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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #09A8C8 it is the complementary color #F65737. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #09A8C8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #09A8C8 shade: #0EA8C3, #1FBAD6, #30CCE9, #41DEFC and #52F0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #09A8C8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #09A8C8 shade: #09A8C8, #0096B5, #0084A2, #00728F and #00607C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #09A8C8 shade: #09A7C7, #0974C7, #0941C7, #090DC7 and #3809C7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #09A8C8 shade: #09A7C7, #0974C7, #0941C7, #090DC7 and #0909C7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #09A8C8 shade matches the following richer shades: #09A7C7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #09A8C8 shade: #09A7C7, #1A9CB6, #2B91A5, #3C8694 and #4D7A84

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #09A8C8 shade: #09C781, #09C7B4, #09A7C7, #0975C7 and #0942C7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #09A8C8 shade: #056578, #0786A0, #09A7C7, #0BC8EF and #2ED3F5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #09A8C8 shade: #09A8C8, #4F09C7 and #C79B09

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #09A8C8 shade: #09A8C8, #C709A7 and #A7C709

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #09A8C8 shade: #09A8C8, #4F09C7, #C72909 and #81C709

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #09A8C8 shade: #09A8C8, #8809C7, #C72909 and #48C709

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 96 / 16 / 0 / 22

HEX #09A8C8

RGB 9 168 200

HSL 190.05, 0.91%, 0.41%

LAB 63.54, -24.44, -26.45

 

Complementary color

CMYK 0 / 65 / 78 / 4

HEX #F65737

RGB 246 87 55

HSL 10.05, 0.91%, 0.59%

LAB 58.68, 59.25, 50.41

 

CMYK 93 / 14 / 0 / 24

HEX #0EA8C3

RGB 14 168 195

HSL 188.95, 0.87%, 0.41%

LAB 63.37, -25.95, -23.91

 

CMYK 86 / 13 / 0 / 16

HEX #1FBAD6

RGB 31 186 214

HSL 189.18, 0.75%, 0.48%

LAB 69.66, -27.79, -24.76

 

CMYK 79 / 12 / 0 / 9

HEX #30CCE9

RGB 48 204 233

HSL 189.41, 0.81%, 0.55%

LAB 75.88, -29.26, -25.52

 

CMYK 74 / 12 / 0 / 1

HEX #41DEFC

RGB 65 222 252

HSL 189.63, 0.97%, 0.62%

LAB 82.05, -30.44, -26.21

 

CMYK 68 / 6 / 0 / 0

HEX #52F0FF

RGB 82 240 255

HSL 185.2, 1%, 0.66%

LAB 87.65, -36.02, -19.27

 

CMYK 96 / 16 / 0 / 22

HEX #09A8C8

RGB 9 168 200

HSL 190.05, 0.91%, 0.41%

LAB 63.54, -24.44, -26.45

 

CMYK 100 / 17 / 0 / 29

HEX #0096B5

RGB 0 150 181

HSL 190.28, 1%, 0.35%

LAB 57.22, -21.99, -25.5

 

CMYK 100 / 19 / 0 / 36

HEX #0084A2

RGB 0 132 162

HSL 191.11, 1%, 0.32%

LAB 50.82, -19.17, -24.48

 

CMYK 100 / 20 / 0 / 44

HEX #00728F

RGB 0 114 143

HSL 192.17, 1%, 0.28%

LAB 44.26, -16.26, -23.46

 

CMYK 100 / 23 / 0 / 51

HEX #00607C

RGB 0 96 124

HSL 193.55, 1%, 0.24%

LAB 37.52, -13.21, -22.45

 

CMYK 95 / 16 / 0 / 22

HEX #09A7C7

RGB 9 167 199

HSL 190.11, 0.91%, 0.41%

LAB 63.19, -24.27, -26.42

 

CMYK 95 / 42 / 0 / 22

HEX #0974C7

RGB 9 116 199

HSL 206.21, 0.91%, 0.41%

LAB 47.84, 4.67, -50.52

 

CMYK 95 / 67 / 0 / 22

HEX #0941C7

RGB 9 65 199

HSL 222.32, 0.91%, 0.41%

LAB 33.9, 37.88, -73.16

 

CMYK 95 / 93 / 0 / 22

HEX #090DC7

RGB 9 13 199

HSL 238.74, 0.91%, 0.41%

LAB 25.17, 62.97, -87.66

 

CMYK 72 / 95 / 0 / 22

HEX #3809C7

RGB 56 9 199

HSL 254.84, 0.91%, 0.41%

LAB 27.18, 64.95, -84.24

 

CMYK 95 / 16 / 0 / 22

HEX #09A7C7

RGB 9 167 199

HSL 190.11, 0.91%, 0.41%

LAB 63.19, -24.27, -26.42

 

CMYK 95 / 42 / 0 / 22

HEX #0974C7

RGB 9 116 199

HSL 206.21, 0.91%, 0.41%

LAB 47.84, 4.67, -50.52

 

CMYK 95 / 67 / 0 / 22

HEX #0941C7

RGB 9 65 199

HSL 222.32, 0.91%, 0.41%

LAB 33.9, 37.88, -73.16

 

CMYK 95 / 93 / 0 / 22

HEX #090DC7

RGB 9 13 199

HSL 238.74, 0.91%, 0.41%

LAB 25.17, 62.97, -87.66

 

CMYK 95 / 95 / 0 / 22

HEX #0909C7

RGB 9 9 199

HSL 240, 0.91%, 0.41%

LAB 24.88, 63.85, -88.14

 

CMYK 95 / 16 / 0 / 22

HEX #09A7C7

RGB 9 167 199

HSL 190.11, 0.91%, 0.41%

LAB 63.19, -24.27, -26.42

 

CMYK 95 / 16 / 0 / 22

HEX #09A7C7

RGB 9 167 199

HSL 190.11, 0.91%, 0.41%

LAB 63.19, -24.27, -26.42

 

CMYK 86 / 14 / 0 / 29

HEX #1A9CB6

RGB 26 156 182

HSL 190, 0.75%, 0.41%

LAB 59.32, -23.54, -22.82

 

CMYK 74 / 12 / 0 / 35

HEX #2B91A5

RGB 43 145 165

HSL 189.84, 0.59%, 0.41%

LAB 55.56, -21.8, -18.87

 

CMYK 59 / 9 / 0 / 42

HEX #3C8694

RGB 60 134 148

HSL 189.55, 0.42%, 0.41%

LAB 52.01, -18.59, -14.43

 

CMYK 42 / 8 / 0 / 48

HEX #4D7A84

RGB 77 122 132

HSL 190.91, 0.26%, 0.41%

LAB 48.46, -12.65, -10.33

 

CMYK 95 / 0 / 35 / 22

HEX #09C781

RGB 9 199 129

HSL 157.89, 0.91%, 0.41%

LAB 71.21, -57.69, 23.66

 

CMYK 95 / 0 / 10 / 22

HEX #09C7B4

RGB 9 199 180

HSL 174, 0.91%, 0.41%

LAB 72.36, -45.14, -2.15

 

CMYK 95 / 16 / 0 / 22

HEX #09A7C7

RGB 9 167 199

HSL 190.11, 0.91%, 0.41%

LAB 63.19, -24.27, -26.42

 

CMYK 95 / 41 / 0 / 22

HEX #0975C7

RGB 9 117 199

HSL 205.89, 0.91%, 0.41%

LAB 48.14, 4.05, -50.05

 

CMYK 95 / 67 / 0 / 22

HEX #0942C7

RGB 9 66 199

HSL 222, 0.91%, 0.41%

LAB 34.14, 37.24, -72.77

 

CMYK 96 / 16 / 0 / 53

HEX #056578

RGB 5 101 120

HSL 189.91, 0.92%, 0.25%

LAB 39.06, -17.25, -17.62

 

CMYK 96 / 16 / 0 / 37

HEX #0786A0

RGB 7 134 160

HSL 190.2, 0.92%, 0.33%

LAB 51.42, -20.66, -22.39

 

CMYK 95 / 16 / 0 / 22

HEX #09A7C7

RGB 9 167 199

HSL 190.11, 0.91%, 0.41%

LAB 63.19, -24.27, -26.42

 

CMYK 95 / 16 / 0 / 6

HEX #0BC8EF

RGB 11 200 239

HSL 190.26, 0.91%, 0.49%

LAB 74.58, -27.42, -30.78

 

CMYK 81 / 14 / 0 / 4

HEX #2ED3F5

RGB 46 211 245

HSL 190.25, 0.91%, 0.57%

LAB 78.32, -29.07, -28.22

 

CMYK 96 / 16 / 0 / 22

HEX #09A8C8

RGB 9 168 200

HSL 190.05, 0.91%, 0.41%

LAB 63.54, -24.44, -26.45

 

CMYK 60 / 95 / 0 / 22

HEX #4F09C7

RGB 79 9 199

HSL 262.11, 0.91%, 0.41%

LAB 29.36, 66.18, -80.55

 

CMYK 0 / 22 / 95 / 22

HEX #C79B09

RGB 199 155 9

HSL 46.11, 0.91%, 0.41%

LAB 66.22, 5.1, 68.87

 

CMYK 96 / 16 / 0 / 22

HEX #09A8C8

RGB 9 168 200

HSL 190.05, 0.91%, 0.41%

LAB 63.54, -24.44, -26.45

 

CMYK 0 / 95 / 16 / 22

HEX #C709A7

RGB 199 9 167

HSL 310.11, 0.91%, 0.41%

LAB 45.81, 76.37, -34.08

 

CMYK 16 / 0 / 95 / 22

HEX #A7C709

RGB 167 199 9

HSL 70.11, 0.91%, 0.41%

LAB 75.5, -31.28, 74.65

 

CMYK 96 / 16 / 0 / 22

HEX #09A8C8

RGB 9 168 200

HSL 190.05, 0.91%, 0.41%

LAB 63.54, -24.44, -26.45

 

CMYK 60 / 95 / 0 / 22

HEX #4F09C7

RGB 79 9 199

HSL 262.11, 0.91%, 0.41%

LAB 29.36, 66.18, -80.55

 

CMYK 0 / 79 / 95 / 22

HEX #C72909

RGB 199 41 9

HSL 10.11, 0.91%, 0.41%

LAB 43.87, 59.7, 53.97

 

CMYK 35 / 0 / 95 / 22

HEX #81C709

RGB 129 199 9

HSL 82.11, 0.91%, 0.41%

LAB 73.24, -46.03, 71.91

 

CMYK 96 / 16 / 0 / 22

HEX #09A8C8

RGB 9 168 200

HSL 190.05, 0.91%, 0.41%

LAB 63.54, -24.44, -26.45

 

CMYK 32 / 95 / 0 / 22

HEX #8809C7

RGB 136 9 199

HSL 280.11, 0.91%, 0.41%

LAB 37.03, 71.57, -67.65

 

CMYK 0 / 79 / 95 / 22

HEX #C72909

RGB 199 41 9

HSL 10.11, 0.91%, 0.41%

LAB 43.87, 59.7, 53.97

 

CMYK 64 / 0 / 95 / 22

HEX #48C709

RGB 72 199 9

HSL 100.11, 0.91%, 0.41%

LAB 71.04, -62.94, 69.22

 

Description

Color code: HEX #09A8C8 | qconv.com Color code: HEX #09A8C8 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 9 red, 168 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
9 168 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 96 cyan, 16 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
96% 16% 0% 22% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

24% - Mercer Latin America...
Link: http://www.mercersignatureevents.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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