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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #09C356 it is the complementary color #F63CA9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #09C356. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #09C356 shade: #0EC351, #1FD564, #30E777, #41F98A and #52FF9D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #09C356. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #09C356 shade: #09C356, #00B143, #009F30, #008D1D and #007B0A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #09C356 shade: #09C356, #09C324, #20C309, #53C309 and #85C309

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #09C356 shade: #09C356, #09C388, #09C3BA, #0999C3 and #0967C3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #09C356 shade matches the following richer shades: #09C356

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #09C356 shade: #09C356, #1AB259, #2AA25C, #3B915F and #4B8161

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #09C356 shade: #22C309, #09C322, #09C353, #09C385 and #09C3B6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #09C356 shade: #057433, #079B45, #09C356, #0BEA67 and #2AF57E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #09C356 shade: #09C356, #0953C3 and #C30909

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #09C356 shade: #09C356, #5309C3 and #C35309

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #09C356 shade: #09C356, #0953C3, #C30979 and #C37909

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #09C356 shade: #09C356, #091CC3, #C30979 and #C3B009

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 95 / 0 / 56 / 24

HEX #09C356

RGB 9 195 86

HSL 144.84, 0.91%, 0.4%

LAB 69.3, -63.93, 42.96

 

Complementary color

CMYK 0 / 76 / 31 / 4

HEX #F63CA9

RGB 246 60 169

HSL 324.84, 0.91%, 0.6%

LAB 57.74, 76.93, -16.13

 

CMYK 93 / 0 / 58 / 24

HEX #0EC351

RGB 14 195 81

HSL 142.21, 0.87%, 0.41%

LAB 69.27, -64.4, 45.27

 

CMYK 85 / 0 / 53 / 16

HEX #1FD564

RGB 31 213 100

HSL 142.75, 0.75%, 0.48%

LAB 75.33, -66.35, 43.64

 

CMYK 79 / 0 / 48 / 9

HEX #30E777

RGB 48 231 119

HSL 143.28, 0.79%, 0.55%

LAB 81.35, -67.76, 42.02

 

CMYK 74 / 0 / 45 / 2

HEX #41F98A

RGB 65 249 138

HSL 143.8, 0.94%, 0.62%

LAB 87.34, -68.76, 40.46

 

CMYK 68 / 0 / 38 / 0

HEX #52FF9D

RGB 82 255 157

HSL 146.01, 1%, 0.66%

LAB 89.74, -65.15, 34.31

 

CMYK 95 / 0 / 56 / 24

HEX #09C356

RGB 9 195 86

HSL 144.84, 0.91%, 0.4%

LAB 69.3, -63.93, 42.96

 

CMYK 100 / 0 / 62 / 31

HEX #00B143

RGB 0 177 67

HSL 142.71, 1%, 0.35%

LAB 63.22, -61.22, 44.65

 

CMYK 100 / 0 / 70 / 38

HEX #009F30

RGB 0 159 48

HSL 138.11, 1%, 0.31%

LAB 57.08, -57.86, 46.11

 

CMYK 100 / 0 / 79 / 45

HEX #008D1D

RGB 0 141 29

HSL 132.34, 1%, 0.28%

LAB 50.85, -54.11, 46.92

 

CMYK 100 / 0 / 92 / 52

HEX #007B0A

RGB 0 123 10

HSL 124.88, 1%, 0.24%

LAB 44.5, -49.83, 46.36

 

CMYK 95 / 0 / 56 / 24

HEX #09C356

RGB 9 195 86

HSL 144.84, 0.91%, 0.4%

LAB 69.3, -63.93, 42.96

 

CMYK 95 / 0 / 82 / 24

HEX #09C324

RGB 9 195 36

HSL 128.71, 0.91%, 0.4%

LAB 68.91, -68.85, 61.98

 

CMYK 84 / 0 / 95 / 24

HEX #20C309

RGB 32 195 9

HSL 112.58, 0.91%, 0.4%

LAB 69.01, -68.23, 67.25

 

CMYK 57 / 0 / 95 / 24

HEX #53C309

RGB 83 195 9

HSL 96.13, 0.91%, 0.4%

LAB 70.1, -58.94, 68.59

 

CMYK 32 / 0 / 95 / 24

HEX #85C309

RGB 133 195 9

HSL 80, 0.91%, 0.4%

LAB 72.25, -42.88, 71.22

 

CMYK 95 / 0 / 56 / 24

HEX #09C356

RGB 9 195 86

HSL 144.84, 0.91%, 0.4%

LAB 69.3, -63.93, 42.96

 

CMYK 95 / 0 / 30 / 24

HEX #09C388

RGB 9 195 136

HSL 160.97, 0.91%, 0.4%

LAB 70.08, -54.7, 18.4

 

CMYK 95 / 0 / 5 / 24

HEX #09C3BA

RGB 9 195 186

HSL 177.1, 0.91%, 0.4%

LAB 71.31, -41.69, -6.98

 

CMYK 95 / 22 / 0 / 24

HEX #0999C3

RGB 9 153 195

HSL 193.55, 0.91%, 0.4%

LAB 58.77, -18.33, -31.01

 

CMYK 95 / 47 / 0 / 24

HEX #0967C3

RGB 9 103 195

HSL 209.68, 0.91%, 0.4%

LAB 43.8, 11.33, -54.71

 

CMYK 95 / 0 / 56 / 24

HEX #09C356

RGB 9 195 86

HSL 144.84, 0.91%, 0.4%

LAB 69.3, -63.93, 42.96

 

CMYK 95 / 0 / 56 / 24

HEX #09C356

RGB 9 195 86

HSL 144.84, 0.91%, 0.4%

LAB 69.3, -63.93, 42.96

 

CMYK 85 / 0 / 50 / 30

HEX #1AB259

RGB 26 178 89

HSL 144.87, 0.75%, 0.4%

LAB 63.98, -56.83, 35.02

 

CMYK 74 / 0 / 43 / 36

HEX #2AA25C

RGB 42 162 92

HSL 145, 0.59%, 0.4%

LAB 59.07, -48.62, 27.25

 

CMYK 59 / 0 / 34 / 43

HEX #3B915F

RGB 59 145 95

HSL 145.12, 0.42%, 0.4%

LAB 54.03, -37.85, 19

 

CMYK 42 / 0 / 25 / 49

HEX #4B8161

RGB 75 129 97

HSL 144.44, 0.26%, 0.4%

LAB 49.57, -25.6, 11.83

 

CMYK 83 / 0 / 95 / 24

HEX #22C309

RGB 34 195 9

HSL 111.94, 0.91%, 0.4%

LAB 69.03, -68.02, 67.28

 

CMYK 95 / 0 / 83 / 24

HEX #09C322

RGB 9 195 34

HSL 128.06, 0.91%, 0.4%

LAB 68.9, -68.96, 62.5

 

CMYK 95 / 0 / 57 / 24

HEX #09C353

RGB 9 195 83

HSL 143.87, 0.91%, 0.4%

LAB 69.26, -64.34, 44.33

 

CMYK 95 / 0 / 32 / 24

HEX #09C385

RGB 9 195 133

HSL 160, 0.91%, 0.4%

LAB 70.02, -55.37, 19.93

 

CMYK 95 / 0 / 7 / 24

HEX #09C3B6

RGB 9 195 182

HSL 175.81, 0.91%, 0.4%

LAB 71.19, -42.85, -4.97

 

CMYK 96 / 0 / 56 / 55

HEX #057433

RGB 5 116 51

HSL 144.86, 0.92%, 0.24%

LAB 42.4, -43.1, 27.99

 

CMYK 95 / 0 / 55 / 39

HEX #079B45

RGB 7 155 69

HSL 145.14, 0.91%, 0.32%

LAB 56.01, -53.53, 35.23

 

CMYK 95 / 0 / 56 / 24

HEX #09C356

RGB 9 195 86

HSL 144.84, 0.91%, 0.4%

LAB 69.3, -63.93, 42.96

 

CMYK 95 / 0 / 56 / 8

HEX #0BEA67

RGB 11 234 103

HSL 144.75, 0.91%, 0.48%

LAB 81.78, -73.6, 49.99

 

CMYK 83 / 0 / 49 / 4

HEX #2AF57E

RGB 42 245 126

HSL 144.83, 0.91%, 0.56%

LAB 85.66, -71.87, 44.04

 

CMYK 95 / 0 / 56 / 24

HEX #09C356

RGB 9 195 86

HSL 144.84, 0.91%, 0.4%

LAB 69.3, -63.93, 42.96

 

CMYK 95 / 57 / 0 / 24

HEX #0953C3

RGB 9 83 195

HSL 216.13, 0.91%, 0.4%

LAB 38.17, 24.49, -63.84

 

CMYK 0 / 95 / 95 / 24

HEX #C30909

RGB 195 9 9

HSL 0, 0.91%, 0.4%

LAB 40.92, 64.64, 51.91

 

CMYK 95 / 0 / 56 / 24

HEX #09C356

RGB 9 195 86

HSL 144.84, 0.91%, 0.4%

LAB 69.3, -63.93, 42.96

 

CMYK 57 / 95 / 0 / 24

HEX #5309C3

RGB 83 9 195

HSL 263.87, 0.91%, 0.4%

LAB 29.35, 65.51, -78.22

 

CMYK 0 / 57 / 95 / 24

HEX #C35309

RGB 195 83 9

HSL 23.87, 0.91%, 0.4%

LAB 49.26, 41.8, 56.89

 

CMYK 95 / 0 / 56 / 24

HEX #09C356

RGB 9 195 86

HSL 144.84, 0.91%, 0.4%

LAB 69.3, -63.93, 42.96

 

CMYK 95 / 57 / 0 / 24

HEX #0953C3

RGB 9 83 195

HSL 216.13, 0.91%, 0.4%

LAB 38.17, 24.49, -63.84

 

CMYK 0 / 95 / 38 / 24

HEX #C30979

RGB 195 9 121

HSL 323.87, 0.91%, 0.4%

LAB 43.03, 70.36, -10.49

 

CMYK 0 / 38 / 95 / 24

HEX #C37909

RGB 195 121 9

HSL 36.13, 0.91%, 0.4%

LAB 57.36, 21.9, 62.34

 

CMYK 95 / 0 / 56 / 24

HEX #09C356

RGB 9 195 86

HSL 144.84, 0.91%, 0.4%

LAB 69.3, -63.93, 42.96

 

CMYK 95 / 86 / 0 / 24

HEX #091CC3

RGB 9 28 195

HSL 233.87, 0.91%, 0.4%

LAB 26.24, 56.91, -83.52

 

CMYK 0 / 95 / 38 / 24

HEX #C30979

RGB 195 9 121

HSL 323.87, 0.91%, 0.4%

LAB 43.03, 70.36, -10.49

 

CMYK 0 / 10 / 95 / 24

HEX #C3B009

RGB 195 176 9

HSL 53.87, 0.91%, 0.4%

LAB 71.33, -7.83, 72.46

 

Description

Color code: HEX #09C356 | qconv.com Color code: HEX #09C356 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 9 red, 195 green and 86 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
9 195 86 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 95 cyan, none magenta, 56 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
95% 0% 56% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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