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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #09C7CC it is the complementary color #F63833. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #09C7CC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #09C7CC shade: #0EC7C7, #1FD9DA, #30EBED, #41FDFF and #52FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #09C7CC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #09C7CC shade: #09C7CC, #00B5B9, #00A3A6, #009193 and #007F80

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #09C7CC shade: #09C9CE, #0993CE, #095ECE, #0929CE and #1D09CE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #09C7CC shade: #09C9CE, #0993CE, #095ECE, #0929CE and #0909CE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #09C7CC shade matches the following richer shades: #09C9CE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #09C7CC shade: #09C9CE, #1AB8BC, #2BA8AB, #3D979A and #4E8788

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #09C7CC shade: #09CE68, #09CE9C, #09CACE, #0996CE and #0961CE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #09C7CC shade: #057B7E, #07A2A6, #09C9CE, #0BEFF5 and #32F1F6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #09C7CC shade: #09C7CC, #3309CE and #CE8209

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #09C7CC shade: #09C7CC, #CE09CA and #CACE09

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #09C7CC shade: #09C7CC, #3309CE, #CE0C09 and #A3CE09

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #09C7CC shade: #09C7CC, #6E09CE, #CE0C09 and #68CE09

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 96 / 2 / 0 / 20

HEX #09C7CC

RGB 9 199 204

HSL 181.54, 0.92%, 0.42%

LAB 73.07, -38.13, -14.15

 

Complementary color

CMYK 0 / 77 / 79 / 4

HEX #F63833

RGB 246 56 51

HSL 1.54, 0.92%, 0.58%

LAB 54.72, 69.92, 48.47

 

CMYK 93 / 0 / 0 / 22

HEX #0EC7C7

RGB 14 199 199

HSL 180, 0.87%, 0.42%

LAB 72.93, -39.48, -11.63

 

CMYK 86 / 0 / 0 / 15

HEX #1FD9DA

RGB 31 217 218

HSL 180.32, 0.75%, 0.49%

LAB 79.03, -41.16, -12.74

 

CMYK 80 / 1 / 0 / 7

HEX #30EBED

RGB 48 235 237

HSL 180.63, 0.84%, 0.56%

LAB 85.08, -42.51, -13.74

 

CMYK 75 / 1 / 0 / 0

HEX #41FDFF

RGB 65 253 255

HSL 180.63, 1%, 0.63%

LAB 91.05, -43.87, -14.18

 

CMYK 68 / 0 / 0 / 0

HEX #52FFFF

RGB 82 255 255

HSL 180, 1%, 0.66%

LAB 91.92, -42.83, -12.85

 

CMYK 96 / 2 / 0 / 20

HEX #09C7CC

RGB 9 199 204

HSL 181.54, 0.92%, 0.42%

LAB 73.07, -38.13, -14.15

 

CMYK 100 / 2 / 0 / 27

HEX #00B5B9

RGB 0 181 185

HSL 181.3, 1%, 0.36%

LAB 66.94, -35.94, -12.95

 

CMYK 100 / 2 / 0 / 35

HEX #00A3A6

RGB 0 163 166

HSL 181.08, 1%, 0.33%

LAB 60.74, -33.46, -11.66

 

CMYK 100 / 1 / 0 / 42

HEX #009193

RGB 0 145 147

HSL 180.82, 1%, 0.29%

LAB 54.4, -30.93, -10.34

 

CMYK 100 / 1 / 0 / 50

HEX #007F80

RGB 0 127 128

HSL 180.47, 1%, 0.25%

LAB 47.93, -28.35, -8.97

 

CMYK 96 / 2 / 0 / 19

HEX #09C9CE

RGB 9 201 206

HSL 181.52, 0.92%, 0.42%

LAB 73.73, -38.43, -14.24

 

CMYK 96 / 29 / 0 / 19

HEX #0993CE

RGB 9 147 206

HSL 197.97, 0.92%, 0.42%

LAB 57.45, -11.04, -39.27

 

CMYK 96 / 54 / 0 / 19

HEX #095ECE

RGB 9 94 206

HSL 214.11, 0.92%, 0.42%

LAB 42.03, 21.6, -63.92

 

CMYK 96 / 80 / 0 / 19

HEX #0929CE

RGB 9 41 206

HSL 230.25, 0.92%, 0.42%

LAB 29.66, 54.33, -84.26

 

CMYK 86 / 96 / 0 / 19

HEX #1D09CE

RGB 29 9 206

HSL 246.09, 0.92%, 0.42%

LAB 26.48, 65.92, -89.55

 

CMYK 96 / 2 / 0 / 19

HEX #09C9CE

RGB 9 201 206

HSL 181.52, 0.92%, 0.42%

LAB 73.73, -38.43, -14.24

 

CMYK 96 / 29 / 0 / 19

HEX #0993CE

RGB 9 147 206

HSL 197.97, 0.92%, 0.42%

LAB 57.45, -11.04, -39.27

 

CMYK 96 / 54 / 0 / 19

HEX #095ECE

RGB 9 94 206

HSL 214.11, 0.92%, 0.42%

LAB 42.03, 21.6, -63.92

 

CMYK 96 / 80 / 0 / 19

HEX #0929CE

RGB 9 41 206

HSL 230.25, 0.92%, 0.42%

LAB 29.66, 54.33, -84.26

 

CMYK 96 / 96 / 0 / 19

HEX #0909CE

RGB 9 9 206

HSL 240, 0.92%, 0.42%

LAB 25.89, 65.66, -90.55

 

CMYK 96 / 2 / 0 / 19

HEX #09C9CE

RGB 9 201 206

HSL 181.52, 0.92%, 0.42%

LAB 73.73, -38.43, -14.24

 

CMYK 96 / 2 / 0 / 19

HEX #09C9CE

RGB 9 201 206

HSL 181.52, 0.92%, 0.42%

LAB 73.73, -38.43, -14.24

 

CMYK 86 / 2 / 0 / 26

HEX #1AB8BC

RGB 26 184 188

HSL 181.48, 0.76%, 0.42%

LAB 68.12, -35.34, -12.82

 

CMYK 75 / 2 / 0 / 33

HEX #2BA8AB

RGB 43 168 171

HSL 181.41, 0.6%, 0.42%

LAB 62.89, -31.44, -11.19

 

CMYK 60 / 2 / 0 / 40

HEX #3D979A

RGB 61 151 154

HSL 181.94, 0.43%, 0.42%

LAB 57.52, -25.45, -9.58

 

CMYK 43 / 1 / 0 / 47

HEX #4E8788

RGB 78 135 136

HSL 181.03, 0.27%, 0.42%

LAB 52.65, -18.39, -6.41

 

CMYK 96 / 0 / 50 / 19

HEX #09CE68

RGB 9 206 104

HSL 148.93, 0.92%, 0.42%

LAB 73.02, -64.72, 38.82

 

CMYK 96 / 0 / 24 / 19

HEX #09CE9C

RGB 9 206 156

HSL 164.77, 0.92%, 0.42%

LAB 73.93, -54.22, 13.07

 

CMYK 96 / 2 / 0 / 19

HEX #09CACE

RGB 9 202 206

HSL 181.22, 0.92%, 0.42%

LAB 74.03, -38.89, -13.78

 

CMYK 96 / 27 / 0 / 19

HEX #0996CE

RGB 9 150 206

HSL 197.06, 0.92%, 0.42%

LAB 58.35, -12.72, -37.86

 

CMYK 96 / 53 / 0 / 19

HEX #0961CE

RGB 9 97 206

HSL 213.2, 0.92%, 0.42%

LAB 42.86, 19.63, -62.57

 

CMYK 96 / 2 / 0 / 51

HEX #057B7E

RGB 5 123 126

HSL 181.49, 0.92%, 0.26%

LAB 46.58, -26.75, -9.8

 

CMYK 96 / 2 / 0 / 35

HEX #07A2A6

RGB 7 162 166

HSL 181.51, 0.92%, 0.34%

LAB 60.46, -32.72, -12.07

 

CMYK 96 / 2 / 0 / 19

HEX #09C9CE

RGB 9 201 206

HSL 181.52, 0.92%, 0.42%

LAB 73.73, -38.43, -14.24

 

CMYK 96 / 2 / 0 / 4

HEX #0BEFF5

RGB 11 239 245

HSL 181.54, 0.92%, 0.5%

LAB 86.2, -43.79, -16.28

 

CMYK 80 / 2 / 0 / 4

HEX #32F1F6

RGB 50 241 246

HSL 181.53, 0.92%, 0.58%

LAB 87.12, -42.44, -15.41

 

CMYK 96 / 2 / 0 / 20

HEX #09C7CC

RGB 9 199 204

HSL 181.54, 0.92%, 0.42%

LAB 73.07, -38.13, -14.15

 

CMYK 75 / 96 / 0 / 19

HEX #3309CE

RGB 51 9 206

HSL 252.79, 0.92%, 0.42%

LAB 27.72, 66.5, -87.45

 

CMYK 0 / 37 / 96 / 19

HEX #CE8209

RGB 206 130 9

HSL 36.85, 0.92%, 0.42%

LAB 60.88, 21.78, 65.45

 

CMYK 96 / 2 / 0 / 20

HEX #09C7CC

RGB 9 199 204

HSL 181.54, 0.92%, 0.42%

LAB 73.07, -38.13, -14.15

 

CMYK 0 / 96 / 2 / 19

HEX #CE09CA

RGB 206 9 202

HSL 301.22, 0.92%, 0.42%

LAB 48.98, 82.37, -49.49

 

CMYK 2 / 0 / 96 / 19

HEX #CACE09

RGB 202 206 9

HSL 61.22, 0.92%, 0.42%

LAB 80.02, -19.97, 79.22

 

CMYK 96 / 2 / 0 / 20

HEX #09C7CC

RGB 9 199 204

HSL 181.54, 0.92%, 0.42%

LAB 73.07, -38.13, -14.15

 

CMYK 75 / 96 / 0 / 19

HEX #3309CE

RGB 51 9 206

HSL 252.79, 0.92%, 0.42%

LAB 27.72, 66.5, -87.45

 

CMYK 0 / 94 / 96 / 19

HEX #CE0C09

RGB 206 12 9

HSL 0.91, 0.92%, 0.42%

LAB 43.37, 67.16, 54.47

 

CMYK 21 / 0 / 96 / 19

HEX #A3CE09

RGB 163 206 9

HSL 73.1, 0.92%, 0.42%

LAB 77.25, -36.12, 75.89

 

CMYK 96 / 2 / 0 / 20

HEX #09C7CC

RGB 9 199 204

HSL 181.54, 0.92%, 0.42%

LAB 73.07, -38.13, -14.15

 

CMYK 47 / 96 / 0 / 19

HEX #6E09CE

RGB 110 9 206

HSL 270.76, 0.92%, 0.42%

LAB 33.91, 70.22, -76.99

 

CMYK 0 / 94 / 96 / 19

HEX #CE0C09

RGB 206 12 9

HSL 0.91, 0.92%, 0.42%

LAB 43.37, 67.16, 54.47

 

CMYK 50 / 0 / 96 / 19

HEX #68CE09

RGB 104 206 9

HSL 91.07, 0.92%, 0.42%

LAB 74.26, -57.02, 72.26

 

Description

Color code: HEX #09C7CC | qconv.com Color code: HEX #09C7CC | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 9 red, 199 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
9 199 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 96 cyan, 2 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
96% 2% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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