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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #09A71B it is the complementary color #F658E4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #09A71B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #09A71B shade: #0EA716, #1FB929, #30CB3C, #41DD4F and #52EF62

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #09A71B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #09A71B shade: #09A71B, #009508, #008300, #007100 and #005F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #09A71B shade: #09AA1B, #22AA09, #4DAA09, #79AA09 and #A4AA09

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #09A71B shade: #09AA1B, #09AA47, #09AA72, #09AA9D and #098BAA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #09A71B shade matches the following richer shades: #09AA1B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #09A71B shade: #09AA1B, #179B26, #268D32, #347E3D and #437048

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #09A71B shade: #4FAA09, #24AA09, #09AA19, #09AA44 and #09AA6F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #09A71B shade: #055B0F, #078215, #09AA1B, #0BD122 and #12F32C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #09A71B shade: #09A71B, #0979AA and #AA0939

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #09A71B shade: #09A71B, #1909AA and #AA1909

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #09A71B shade: #09A71B, #0979AA, #AA099A and #AA3909

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #09A71B shade: #09A71B, #0949AA, #AA099A and #AA6909

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 95 / 0 / 84 / 35

HEX #09A71B

RGB 9 167 27

HSL 126.84, 0.9%, 0.35%

LAB 59.68, -61.36, 55.88

 

Complementary color

CMYK 0 / 64 / 7 / 4

HEX #F658E4

RGB 246 88 228

HSL 306.84, 0.9%, 0.65%

LAB 63.49, 75.3, -40.9

 

CMYK 92 / 0 / 87 / 35

HEX #0EA716

RGB 14 167 22

HSL 123.14, 0.85%, 0.35%

LAB 59.7, -61.32, 57.13

 

CMYK 83 / 0 / 78 / 27

HEX #1FB929

RGB 31 185 41

HSL 123.9, 0.71%, 0.42%

LAB 65.86, -64.07, 57.67

 

CMYK 76 / 0 / 70 / 20

HEX #30CB3C

RGB 48 203 60

HSL 124.65, 0.62%, 0.49%

LAB 72.01, -66, 57.27

 

CMYK 71 / 0 / 64 / 13

HEX #41DD4F

RGB 65 221 79

HSL 125.38, 0.7%, 0.56%

LAB 78.11, -67.32, 56.39

 

CMYK 66 / 0 / 59 / 6

HEX #52EF62

RGB 82 239 98

HSL 126.11, 0.83%, 0.63%

LAB 84.18, -68.2, 55.25

 

CMYK 95 / 0 / 84 / 35

HEX #09A71B

RGB 9 167 27

HSL 126.84, 0.9%, 0.35%

LAB 59.68, -61.36, 55.88

 

CMYK 100 / 0 / 95 / 42

HEX #009508

RGB 0 149 8

HSL 123.22, 1%, 0.29%

LAB 53.51, -57.48, 54.4

 

CMYK 100 / 0 / 100 / 49

HEX #008300

RGB 0 131 0

HSL 120, 1%, 0.26%

LAB 47.28, -52.57, 50.74

 

CMYK 100 / 0 / 100 / 56

HEX #007100

RGB 0 113 0

HSL 120, 1%, 0.22%

LAB 40.91, -47.28, 45.64

 

CMYK 100 / 0 / 100 / 63

HEX #005F00

RGB 0 95 0

HSL 120, 1%, 0.19%

LAB 34.36, -41.84, 40.38

 

CMYK 95 / 0 / 84 / 33

HEX #09AA1B

RGB 9 170 27

HSL 126.71, 0.9%, 0.35%

LAB 60.68, -62.23, 56.79

 

CMYK 80 / 0 / 95 / 33

HEX #22AA09

RGB 34 170 9

HSL 110.68, 0.9%, 0.35%

LAB 60.88, -60.67, 60.54

 

CMYK 55 / 0 / 95 / 33

HEX #4DAA09

RGB 77 170 9

HSL 94.66, 0.9%, 0.35%

LAB 61.95, -51.64, 61.86

 

CMYK 29 / 0 / 95 / 33

HEX #79AA09

RGB 121 170 9

HSL 78.26, 0.9%, 0.35%

LAB 64.03, -36.51, 64.4

 

CMYK 4 / 0 / 95 / 33

HEX #A4AA09

RGB 164 170 9

HSL 62.24, 0.9%, 0.35%

LAB 67.02, -18.43, 68.03

 

CMYK 95 / 0 / 84 / 33

HEX #09AA1B

RGB 9 170 27

HSL 126.71, 0.9%, 0.35%

LAB 60.68, -62.23, 56.79

 

CMYK 95 / 0 / 58 / 33

HEX #09AA47

RGB 9 170 71

HSL 143.11, 0.9%, 0.35%

LAB 61.01, -58.05, 40.24

 

CMYK 95 / 0 / 33 / 33

HEX #09AA72

RGB 9 170 114

HSL 159.13, 0.9%, 0.35%

LAB 61.67, -50.22, 18.75

 

CMYK 95 / 0 / 8 / 33

HEX #09AA9D

RGB 9 170 157

HSL 175.16, 0.9%, 0.35%

LAB 62.71, -39.06, -3.66

 

CMYK 95 / 18 / 0 / 33

HEX #098BAA

RGB 9 139 170

HSL 191.55, 0.9%, 0.35%

LAB 53.41, -19.7, -25.09

 

CMYK 95 / 0 / 84 / 33

HEX #09AA1B

RGB 9 170 27

HSL 126.71, 0.9%, 0.35%

LAB 60.68, -62.23, 56.79

 

CMYK 95 / 0 / 84 / 33

HEX #09AA1B

RGB 9 170 27

HSL 126.71, 0.9%, 0.35%

LAB 60.68, -62.23, 56.79

 

CMYK 85 / 0 / 75 / 39

HEX #179B26

RGB 23 155 38

HSL 126.82, 0.74%, 0.35%

LAB 55.85, -55.95, 48.78

 

CMYK 73 / 0 / 65 / 45

HEX #268D32

RGB 38 141 50

HSL 126.99, 0.58%, 0.35%

LAB 51.49, -47.97, 39.23

 

CMYK 59 / 0 / 52 / 51

HEX #347E3D

RGB 52 126 61

HSL 127.3, 0.42%, 0.35%

LAB 46.96, -37.56, 28.47

 

CMYK 40 / 0 / 36 / 56

HEX #437048

RGB 67 112 72

HSL 126.67, 0.25%, 0.35%

LAB 43.14, -24.68, 17.5

 

CMYK 54 / 0 / 95 / 33

HEX #4FAA09

RGB 79 170 9

HSL 93.91, 0.9%, 0.35%

LAB 62.02, -51.06, 61.95

 

CMYK 79 / 0 / 95 / 33

HEX #24AA09

RGB 36 170 9

HSL 109.94, 0.9%, 0.35%

LAB 60.91, -60.39, 60.58

 

CMYK 95 / 0 / 85 / 33

HEX #09AA19

RGB 9 170 25

HSL 125.96, 0.9%, 0.35%

LAB 60.67, -62.33, 57.29

 

CMYK 95 / 0 / 60 / 33

HEX #09AA44

RGB 9 170 68

HSL 141.99, 0.9%, 0.35%

LAB 60.98, -58.46, 41.62

 

CMYK 95 / 0 / 35 / 33

HEX #09AA6F

RGB 9 170 111

HSL 158.01, 0.9%, 0.35%

LAB 61.62, -50.88, 20.31

 

CMYK 95 / 0 / 84 / 64

HEX #055B0F

RGB 5 91 15

HSL 126.98, 0.9%, 0.19%

LAB 33.03, -39.01, 34.5

 

CMYK 95 / 0 / 84 / 49

HEX #078215

RGB 7 130 21

HSL 126.83, 0.9%, 0.27%

LAB 47.06, -50.82, 45.88

 

CMYK 95 / 0 / 84 / 33

HEX #09AA1B

RGB 9 170 27

HSL 126.71, 0.9%, 0.35%

LAB 60.68, -62.23, 56.79

 

CMYK 95 / 0 / 84 / 18

HEX #0BD122

RGB 11 209 34

HSL 126.97, 0.9%, 0.43%

LAB 73.41, -72.78, 66.62

 

CMYK 93 / 0 / 82 / 5

HEX #12F32C

RGB 18 243 44

HSL 126.93, 0.9%, 0.51%

LAB 84.18, -81.26, 74.02

 

CMYK 95 / 0 / 84 / 35

HEX #09A71B

RGB 9 167 27

HSL 126.84, 0.9%, 0.35%

LAB 59.68, -61.36, 55.88

 

CMYK 95 / 29 / 0 / 33

HEX #0979AA

RGB 9 121 170

HSL 198.26, 0.9%, 0.35%

LAB 47.8, -9.64, -33.83

 

CMYK 0 / 95 / 66 / 33

HEX #AA0939

RGB 170 9 57

HSL 342.11, 0.9%, 0.35%

LAB 36.06, 59.6, 19.61

 

CMYK 95 / 0 / 84 / 35

HEX #09A71B

RGB 9 167 27

HSL 126.84, 0.9%, 0.35%

LAB 59.68, -61.36, 55.88

 

CMYK 85 / 95 / 0 / 33

HEX #1909AA

RGB 25 9 170

HSL 245.96, 0.9%, 0.35%

LAB 21.22, 56.41, -76.95

 

CMYK 0 / 85 / 95 / 33

HEX #AA1909

RGB 170 25 9

HSL 5.96, 0.9%, 0.35%

LAB 36.48, 55.36, 46.59

 

CMYK 95 / 0 / 84 / 35

HEX #09A71B

RGB 9 167 27

HSL 126.84, 0.9%, 0.35%

LAB 59.68, -61.36, 55.88

 

CMYK 95 / 29 / 0 / 33

HEX #0979AA

RGB 9 121 170

HSL 198.26, 0.9%, 0.35%

LAB 47.8, -9.64, -33.83

 

CMYK 0 / 95 / 9 / 33

HEX #AA099A

RGB 170 9 154

HSL 305.96, 0.9%, 0.35%

LAB 39.71, 69.23, -36.26

 

CMYK 0 / 66 / 95 / 33

HEX #AA3909

RGB 170 57 9

HSL 17.89, 0.9%, 0.35%

LAB 40.4, 44.52, 49.05

 

CMYK 95 / 0 / 84 / 35

HEX #09A71B

RGB 9 167 27

HSL 126.84, 0.9%, 0.35%

LAB 59.68, -61.36, 55.88

 

CMYK 95 / 57 / 0 / 33

HEX #0949AA

RGB 9 73 170

HSL 216.15, 0.9%, 0.35%

LAB 33.4, 21.12, -56.86

 

CMYK 0 / 95 / 9 / 33

HEX #AA099A

RGB 170 9 154

HSL 305.96, 0.9%, 0.35%

LAB 39.71, 69.23, -36.26

 

CMYK 0 / 38 / 95 / 33

HEX #AA6909

RGB 170 105 9

HSL 35.78, 0.9%, 0.35%

LAB 50.3, 19.73, 55.85

 

Description

Color code: HEX #09A71B | qconv.com Color code: HEX #09A71B | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 9 red, 167 green and 27 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
9 167 27 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 95 cyan, none magenta, 84 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
95% 0% 84% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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