CE0926

RGB 206 9 38

HSL 351.17, 0.92%, 0.42%

LAB 43.44, 67.94, 41.64

 

CMYK 96 / 0 / 71 / 20

HEX #09CD3C

RGB 9 205 60

HSL 135.61, 0.92%, 0.42%

LAB 72.26, -69.94, 57.42

 

CMYK 72 / 96 / 0 / 19

HEX #3A09CE

RGB 58 9 206

HSL 254.92, 0.92%, 0.42%

LAB 28.25, 66.77, -86.56

 

CMYK 0 / 72 / 96 / 19

HEX #CE3A09

RGB 206 58 9

HSL 14.92, 0.92%, 0.42%

LAB 47.19, 56.36, 56.58

 

CMYK 96 / 0 / 71 / 20

HEX #09CD3C

RGB 9 205 60

HSL 135.61, 0.92%, 0.42%

LAB 72.26, -69.94, 57.42

 

CMYK 96 / 43 / 0 / 19

HEX #0975CE

RGB 9 117 206

HSL 207.11, 0.92%, 0.42%

LAB 48.56, 6.8, -53.38

 

CMYK 0 / 96 / 24 / 19

HEX #CE099C

RGB 206 9 156

HSL 315.23, 0.92%, 0.42%

LAB 46.6, 76.37, -26.17

 

CMYK 0 / 53 / 96 / 19

HEX #CE6109

RGB 206 97 9

HSL 26.8, 0.92%, 0.42%

LAB 53.7, 39.17, 60.61

 

CMYK 96 / 0 / 71 / 20

HEX #09CD3C

RGB 9 205 60

HSL 135.61, 0.92%, 0.42%

LAB 72.26, -69.94, 57.42

 

CMYK 96 / 72 / 0 / 19

HEX #093ACE

RGB 9 58 206

HSL 225.08, 0.92%, 0.42%

LAB 33.01, 44.83, -78.72

 

CMYK 0 / 96 / 24 / 19

HEX #CE099C

RGB 206 9 156

HSL 315.23, 0.92%, 0.42%

LAB 46.6, 76.37, -26.17

 

CMYK 0 / 24 / 96 / 19

HEX #CE9C09

RGB 206 156 9

HSL 44.77, 0.92%, 0.42%

LAB 67.22, 7.68, 69.93

 

Description

Color code: HEX #09CD3C | qconv.com Color code: HEX #09CD3C | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 9 red, 205 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
9 205 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 96 cyan, none magenta, 71 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
96% 0% 71% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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