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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #09AC2A it is the complementary color #F653D5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #09AC2A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #09AC2A shade: #0EAC25, #1FBE38, #30D04B, #41E25E and #52F471

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #09AC2A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #09AC2A shade: #09AC2A, #009A17, #008804, #007600 and #006400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #09AC2A shade: #09AA29, #14AA09, #3FAA09, #6AAA09 and #96AA09

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #09AC2A shade: #09AA29, #09AA55, #09AA80, #09A8AA and #097CAA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #09AC2A shade matches the following richer shades: #09AA29

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #09AC2A shade: #09AA29, #179B32, #268D3B, #347E43 and #43704C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #09AC2A shade: #3EAA09, #14AA09, #09AA29, #09AA54 and #09AA7F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #09AC2A shade: #055B16, #078220, #09AA29, #0BD133 and #12F340

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #09AC2A shade: #09AC2A, #0969AA and #AA0929

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #09AC2A shade: #09AC2A, #2909AA and #AA2909

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #09AC2A shade: #09AC2A, #0969AA, #AA0989 and #AA4909

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #09AC2A shade: #09AC2A, #0939AA, #AA0989 and #AA7909

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 95 / 0 / 76 / 33

HEX #09AC2A

RGB 9 172 42

HSL 132.15, 0.9%, 0.35%

LAB 61.42, -61.82, 52.9

 

Complementary color

CMYK 0 / 66 / 13 / 4

HEX #F653D5

RGB 246 83 213

HSL 312.15, 0.9%, 0.65%

LAB 62.15, 74.95, -34.56

 

CMYK 92 / 0 / 78 / 33

HEX #0EAC25

RGB 14 172 37

HSL 128.73, 0.85%, 0.36%

LAB 61.42, -61.92, 54.59

 

CMYK 84 / 0 / 71 / 25

HEX #1FBE38

RGB 31 190 56

HSL 129.43, 0.72%, 0.43%

LAB 67.58, -64.39, 54.1

 

CMYK 77 / 0 / 64 / 18

HEX #30D04B

RGB 48 208 75

HSL 130.13, 0.63%, 0.5%

LAB 73.71, -66.11, 53.09

 

CMYK 71 / 0 / 58 / 11

HEX #41E25E

RGB 65 226 94

HSL 130.81, 0.74%, 0.57%

LAB 79.8, -67.29, 51.85

 

CMYK 66 / 0 / 54 / 4

HEX #52F471

RGB 82 244 113

HSL 131.48, 0.88%, 0.64%

LAB 85.85, -68.06, 50.51

 

CMYK 95 / 0 / 76 / 33

HEX #09AC2A

RGB 9 172 42

HSL 132.15, 0.9%, 0.35%

LAB 61.42, -61.82, 52.9

 

CMYK 100 / 0 / 85 / 40

HEX #009A17

RGB 0 154 23

HSL 128.96, 1%, 0.3%

LAB 55.25, -58.32, 52.86

 

CMYK 100 / 0 / 97 / 47

HEX #008804

RGB 0 136 4

HSL 121.76, 1%, 0.27%

LAB 49.03, -53.88, 51.38

 

CMYK 100 / 0 / 100 / 54

HEX #007600

RGB 0 118 0

HSL 120, 1%, 0.23%

LAB 42.7, -48.77, 47.07

 

CMYK 100 / 0 / 100 / 61

HEX #006400

RGB 0 100 0

HSL 120, 1%, 0.2%

LAB 36.2, -43.37, 41.86

 

CMYK 95 / 0 / 76 / 33

HEX #09AA29

RGB 9 170 41

HSL 131.93, 0.9%, 0.35%

LAB 60.75, -61.31, 52.58

 

CMYK 88 / 0 / 95 / 33

HEX #14AA09

RGB 20 170 9

HSL 115.9, 0.9%, 0.35%

LAB 60.71, -62.18, 60.33

 

CMYK 63 / 0 / 95 / 33

HEX #3FAA09

RGB 63 170 9

HSL 99.88, 0.9%, 0.35%

LAB 61.5, -55.29, 61.31

 

CMYK 38 / 0 / 95 / 33

HEX #6AAA09

RGB 106 170 9

HSL 83.85, 0.9%, 0.35%

LAB 63.2, -42.19, 63.4

 

CMYK 12 / 0 / 95 / 33

HEX #96AA09

RGB 150 170 9

HSL 67.45, 0.9%, 0.35%

LAB 65.95, -24.52, 66.73

 

CMYK 95 / 0 / 76 / 33

HEX #09AA29

RGB 9 170 41

HSL 131.93, 0.9%, 0.35%

LAB 60.75, -61.31, 52.58

 

CMYK 95 / 0 / 50 / 33

HEX #09AA55

RGB 9 170 85

HSL 148.32, 0.9%, 0.35%

LAB 61.19, -55.9, 33.52

 

CMYK 95 / 0 / 25 / 33

HEX #09AA80

RGB 9 170 128

HSL 164.35, 0.9%, 0.35%

LAB 61.97, -46.91, 11.45

 

CMYK 95 / 1 / 0 / 33

HEX #09A8AA

RGB 9 168 170

HSL 180.75, 0.9%, 0.35%

LAB 62.48, -34.23, -11.29

 

CMYK 95 / 27 / 0 / 33

HEX #097CAA

RGB 9 124 170

HSL 197.14, 0.9%, 0.35%

LAB 48.73, -11.38, -32.37

 

CMYK 95 / 0 / 76 / 33

HEX #09AA29

RGB 9 170 41

HSL 131.93, 0.9%, 0.35%

LAB 60.75, -61.31, 52.58

 

CMYK 95 / 0 / 76 / 33

HEX #09AA29

RGB 9 170 41

HSL 131.93, 0.9%, 0.35%

LAB 60.75, -61.31, 52.58

 

CMYK 85 / 0 / 68 / 39

HEX #179B32

RGB 23 155 50

HSL 132.27, 0.74%, 0.35%

LAB 55.94, -54.81, 44.09

 

CMYK 73 / 0 / 58 / 45

HEX #268D3B

RGB 38 141 59

HSL 132.23, 0.58%, 0.35%

LAB 51.58, -46.82, 35.02

 

CMYK 59 / 0 / 47 / 51

HEX #347E43

RGB 52 126 67

HSL 132.16, 0.42%, 0.35%

LAB 47.05, -36.59, 25.33

 

CMYK 40 / 0 / 32 / 56

HEX #43704C

RGB 67 112 76

HSL 132, 0.25%, 0.35%

LAB 43.22, -23.91, 15.27

 

CMYK 64 / 0 / 95 / 33

HEX #3EAA09

RGB 62 170 9

HSL 100.25, 0.9%, 0.35%

LAB 61.48, -55.53, 61.28

 

CMYK 88 / 0 / 95 / 33

HEX #14AA09

RGB 20 170 9

HSL 115.9, 0.9%, 0.35%

LAB 60.71, -62.18, 60.33

 

CMYK 95 / 0 / 76 / 33

HEX #09AA29

RGB 9 170 41

HSL 131.93, 0.9%, 0.35%

LAB 60.75, -61.31, 52.58

 

CMYK 95 / 0 / 51 / 33

HEX #09AA54

RGB 9 170 84

HSL 147.95, 0.9%, 0.35%

LAB 61.17, -56.07, 34.02

 

CMYK 95 / 0 / 25 / 33

HEX #09AA7F

RGB 9 170 127

HSL 163.98, 0.9%, 0.35%

LAB 61.95, -47.16, 11.97

 

CMYK 95 / 0 / 76 / 64

HEX #055B16

RGB 5 91 22

HSL 131.86, 0.9%, 0.19%

LAB 33.08, -38.37, 31.73

 

CMYK 95 / 0 / 75 / 49

HEX #078220

RGB 7 130 32

HSL 132.2, 0.9%, 0.27%

LAB 47.12, -49.99, 42.14

 

CMYK 95 / 0 / 76 / 33

HEX #09AA29

RGB 9 170 41

HSL 131.93, 0.9%, 0.35%

LAB 60.75, -61.31, 52.58

 

CMYK 95 / 0 / 76 / 18

HEX #0BD133

RGB 11 209 51

HSL 132.12, 0.9%, 0.43%

LAB 73.49, -71.74, 61.84

 

CMYK 93 / 0 / 74 / 5

HEX #12F340

RGB 18 243 64

HSL 132.27, 0.9%, 0.51%

LAB 84.28, -80.01, 68.31

 

CMYK 95 / 0 / 76 / 33

HEX #09AC2A

RGB 9 172 42

HSL 132.15, 0.9%, 0.35%

LAB 61.42, -61.82, 52.9

 

CMYK 95 / 38 / 0 / 33

HEX #0969AA

RGB 9 105 170

HSL 204.22, 0.9%, 0.35%

LAB 42.86, 0.02, -41.64

 

CMYK 0 / 95 / 76 / 33

HEX #AA0929

RGB 170 9 41

HSL 348.07, 0.9%, 0.35%

LAB 35.79, 58.88, 29.46

 

CMYK 95 / 0 / 76 / 33

HEX #09AC2A

RGB 9 172 42

HSL 132.15, 0.9%, 0.35%

LAB 61.42, -61.82, 52.9

 

CMYK 76 / 95 / 0 / 33

HEX #2909AA

RGB 41 9 170

HSL 251.93, 0.9%, 0.35%

LAB 22.19, 56.92, -75.31

 

CMYK 0 / 76 / 95 / 33

HEX #AA2909

RGB 170 41 9

HSL 11.93, 0.9%, 0.35%

LAB 38.11, 50.77, 47.59

 

CMYK 95 / 0 / 76 / 33

HEX #09AC2A

RGB 9 172 42

HSL 132.15, 0.9%, 0.35%

LAB 61.42, -61.82, 52.9

 

CMYK 95 / 38 / 0 / 33

HEX #0969AA

RGB 9 105 170

HSL 204.22, 0.9%, 0.35%

LAB 42.86, 0.02, -41.64

 

CMYK 0 / 95 / 19 / 33

HEX #AA0989

RGB 170 9 137

HSL 312.3, 0.9%, 0.35%

LAB 38.81, 66.94, -27.29

 

CMYK 0 / 57 / 95 / 33

HEX #AA4909

RGB 170 73 9

HSL 23.85, 0.9%, 0.35%

LAB 43.26, 36.98, 50.94

 

CMYK 95 / 0 / 76 / 33

HEX #09AC2A

RGB 9 172 42

HSL 132.15, 0.9%, 0.35%

LAB 61.42, -61.82, 52.9

 

CMYK 95 / 66 / 0 / 33

HEX #0939AA

RGB 9 57 170

HSL 222.11, 0.9%, 0.35%

LAB 29.12, 31.96, -63.87

 

CMYK 0 / 95 / 19 / 33

HEX #AA0989

RGB 170 9 137

HSL 312.3, 0.9%, 0.35%

LAB 38.81, 66.94, -27.29

 

CMYK 0 / 29 / 95 / 33

HEX #AA7909

RGB 170 121 9

HSL 41.74, 0.9%, 0.35%

LAB 54.28, 10.72, 58.73

 

Description

Color code: HEX #09AC2A | qconv.com Color code: HEX #09AC2A | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 9 red, 172 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
9 172 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 95 cyan, none magenta, 76 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
95% 0% 76% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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