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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #09AC93 it is the complementary color #F6536C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #09AC93. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #09AC93 shade: #0EAC8E, #1FBEA1, #30D0B4, #41E2C7 and #52F4DA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #09AC93. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #09AC93 shade: #09AC93, #009A80, #00886D, #00765A and #006447

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #09AC93 shade: #09AA91, #09AA66, #09AA3A, #09AA0F and #2EAA09

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #09AC93 shade: #09AA91, #0997AA, #096CAA, #0940AA and #0915AA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #09AC93 shade matches the following richer shades: #09AA91

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #09AC93 shade: #09AA91, #179B87, #268D7D, #347E73 and #437069

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #09AC93 shade: #09AA39, #09AA64, #09AA8F, #099AAA and #096FAA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #09AC93 shade: #055B4E, #07826F, #09AA91, #0BD1B2 and #12F3D0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #09AC93 shade: #09AC93, #0E09AA and #AA4F09

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #09AC93 shade: #09AC93, #8F09AA and #AA8F09

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #09AC93 shade: #09AC93, #0E09AA, #AA0924 and #A4AA09

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #09AC93 shade: #09AC93, #3E09AA, #AA0924 and #74AA09

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 95 / 0 / 15 / 33

HEX #09AC93

RGB 9 172 147

HSL 170.8, 0.9%, 0.35%

LAB 63.07, -42.77, 2.45

 

Complementary color

CMYK 0 / 66 / 56 / 4

HEX #F6536C

RGB 246 83 108

HSL 350.8, 0.9%, 0.65%

LAB 58.85, 63.61, 21.22

 

CMYK 92 / 0 / 17 / 33

HEX #0EAC8E

RGB 14 172 142

HSL 168.61, 0.85%, 0.36%

LAB 62.97, -43.91, 5.1

 

CMYK 84 / 0 / 15 / 25

HEX #1FBEA1

RGB 31 190 161

HSL 169.06, 0.72%, 0.43%

LAB 69.25, -45.35, 3.69

 

CMYK 77 / 0 / 13 / 18

HEX #30D0B4

RGB 48 208 180

HSL 169.5, 0.63%, 0.5%

LAB 75.47, -46.4, 2.43

 

CMYK 71 / 0 / 12 / 11

HEX #41E2C7

RGB 65 226 199

HSL 169.94, 0.74%, 0.57%

LAB 81.64, -47.16, 1.29

 

CMYK 66 / 0 / 11 / 4

HEX #52F4DA

RGB 82 244 218

HSL 170.37, 0.88%, 0.64%

LAB 87.75, -47.71, 0.25

 

CMYK 95 / 0 / 15 / 33

HEX #09AC93

RGB 9 172 147

HSL 170.8, 0.9%, 0.35%

LAB 63.07, -42.77, 2.45

 

CMYK 100 / 0 / 17 / 40

HEX #009A80

RGB 0 154 128

HSL 169.87, 1%, 0.3%

LAB 56.75, -40.7, 4.01

 

CMYK 100 / 0 / 20 / 47

HEX #00886D

RGB 0 136 109

HSL 168.09, 1%, 0.27%

LAB 50.35, -38.23, 5.72

 

CMYK 100 / 0 / 24 / 54

HEX #00765A

RGB 0 118 90

HSL 165.76, 1%, 0.23%

LAB 43.79, -35.69, 7.53

 

CMYK 100 / 0 / 29 / 61

HEX #006447

RGB 0 100 71

HSL 162.6, 1%, 0.2%

LAB 37.06, -33.05, 9.47

 

CMYK 95 / 0 / 15 / 33

HEX #09AA91

RGB 9 170 145

HSL 170.68, 0.9%, 0.35%

LAB 62.38, -42.46, 2.57

 

CMYK 95 / 0 / 40 / 33

HEX #09AA66

RGB 9 170 102

HSL 154.66, 0.9%, 0.35%

LAB 61.45, -52.77, 24.95

 

CMYK 95 / 0 / 66 / 33

HEX #09AA3A

RGB 9 170 58

HSL 138.26, 0.9%, 0.35%

LAB 60.88, -59.68, 46.02

 

CMYK 95 / 0 / 91 / 33

HEX #09AA0F

RGB 9 170 15

HSL 122.24, 0.9%, 0.35%

LAB 60.64, -62.74, 59.34

 

CMYK 73 / 0 / 95 / 33

HEX #2EAA09

RGB 46 170 9

HSL 106.21, 0.9%, 0.35%

LAB 61.09, -58.81, 60.8

 

CMYK 95 / 0 / 15 / 33

HEX #09AA91

RGB 9 170 145

HSL 170.68, 0.9%, 0.35%

LAB 62.38, -42.46, 2.57

 

CMYK 95 / 11 / 0 / 33

HEX #0997AA

RGB 9 151 170

HSL 187.08, 0.9%, 0.35%

LAB 57.17, -25.95, -19.33

 

CMYK 95 / 36 / 0 / 33

HEX #096CAA

RGB 9 108 170

HSL 203.11, 0.9%, 0.35%

LAB 43.78, -1.84, -40.17

 

CMYK 95 / 62 / 0 / 33

HEX #0940AA

RGB 9 64 170

HSL 219.5, 0.9%, 0.35%

LAB 30.94, 27.25, -60.89

 

CMYK 95 / 88 / 0 / 33

HEX #0915AA

RGB 9 21 170

HSL 235.53, 0.9%, 0.35%

LAB 21.93, 52.25, -75.78

 

CMYK 95 / 0 / 15 / 33

HEX #09AA91

RGB 9 170 145

HSL 170.68, 0.9%, 0.35%

LAB 62.38, -42.46, 2.57

 

CMYK 95 / 0 / 15 / 33

HEX #09AA91

RGB 9 170 145

HSL 170.68, 0.9%, 0.35%

LAB 62.38, -42.46, 2.57

 

CMYK 85 / 0 / 13 / 39

HEX #179B87

RGB 23 155 135

HSL 170.91, 0.74%, 0.35%

LAB 57.44, -37.91, 1.04

 

CMYK 73 / 0 / 11 / 45

HEX #268D7D

RGB 38 141 125

HSL 170.68, 0.58%, 0.35%

LAB 52.89, -32.7, 0.17

 

CMYK 59 / 0 / 9 / 51

HEX #347E73

RGB 52 126 115

HSL 171.08, 0.42%, 0.35%

LAB 48.12, -25.75, -0.91

 

CMYK 40 / 0 / 6 / 56

HEX #437069

RGB 67 112 105

HSL 170.67, 0.25%, 0.35%

LAB 43.95, -17.28, -1

 

CMYK 95 / 0 / 66 / 33

HEX #09AA39

RGB 9 170 57

HSL 137.89, 0.9%, 0.35%

LAB 60.87, -59.8, 46.44

 

CMYK 95 / 0 / 41 / 33

HEX #09AA64

RGB 9 170 100

HSL 153.91, 0.9%, 0.35%

LAB 61.42, -53.17, 25.98

 

CMYK 95 / 0 / 16 / 33

HEX #09AA8F

RGB 9 170 143

HSL 169.94, 0.9%, 0.35%

LAB 62.33, -43.01, 3.62

 

CMYK 95 / 9 / 0 / 33

HEX #099AAA

RGB 9 154 170

HSL 185.96, 0.9%, 0.35%

LAB 58.1, -27.45, -17.9

 

CMYK 95 / 35 / 0 / 33

HEX #096FAA

RGB 9 111 170

HSL 201.99, 0.9%, 0.35%

LAB 44.7, -3.68, -38.71

 

CMYK 95 / 0 / 14 / 64

HEX #055B4E

RGB 5 91 78

HSL 170.93, 0.9%, 0.19%

LAB 34.12, -26.47, 0.96

 

CMYK 95 / 0 / 15 / 49

HEX #07826F

RGB 7 130 111

HSL 170.73, 0.9%, 0.27%

LAB 48.46, -34.62, 1.83

 

CMYK 95 / 0 / 15 / 33

HEX #09AA91

RGB 9 170 145

HSL 170.68, 0.9%, 0.35%

LAB 62.38, -42.46, 2.57

 

CMYK 95 / 0 / 15 / 18

HEX #0BD1B2

RGB 11 209 178

HSL 170.61, 0.9%, 0.43%

LAB 75.38, -49.8, 3.33

 

CMYK 93 / 0 / 14 / 5

HEX #12F3D0

RGB 18 243 208

HSL 170.67, 0.9%, 0.51%

LAB 86.4, -55.5, 3.4

 

CMYK 95 / 0 / 15 / 33

HEX #09AC93

RGB 9 172 147

HSL 170.8, 0.9%, 0.35%

LAB 63.07, -42.77, 2.45

 

CMYK 92 / 95 / 0 / 33

HEX #0E09AA

RGB 14 9 170

HSL 241.86, 0.9%, 0.35%

LAB 20.79, 56.2, -77.68

 

CMYK 0 / 54 / 95 / 33

HEX #AA4F09

RGB 170 79 9

HSL 26.09, 0.9%, 0.35%

LAB 44.46, 33.91, 51.76

 

CMYK 95 / 0 / 15 / 33

HEX #09AC93

RGB 9 172 147

HSL 170.8, 0.9%, 0.35%

LAB 63.07, -42.77, 2.45

 

CMYK 16 / 95 / 0 / 33

HEX #8F09AA

RGB 143 9 170

HSL 289.94, 0.9%, 0.35%

LAB 35.86, 67.16, -52.34

 

CMYK 0 / 16 / 95 / 33

HEX #AA8F09

RGB 170 143 9

HSL 49.94, 0.9%, 0.35%

LAB 60.08, -1.49, 63.01

 

CMYK 95 / 0 / 15 / 33

HEX #09AC93

RGB 9 172 147

HSL 170.8, 0.9%, 0.35%

LAB 63.07, -42.77, 2.45

 

CMYK 92 / 95 / 0 / 33

HEX #0E09AA

RGB 14 9 170

HSL 241.86, 0.9%, 0.35%

LAB 20.79, 56.2, -77.68

 

CMYK 0 / 95 / 79 / 33

HEX #AA0924

RGB 170 9 36

HSL 349.94, 0.9%, 0.35%

LAB 35.73, 58.7, 32.46

 

CMYK 4 / 0 / 95 / 33

HEX #A4AA09

RGB 164 170 9

HSL 62.24, 0.9%, 0.35%

LAB 67.02, -18.43, 68.03

 

CMYK 95 / 0 / 15 / 33

HEX #09AC93

RGB 9 172 147

HSL 170.8, 0.9%, 0.35%

LAB 63.07, -42.77, 2.45

 

CMYK 64 / 95 / 0 / 33

HEX #3E09AA

RGB 62 9 170

HSL 259.75, 0.9%, 0.35%

LAB 24.07, 58.02, -72.14

 

CMYK 0 / 95 / 79 / 33

HEX #AA0924

RGB 170 9 36

HSL 349.94, 0.9%, 0.35%

LAB 35.73, 58.7, 32.46

 

CMYK 32 / 0 / 95 / 33

HEX #74AA09

RGB 116 170 9

HSL 80.12, 0.9%, 0.35%

LAB 63.74, -38.46, 64.05

 

Description

Color code: HEX #09AC93 | qconv.com Color code: HEX #09AC93 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 9 red, 172 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
9 172 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 95 cyan, none magenta, 15 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
95% 0% 15% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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